LONS ARUS 282 Subject: Urban and Architectural Studies, Art History Credits: 4 Semester/Term: ☒ Semester ☐ J-Term ☐ Summer

Home , Architecture of London

Course Title: Art and Architecture: Exploring the City Course Code: LONS ARUS 282 Subject: Urban and Architectural Studies, Art History Credits: 4 Semester/Term: ☒ Semester ☐ J-Term ☐ Summer

Course Description: Through a combination of city walks, building visits and seminar sessions this course studies the urban fabric of London, from its reconstruction after the Great Fire in 1666 to the present day. The course provides a historic and social mapping of the city through first hand encounters with buildings and urban space. We will explore different types of building – from historic churches to contemporary shopping malls, from theatres to housing – and reflect on issues regarding the provision and use of public space within the city.

The course addresses the city and architecture through interdisciplinary approaches, incorporating elements of architectural history, social geography, art practice and cinematography. The course explores the broad social and economic forces behind the evolution of London’s built environment, and also discusses the role of the architect in shaping the spaces of the city, both inside and out. The city will be used as a context for research, explored through the use of different recording techniques, including photography, video and sound.

Course Required Text Requirements: Edward Jones and Christopher Woodward, Guide to the Architecture of London (Van Nostrand Reinhold 2014). ISBN: 0442243553; Cost: To Be Determined.

Articles from books and journals: (Available through library resources) Andrew Saint, ‘London’, AA Files no. 2 (July 1982), pp. 22-33. ISSN: 0261-6823; Cost: To Be Determined.

Peter Ackroyd, ‘Give the Lydy a Flower’, in London: The Biography (Vintage 2001), pp. 409-22. ISBN: 978-0099422587; Cost: To Be Determined.

Steve Pile, ‘The Un(known) City … or, an Urban Geography of What Lies Beneath the Surface’, in Borden, Kerr, Rendell and Pivaro (eds), The Unknown City: Contesting Architecture and Social Space (The MIT Press, 2001), pp. 264-79. ISBN: 978- 0262523356; Cost: To Be Determined.

Nicholas Hudson, ‘Samuel Johnson, Urban Culture and the Geography of Post Fire London’, Studies in English Literature, 1500-1900, vol 42, no 3, Restoration and Eighteenth Century (Summer 2002), pp. 577-600. ISBN: 1522-9270; Cost: To Be Determined.

Rory Olcayto, ‘One New Change, London, by AteliersJean Nouvel/ Sidell Gibson Architects’, The Architects’ Journal (on-line), 11 November, 2010 (accessed 7 November 2013). ISSN: 0003-8466; Cost: To Be Determined.

Jonathan Glancy. ‘One New Change: never brown in town’, Guardian (on-line), 20 October 2010 (accessed 7 November 2013). ISSN: 0261-3077; Cost: To Be Determined.

Sophia Pssara, ‘Soane through the looking glass: the house-museum of Sir John Soane’, in Architecture and Narrative: The Formation of Space and Cultural Meaning (Routledge, 2009), pp. 111-135. ISBN: 978-0415343763; Cost: To Be Determined.

Robin Evans, ‘Translations from Drawing to Buidling’, AA Files, no.12 (Summer 1986), pp. 3-18. ISSN: 0261-6823; Cost: To Be Determined.

Helene Furjan, ‘Sir John Soane’s Spectacular Theatre’, AA Files, no. 47 (Summer 2002), pp. 12-22. ISSN: 0261-6823; Cost: To Be Determined.

Eleanor Young, ‘Soane Arranger’, The RIBA Journal, February 2013, pp. 34-36 Steve Rose, ‘Hawksmoor’, Guardian (on-line), 25th Sept 2006. ISSN: 0261-3077; Cost: To Be Determined.

Tom Picton, ‘The Craven Image, or The Apotheosis of the Architectural Photograph’, The Architects’ Journal, 25|7|1979, pp. 175-190. ISSN: 0003-8466; Cost: To Be Determined.

Robert Elwall, ‘New Eyes for Old: Architectural Photography’, in Twentieth Century Architecture, no.8, British Modern: Architecture and Design in the 1930s (2007), pp 52-68. ISBN: 978-0952975588; Cost: To Be Determined.

