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AP English Literature and Composition: Study Guide
AP English Literature and Composition: Study Guide AP is a registered trademark of the College Board, which was not involved in the production of, and does not endorse, this product. Key Exam Details While there is some degree of latitude for how your specific exam will be arranged, every AP English Literature and Composition exam will include three sections: • Short Fiction (45–50% of the total) • Poetry (35–45% of the total) • Long Fiction or Drama (15–20% of the total) The AP examination will take 3 hours: 1 hour for the multiple-choice section and 2 hours for the free response section, divided into three 40-minute sections. There are 55 multiple choice questions, which will count for 45% of your grade. The Free Response writing component, which will count for 55% of your grade, will require you to write essays on poetry, prose fiction, and literary argument. The Free Response (or “Essay” component) will take 2 hours, divided into the three sections of 40 minutes per section. The course skills tested on your exam will require an assessment and explanation of the following: • The function of character: 15–20 % of the questions • The psychological condition of the narrator or speaker: 20–25% • The design of the plot or narrative structure: 15–20% • The employment of a distinctive language, as it affects imagery, symbols, and other linguistic signatures: 10–15% • And encompassing all of these skills, an ability to draw a comparison between works, authors and genres: 10–15 % The free response portion of the exam will test all these skills, while asking for a thesis statement supported by an argument that is substantiated by evidence and a logical arrangement of the salient points. -
Chinese Scholars' Perspective on John Updike's "Rabbit Tetralogy"1
Linguistics and Literature Studies 8(1): 8-13, 2020 http://www.hrpub.org DOI: 10.13189/lls.2020.080102 Chinese Scholars' Perspective on John Updike's 1 "Rabbit Tetralogy" Zhao Cheng Foreign Languages Studies School, Soochow University, China Received Ocotber 15, 2019; Revised November 25, 2019; Accepted December 4, 2019 Copyright©2020 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Updike's masterpiece, using skillful realism, most productive, and most awarded writers in the United succeeded in drawing a panoramic picture of the American States in the second half of the twentieth century. "Rabbit society from the 1950s to the early 1990s in the "Rabbit Tetralogy", Updike’s masterpiece, the core of the entire Tetralogy." Updike strives to reflect the changes in literary creation system of Updike, composed of "Rabbit contemporary American social culture for nearly half a Run" (1960), "Rabbit Redux" (1971), "Rabbit is Rich" century from the "rabbit" Harry, the everyman of the (1981), and "Rabbit at Rest" (1991), represents the highest American society and the life experiences of his ordinary achievement of the writer’s novel creation. In famil y. "Rabbit Tetralogy" truly reflects the living contemporary American literature, the publication of conditions of the contradictions of contemporary Rabbit Tetralogy is considered as a landmark event, and Americans: endless pursuit of free life or independent self Updike’s character "Rabbit" Harry, one of the "most and the embarrassment and helplessness of it; the confusing literary figures in traditional American customary life and hedonism under the traditional values, literature", has become a classic figure in contemporary the intense collision of self-indulgent lifestyles inspired by American literature. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Books and Coffee Past Presenters
