Visual Effects Society Announces Nominees for the 12Th Annual
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Toy Story: How Pixar Reinvented the Animated Feature. London: Bloomsbury Academic, 2017
Smith, Susan, Noel Brown, and Sam Summers. "Bibliography." Toy Story: How Pixar Reinvented the Animated Feature. London: Bloomsbury Academic, 2017. 220–232. Bloomsbury Collections. Web. 30 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 20:22 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 220 B IBLIOGRAPHY A c k e r m a n , A l a n , Seeing Th ings: From Shakespeare to Pixar ( Toronto : University of Toronto Press , 2011 ). Adamson , Glen and Victoria Kelley (eds). Surface Tensions: Writings on Popular Design and Material Culture ( Manchester : Manchester University Press , 2013 ). Akers , Chelsie Lynn . ‘Th e Rise of Humour: Hollywood Increases Adult Centred Humour in Animated Children’s Films’ (unpublished Master’s thesis submitted to Brigham Young University, July 2013 ). Allison , Tanine . ‘ Blackface, Happy Feet : Th e Politics of Race in Motion Picture Animation ’, in Dan North et al. (eds), Special Eff ects: New Histories, Th eories, Contexts ( London : BFI/ Palgrave Macmillan , 2015 ), pp. 114 – 26 . A l t m a n , R i c k . Film/ Genre ( London : BFI , 1999 ). Amidi , Amid . Th e Art of Pixar: Th e Complete Colorscripts and Select Art from 25 Years of Animation ( San Francisco : Chronicle Books , 2011 ). Ansen , David . ‘ Disney’s Digital Delight ’, Newsweek , 27 November 1995 , p. 89 . Balcerzak , Scott . ‘ Andy Serkis as Actor, Body and Gorilla: Motion Capture and the Presence of Performance ’, in Jason Sperb and Scott Balcerzak (eds), Cinephilia in the Age of Digital Reproduction, Vol. -
92Nd ACADEMY AWARDS® BALLOT
92nd ACADEMY AWARDS® BALLOT IMDb LIVE is covering the Academy Awards all evening long -- join us at IMDb.com on Feb. 9 at 7:30 p.m. ET/4:30 p.m. PT Name ¨ A B BEST ACHIEVEMENT ¨ A Marriage Story 8.1 14 Once Upon a Time... in Hollywood 7.7 Noah Baumbach IN COSTUME DESIGN Wylie Stateman A ¨ Once Upon a Time... in Hollywood 7.7 ¨ Jojo Rabbit A8.0 ¨ Star Wars: The Rise Of Skywalker A6.9 Total Correct Quentin Tarantino Mayes C. Rubeo Matthew Wood and David Acord A ¨ Parasite 8.6 ¨ Joker A8.6 /24 Bong Joon Ho and Jin Won Han Mark Bridges BEST ACHIEVEMENT 20 ¨ Little Women A8.1 IN VISUAL EFFECTS Jacqueline Durran BEST MOTION PICTURE BEST ADAPTED ¨ 1917 A8.5 01 08 A OF THE YEAR SCREENPLAY ¨ Once Upon a Time... in Hollywood 7.7 Guillaume Rocheron, Greg Butler, and A Arianne Phillips Dominic Tuohy ¨ 1917 A8.5 ¨ Jojo Rabbit 8.0 ¨ The Irishman A8.0 A Sam Mendes, Pippa Harris, Jayne-Ann Taika Waititi ¨ Avengers: Endgame 8.5 Christopher Peterson and Sandy Powell Tenggren, and Callum McDougall ¨ Joker A8.6 Dan DeLeeuw, Russell Earl, Matt Aitken, Todd Phillips and Scott Silver and Daniel Sudick ¨ Ford v Ferrari A8.2 A BEST ACHIEVEMENT IN ¨ A Peter Chernin, Jenno Topping, James Mangold ¨ Little Women 8.1 15 Star Wars: The Rise Of Skywalker 6.9 Greta Gerwig MAKEUP AND HAIRSTYLING Neal Scanlan, Patrick Tubach, Dominic Tuohy, ¨ Jojo Rabbit A8.0 and Roger Guyett Carthew Neal, Taika Waititi ¨ The Irishman A8.0 ¨ 1917 A8.5 Steven Zaillian ¨ The Irishman A8.0 ¨ Joker A8.6 Naomi Donne, Tristan Versluis, and Rebecca Cole Pablo Helman, Leandro Estebecorena, Todd Phillips, Bradley Cooper, Emma Tillinger ¨ The Two Popes A7.6 ¨ Bombshell A6.8 Nelson Sepulveda, and Stephane Grabli Koskoff Anthony McCarten Kazu Hiro, Anne Morgan, and Vivian Baker ¨ The Lion King A6.9 ¨ Little Women A8.1 ¨ Joker A8.6 Robert Legato, Adam Valdez, Andrew R. -
Independence Day: Resurgence
INDEPENDENCE DAY: RESURGENCE (2016) ● Rated PG 13 for sequences of sci fi action and destruction, and for some language ● $165,000,000 budget ● 2 hrs ● Directed by Roland Emmerich ● Produced by Lynn Harris, Matti Leshem, Douglas C. Merrifield ● The film was produced by Columbia Pictures, Sony Pictures QUICK THOUGHTS ● Phil Svitek ● Marisa Serafini ● Demetri Panos ● Sara Stretton DEVELOPMENT ● The possibility of a sequel to Independence Day had long been discussed, and the film's producer and writer, Dean Devlin, once stated that the world's reaction to the September 11 attacks influenced him to strongly consider making a sequel to the film ● Soon after