Steve Pile, ’The Problem of London, or, how to explore the moods of the city’, in Neil Leach, The Hieroglyphics of Space: Reading and Experiencing the Modern Metropolis, (Routledge, 2002), pp. 203-16. ISBN: 978-0415198929; Cost: To Be Determined.

Denys Lasdun, ‘Architectural Aspects of the National Theatre’, Journal of the Royal Society of Arts, vol. 125, no. 5256 (November 1977), pp. 780-92. ISSN: 0035-9114; Cost: To Be Determined.

Adrian Forty, ‘The Royal Festival Hall – a “Democratic Space?”’, in Borden, Kerr, Rendell and Pivaro (eds), The Unknown City: Contesting Architecture and Social Space (The MIT Press, 2001), pp. 200-12. ISBN: 978-0262523356; Cost: To Be Determined.

Alan Powers, ‘“The Reconditioned Eye”: Architects and Artists in English Modernism’, AA Files, no.25 (Summer 1993), pp.54-62. ISSN: 0261-6823; Cost: To Be Determined.

Richard Wentworth interviewed by Joe Kerr, “The Accident of Where I Live” – Journeys on the Caledonian Road’, in Borden, Kerr, Rendell and Pivaro (eds), The Unknown City: Contesting Architecture and Social Space (The MIT Press, 2001), pp. 387-405. ISBN: 978-0262523356; Cost: To Be Determined.

Jane Rendell ‘“Bazaar Beauties” or “Pleasure Is Our Pursuit”: A Spatial Story of Exchange’, in Borden, Kerr, Rendell and Pivaro (eds), The Unknown City: Contesting Architecture and Social Space (The MIT Press, 2001), pp. 105-21. ISBN: 978- 0262523356; Cost: To Be Determined.

Brandon LaBelle & Claudia Martinho, Preface to Site of Sound #2: Of Architecture and the Ear (Errant Bodies Press, 2011), vi-xiii. ISBN: 978-0982743904; Cost: To Be Determined.

Brandon LaBelle, ‘Room Tone’, in Brandon LaBelle & Claudia Martinho (eds), Site of Sound #2: Of Architecture and the Ear (Errant Bodies Press, 2011), pp. 245-51. ISBN: 978-0982743904; Cost: To Be Determined.

Christopher Knight, ‘Building Study: Housing at Branch Hill Hampstead, London’, The Architects’ Journal, 20 June, 1979, pp. 1261-76. ISSN: 0003-8466; Cost: To Be Determined.

Jill Pearlman, ‘The Spies Who Came into the Modernist Fold: The Covert Life in Hampstead’s Lawn Road Flats’, Journal of the Society of Architectural Historians, vol. 72, no. 3 (September 2013), pp. 358-81. ISSN: 0037-9808; Cost: To Be Determined.

Colin Rowe, ‘The Architecture of Utopia’, The Mathematics of the Ideal Villa and Other Essays, (MIT Press, 1987), 205-17. ISBN: 978-0262180771; Cost: To Be Determined.

Elizabeth Grosz, ‘Embodied Utopias: The Time of Architecture’, Architecture from the Outside: Essays on Virtual and Real Space (Massachusetts, The MIT Press, 2001), pp. 131-150. ISBN: 9780-262571494; Cost: To Be Determined.

Jane Alison (ed), Future City: Experiment and Utopia in Architecture (Barbican Art Gallery, Thames and Hudson, 2006). ISBN: 978-0500286517; Cost: To Be Determined.

Tatsuya Tsubaki, ‘“Model for a short lived future”? Early tribulations of the Barbican development in the City of London, 1940-1982’, Planning Perspectives, vol. 27, no.4, October 2012, pp. 525-48. ISSN: 0266-5433; Cost: To Be Determined.

Iréné Scalbert, ‘The Smithsons and the Economist Plaza’, AA Files, no. 30 (Autumn 1995), pp. 17-25. ISSN: 0261-6823; Cost: To Be Determined.