Books and Coffee Past Presenters Year Speaker Author Title 1951 William Braswell Hemingway Across the River and Into the Trees Chester Eisinger Miller Death of a Salesman Paul Fatout -- “Mark Twain” Robert Lowe Pound Letters Barriss Mills Faulkner Collected Stories Herbert Muller Niebuhr Faith in History Albert Rolfs Fatout Ambrose Bierce Louise Rorabacher Orwell Animal Farm Emerson Sutcliffe Kent Declensions in the Air 1952 Welsey Carroll Boswell London Journal Richard Voorhees Greene The Power and the Glory Richard Cordell Irvine The Universe of George Bernard Shaw Harold Watts Mann The Holy Sinner Roy Curtis Hall Leave Your Language Alone! Richard Greene Altick The Scholar Adventurers R. W. Babcock -- “On Reading Shakespeare” Richard Crowder Williams Later Collected Poems 1953 Herbert Muller Ceram Gods, Graves, and Scholars William Hastings Wouk The Cain Mutiny J. H. McKee Ferril I Hate Thursday Arthur Koenig Dostoievsky The Diary of a Writer George Schick Boswell Boswell in Holland Darrel Abel Steinbeck East of Eden H. B. Knoll Walton The Compleat Angler Raymond Himelick Cabell Quiet Please 1954 Paul Fatout Boswell Boswell on the Grand Tour George S. Wykoff Bonavia-Hunt Pemberley Shades Lewis Freed Eliot The Cocktail Party R. M. Bertram Cary The Horse's Mouth Laird Bell Smith Man and His Gods Bernard Schmidt Michener The Bridges at Toki-Ri Victor Gibbens Randolf & Wilson Down in the Holler William Braswell Thurber Thurber Country 1955 Richard Cordell Larson An American in Europe Arnold Drew Jarrell Pictures from an Institution Russell Cosper Kafka The Castle M. W. Tillson Ives Tales of America Maurice Beebe Faulkner A Fable Walter Maneikis Algren The Man with the Golden Arm Virgil Lokke West The Day of the Locusts Robert Ogle White The Second Tree from the Corner 1956 Lewis Freed Alberto Moravia A Ghost at Noon R.W. -
Philip Roth Biography Appeared Before the Book Came Out, with Major Stories in Magazines and Literary Publications
Sexual Assault Allegations Against Biographer Halt Shipping of His Roth Book W.W. Norton, citing the accusations that the author, Blake Bailey, faces, said it would stop shipping and promoting his new best-selling book. “Philip Roth: The Biography” went on sale earlier this month.Credit...W.W. Norton, via Associated Press By Alexandra Alter and Rachel Abrams Published April 21, 2021Updated May 17, 2021 Earlier this month, the biographer Blake Bailey was approaching what seemed like the apex of his literary career. Reviews of his highly anticipated Philip Roth biography appeared before the book came out, with major stories in magazines and literary publications. It landed on the New York Times best-seller list this week. Now, allegations against Mr. Bailey, 57, have emerged, including claims that he sexually assaulted two women, one as recently as 2015, and that he behaved inappropriately toward middle school students when he was a teacher in the 1990s. His publisher, W.W. Norton, took swift and unusual action: It said on Wednesday that it had stopped shipments and promotion of his book. “These allegations are serious,” it said in a statement. “In light of them, we have decided to pause the shipping and promotion of ‘Philip Roth: The Biography’ pending any further information that may emerge.” Norton, which initially printed 50,000 copies of the title, has stopped a 10,000-copy second printing that was scheduled to arrive in early May. It has also halted advertising and media outreach, and events that Norton arranged to promote the book are being canceled. The pullback from the publisher came just days after Mr. -
John Updike and the Grandeur of the American Suburbs Oliver Hadingham, Rikkyo University, Japan the Asian Conference on Literatu
John Updike and the Grandeur of the American Suburbs Oliver Hadingham, Rikkyo University, Japan The Asian Conference on Literature, Librarianship & Archival Science 2016 Official Conference Proceedings Abstract The standing of John Updike (1932-2009), a multiple prize-winning author of more than 60 books, has suffered over the last two decades. Critics have recognized Updike’s skill as a writer of beautiful prose, but fail to include him among the highest rank of 20th century American novelists. What is most frustrating about the posthumous reputation of Updike is the failure by critics to fully acknowledge what is it about his books that makes them so enduringly popular. Updike combines beautifully crafted prose with something more serious: an attempt to clarify for the reader the truths and texture of America itself. Keywords: John Updike, middle-class, suburbia, postwar America iafor The International Academic Forum www.iafor.org Over the last few decades the reputation of John Updike (1932-2009) has suffered greatly. Updike's doggedness and craft as a writer turned him into a multi-prize winning author of 23 novels, fourteen poetry collections, ten hefty collections of essays, two books of art criticism, a play, some children's books, and numerous short story collections. Yet such a prolific output and the numerous awards won have not placed him among the greats of 20th century American literature. He is remembered as someone who could write elegant prose, but to no lasting effect in articulating something worthwhile. Since the acclaim and prizes showered on Rabbit is Rich (1981) and Rabbit at Rest (1990), Updike has fallen out of favour with the literary world. -