the success of the first film, 20th Century Fox paid Dean Devlin a large sum of money to write a script for a sequel. However, after completing the script, Devlin didn't turn in the script and instead gave the money back to the studio, as he felt the story didn't live up to the first film. It was only approximately 15 years later, that Devlin met up with Roland Emmerich to try again, having felt that they had "cracked" a story for a sequel ● Devlin began writing an outline for a script with Emmerich, but in May 2004, Emmerich said he and Devlin had attempted to "figure out a way how to continue the story", but that this ultimately did not work, and the pair abandoned the idea ● In October 2009, Emmerich said he once again had plans for a sequel, and had since considered the idea of making two sequels to form a trilogy ● On June 24, 2011, Devlin confirmed that he and Emmerich had found an idea for the sequels and had written a treatment for it ● In October 2011, however, discussions for Will Smith returning were halted, due to Fox's refusal to provide the $50 million salary demanded by Smith for the two sequels ● Emmerich, however, made assurances that the films would be shot backtoback, regardless of Smith's involvement ○ Resurgence filmmakers were reported to be preparing versions of the film both with and without Will Smith. -
FY 2017 Annual Report CREATING FLEXIBLE SPACES for the 21ST CENTURY Public Libraries Are Fundamental for a Democracy in Which Learning Is Available to All
Cover graphic created by Lindsey Atnip FY 2017 Annual Report CREATING FLEXIBLE SPACES FOR THE 21ST CENTURY Public libraries are fundamental for a democracy in which learning is available to all. Dear Friends, Twenty years ago, the Belvedere Tiburon community came together after OFFICERS a decade of planning to build a library that would serve as an important John Scarborough, President community hub and educational space for current and future generations. Douglas Norby, Vice President How fortunate we are that they achieved their goal! Today, people of all Barry Moss, Treasurer generations gather at our library to enjoy vibrant programming, discuss the latest books, and expand their horizons – all in a place that fosters human Jannette Mussche, Secretary connection. But so much has changed since that time. When our library was last DIRECTORS renovated, Bill Clinton was President, books were only available in physical Gary Cookhorn form, and self-driving cars were a thing of futuristic novels. Wyman Harris The library has certainly done its best to keep pace with these rapid changes Judy Huret by offering new programming and access to the latest technologies that include 3D printing, robot-building, and virtual reality experiences. John Kunzweiler Whitney Lee But the building itself is quite literally overflowing. Programming has jumped to over 1,000 offerings per year, our community has grown by 10 percent, and Rachael Ong the library has been ranked among the highest in California for circulation, Amanda Rickel program attendance, and visits per capita. Lori Runnfeldt Our beloved library has reached capacity, and just as those who came before Jeff Slavitz us had the foresight to bring us the library we know and love today, we must again come together to plan for the future. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates of the Caribbean: at World’S End)
WALT DISNEY PICTURES Presenta In associazione con JERRY BRUCKHEIMER FILMS PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates Of The Caribbean: At World’s End) Regia GORE VERBINSKI JOHNNY DEPP ORLANDO BLOOM KEIRA KNIGHTLEY STELLAN SKARSGǺRD BILL NIGHY con CHOW YUN-FAT e GEOFFREY RUSH JACK DAVENPORT, KEVIN R. MCNALLY, NAOMIE HARRIS, TOM HOLLANDER e JONATHAN PRYCE LEE ARENBERG, MACKENZIE CROOK, DAVID BAILIE, MARTIN KLEBBA Distribuito da BUENA VISTA INTERNATIONAL Data di uscita: 23 maggio 2007 Durata: 2 ore e 49 minuti PIRATI DEI CARAIBI Ai Confini Del Mondo Regia GORE VERBINSKI Sceneggiatura TED ELLIOTT & TERRY ROSSIO Tratto Dai Personaggi Creati Da TED ELLIOTT & TERRY ROSSIO e STUART BEATTIE e JAY WOLPERT Tratto Da ”LA MALEDIZIONE DELLA PRIMA LUNA” della Walt Disney Prodotto Da JERRY BRUCKHEIMER Produttori Esecutivi MIKE STENSON CHAD OMAN BRUCE HENDRICKS ERIC MCLEOD Direttore