Assignments Course Requirements Percentages 1. Class participation 10 % 2. Assignment 1: Captioned photo-essay, 10% documenting a building or public place 3. Assignment 2: Building Study: 600 word 15 % review of a chosen building 4. Assignment 3: Text and image review / 15 % critique of a building interior and its use. 5. Assignment 4: 2500 word, illustrated essay on a topic relating to the course themes, incorporating theoretical and field research (a 50% list of essay options will be provided as a guide).

Total 100%

Learning Outcomes On completion of the course, students should be able to: and/or Expected Student Learning Outcomes Competencies: 1. Distinguish and decode the wealth and diversity of architectural expressions of modernity coexisting within London. 2. Analyze and discuss current historical and theoretical debates on architectural and urban practice within an interdisciplinary framework of critique. 3. Use and interpret visual media of architectural and urban representation, and present their writing skills through both fieldwork and theorized essays.

Course Outline: Session Topic Session 1 General Introduction Required Readings: Andrew Saint, 22-33 Peter Ackroyd, 409-22 Steve Pile, 264-79 Activities: Seminar/lecture Session 2 Order and Stealth Readings: Nicholas Hudson, 577-600 Rory Olcayto, Jonathan Glancy Activities: City visit: St Stephen Walbrook church, St Paul’s Cathedral, and 1 New Change Session 3 From the Drawn to the Built Readings: Sophia Psarra, 111-35 Robin Evans 3-18

Activities: Seminar/lecture Session 4 Theatre and Symbolism Readings: Helene Furjan, 12-22 Eleanor Young, 34-6 Steve Rose Activities: City visit: Sir John Soane Museum, St George’s Bloomsbury, Lumen Church Bloomsbury Session 5 Architectural Representations: Photography and Film Readings: Tom Picton, 175-90 Robert Elwall, 52-68 Steve Pile, 203-16 Activities: Seminar/lecture/film viewing Session 6 Modern Culture Readings: Denys Lasdun, 780-92 Adrian Forty, 200-12 Alan Powers, 54-62 Activities: City visit: The South Bank (Royal Festival Hall, Hayward Gallery, National Theatre) Session 7 Other Voices; Sound as Other Readings: Richard Wentworth/Joe Kerr, 387-405 Jane Rendell, 105-21, Brandon LaBelle/ Claudia Martinho, vi-xiii Brandon LaBelle, 245-51 Activities: Seminar/lecture

Session 8 Housing: Private Space; Shared Space Readings: Christopher Knight, 1261-76 Jill Pearlman, 358-81 Activities: City visit: From Lawn Road Flats to Branch Hill Estate, Hampstead Session 9 Fantasies and Utopias Readings: Colin Rowe, 205-17 Elizabeth Grosz, 131-50 Jane Alison (ed.) Activities: Seminar/ lecture Session 10 Radical Icons Readings: Tatsuya Tsubaki, pp. 525-548 Activities: City visit: Barbican Centre to Lloyds of London Session 11 Corporate Space: The Negotiated and the Conteste Readings: Iréné Scalbert, 17-25 Iain Borden, 221-246 Hal Foster, 99-108 Activities: Seminar/lecture

Session 12 Essay tutorials

Session 13 Essay submission

Other Policies: Expectations Professional behavior is expected of all students. This includes preparation for classes, on-time attendance at classes, attendance at all group sessions and appropriate participation in the form of attentiveness and contributions to the course. Respect for the academic process is the major guiding principle for professional behavior and extends to all communications, including e-mail.

Attendance/Participation Prompt attendance, full preparation, and active participation in class discussions are expected from every student in every class session.

Course Policies For e-mail communications, students must use their Arcadia University e-mail account. Students are responsible for any information provided by e-mail or through Intranet postings.

Plagiarism Representation of another’s work or ideas as one’s own in academic submissions is plagiarism, and is cause for disciplinary action. Cheating is actual or attempted use of resources not authorized by the instructor(s) for academic submissions. Students caught cheating in this course will receive a failing grade. Fabrication is the falsification or creation of data, research or resources to support academic submissions, and cause for disciplinary action.

Late or Missed Assignments Will not be accepted for grading.

Students with Disabilities Persons with documented disabilities requiring accommodations to meet the expectations of this course should disclose this information while enrolling into the program, and before leaving the United States so that appropriate arrangements can be made.

Prerequisites: None.