Read Ebook {PDF EPUB} the Boyhood of Harvey by Stephen Turner Inside Steve Harvey’S $15 Million Atlanta Mansion

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} the Boyhood of Harvey by Stephen Turner Inside Steve Harvey’S $15 Million Atlanta Mansion Read Ebook {PDF EPUB} The Boyhood of Harvey by Stephen Turner Inside Steve Harvey’s $15 Million Atlanta Mansion. First Madea, now Steve Harvey. Those walls will never be short of a laugh. An Atlanta, Ga., mansion formerly owned by movie mogul and actor Tyler Perry, in the affluent Buckhead area, has just been purchased by funnyman-turned-talk-show-host and self-help author Harvey and his wife Marjorie for $15 million, as first reported by TMZ. Harvey and Perry alone could probably start their own TV network with all the content they produce. The former, 63, is an omnipresent face on the small screen, hosting “Showtime at the Apollo,” “Celebrity Family Feud” and the Miss Universe competition. As for Perry, he has shows running on BET, Netflix, OWN, Nickelodeon and more. Both also have rags to riches back stories, having been homeless and, at times, laving lived in their cars before making it big in entertainment. Perry sold the unabashedly opulent 35,000-square-foot behemoth in 2016 for $17.5 million, after having had it on the market for almost two years with an unrealistic initial asking price of $25 million. Despite the multimillion-dollar difference between the original asking price and the recorded sale price, the property nonetheless made real estate waves as the most expensive residential sale in Atlanta history. It’s worth taking a gulp of air before reading through the plethora of features in the 7-bed, 9.5-bath spread. First, there’s the setting: 17 acres of manicured lawns bordered by trimmed gardens, a 70,000-gallon infinity-edged swimming pool, a lighted tennis court, fully equipped gym and separate spa. The unabashedly decadent estate also offers a guesthouse, a guardhouse and detached caretakers suite, along with an advanced security system and a backup generator capable of of powering the entire estate. In addition to numerous formal and informal living and entertaining spaces, the French Provincial inspired main residence contains a state-of-the-art theater, an indoor swimming pool, wine cellar and an underground ballroom complete with catering kitchen. The buyer from Perry and the seller to Harvey, according to real estate site buckhead.com, was David Turner, a former businessman turned evangelist who made his fortune manufacturing dried fruit and nuts. His reason for shelling out $17.5 million on a home appear almost as nutty as his business. “I went online and I saw this house, and that’s when I felt like God told me, ‘This is your house,’” he told the site. God must’ve also told him the mansion would need to go at any cost, because Turner took a eye-watering $2.5 million loss when he sold the property, not counting carrying costs, improvements and hefty realtor fees. Harvey’s other holdings also include another large house in Atlanta and a 6,500 sq. ft., 5-bedroom, 6.5-bath mansion in Little Elm, Texas, which he currently has for sale at close to $1.1 million. But before buying the former Perry estate, he and his family primarily resided in the mountains above Beverly Hills, Calif., in a $100,000/month rental mansion in the exclusive Beverly Park guard-gated community. As for Perry, he owns several other supersized homes, including