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Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. -
A New Year's Greetin
THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate. -
Ukrainer.Pdf
НАЦІОНАЛЬНОЇ АКАДЕМІЇ ДЕРЖАВНОГО УПРАВЛІННЯ ПРИ ПРЕЗИДЕНТОВІ УКРАЇНИ ОДЕСЬКИЙ РЕГІОНАЛЬНИЙ ІНСТИТУТ ДЕРЖАВНОГО УПРАВЛІННЯ МІЖНАРОДНИЙ ГУМАНІТАРНИЙ УНІВЕРСИТЕТ В. Г. ТАРАНЕЦЬ УКРАЇНЦІ: ЕТНОС І МОВА Монографія Одеса 2013 ББК Т УДК Рецензенти: Бондар О. І. – доктор філологічних наук, професор. Кожолянко Г. К. – доктор історичних наук, професор. Лесюк М. П. – кандидат філологічних наук, професор. Рекомендовано до друку Вченою радою Одеського регіонального інституту державного управління НАДУ при Президентові України Протокол № 170/4-7 від 11 квітня 2013 р. та Вченою радою Міжнародного гуманітарного університету Протокол № 7 від 4 квітня 2013 р. © В. Г. Таранець, 2013. © ОРІДУ НАДУ при Президентові України, 2013. © Міжнародний гуманітарний ун-т, 2013. © В. Д. Рома (обкладинка), 2013. 2 В. Г. ТАРАНЕЦЬ ТРИЛОГІЯ АРІЇ – РУГИ – УКРИ КНИГА ПЕРША Арії. Слов’яни. Руси: Походження назв Україна і Русь КНИГА ДРУГА Трипільський субстрат: Походження давньоєвропейських мов КНИГА ТРЕТЯ Українці: етнос і мова 3 Світлій пам’яті мого сина Володимира (1973-2011) п р и с в я ч у ю 4 Ми тут жили ще до часів потопу. Наш корінь у земну вростає вісь. І перше, ніж учити нас, Європо, На себе ліпше збоку подивись. Ти нас озвала хутором пихато. Облиш, твій посміх нам не допече, Бо ми тоді вже побілили Хату, Як ти іще не вийшла із печер... Борис Олійник 5 6 В. Г. ТАРАНЕЦЬ ВСТУП Проблема походження українців розглядається в світлі слов’янського етногенезу, що дає можливість звернутися до витоків давнього українського етносу та його мови. В основі нашого розгляду знаходиться концепція конвергенційного розвитку народів, згідно з якою праслов’яни, витворившись із індоєвропейської спільноти, являли собою первісно гетерогенну етномовну сукупність, яка на базі територіальної та язичницької близькості сформувалась у відносно єдиний етнос та надмову (койне), що постала у вигляді слов’янської прамови. -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
Pogansko U Pricama Iz Davnine Ivane Brlic
Pogansko u "Pričama iz davnina" Ivane Brlić Mažuranić Ivšić, Ivana Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:730781 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula SVEUČILIŠTE JURJA DOBRILE PULA FAKULTET ZA ODGOJNE I OBRAZOVNE ZNANOSTI IVANA IVŠIĆ POGANSKO U „PRIČAMA IZ DAVNINE" IVANE BRLIĆ-MAŽURANIĆ Diplomski rad Pula, 2016. SVEUČILIŠTE JURJA DOBRILE PULA FAKULTET ZA ODGOJNE I OBRAZOVNE ZNANOSTI IVANA IVŠIĆ POGANSKO U „PRIČAMA IZ DAVNINE“ IVANE BRLIĆ-MAŽURANIĆ Diplomski rad JMBAG: 0265004629, redoviti student Studijski smjer: Učiteljski studij Predmet: Dječja književnost Znanstveno područje: Humanističke znanosti Znanstveno polje: Filologija Znanstvena grana: Teorija i povijest književnosti Mentor: doc.dr.sc. Vjekoslava Jurdana Pula, 2016. IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Ivana Ivšić, kandidat za magistru primarnog obrazovanja, ovime izjavljujem da je ovaj Diplomski rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Diplomskog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. -
Stare Vatre Opet Plamte Srbinda
EEKC “SFERA” STARE VATRE OPET PLAMTE TM SRBINDA DOWNLOADED FROM: WWW.SRBINDA.COM Izdavač / Published by: Ekološko-etnološki kulturni centar “Sfera” / Center Of Ecology, Ethnology and Culture “Sphere” Novi Sad, SERBIA, 2012 COPyRIght © 2012 by gORAN POlEtAN DESIgN & lAyOUt : SRBINDA All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the author. ISBN : 978-86-85539-17-6 CIP – Каталогизација у публикацији Библиотека Матицe српске, Нови Сад 821.163.41-14 ПОЛЕТАН, Горан, Stare vatre opet plamte / goran Poletan. – Novi Sad : Ekološko-etnološki kulturni centar ‘’Sfera’’, 2012. – 106 str. Način dostupa (URl) : http: //www.srbinda.com/. – str. 4- 6 : Predgovor / Aleksandra Marinković-Obrovski. Beleška o autoru: str. [107]. ISBN 978-86-85539-17-6 COBISS.SR-ID 274828295 PREDGOVOR Poruke predaka Stara vera Srba, ona