Ancient Coins
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Chian Relief Pottery and Its Relationship to Chian and East Greek Architectural Terracottas
CHIAN RELIEF POTTERY AND ITS RELATIONSHIP TO CHIAN AND EAST GREEK ARCHITECTURAL TERRACOTTAS (PLATES23, 24) rT HE RELATIONSHIP between the relief decorationof temple entablaturesand relief potteryhas been discussedmany times in the past.1Scholars have suggestedsome pos- sible ways that architecturalreliefs might have affectedthe arrangementof the decoration on relief pottery (i.e., compositionin metopes or in a continuous band2),but for the most part they have focusedon the analogies existing between the moldings of temple simas and the formationof the lip of some Cretan relief pithoi, especially those from Arkades. Fea- tures such as the strongly flaring lip of these pithoi, the decorationof the rim with molded tori or with other patternswhich was currentas early as the first half of the 7th century,and particularlythe ridged protrusionshanging from the lip, frequentlyin the form of the head of a lion, bull, panther, or horse, have led many scholarsto comparethe design of these lips with the similar arrangementof the temple sima and to correlatethe protrusionsand the heads with the water spouts of the sima.3 l Some of the problems set forward here were outlined briefly in Simantoni-Bournias,1987. In the paper which follows, comparisonswith Chian material are limited for the most part to parallels from the realm of East Greek art, since influenceis more likely to come from a culturallyrelated area. I am grateful to Dr. M. E. Caskey, who read a draft of this paper and polished my English. I also wish to express my thanks to the Ephor of Chios-Mytilene, Mrs. A. Archontidou,for facilitatingmy study of the material in the Museum of Chios and kindly giving me permissionto present the perirrhanterionstand from the Attaliotis'plot. -
K a L L O S G a L L E R
KALLOS GALLERY 4 Kallos Gallery – 2019 No.1 Cover.qxp_Layout 1 25/02/2019 14:46 Page 1 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 1 catalogue 4 14-16 Davies Street london W1K 3Dr telephone +44 (0)20 7493 0806 e-mail [email protected] WWW.KalloSgallery.coM 9 27 june – 3 july 16–24 March Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 2 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 3 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 4 1 | A CYPRIOT BLACK ON RED WARE POTTERY OINOCHOE cyPro-archaIc, cIrca 750 – 600 Bc height: 20.2cm e deep reddish ground decorated with concentric circles, with a trefoil mouth and a double strip handle. ProVenance luigi Palma di cesnola collection, 1865 – 1876, inventory no. c.P.563, duplicates, Stanford Metropolitan Museum of art, new york Purchased in 1884 by governor leland Stanford of california (1824 – 1893) and sent in 1893 to the leland Stanford Museum cyprus Museum, jacksonville lIterature For the type, see V. Karageorghis, Ancient Art from Cyprus, e Cesnola Collection in e Metropolitan Museum of Art, new york, 2000, p. 92. 4 Kallos Gallery – 2019 No.1.qxp_Layout 1 21/02/2019 08:01 Page 5 2 | A GREEK GEOMETRIC POTTERY KANTHAROS attIc, late 8th century Bc Width: 15 cm With twin high-arching handles, decorated with rectangular geometric patterns. e body on both sides has been separated into two scenes by parallel lines and zig-zags. -
Melania's Pith Helmet
Volume 10 (2019): Melania’s Pith Helmet: A Critical View of Her African Safari Relevant Rhetoric, Vol. 10 (2019): “Melania’s Pith Helmet” Terry Ownby Associate Professor Department of Communication, Media, and Persuasion Idaho State University [email protected] 2 Relevant Rhetoric, Vol. 10 (2019): “Melania’s Pith Helmet” Matt A.J. https://www.flickr.com/photos/cornstalker/ Barely entering the eighth month of his tumultuous and questionable presidency, Donald Trump found himself facing his amoral ambiguity on a televised global platform. After more than forty-eight hours had elapsed since the khaki-clad, tiki-torch wielding white nationalists marched across the University of Virginia campus and participated deadly violence the following day, Trump finally stepped in front of the cameras only to blame both sides of the racial conflict occurring in the rural hamlet of Charlottesville. His ambivalence and refusal to denounce overt racism perpetrated by his white populist base reinforced his public perception as being racist himself. Although Trump claims to be “the least racist person,” his words and actions over the decades speak for themselves.1 In a 2018 New York Times opinion article, David Leonhardt and Ian Prasad Philbrick assembled a conclusive list of his known racist comments.2 Thus, it could be that this notion of perception is really an actuality. Whether reality of “perception,” this aspect of the president taints those individuals within his orbits of influence, whether they are advisors, friends, or family. For some individuals and some news media outlets, assumptions might be made regarding those closest to the president, namely his family members. -