a 24,000 sq. ft. manor in the Beverly Hills area that’s currently occupied by Meghan Markle and Prince Harry. The agent for the Buckhead property was Chase Mizell of Atlanta Fine Homes Sotheby’s International Realty. Oscar Speech Revelations: And the Most Thanked in Academy Award History Is … Sorry, God: You’re No. 6 on the list of individuals historically thanked in Oscars acceptance speeches — apparently you just can’t complete with the likes of Harvey Weinstein and Steven Spielberg, among other Hollywood heavy-hitters. Spielberg is the most-thanked person ever during Academy Award podium time — the “Saving Private Ryan” director has been acknowledged a whopping 42 times, according to a study by Vocativ. Weinstein — who produced “Shakespeare in Love” — is the runner-up, scoring 34 of his own “Thank Yous.” In third place historically is “Titanic” director James Cameron, with 28 thanks. “Star Wars” visionary George Lucas is fourth with 23, Peter Jackson (“The Lord of the Rings”) is in fifth place, just one nod behind. Next up is God, pulling in 19 grateful mentions — readers can add one more for a thanks to “Jesus.” Rounding out the Top 10 are Fran Walsh (18), Sheila Nevins (17), and a tie between Francis Ford Coppola and Barrie Osborne, both with 16. Honorable mentions are Martin Scorsese and Saul Zaentz, who had 15 apiece. Vocativ went through all 1,396 Academy Award acceptance speeches for the data. Read the full story here. The 87th Annual Academy Awards air live Sunday on ABC beginning at 7 p.m. ET. Watch the video: Oscars 2015: The Nominees (Photos) Best Motion Picture of the Year: “American Sniper," “Birdman or (The Unexpected Virtue of Ignorance),” “Boyhood" (pictured), "The Grand Budapest Hotel," “The Imitation Game" (pictured), “Selma" (pictured), “The Theory of Everything," “Whiplash” Best Director: “Birdman or (The Unexpected Virtue of Ignorance),” Alejandro G. Iñárritu; “Boyhood,” Richard Linklater ( pictured ); “Foxcatcher” Bennett Miller; “The Grand Budapest Hotel,” Wes Anderson; “The Imitation Game,” Morten Tyldum. Best Animated Feature Film: “Big Hero 6,” Don Hall, Chris Williams and Roy Conli; “The Boxtrolls” ( pictured ), Anthony Stacchi, Graham Annable and Travis Knight; “How to Train Your Dragon 2,” Dean DeBlois and Bonnie Arnold; “Song of the Sea” Tomm Moore and Paul Young “The Tale of the Princess Kaguya” Isao Takahata and Yoshiaki Nishimura. Best Original Screenplay: “Birdman or (The Unexpected Virtue of Ignorance)” by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo; “Boyhood" by Richard Linklater; “Foxcatcher” by E. Max Frye and Dan Futterman; “The Grand Budapest Hotel” by Wes Anderson, story by Wes Anderson & Hugo Guinness; “Nightcrawler” ( pictured ) by Dan Gilroy. Best Adapted Screenplay: “American Sniper” by Jason Hall, “The Imitation Game” ( pictured ) by Graham Moore; “Inherent Vice” by Paul Thomas Anderson; “The Theory of Everything” by Anthony McCarten; “Whiplash” by Damien Chazelle. Best Foreign Language Film: “Ida,” ( pictured ) Poland; “Leviathan,” Russia; “Tangerines,” Estonia; “Timbuktu,” Mauritania; “Wild Tales,” Argentina. Best Documentary Feature: "Citizenfour," "Finding Vivian Maier," "Last Days in Vietnam," "Salt of the Earth," "Virunga" (pictured) Best Film Editing: "American Sniper" (pictured) , "Boyhood," "Grand Budapest Hotel," Imitation Game," Whiplash" Best Performance by an Actor in a Leading Role: Steve Carell in “Foxcatcher," Bradley Cooper in “American Sniper," Benedict Cumberbatch in “The Imitation Game," Michael Keaton (pictured) in “Birdman or (The Unexpected Virtue of Ignorance)," Eddie Redmayne in “The Theory of Everything” Best Performance by an Actor in a Supporting Role: Robert Duvall in “The Judge,” Ethan Hawke in “Boyhood," Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)," Mark Ruffalo in “Foxcatcher," J.K. Simmons ( pictured ) in “Whiplash” Best Performance by an Actress in a Leading Role: Marion Cotillard in “Two Days, One Night,” Felicity Jones ( pictured ) in “The Theory of Everything," Julianne Moore in “Still Alice," Rosamund Pike in “Gone Girl," Reese Witherspoon in “Wild” Best Actress in a Supporting Role: Patricia Arquette in “Boyhood," Laura Dern in “Wild," Keira Knightley ( pictured ) in “The Imitation Game," Emma Stone in “Birdman or (The Unexpected Virtue of Ignorance)," Meryl Streep in “Into the Woods” Achievement in Cinematography: “Birdman or (The Unexpected Virtue of Ignorance),” Emmanuel Lubezki; “The Grand Budapest Hotel” ( pictured ), Robert Yeoman; “Ida,” Lukasz Zal and Ryszard Lenczewski; “Mr. Turner,” Dick Pope; “Unbroken,” Roger Deakins. Best Costume Design: “The Grand Budapest Hotel,” Milena Canonero; “Inherent Vice” ( pictured ), Mark Bridges; “Into the Woods,” Colleen Atwood; "Maleficent,” Anna B. Sheppard and Jane Clive; “Mr. Turner,” Jacqueline Durran. Best Makeup and Hairstyling: “Foxcatcher” ( pictured ), Bill Corso and Dennis Liddiard; “The Grand Budapest Hotel,” Frances Hannon and Mark Coulier; “Guardians of the Galaxy” Elizabeth Yianni-Georgiou and David White. Best Original Song: “Everything Is Awesome” from “The Lego Movie," music and lyric by Shawn Patterson; “Glory” from “Selma” ( pictured ), music and lyric by John Stephens and Lonnie Lynn; “Grateful” from “Beyond the Lights,” music and lyric by Diane Warren; “I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me,” music and lyric by Glen Campbell and Julian Raymond; “Lost Stars” from “Begin Again,” music and lyric by Gregg Alexander and Danielle Brisebois. Best Original Score: “The Grand Budapest Hotel,” Alexandre Desplat; “The Imitation Game,” Alexandre Desplat; “Interstellar,” Hans Zimmer ( pictured ); “Mr. Turner,” Gary Yershon; “The Theory of Everything,” Jóhann Jóhannsson. Best Production Design: “The Grand Budapest Hotel,” “The Imitation Game," “Interstellar," “Into the Woods," “Mr. Turner” ( pictured ) Best Sound Editing: "American Sniper," "Birdman," "The Hobbit: The Battle of the Five Armies," "Interstellar" (pictured) , "Unbroken" Best Sound Mixing: “American Sniper,” John Reitz, Gregg Rudloff and Walt Martin; “Birdman or (The Unexpected Virtue of Ignorance),” Jon Taylor, Frank A. Montaño and Thomas Varga; “Interstellar,” Gary A. Rizzo, Gregg Landaker and Mark Weingarten; “Unbroken” ( pictured ), Jon Taylor, Frank A. Montaño and David Lee; “Whiplash,” Craig Mann,
Recommended publications
  • 92Nd ACADEMY AWARDS® BALLOT