u koju su verovali pre primanja hrišćanstva i koja je proisticala iz najdublje narodne prirode, većim delom je pred- stavljala religijski sistem usmeren ka poštovanju kulta predaka. To u isto vreme znači da su drevni Srbi ovaj kult na različite načine utkali u sva- kodnevni život, potkom koja je bila toliko snažna da je, pokazalo se, uspela da prebrodi i potonju promenu vere. Primanjem hrišćanstva, kult predaka nije izgubio na snazi i ne samo da je nastavio da postoji nego se u gotovo neizmenjenom obliku sačuvao do naših dana, u narodnim običajima kojih se često sa setom prisećamo prizivajući slike iz detin- jstva. Ko još ne pamti badnjedansko pijukanje oko kuće i posnu večeru na slami, ili priče o seoskoj svadbi kada je mlada ljubila ognjište ili, opet, sećanja na klanje petla na temelju nove kuće? Sve su to prežici kulta predaka naročito poštovanog u one dane kada se verovalo da su preci sa nama, tu, oko nas, da nas prate, čuvaju i poučavaju. -
Campaign Setting
TM Campaign Setting Lead Designer Wolfgang Baur Chapter Design Cover Art Jeff Grubb, Brandon Hodge, Christina Stiles, and Dan Voyce Aaron Miller Additional Design Interior Art Ben Armitage, Michael Franke, Ed Greenwood,Josh Jarman, Darren Calvert, Nicole Cardiff, Richard Clark, Storn Cook, Michael Kortes, Chris Lozaga, Michael Matkin, Ben McFarland, Emile Denis, Rick Hershey, Michael Jaecks, Stephanie Law, Chad Middleton, Carlos Ovalle, Adam Roy, and Henry Wong Pat Loboyko, Malcolm McClinton, Aaron Miller, Marc Radle, Game Material Development Blanca Martinez de Rituerto, Mark Smylie, Hugo Solis, Sigfried Trent Christophe Swal, Stephen Wood, and Kieran Yanner AGE Appendix Cartography and Heraldry Josh Jarman, with additional design by Simon English, Jonathan Roberts, Sean Macdonald, Lucas Haley Emmet Byrne, Daniel Perez, Jesse Butler, and Wolfgang Baur Cover Graphic Design Editor Callie Winters Michele Carter Layout Proofreading Callie Winters Chris Harris, Ed Possing, and Joey Smith Indexer Lori Ann Curley Dedication: This book is dedicated to my parents, Werner and Renate Baur, who many years ago gave me a little blue box with a dragon on the cover. Thank you for always supporting my love of fantasy, gaming, and legends. Setting Champions Champion of Midgard: Steve Geddes Despot of the Ruby Sea: Carlos Ovalle Exarch of the Magocracy: Christopher Lozaga Druid of the Emerald Order: Shawn “Bran Ravensong” Nolan God-King of Nuria-Natal: Henry Wong Lord of Thunder Mountain: DJ Yoho Lord of Midgard: Sebastian Dietz River King of the Arbonesse: Chad Middleton Sultana of the Empire: Christina Stiles Midgard Campaign Setting is © 2012 Open Design LLC. All rights reserved. Midgard, Open Design, Kobold Press, Free City of Zobeck, and their associated logos are trademarks of Open Design LLC. -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
Elements of South-Indian Palaeography, from the Fourth To
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ELEMENTS SOUTH-INDIAN PALfi3&BAPBY FROM THE FOURTH TO THE SEVENTEENTH CENTURY A. D. BEIN1 AN INTRODUCTION TO ?TIK STUDY OF SOUTH-INDIAN INSCRIPTIONS AND MSS. BY A. C. BURNELL HON'. PH. O. OF TUE UNIVERSITY M. K. A, ri'VORE PIS I. A SOClfcTE MANGALORE \ BASEL MISSION BOOK & TRACT DEPOSITORY ft !<3 1874 19 Vi? TRUBNER & Co. 57 & 69 LUDOATE HILL' . ' \jj *£=ggs3|fg r DISTRIBUTION of S INDIAN alphabets up to 1550 a d. ELEMENTS OF SOUTH-INDIAN PALEOGRAPHY FROM THE FOURTH TO THE SEVENTEENTH CENTURY A. D. BEING AN INTRODUCTION TO THE STUDY OF SOUTH-INDIAN INSCRIPTIONS AND MSS. BY A. p. j^URNELL HON. PH. D. OF THE UNIVERSITY OF STRASSBUB.G; M. R. A. S.; MEMBKE DE LA S0CIETE ASIATIQUE, ETC. ETC. MANGALORE PRINTED BY STOLZ & HIRNER, BASEL MISSION PRESS 1874 LONDON TRtlBNER & Co. 57 & 59 LUDGATE HILL 3« w i d m « t als ^'ctdjcn kr §anltekcit fiir Mc i|jm bdic<jcnc JJoctorMvk ttcsc fetlings^kit auf rincm fejjcr mtfrckntcn Jfclk bet 1®4 INTRODUCTION. I trust that this elementary Sketch of South-Indian Palaeography may supply a want long felt by those who are desirous of investigating the real history of the peninsula of India. Trom the beginning of this century (when Buchanan executed the only archaeological survey that has ever been done in even a part of the South of India) up to the present time, a number of well meaning persons have gone about with much simplicity and faith collecting a mass of rubbish which they term traditions and accept as history. -