A History of 119 Infantry Brigade in the Great War with Special Reference To
The History of 119 Infantry Brigade in the Great War with Special Reference to the Command of Brigadier-General Frank Percy Crozier by Michael Anthony Taylor A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History School of History and Cultures College of Arts and Law University of Birmingham September 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract 119 Brigade, 40th Division, had an unusual origin as a ‘left-over’ brigade of the Welsh Army Corps and was the only completely bantam formation outside 35th Division. This study investigates the formation’s national identity and demonstrates that it was indeed strongly ‘Welsh’ in more than name until 1918. New data on the social background of men and officers is added to that generated by earlier studies. The examination of the brigade’s actions on the Western Front challenges the widely held belief that there was an inherent problem with this and other bantam formations. The original make-up of the brigade is compared with its later forms when new and less efficient units were introduced. -
Chrysler Building: Race to the Sky
PDHonline Course S255 (4 PDH) Chrysler Building: Race to the Sky Instructor: Jeffrey Syken 2012 PDH Online | PDH Center 5272 Meadow Estates Drive Fairfax, VA 22030-6658 Phone & Fax: 703-988-0088 www.PDHonline.org www.PDHcenter.com An Approved Continuing Education Provider Race to the Sky 1 Table of Contents Slide/s Part Title/Description 1 N/A Title 2 N/A Table of Contents 3~22 1 THE 1925 PARIS EXPOSITION 23~53 2 ART DECO 54~111 3 EVER HIGHER 112~157 4 RACE FOR THE SKY 158~177 5 OLD BULLET HEAD 178~234 6 THE DESIGN 235~252 7 THE LOBBY 253~262 8 THE CLOUD CLUB 263~273 9 CONSTRUCTION 274~300 10 LEGACY 2 Part 1 THE 1925 PARIS EXPOSITION 3 Away with the architraves, pillars and antiquated temples of the aristocratic past. The universal human community will produce its own style, appropriate for its own age here in the twentieth century! 4 5 6 “French taste was law… Why? Because all around us the English, Germans, Belgians, Italians, Scandinavians and even the Americans themselves reacted and sought to create for themselves – for better or worse – an original art, a novel style corresponding to the changing needs manifested by an international clientele…” Lucien Dior – French Minister of Commerce 7 8 9 10 “All that clearly distinguished the older ways of life was rigorously excluded from the exposition of 1925” Waldemar George 11 12 13 “A cabinet maker is an architect…In designing a piece of furniture, it is essential to study conscientiously the balance of volume, the silhouette and the proportion in accordance with the chosen material and the technique imposed by this material” RE: Excerpt from: Arts Decoratifs: A Personal Recollection of the Paris Exhibition 14 15 “In 1900, we saw the triumph of noodling ornamentation. -
Salmon Chronicles
SALMON CHRONICLES BY H. J. D. SALMON PRIVATELY PRINTED SALMON CHRONICLES has been designed and printed by John Gartner at The Hawthorn Press in an edition limited to 100 copies and the type distributed. Preface These Chronicles, re-written from my original notes, are arranged as far as I could do so, showing each man in the county in which he or his ancestors resided or held land. Many of the records are vague and useless, but were copied when found in case further particulars might afterwards be discovered. The number of different variants of the name is very re markable, but it is very doubtful whether many that have been included herein are related at all. When surnames were first used and for many years after wards the spelling of the names was certainly not regarded as a matter of vital importance, and one frequently finds the same man's name spelt in many different ways, and brothers with their surnames spelt differently ; as in the case of Robert Selyman (Seleman) KT of Wilts, Dorset etc. (CA1297-1350) and Roger Saloman (Saleman) KT of Surrey and Sussex (died 1343). Later the sons of both these men often appear in the State Records with their names spelt in various ways, but ultimately almost always Salman or Salmon. Patent rolls of September 1379 and February 1381 provide "protection for one year for Roger Selyman alias Sele man alias Selman, going to Ireland on the King's Service." Showing clearly that the name might be spelt in various ways. These Chronicles have been collected over a long period. -