    92nd ACADEMY AWARDS® BALLOT IMDb LIVE is covering the Academy Awards all evening long -- join us at IMDb.com on Feb. 9 at 7:30 p.m. ET/4:30 p.m. PT Name ¨ A B BEST ACHIEVEMENT ¨ A Marriage Story 8.1 14 Once Upon a Time... in Hollywood 7.7 Noah Baumbach IN COSTUME DESIGN Wylie Stateman A ¨ Once Upon a Time... in Hollywood 7.7 ¨ Jojo Rabbit A8.0 ¨ Star Wars: The Rise Of Skywalker A6.9 Total Correct Quentin Tarantino Mayes C. Rubeo Matthew Wood and David Acord A ¨ Parasite 8.6 ¨ Joker A8.6 /24 Bong Joon Ho and Jin Won Han Mark Bridges BEST ACHIEVEMENT 20 ¨ Little Women A8.1 IN VISUAL EFFECTS Jacqueline Durran BEST MOTION PICTURE BEST ADAPTED ¨ 1917 A8.5 01 08 A OF THE YEAR SCREENPLAY ¨ Once Upon a Time... in Hollywood 7.7 Guillaume Rocheron, Greg Butler, and A Arianne Phillips Dominic Tuohy ¨ 1917 A8.5 ¨ Jojo Rabbit 8.0 ¨ The Irishman A8.0 A Sam Mendes, Pippa Harris, Jayne-Ann Taika Waititi ¨ Avengers: Endgame 8.5 Christopher Peterson and Sandy Powell Tenggren, and Callum McDougall ¨ Joker A8.6 Dan DeLeeuw, Russell Earl, Matt Aitken, Todd Phillips and Scott Silver and Daniel Sudick ¨ Ford v Ferrari A8.2 A BEST ACHIEVEMENT IN ¨ A Peter Chernin, Jenno Topping, James Mangold ¨ Little Women 8.1 15 Star Wars: The Rise Of Skywalker 6.9 Greta Gerwig MAKEUP AND HAIRSTYLING Neal Scanlan, Patrick Tubach, Dominic Tuohy, ¨ Jojo Rabbit A8.0 and Roger Guyett Carthew Neal, Taika Waititi ¨ The Irishman A8.0 ¨ 1917 A8.5 Steven Zaillian ¨ The Irishman A8.0 ¨ Joker A8.6 Naomi Donne, Tristan Versluis, and Rebecca Cole Pablo Helman, Leandro Estebecorena, Todd Phillips, Bradley Cooper, Emma Tillinger ¨ The Two Popes A7.6 ¨ Bombshell A6.8 Nelson Sepulveda, and Stephane Grabli Koskoff Anthony McCarten Kazu Hiro, Anne Morgan, and Vivian Baker ¨ The Lion King A6.9 ¨ Little Women A8.1 ¨ Joker A8.6 Robert Legato, Adam Valdez, Andrew R.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Zahraniční Tituly V České Kinodistribuci V Roce 2020
    Úvod Kompilací Zahraniční filmy v české kinodistribuci 2020 předkládá Národní filmový archiv široké veřejnosti přehled všech zahraničních audiovizuálních děl, která v období od 1. ledna do 31. prosince 2020 byla v premiéře uvedena distribučními společnostmi v kinech na území České republiky. Jednotlivé tituly byly zpracovány na základně přístupných údajů Unie filmových distributorů a samotných distribučních společností. Získaná data byla revidována, zpřesňována, ověřována a doplňována podle zákonné oznamovací povinnosti (zákon o audiovizi číslo 496/2012 Sb. s účinností od 1. ledna 2013), úvodních a závěrečných filmových titulků, tisku, zahraničních internetových databází a dalších relevantních materiálů, pramenů a zdrojů. Po úvodním přehledu všech sto šestnácti v kinodistribuci nasazených filmů (pokud není uvedeno jinak, jde o dlouhometrážní díla) následuje hlavní část, abecedně seřazený soupis snímků v podobě hesel s filmografickými, technickými, produkčními a distribučními údaji a s informativními texty. V závěru publikace je přehled distribuovaných filmů seřazený chronologicky podle data české premiéry, dále podle země původu, podle distribučních společností. A zvláštní přehled tvoří filmy, které byly v kinech uvedeny v národní úpravě – v dabované verzi (zbylým snímkům bylo zpravidla ponecháno původní znění a byly opatřeny českými podtitulky). V jednotlivých seznamech jsou dále vedeny údaje, zda se jedná o součást pásma, obnovenou premiéru, film krátkometrážní či středometrážní a u koprodukčních snímků jsou zmíněny rovněž všechny zúčastněné země. Pro úplnost připojujeme taktéž soupis českých a českých koprodukčních snímků uvedených ve sledovaném roce v tuzemské kinodistribuci. Jejich podrobné údaje jsou k dohledání rovněž v internetové databázi Filmový přehled (www.filmovyprehled.cz). Výjimečný distribuční rok 2020 v českých kinech nelze – ať již celkovým množstvím filmových premiér, počtem projekcí, či jejich návštěvností – porovnávat s předcházejícími (a zřejmě ani s následujícími) lety.