A Celebration of the Yale Collection of American Literature, 1911–2011 on View at Beinecke Library, Yale University, July 8 Through October 1, 2011
Multitudes: A Celebration of the Yale Collection of American Literature, 1911–2011 On view at Beinecke Library, Yale University, July 8 through October 1, 2011 Checklist and Descriptions: Literary Intellectuals at Yale *** Literary Intellectuals at Yale Among the Collection’s holdings of literary archives are the papers of numerous twentieth- century literary critics, great intellectuals of their time. Chief among these holdings is the Robert Penn Warren Papers, consisting of 145 linear feet of manuscript drafts, correspondence, and personal papers, all from the desk of poet, novelist, and critic Robert Penn Warren. Warren, known to most as “Red,” began his career as an undergraduate at Vanderbilt University, where he became closely involved with the Fugitives, a group of Southern poets and literary critics. He joined the English faculty at Yale in 1950 and was instrumental in the development of the American Studies program. His third novel, the political thriller All the King’s Men (1946), won him his first Pulitzer Prize. He received subsequent Pulitzer Prizes for two volumes of poetry, Promises (1958) and Now and Then (1979), and in 1986 became Poet Laureate of the United States. His papers contain rich correspondence with literary heavyweights such as William Faulkner, Harold Bloom, John Cheever, Lillian Hellman, John Hollander, Katherine Anne Porter, John Crowe Ransom, Allen Tate, and Eudora Welty. Yale literary traditions remain central to the Yale Collection of American Literature; in recent years, the Library has added the archives of Yale poets Robert Fitzgerald, Louise Glück, John Hollander, and J. D. McClatchy. *** Robert Penn Warren, To a Little Girl, One Year Old, In a Ruined Fortress (New Haven: Yale School of Design, 1956). -
The Concept of Space in John Updike's Rabbit Tetralogy And
“Location Is Everything”: The Concept of Space in John Updike’s Rabbit Tetralogy and Richard Ford’s Bascombe Trilogy Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultäten der Universität des Saarlandes vorgelegt von Katja KohlerGolly aus Ottweiler Saarbrücken, 2014 Der Dekan: Herr Univ.‐Prof. Dr. P. Riemer Berichterstatter/in: Frau Univ.‐Prof. Dr. A. Fellner, Herr Univ.‐Prof. Dr. P. Morris Tag der letzten Prüfungsleistung: 11.06.2014 To Jörg and Max Table of Contents List of Titles and Their Abbreviations..........................................................................................vi Acknowledgments...........................................................................................................................vii 1. Introduction...........................................................................................................1 1.1. “Location Is Everything”..................................................................................................................1 1.2. Critical Reception ..............................................................................................................................7 1.2.1. Updike ...............................................................................................................................................................7 1.2.2. Ford ....................................................................................................................................................................9 -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
Catalog 208: New Arrivals Folded and Gathered Signatures