[email protected] Call Us: 01642 460638 LATEST RELEASES
Welcome to the Pendr[ken 2021 c[t[logue! With over 4200 products now, we’ve got the widest selection of 10mm mini[tures, vehicles [nd scenery [nywhere in the world! HOW TO ORDER There [re sever[l w[ys to order: 1. Online - Go to www.pendr[ken.co.uk, choose wh[t you w[nt [nd he[d to the checkout. The website will [utom[tic[lly tr[nsfer you to P[yP[l for your p[yment. 2. By em[il - Simply em[il your order to leon@pendr[ken.co.uk [nd we will send you [ P[yP[l invoice for your p[yment. 3. By telephone - Ring us on 01642 460638. 4. By m[il - Send your order to:- Pendr[ken, Unit 2D, V[ugh[n Court, Bolckow Industri[l Est[te, Middlesbrough, TS6 6BJ. HOW TO PAY We [ccept sever[l p[yment methods:- 1. P[yP[l - The e[siest w[y to p[y online. 2. C[rd - We [ccept [ll m[jor credit/debit c[rds. 3. Cheque - Ple[se m[ke p[y[ble to ‘Pendr[ken’. 4. Post[l order - Ple[se m[ke p[y[ble to ‘Pendr[ken’. POSTAGE Post[ge is [ddition[l on [ll orders, ple[se [dd the following r[tes:- UK/BFPO - 5% of the order v[lue (min. £3.00 / m[x. £6.00). EU - 15% of the order v[lue (min. £4.20 / m[x. £18.00). All non-EU - 25% of the order v[lue (min. £5.00 / m[x. -
Director Sta";E Depa Rtrent of Librar Y and Arc: I Ves
I'!i-..:~Glt2l:.I'!"..s B. COCiL.t:, Director Sta";e Depa rtRent of Librar y and Arc:_i ves OOaOTEY B. ~"GIL.E.."1 =xtensio~ Liorarian VOLi.. HJ V - NUl·iB:D 4, !lEUL, 1962 There are all sorts and con:! itions of "conventions" and eaci1 one of us has our opinion of thel;}. Usually you can decide just what type of convention you want to attend and pick that one . Our I,rizona State Library lissociation annua 1 conventions are rather unique in that they offer something of most all you would want. The meeting in Tucson teis year proved that statement . I know that a number of you l'[ere there because I either saw you at a distance and could do no more than wave to you or I was fortuna te and had a chance to talk a bit with you. f. number of you I met for the first t ir.le and did enjoy it so r.lUch. It was quite an accomplishment if everYO£le got to see all tile exhi!:>its and look over the new items on the narket, r,1eet a 11 our old friends and wake a nur.lber of new ones, attend tile neetings so that \'Ie know the worki nGS of our iissociation and get in three meals a day. Then in addition we had all t he very fine panels to listen to and meet the outstanding guests and visit with teem for a few r.linutes. Then, just to put a bit of icing on the cake, we tad excellent "e£ltertainnent" both Friday and Saturday. -
Junior High-High School Edition)
1 Glossary for the Virtual Tour (Junior High-High School Edition) A Acanthus – Representation of Acanthus plant leaf used in architecture and decorative arts as an ornamental motif, specifically in Classical architecture of the Greeks and Romans. Also used in the capital of the Corinthian order. Ad valorem taxes – Ad valorem is a Latin phrase meaning “according to the value,” meaning it is a tax proportional to the value of the underlying asset. Usually a type of property tax. Alabaster – A type of fine-grained gypsum that has been used for statuary, carvings, ornaments, church fittings, and monuments. Normally snow-white in color, however, it can be dyed or even be translucent depending on the treatment. Ante-chamber – A room that serves as a waiting area and entry to a larger chamber. Anthemion – A decoration in architecture consisting of radiating petals and used widely in Classical architecture. Arch – A curved structure, usually a doorway or gateway, that serves as support for a structure. Architect – A skilled person in the art of building, who designs complex structures such as government buildings, monuments, housing, etc. Architecture – The art and technique of designing and building. Architrave – In Classical architecture, the lowest section of the entablature (see entablature) directly above the capital of a column. Art Nouveau – Meaning “new art,” Art Nouveau is a style of art and architecture that was popular in the late 19th and early 20th centuries. It is known by its floral designs, flowing lines, and curved tendrils. Attic – Denotes any portion of a wall above the main cornice (see cornice). -
December 1969 DTOC