    [Show full text]
  • Interstellar: Original Motion Picture Soundtrack (Deluxe Digital Version)
    1 2 D A Y O N E Each successive film I’ve done with Hans, I’ve tried to involve him at an earlier and earlier stage. Adding music to a film doesn’t work for me - it’s the reason I can’t temp a movie (edit using some other movie’s music to be replaced later). To me the music has to be a fundamental ingredient, not a condiment to be sprinkled on the finished meal. To this end, I called Hans before I’d even started work on INTERSTELLAR and proposed a radical new approach to our collaboration. I asked him to give me one day of his time. I’d give him an envelope with one page - a page explaining the fable at the heart of my next project. The page would contain no information as to genre or specifics of plot, merely lay out the heart of the movie-to-be. Hans would open the envelope, read it, start writing and at the end of the day he’d play me whatever he’d accomplished. That would be the basis of our score. Hans agreed. I think he shared my frustration with trying to wrangle the mechanics of a massive film right at the tail end of a years-long process of construction - the sheer difficulty of trying to see past what you’ve all built and get back to the beating heart of the story, as a great score must. He understood that what I wanted to do was turn his usual process inside out, giving his musical and emotional instincts free reign, so that the seed from which the score would eventually grow would be fused with the narrative at its earliest stage.
    [Show full text]
  • Ben Grossmann
    Ben Grossmann Awards: Academy Award for Visual Effects for “Hugo” 2011 Work Experience: Pixomondo 2010 - current Visual Effects Supervisor “Hugo” 2011 The Syndicate and Cafe FX Creative Director and Visual Effects Supervisor Features “Alice in Wonderland” 2010 • Supervisor Ken Ralston at Sony Imageworks • Supervised a team of 30 artists to complete 50 Stereoscopic shots, and the creation of CG for an additional 30. • Primarily supervised the Alice Crosses The Moat sequence, Night Falls, Alice Meets Bayard, Alice Decides at the White Queen Castle, and trailer versions for many of the Croquet Lawn shots. “Shutter Island” 2010 • Was on-set for production, and VFX Supervisor for The Syndicate on over 200 shots. • Syndicate was the lead house for all CG work and contributed hero shots throughout the film using miniatures, directed VFX element shoots, matte paintings, and full-CG environments. “Public Enemies” 2009 “2012” 2009 • Supervised a handful of shots for VFX Supervisors Volker Engel and Marc Weigert. • Worked on the Elk Discovery sequence, and Times Square during the Presidential Address. “Land of the Lost” 2009 • Supervised over 70 shots of reconstruction in the Desert where they meet Chaka. “Shine A Light” 2008 • Supervised the creation of the climax of the film, an epic stedicam shot that takes us from the stage at the Beacon Theatre, to a wide helicopter shot overlooking all of NYC. “For One More Day” 2007 • Supervisor for the film. Supervised all VFX including the recreation of Shea Stadium and crowds in the 70s and present day. Commercials 13323 Washington Blvd., Suite 304, Los Angeles, CA 90066 310-788-3918 M.
    [Show full text]
  • Graduate Showcase
    Graduate entertainment | media | arts | technology GAMES Continuing the original's ground-breaking approach Music Production – contributed to the game in roles to artistic direction, innovative gameplay, and such as Visual Eff ects Artist, Motion Capture Studio engrossing storytelling, The Last of Us Part II was Technician, Sound Designer, Dialogue Designer, built by large, collaborative teams at Naughty and more. Dog Studios and Sony Interactive Entertainment, "Our team was huge, we had almost 80 people just including more than 20 Full Sail grads. animating,” says Computer Animation grad and Alumni from multiple degree programs – including Cinematic Animator Drew Kedra. Game Art, Game Design, Game Development, Computer Animation, Film, Recording Arts, and Laura Sardinha Kidde TOP 25 Schools to study Lead User Interface Designer GAME DESIGN Blizzard Entertainment "I always played games my whole life. I always loved by Princeton Review 2014–2016, 2018-2020 games. And very early on in my life, I knew [I wanted to work at] Blizzard because of the Diablo games," says Game Design master’s grad Laura Sardinha Kidde. "It was my fi rst online RPG, and I was amazed by it." Today, Laura works as a Lead User Interface Designer with Blizzard, contributing her skills in art, design, and delegation to the video game developer's massively popular MMORPG, World of Warcraft. In her current role, she oversees UI features for all World of Warcraft expansions and patches, while working with her team to implement user feedback and maintain the artistic integrity of the beloved fantasy franchise. Nive Rajasekaran Mark Diaz Client Gaming Membership Gameplay Programmer Specialist id Software (DOOM franchise) Xbox at Microsoft Mark Diaz graduated from the Game Development program in 2014.