Della Fotografia DARIUSZ WOLSKI, ASC Scenografie RICK HEINRICHS Montaggio CRAIG WOOD STEPHEN RIVKIN, A.C.E. Costumi PENNY ROSE Supervisione Effetti Visivi JOHN KNOLL CHARLES GIBSON Musiche HANS ZIMMER Supervisione Musiche BOB BADAMI Casting DENISE CHAMIAN, CSA Casting Uk PRISCILLA JOHN, CDG Unit Production Manager ERIC MCLEOD Unit Production Manager DOUGLAS C. MERRIFIELD First Assistant Director DAVID H. VENGHAUS, JR. Second Assistant Director AMY J. SCHMIDT Associate Producer PAT SANDSTON ILM Animation Supervisor HAL HICKEL ILM Visual Effects Producer JILL BROOKS Additional Editing by DAN HANLEY Score Co-Produced by MELISSA MUIK Special Appearance by KEITH RICHARDS CAST Jack Sparrow JOHNNY DEPP Barbossa GEOFFREY RUSH Will Turner ORLANDO BLOOM Elizabeth Swann KEIRA KNIGHTLEY Norrington JACK DAVENPORT Davy Jones BILL NIGHY Governor Weatherby Swann JONATHAN PRYCE Pintel LEE ARENBERG Ragetti MACKENZIE CROOK Gibbs KEVIN R. -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Read Ebook {PDF EPUB} the Boyhood of Harvey by Stephen Turner Inside Steve Harvey’S $15 Million Atlanta Mansion
Read Ebook {PDF EPUB} The Boyhood of Harvey by Stephen Turner Inside Steve Harvey’s $15 Million Atlanta Mansion. First Madea, now Steve Harvey. Those walls will never be short of a laugh. An Atlanta, Ga., mansion formerly owned by movie mogul and actor Tyler Perry, in the affluent Buckhead area, has just been purchased by funnyman-turned-talk-show-host and self-help author Harvey and his wife Marjorie for $15 million, as first reported by TMZ. Harvey and Perry alone could probably start their own TV network with all the content they produce. The former, 63, is an omnipresent face on the small screen, hosting “Showtime at the Apollo,” “Celebrity Family Feud” and the Miss Universe competition. As for Perry, he has shows running on BET, Netflix, OWN, Nickelodeon and more. Both also have rags to riches back stories, having been homeless and, at times, laving lived in their cars before making it big in entertainment. Perry sold the unabashedly opulent 35,000-square-foot behemoth in 2016 for $17.5 million, after having had it on the market for almost two years with an unrealistic initial asking price of $25 million. Despite the multimillion-dollar difference between the original asking price and the recorded sale price, the property nonetheless made real estate waves as the most expensive residential sale in Atlanta history. It’s worth taking a gulp of air before reading through the plethora of features in the 7-bed, 9.5-bath spread. First, there’s the setting: 17 acres of manicured lawns bordered by trimmed gardens, a 70,000-gallon infinity-edged swimming pool, a lighted tennis court, fully equipped gym and separate spa. -
Zahraniční Tituly V České Kinodistribuci V Roce 2020
Úvod Kompilací Zahraniční filmy v české kinodistribuci 2020 předkládá Národní filmový archiv široké veřejnosti přehled všech zahraničních audiovizuálních děl, která v období od 1. ledna do 31. prosince 2020 byla v premiéře uvedena distribučními společnostmi v kinech na území České republiky. Jednotlivé tituly byly zpracovány na základně přístupných údajů Unie filmových distributorů a samotných distribučních společností. Získaná data byla revidována, zpřesňována, ověřována a doplňována podle zákonné oznamovací povinnosti (zákon o audiovizi číslo 496/2012 Sb. s účinností od 1. ledna 2013), úvodních a závěrečných filmových titulků, tisku, zahraničních internetových databází a dalších relevantních materiálů, pramenů a zdrojů. Po úvodním přehledu všech sto šestnácti v kinodistribuci nasazených filmů (pokud není uvedeno jinak, jde o dlouhometrážní díla) následuje hlavní část, abecedně seřazený soupis snímků v podobě hesel s filmografickými, technickými, produkčními a distribučními údaji a s informativními texty. V závěru publikace je přehled distribuovaných filmů seřazený chronologicky podle data české premiéry, dále podle země původu, podle distribučních společností. A zvláštní přehled tvoří filmy, které byly v kinech uvedeny v národní úpravě – v dabované verzi (zbylým snímkům bylo zpravidla ponecháno původní znění a byly opatřeny českými podtitulky). V jednotlivých seznamech jsou dále vedeny údaje, zda se jedná o součást pásma, obnovenou premiéru, film krátkometrážní či středometrážní a u koprodukčních snímků jsou zmíněny rovněž všechny zúčastněné země. Pro úplnost připojujeme taktéž soupis českých a českých koprodukčních snímků uvedených ve sledovaném roce v tuzemské kinodistribuci. Jejich podrobné údaje jsou k dohledání rovněž v internetové databázi Filmový přehled (www.filmovyprehled.cz). Výjimečný distribuční rok 2020 v českých kinech nelze – ať již celkovým množstvím filmových premiér, počtem projekcí, či jejich návštěvností – porovnávat s předcházejícími (a zřejmě ani s následujícími) lety. -