DAILY STAFF JOURNAL OR DUTY OFFICER'S LOG Page No. No. of Pages 1 4 CONFIDENTIAL Period Covered From To Organization or Installation Location Hour Date Hour Date AMERICAL DIVISION TOC CHU LAI, RVN 0001 01 Dec 69 2400 01 Dec 69 Item Time Incidents, Messages, Orders, Etc. 1 0001 Journal Opened. 2 0225 11 Bde, Sp Douglas, A/1-20, BS833437 at 0209H. Obsr & eng 3xVC/NVA approx 50m fr perimeter w/SAF. Res: Unk. 0715H Update: at 0708H swept area & fd 1xVC KIA, 1xNVA unif, 1xNVA flag, 1xM-26 HG, 1xChicom H/gren, & docu at BS808441. 1xpaper included name, age & village of 1xindiv (NFI). All equip dest. Docu will be evac to LZ Bronco. While on sweep rec 2xH/gren w/NCD. 3 0405 (DELAYED) 198 Bde, Sgt Hill, 4/6 ARVN, BS724823 at 301600H Nov 69. Rec sniper fire. Res: 1xARVN WIA(E). 0200H at BS718830, 4/6 amb & cptr 1xVC. To be evac to Son Tinh. (Info only) 4 0530 198 Bde, CPT Lange, 4/6 ARVN, BS720820 at 0330H. Rec unk amt 60mm mort rd, B-40 rkts & ground attack w/H/gren. Res: 7xARVN WIA(E), 2xARVN KIA, 4xVC KIA, & 10xChicom H/gren CIA. (Info only) 5 0600 11 Bde, CPT Small, S2. Req LRRP AO #42. Area: Fr BS6046 S to 600446 W along bdry of AO ext #109 to 5944 S to 5943 E to 6343 N to 6346 W to 6046. Time: 0600H-1700H. Appr by G3, CPT Pate. Ntfy: FSE, CPT Sullivan; 11 Bde, Sp Douglas. 6 0605 CLDC, Sgt Redman, at 0430H. -
Chrysler Building: Race to the Sky
PDHonline Course S255 (4 PDH) Chrysler Building: Race to the Sky Instructor: Jeffrey Syken 2012 PDH Online | PDH Center 5272 Meadow Estates Drive Fairfax, VA 22030-6658 Phone & Fax: 703-988-0088 www.PDHonline.org www.PDHcenter.com An Approved Continuing Education Provider www.PDHonline.org www.PDHcenter.com Table of Contents Slide/s Part Title/Description 1N/ATitle 2 N/A Table of Contents 3~22 1 THE 1925 PARIS EXPOSITION 23~53 2 ART DECO 54~111 3 EVER HIGHER 112~157 4 RACE FOR THE SKY 158~177 5 OLD BULLET HEAD 178~234 6 THE DESIGN 235~252 7 THE LOBBY 253~262 8 THE CLOUD CLUB 263~273 9 CONSTRUCTION 274~300 10 LEGACY Race to the Sky 1 2 Away with the architraves, pillars and antiquated Part 1 temples of the aristocratic past. The universal human community will produce THE 1925 PARIS EXPOSITION its own style, appropriate for its own age here in the twentieth century! 3 4 5 6 S255 Chrysler Building: Race to the Sky 1 www.PDHonline.org www.PDHcenter.com “French taste was law… Why? Because all around us the English, Germans, Belgians, Italians, Scandinavians and even the Americans themselves reacted and sought to create for themselves – for better or worse – an original art, a novel style corresponding to the changing needs manifested by an international clientele…” Lucien Dior – French Minister of Commerce 7 8 9 10 “All that clearly distinguished the older ways of life was rigorously excluded from the exposition of 1925” Waldemar George 11 12 S255 Chrysler Building: Race to the Sky 2 www.PDHonline.org www.PDHcenter.com “A cabinet maker is an architect…In designing a piece of furniture, it is essential to study conscientiously the balance of volume, the silhouette and the proportion in accordance with the chosen material and the technique imposed by this material” RE: Excerpt from: Arts Decoratifs: A Personal Recollection of the Paris Exhibition 13 14 “In 1900, we saw the triumph of noodling ornamentation. -
A Case Study of Monumental Tombs in the Göksu Valley
Ritual, Social Organization, and Monumental Architecture: A Case Study of Monumental Tombs in the Göksu Valley A Thesis Submitted to the Committee of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Science TRENT UNIVERSITY Peterborough, Ontario, Canada © Copyright by Christopher Langlois 2017 Anthropology M.A. Graduate Program May 2017 Abstract Ritual, Social Organization, and Monumental Architecture: A Case Study of Monumental Tombs in the Göksu Valley Christopher Langlois New archaeological material was discovered in 2006 by the Göksu Archaeological Project in an area of Southeastern Turkey known as Rough Cilicia. This thesis documents and explores the material remains from funerary contexts at the sites of Dağpazarı and Topkaya. Architectural analysis of the material from Dağpazarı demonstrates that the remains are of a monumental temple tomb dating to the late second or early third century A.D. Although the remains from Dağpazarı are fragmentary, the evidence is examined to suggest possible architectural reconstructions. The examination of the Topkaya tomb cluster sheds light upon an ornately decorated rock-cut temple façade tomb dating the Roman period. Both sets of tombs are stunning examples of monumental architecture from the Roman period in an area that suffers from a lack of surviving architectural material. In order to understand the variation in monumental tomb forms the relationship between death, burial, and monumental architecture is examined from a functional perspective. The rites of passage are used as a theoretical framework for examining the functional role that monumental architecture plays in the performance of funerary ritual and the formation of social organization in Roman Rough Cilicia.