    [Show full text]
  • Pietro Scalia for B~ *" MAN's Land (Bosnia-Herzegovina) Owen
    ACHIEVEMENT IN SCIENTIFIC AND TECHNICAL AWARDS Pietro Scalia for B~ SCIENTIFIC AND ENGINEERING AWARD BEST FOREIGN lANGUAGE FILM (ACADEMY PLAQUE) MAN'S lAND (Bosnia-Herzegovina) *" To John M. Eargle, D. B. (Don) Keele and Mark E. Engebretson for the IEVEMEI\'T IN MAKEUP concept, design and engineering of the modern constant-directivi­ ty, direct radiator style motion picture loudspeaker systems. OWen and Richard Taylor for LORD OF THE RINGS: THE FELLOWSHIP OF THE RING To lain Neil for the concept and optical design and AI Saiki for the mechanical design of the Panavision Primo Macro Zoom Lens IN MUSIC (ORIGINAL SCORE) (PMZ). To Franz Kraus, Johannes Steurer and Wolfgana: Riedel for the design and development of the ARRILASER Film Recorder. To Peter Kuran for the invention , and Sean Coua:hlin, Joseph A. Olivier and William Conner for the engineering and development of the RCI-Color Film Restoration Process. To Makoto Tsukada, Shoji Kaneko and the Technical Staff of Imagica MIND (Brian Grazer, Ron Howard) Corporation, and Daijiro Fujie of N ikon Corporation for the engineering excellence and the impact on the motion picture A.l"liMATED SHORT FILM industry of the Imagica 65/35 Multi-Format Optical Printer. FOR THE BIRDS (Ralph Eggleston) To Steven Gerlach, Gregory Farrell and Christian Lurin for the design, BEST LTVE ACTION SHORT FILM engineering and implementation of the Kodak Panchromatic THE ACCOUNTANT (Ray McKinnon, Lisa Blount) Sound Recording Film. ACHIEVEMENT I SOUND To Paul J. Constantine and Peter M. Constantine for the design and
    [Show full text]
  • DIE CHRONIKEN VON NARNIA: DER KÖNIG VON NARNIA Ist Die Größte Disney-Produktion Aller Zeiten Entstanden
    Walt Disney Pictures, Walden Media und Buena Vista International präsentieren Regie: Andrew Adamson mit Tilda Swinton, William Moseley, Anna Popplewell, Skandar Keynes, Georgie Henley u.a. Kinostart: 8. Dezember 2005 im Verleih der Buena Vista International www.presse.movie.de Pressebetreuung: JUST PUBLICITY GmbH Erhardtstr. 8 80469 München Tel.: 0 89 / 20 20 82 60 Fax: 089 / 20 20 82 89 Mail: [email protected] Kurzinhalt England, während des Zweiten Weltkriegs: Zum Schutz vor Bombenangriffen werden die Geschwister Peter (WILLIAM MOSELEY), Susan (ANNA POPPLEWELL), Edmund (SKANDAR KEYNES) und Lucy (GEORGIE HENLEY) von London zum Landsitz eines alten Professors (JIM BROADBENT) geschickt. Beim Versteckspiel entdeckt die Jüngste, Lucy, in einem leeren Zimmer einen seltsamen Schrank. Er ist das Tor zu einem magischen Land: Narnia! Von mythischen Kreaturen und sprechenden Tieren bewohnt, war Narnia einst ein friedliches Paradies. Doch die Weiße Hexe (TILDA SWINTON) hat das Land mit einem Fluch belegt: Seither herrscht ewiger Winter. Die Älteren wollen Lucy anfangs nicht glauben, doch schließlich betreten alle vier Geschwister diesen rätselhaften Ort und erleben fantastische Abenteuer bei ihrem Versuch, den Bann zu brechen und dem Löwen Aslan, dem rechtmäßigen Herrscher von Narnia, in einer gewaltigen Schlacht zu seinem Recht zu verhelfen. Pressenotiz Mit dem fantastischen Abenteuerfilm DIE CHRONIKEN VON NARNIA: DER KÖNIG VON NARNIA ist die größte Disney-Produktion aller Zeiten entstanden. Unter der Regie von Andrew Adamson (SHREK und SHREK 2) wurde C. S. Lewis’ weltweit beliebter, mehr als 85 Millionen Mal verkaufter Klassiker der Fantasy-Literatur aufwändig verfilmt. Für die mystischen Kreaturen und die Spezialeffekte des Films zeichnen Oscar®-Preisträger Richard Taylor und sein WETA-Team (DER HERR DER RINGE-Trilogie) verantwortlich.
    [Show full text]
  • Golden Glow Hollywood
    YOlUMf 14 - ~IRST QUARHR 2002 ca e QUARTERLY REP Oscar brings a golden glow ba(~ to Hollywood Starts on Page 12 FRO M THE PRESIDENT We're taking the Academy Report, this periodic newsletter for members, in a new direction with this issue. We're going to publish four quarterly issues that will concentrate on providing a historical record of the Academy's activities during each quarter, and which, taken together, will constitute a calendar year annual report. Each first-quarter report will include a complete review of the annual Academy Award activities; the second quarter's will highlight the Student Academy Awards; the third will feature board elections and the financial reports from the end of the fi scal year, June 30; LAST YEAR, THE ENTRANCE TO THE we'll hear about the Nicholl Fellowship presentations PLAYERS DIRECTORY'S NEW OFFICES AT and updates in board committees and Academy staff in 1313 VINE STREET LOOKED LIKE THIS. the fourth quarter and, of course, each issue will include reports on the myriad public and educational activities The Academy Players Directory, the that take place year-round at the Academy as well as any additional information of interest to the membership. casting bible of the industry since its We'll try to include each event and we'll try to continue to be photo-intensive, because that is what inception in 1937, moved its offices in you've seemed to enjoy in the past. But we won't be very January from the headquarters building timely. We're not a newspaper and we don't have the staff or other resources to turn this thing around quickly.
    [Show full text]
  • The Visual Effects Society Announces Nominees for VES Awards Iron Man Leads with 5 Noms
    3Dup.com - The Computer Graphics Portal The Visual Effects Society Announces Nominees for VES Awards Iron Man Leads with 5 Noms. Awards Ceremony Scheduled for February 21, 2009 January 25, 2009 - 15:31 The Visual Effects Society (VES) announced the nominees for the 7th Annual VES Awards ceremony recognizing outstanding visual effects in over a dozen categories of film, animation, television, commercials and video games. Nominees were chosen Saturday, January 17, 2009, by numerous panels of VES members who viewed submissions at the FotoKem screening facilities in Burbank. In making the announcement, Jeffrey A. Okun, Chair of the Visual Effects Awards Committee said, "Because visual effects continue to grow in complexity and intensity, touching every aspect of the entertainment industry, we are proud to announce the nominees and their work, which have been deemed by the judges as the best of the best. I congratulate all the artists on their achievements." The nominees for the 7th Annual VES Awards are the following: OUTSTANDING VISUAL EFFECTS IN A VISUAL EFFECTS DRIVEN MOTION PICTURE •  The Chronicles of Narnia: Prince Caspian Wendy Rogers, Dean Wright, Andrew Fowler, Greg Butler •  The Curious Case of Benjamin Button Eric Barba, Edson Williams, Nathan McGuinness, Lisa Beroud •  Hellboy II: The Golden Army Michael J. Wassel, Lucy Killick, Adrian de Wet, Eamonn Butler •  Cloverfield Kevin Blank, Chantal Feghali, Michael Ellis, Eric Leven •  Iron Man Ben Snow, Hal Hickel, Victoria Alonso, John Nelson OUTSTANDING SUPPORTING VISUAL EFFECTS IN A MOTION PICTURE •  Changeling Michael Owens, Geoffrey Hancock, Jinnie Pak, Dennis Hoffman •  Eagle Eye Jim Rygiel, Jim Berney, Crys Forsyth-Smith, David Smith •  Valkyrie Richard R.