Pagan Beliefs in Ancient Russia. by Luceta Di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc
1 Pagan Beliefs in Ancient Russia. By Luceta di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc. [email protected] ©2006-2017 Slavic mythology is a difficult subject. The historical evidence is fragmented, with many conflicting sources and multiple later literary inventions. This is a brief reconstruction of ancient Russian mythology. The first archaeological findings that can be attributed to Slavs date to approximately 6th c. AD. The origins of Slavs are still debated. The pagan Slavic society was an oral society. Christianity, which introduced writing, was more concerned with eradication rather than preservation of pagan beliefs. No one really tried to preserve and record whatever remained, until late period. Then, there is some evidence recorded from the Germans who visited Russia in 18th c., but a lot of it is based on the written 15thc. sources, rather than eyewitness accounts. The 19th c. Europe saw renewed interest in folklore, and combined with rise of nationalism and need for developed mythos, a lot of what was left was recorded, but a lot was altered to make it more palatable, and questionable things (especially with fertility rituals) were edited out as not to besmirch the emerging national character. During the Soviet time, the study of any religion was problematic, due to mandatory atheism. Eventually, the study of the early Slavic traditions was permitted, and even encouraged, but, everything had to pass stringent censorship rules, and could not contradict Marxist-Leninist philosophy. So, people who had the material (in the USSR) could not publish, and people who actually could publish (in the West) did not have access to the materials. -
Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". -
Mythological Concept Sungod in English, Swedish and Slavonic Song Discourses
Науковий вісник ДДПУ імені І. Франка. Серія “Філологічні науки”. Мовознавство, № 11, 2019 Research Journal of Drohobych Ivan Franko State Pedagogical University. Series “Philology” (Linguistics). № 11, 2019 UDC 811.111’37 DOI https://doi.org/10.24919/2663-6042.11.2019.175466 MYTHOLOGICAL CONCEPT SUNGOD IN ENGLISH, SWEDISH AND SLAVONIC SONG DISCOURSES Gusar A. V. Institute of Philology of the Taras Shevchenko National University of Kyiv Modern linguistics pays particular attention to the analysis of the relationship between language and knowledge struc- tures, processes of thinking and consciousness. According to such a tendency, the particular interest is found in the integrative study of speech and language as a linguo-creative phenomenon and in the study of semiotic and cognitive features of basic mythological concepts. Special interest of present-day linguistics lies in decoding such concepts and in finding out how these concepts could be rediscovered in modern discourses, especially in modern songs. Considering all said above we can name the purpose of this article which was devoted to the analysis of basic mythological concept SUNGOD and to studying its possible incarnations in different modern song discourses, namely, in English, Swedish and Slavonic (Russian and Ukrainian) and to the construction of their associative fields, which is significant for understanding the mental processes that occurred when an individual was perceiving, comprehending and, consequently, cognizing the reality a long time ago and how it works nowadays. These common features of the inherited fund of Indo-European mythology explains the considerable similarity of separate Indo-European mythologies, despite the diversity of late contacts with non-European nations, which also had a significant impact on their development.