BETWEENBETWEEN THETHE COVERSCOVERS RARERARE BOOKSBOOKS Catalog 208: New Arrivals Folded and Gathered Signatures 1 Ernest HEMINGWAY A Moveable Feast New York: Charles Scribner’s Sons (1964) $3500 Unbound folded and gathered signatures. Eight signatures (including one of photographs), the first and last signature with endpapers attached. Page edges untrimmed, and consequently the signatures have minor height variations. Fine. A collection of vignettes inspired by the author’s profound nostalgia for the halcyon days of his early career. This is the final pre-binding state before the signatures are sewn together and the pages trimmed. Rare in this format. [BTC#334030] 2 Robert LOWELL Notebook 1967-68 Farrar, Straus, Giroux: New York (1969) $2750 First edition. Fine in about fine dustwrapper with a small crease on the rear flap. From the library of Pulitzer Prize-winning author Peter Taylor and his wife, the National Book Award-nominated poet Eleanor Ross Taylor. Inscribed by Lowell using his nickname: “For Peter and Eleanor with all the love I can scribble. Cal.” Lowell and Peter Taylor were very close friends and colleagues and were instrumental on each other’s careers. They both attended Kenyon College where they were roommates and studied under Allen Tate and John Crowe Ransom. [BTC#355686] BETWEEN THE COVERS RARE BOOKS CATALOG 208: NEW ARRIVALS 112 Nicholson Rd. Terms of Sale: Images are not to scale. Dimensions of items, including artwork, are given width Gloucester City, NJ 08030 first. All items are returnable within 10 days if returned in the same condition as sent. Orders may be reserved by telephone, fax, or email. -
The Collected Stories of Eudora Welty Free
FREE THE COLLECTED STORIES OF EUDORA WELTY PDF Eudora Welty | 648 pages | 01 Feb 1982 | HOUGHTON MIFFLIN | 9780156189217 | English | New York, NY, United States The Collected Stories of Eudora Welty by Eudora Welty | Audiobook | Larkin The Collected Stories of Eudora Welty an elderly widow. She spends her days from morning until dark The Collected Stories of Eudora Welty in her garden, stopping only for lunch. Even in the rain she continues, moving to a sheltered spot. She is focused on planting whatever she can, and isolates herself The Collected Stories of Eudora Welty her community. Bowman, a traveling salesman for a shoe company, is back on the road after a bout of influenza. He gets out before it rolls down the bank. He starts heading for a house on a hill. Little Lee Roy is sitting on his porch. His children are out picking plums. Two white men approach his place. The younger of the two men is still talking excitedly. He used to sell tickets for a circus show—Keela, the Outcast Indian Maiden—where the subject would eat a live chicken. People wait in a remote train station at night. Insects can be heard but nothing else. No one talks. Ellie and Albert Morgan sit in silence, waiting with their old suitcase. A young, red-haired man stands by the wall. He has a key that he turns over and passes from hand to hand and tosses in the air and catches. Watts, Mrs. Carson, and Aimee Slocum are at the post office. They set out looking for her. -
Raft of the Medusa
REFLECTIONS Robert Silverberg THE RAFT OF THE MEDUSA I’ve been reading Odd Jobs, a bulky collec- his discovery of a most uncomplimentary tion of essays that John Updike published reference to him in one of Cheever’s let- in 1991—one of many such collections ters: “Updike, whom I know to be a bril- that that prolific writer produced. In it I’ve liant man, traveled with me in Russia come across a startling account of the re- last autumn [1964] and I would go to lationship between Updike and John considerable expense and inconvenience Cheever, his great predecessor as a chron- to avoid his company. I think his mag- icle of suburban angst in short stories for naminity [sic] specious and his work The New Yorker and other magazines. seems motivated by covetousness, exhibi- You may be wondering why I want to tionism, and a stony heart.” discuss Messrs. Updike and Cheever in a It is a brave man who would quote, in science fiction magazine, since neither a major magazine, a remark like that one, after all, is generally considered to be about himself coming from an important a science fiction writer. In fact, both did writer whom he considered to be a close dabble a bit in the stuff: Cheever’s eerie friend and a colleague of the greatest 1947 story, “The Enormous Radio,” has ability. But Updike goes on, in what can been reprinted in more than one SF an- be seen either as heroism or masochism, thology, while Updike wrote half a dozen to quote an equally harsh assessment of stories that could be called science fiction himself by another of his literary idols, or fantasy, several of which made it into New Yorker humorist S.J.