    [Show full text]
  • 87Th Oscars Nominations Announced
    MEDIA CONTACT Natalie Kojen [email protected] Gail Silverman [email protected] January 15, 2015 FOR IMMEDIATE RELEASE 87TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Directors Alfonso Cuarón and J.J. Abrams, actor Chris Pine and Academy President Cheryl Boone Isaacs announced the nominations for the 87th Academy Awards® today (January 15). For the first time, nominees in all 24 categories were announced live. Cuarón and Abrams announced the nominees in 11 categories at 5:30 a.m. PT, followed by Pine and Boone Isaacs for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 24, at the Academy's Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits.
    [Show full text]
  • 2019 NOMINATIONS and WINNERS (Presented in 2020)
    2019 NOMINATIONS AND WINNERS (presented in 2020) FELLOWSHIP KATHLEEN KENNEDY OUTSTANDING BRITISH CONTRIBUTION TO CINEMA ANDY SERKIS BEST FILM 1917 Pippa Harris, Callum McDougall, Sam Mendes, Jayne-Ann Tenggren THE IRISHMAN Robert De Niro, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff JOKER Bradley Cooper, Todd Phillips, Emma Tillinger Koskoff ONCE UPON A TIME… IN HOLLYWOOD David Heyman, Shannon McIntosh, Quentin Tarantino PARASITE Bong Joon Ho, Kwak Sin Ae OUTSTANDING BRITISH FILM 1917 Sam Mendes, Pippa Harris, Callum McDougall, Jayne-Ann Tenggren, Krysty Wilson-Cairns BAIT Mark Jenkin, Kate Byers, Linn Waite FOR SAMA Waad al-Kateab, Edward Watts ROCKETMAN Dexter Fletcher, Adam Bohling, David Furnish, David Reid, Matthew Vaughn, Lee Hall SORRY WE MISSED YOU Ken Loach, Rebecca O’Brien, Paul Laverty THE TWO POPES Fernando Meirelles, Jonathan Eirich, Dan Lin, Tracey Seaward, Anthony McCarten OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BAIT Mark Jenkin (Writer/Director), Kate Byers, Linn Waite (Producers) FOR SAMA Waad al-Kateab (Director/Producer), Edward Watts (Director) MAIDEN Alex Holmes (Director) ONLY YOU Harry Wootliff (Writer/Director) RETABLO Álvaro Delgado-Aparicio (Writer/Director)* FILM NOT IN THE ENGLISH LANGUAGE THE FAREWELL Lulu Wang, Daniele Melia FOR SAMA Waad al-Kateab, Edward Watts PAIN AND GLORY Pedro Almodóvar, Agustín Almodóvar PARASITE Bong Joon Ho PORTRAIT OF A LADY ON FIRE Céline Sciamma, Bénédicte Couvreur DOCUMENTARY AMERICAN FACTORY Steven Bognar, Julia Reichert APOLLO 11 Todd Douglas
    [Show full text]