The Academy of Science Fiction, Fantasy & Horror
The Academy of Science Fiction, Fantasy & Horror Films 334 West 54th Street Los Angeles, California 90037-3806 Phone: (323) 752-5811 e-mail: [email protected] Robert Holguin (President) Dr. Donald A. Reed (Founder) Publicity Contact: Karl Williams [email protected] (310) 493-3991 “Gravity” and “The Hobbit: The Desolation of Smaug” soar with 8 Saturn Award nominations, “The Hunger Games: Catching Fire,” scores with 7, “Iron Man 3,” “Pacific Rim,” “Star Trek Into Darkness and Thor: The Dark World lead with 5 nominations apiece for the 40th Annual Saturn Awards, while “Breaking Bad,” “Falling Skies,” and “Game of Thrones” lead on TV in an Epic Year for Science Fiction, Fantasy and Horror LOS ANGELES – February 26, 2014 – Alfonso Cuaron’s Gravity and Peter Jackson’s The Hobbit: The Desolation of Smaug both received 8 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 40th Annual Saturn Awards, which will be presented in June. Other major contenders that received major nominations were The Hunger Games: Catching Fire, Guillermo del Toro’s Pacific Rim, Star Trek Into Darkness, The Book Thief, Her, Oz The Great anD Powerful and Ron Howard’s Rush. Also making a strong showing was the folk music fable InsiDe Llewyn Davis from Joel and Ethan Coen highlighting their magnificent and original work. And Scarlett Johansson was the first Best Supporting Actress to be nominated for her captivating vocal performance in Spike Jones’ fantasy romance Her. For the Saturn’s stellar 40th Anniversary celebration, two new categories have been added to reflect the changing times; Best Comic-to-Film Motion Picture will see Warner’s Man of Steel duking it out against Marvel’s Iron Man 3, Thor: The Dark WorlD and The Wolverine! The second new category is Best Performance by a Younger Actor in a Television Series – highlighting the most promising young talent working in TV today. -
High Value for Your Budget
EFA Master Class 2014 HIGH VALUE FOR YOUR BUDGET The Creative Use of Virtual Production with Marc Weigert EFA Master Class 2014 HIGH VALUE FOR YOUR BUDGET The Creative Use of Virtual Production with Marc Weigert 2 – 8 June 2014 Virtual production allows filmmakers to interact in real Past EFA Master Classes have been held by renowned time with their virtual film world, blurring not only the film professionals such as Jean-Jacques Annaud, An- boundaries between real and virtual world, but also dré Delvaux, Alain Derobe, Anthony Dod Mantle, Bernd within the production pipeline between pre-production, Eichinger, Tsui Hark, Stefan Jarl, Krzysztof Kieślowski, production and post-production. Jiři Menzel, Mike Newell, Hervé Schneid, Allan Starski, How has this influenced the production workflows and Tilda Swinton and István Szabó. how can it be put to use to the best creative effect and production value? Those are only two of the questions addressed by the EFA Master Class 2014 HIGH VALUE Applicant Profile FOR YOUR BUDGET with Marc Weigert. The EFA Master Class 2014 is designed as a multi- disciplinary workshop for 20 creative European film professionals – directors, producers, cinematographers and post-production supervisors and anyone working in special/visual effects departments. All participants must be European* professionals and should have a relevant track record in their respective departments. Working language is English. Participation fee: EUR 500 covering participation and meals. Transport and accom- modation are not included. A limited amount of scholar- ships is available. Marc Weigert is an internationally renowned producer, The application form is available at visual effects supervisor and 2nd unit director. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS