A Hero Who Went Down Loving, Not Fighting
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Antonio Iturbe
THE LIBRAIAN OF AUSCHWITZ IIi ANTONIO ITURBE TRANSLATED BY LILIT ŽEKULIN THWAITES HENRY HOLT AND COM PANY NEW YORK 207-68939_ch00_4P.indd 3 7/26/17 12:58 PM Henry Holt and Company, Publishers since 1866 Henry Holt® is a registered trademark of Macmillan Publishing Group, LLC 175 Fifth Avenue, New York, NY 10010 fiercereads .com Text copyright © 2012 by Antonio Iturbe Translation copyright © 2017 by Lilit Žekulin Thwaites Endpaper images courtesy of the National Archives All rights reserved. Library of Congress Cataloging-in-Publication Data is available. ISBN 978-1-62779-618-7 Our books may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at (800) 221-7945 ext. 5442 or by e-mail at [email protected]. First published in Spain by Editorial Planeta in 2012 First American edition, 2017 Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 207-68939_ch00_4P.indd 4 7/26/17 12:58 PM Dear reader, I want to tell you how the book you are holding came into being. Some years ago, the Spanish author Antonio Iturbe was searching for someone who could tell him some details about the books on the children’s block in the Auschwitz– Birkenau concentration camp. He received my internet address, and we started exchanging emails. His were short, apol o getic questions and mine long, detailed answers. But then we met in Prague, and for two days I showed him where I grew up and where I played in a sandbox and went to school and the house that we—my parents and I— left forever when we were sent to the Terezín ghetto by the Nazi occupants. -
Cultural Life in the Theresienstadt Ghetto- Dr. Margalit Shlain [Posted on Jan 5Th, 2015] People Carry Their Culture with Them W
Cultural Life in the Theresienstadt Ghetto- Dr. Margalit Shlain [posted on Jan 5th, 2015] People carry their culture with them wherever they go. Therefore, when the last Jewish communities in Central Europe were deported to the Theresienstadt ghetto (Terezin in Czech), they created a cultural blossoming in the midst of destruction, at their last stop before annihilation. The paradoxical consequence of this cultural flourishing, both in the collective memory of the Holocaust era and, to a certain extent even today, is that of an image of the Theresienstadt ghetto as having had reasonable living conditions, corresponding to the image that the German propaganda machine sought to present. The Theresienstadt ghetto was established in the north-western part of the Protectorate of Bohemia and Moravia on November 24, 1941. It was allegedly to be a "Jewish town" for the Protectorate’s Jews, but was in fact a Concentration and Transit Camp, which functioned until its liberation on May 8, 1945. At its peak (September 1942) the ghetto held 58,491 prisoners. Over a period of three and a half years, approximately 158,000 Jews, from the Protectorate of Bohemia and Moravia, Germany, Austria, Holland, Denmark, Slovakia, and Hungary, as well as evacuees from other concentration camps, were transferred to it. Of these, 88,129 were sent on to their death in the 'East', of whom only 4,134 survived. In Theresienstadt itself 35,409 died from "natural" causes like illness and hunger, and approximately 30,000 inmates were liberated in the ghetto. This ghetto had a special character, as the Germans had intended to turn it into a ghetto for elderly and privileged German Jews, according to Reinhard Heydrich’s announcement at the "Wannsee Conference" which took place on January 20th, 1942 in Berlin. -
Izraelský Kaleidoskop
Kaleidoscope of Israel Notes from a travel log Jitka Radkovičová - Tiki 1 Contents Autumn 2013 3 Maud Michal Beer 6 Amira Stern (Jabotinsky Institute), Tel Aviv 7 Yael Diamant (Beit ‑Haedut), Nir Galim 9 Tel Aviv and other places 11 Muzeum Etzel 13 Intermezzo 14 Chava a Max Livni, Kiryat Ti’von 14 Kfar Hamakabi 16 Beit She’arim 18 Alexander Zaid 19 Neot Mordechai 21 Eva Adorian, Ma’ayan Zvi 24 End of the first phase 25 Spring 2014 26 Jabotinsky Institute for the second time 27 Shoshana Zachor, Kfar Saba 28 Maud Michal Beer for the second time 31 Masada, Brit Trumpeldor 32 Etzel Museum, Irgun Zvai Leumi Muzeum, Tel Aviv 34 Kvutsat Yavne and Beit ‑Haedut 37 Ruth Bondy, Ramat Gan 39 Kiryat Tiv’on again 41 Kfar Ruppin (Ruppin’s village) 43 Intermezzo — Searching for Rudolf Menzeles (aka Mysteries remains even after seventy years) 47 Neot Mordechai for the second time 49 Yet again Eva Adorian, Ma’ayan Zvi and Ramat ha ‑Nadiv 51 Věra Jakubovič, Sde Nehemia — or Cross the Jordan 53 Tel Hai 54 Petr Erben, Ashkelon 56 Conclusion 58 2 Autumn 2013 Here we come. I am at the check ‑in area at the Prague airport and I am praying pleadingly. I have heard so many stories about the tough boys from El Al who question those who fly to Israel that I expect nothing less than torture. It is true that the tough boy seemed quite surprised when I simply told him I am going to look for evidence concerning pre ‑war Czechoslovak scout Jews in Israeli archives. -
Jewish Museum in Prague 2011 Annual Report Contents
Jewish Museum in Prague 2011 Annual Report Contents 1 Legal framework of JMP activities and bodies | 2 2 General information about the JMP | 3 a) Properties and sites overseen by the JMP | 3 b) Services provided by the JMP | 4 3 Visitor numbers | 5 4 Organizational and staff structure | 7 5 Exhibitions | 8 a) Robert Guttmann Gallery | 8 b) Exhibitions of the Department for Education and Culture | 9 c) Exhibitions held in co-operation with other institutions | 9 6 Care and documentation of the collections | 10 a) Care of the collections | 10 b) Documentation | 11 7 Specialist activities | 13 a) Collections Department | 13 b) Shoah History Department | 14 c) Department of Jewish History and Jewish Studies | 16 d) Archives | 17 e) Library | 18 8 Preparation of new exhibitions and changes to the JMP | 20 9 Acquisitions | 22 10 Educational activities | 23 11 Cultural activities | 26 a) Evening programmes at the Department for Education and Culture | 26 b) Concerts at the Spanish Synagogue and other public cultural events | 28 c) Israeli Season at the Jewish Museum in Prague | 29 d) Commemoration of the 70th anniversary of the first deportations | 30 12 Publications | 31 13 Co-operation with institutions | 32 a) Specialist co-operation and loans | 32 b) Involvement in other projects | 33 14 Maintenance and reconstruction | 35 15 Investments | 36 16 Grants and donations | 37 17 Financial results in 2011 | 39 Appendix 1 – 2011 budget implementation | 41 Appendix 2 – Profit and loss statement | 42 Appendix 3 – Balance sheet | 43 Appendix 4 – Staff structure | 44 Appendix 5 – Building repairs and reconstruction | 45 Legal framework of JMP activities and bodies The Jewish Museum in Prague (JMP), an association of legal entities with common interests, was registered by the Prague 1 District Authority on 30 September 1994. -
Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C
Thesis Title The Lagermuseum Creative Manuscript and ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ Critical Thesis Author Dr Claire Griffiths, BA (Hons), MA, PhD Qualification Creative and Critical Writing PhD Institution University of East Anglia, Norwich School of Literature, Drama and Creative Writing Date January 2015 Word Count 91,102 (excluding appendices) This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The Lagermuseum My creative manuscript – an extract of a longer novel – seeks to illuminate a little- known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established -
Whole Dissertation Hajkova 3
Abstract This dissertation explores the prisoner society in Terezín (Theresienstadt) ghetto, a transit ghetto in the Protectorate Bohemia and Moravia. Nazis deported here over 140, 000 Czech, German, Austrian, Dutch, Danish, Slovak, and Hungarian Jews. It was the only ghetto to last until the end of Second World War. A microhistorical approach reveals the dynamics of the inmate community, shedding light on broader issues of ethnicity, stratification, gender, and the political dimension of the “little people” shortly before they were killed. Rather than relegating Terezín to a footnote in narratives of the Holocaust or the Second World War, my work connects it to Central European, gender, and modern Jewish histories. A history of victims but also a study of an enforced Central European society in extremis, instead of defining them by the view of the perpetrators, this dissertation studies Terezín as an autarkic society. This approach is possible because the SS largely kept out of the ghetto. Terezín represents the largest sustained transnational encounter in the history of Central Europe, albeit an enforced one. Although the Nazis deported all the inmates on the basis of their alleged Jewishness, Terezín did not produce a common sense of Jewishness: the inmates were shaped by the countries they had considered home. Ethnicity defined culturally was a particularly salient means of differentiation. The dynamics connected to ethnic categorization and class formation allow a deeper understanding of cultural and national processes in Central and Western Europe in the twentieth century. The society in Terezín was simultaneously interconnected and stratified. There were no stark contradictions between the wealthy and majority of extremely poor prisoners. -
The Auschwitz-Birkenau Museum
53 REMEMBRANCE INSTITUTION Franciszek Dąbrowski PhD Institute of National Remembrance, Warsaw, Poland War Studies University, Warsaw, Poland ORCID 0000-0002-4255-6985 Web of Science ResearcherID S-6250-2017 THE AUSCHWITZ-BIRKENAU MUSEUM & MEMORIAL SITE THE FORMER GERMAN NAZI CONCENTRATION AND EXTERMINATION CAMP: THE HISTORY OF THE INSTITUTION OF MEMORY AND ITS OPERATING PRINCIPLES Abstract The paper describes the activities, structures and tasks of the Auschwitz-Birkenau State Museum, one of the most important remembrance institutions and the most important Holocaust Memorial in Poland. The short outline of the camp’s wartime history is followed by sections concerning the post-war site’s use and commemoration, the forming of the Museum, concepts of its shape, and contemporary challenges to its activities. The selected Museum’s structures were discussed: the archives, exhibitions, research, collections, conservation and visitor services departments. Keywords: Auschwitz, Holocaust Memorial, archives, museum collections, conservation, research Institute of National Remembrance 2/2020 54 INTRODUCTION The Protected Site and the Museum’s History he museum and memorial site located at the former T concentration camp of Auschwitz-Birkenau was REMEMBRANCE INSTITUTION established in 1947 as the Oświęcim-Brzezinka State Museum. In 1999 the museum was renamed as the Auschwitz-Birkenau State Museum (Państwowe Muzeum Auschwitz-Birkenau). In 1979 the sites in the museum’s custody—the remains of the concentration camps Auschwitz I and Auschwitz II-Birkenau—were registered on the UNESCO World Heritage list as the “Auschwitz Concentration Camp”. In 2007 the name on the list was revised to “the Former Nazi German Concentration and Extermination Camp at Auschwitz-Birkenau”. -
Anne Frank, the Young Diarist from Amsterdam, May Be
“Poor devils” of the Camps Dutch Jews in Theresienstadt, 1943–19451 Anna Hájková nne Frank, the young diarist from Amsterdam, may be the best-known victim of the Holocaust.2 Her diary breaks off with the capture of the Jews hiding at 263 Prinsengracht Street, and, with the termination of the diary, Anne Frank Ais as good as dead. Anne’s incarceration in Auschwitz-Birkenau and later in Bergen-Belsen, where she died seven months after her arrest, are often presented as a footnote to her story.3 This treatment of Anne Frank’s last seven months is symptomatic of the story of the Dutch Jews once they were deported outside of the Netherlands; this topic has been widely neglected in large parts of the historiography of the Holocaust of Dutch Jewry.4 Many scholars of the 1 This article was a long time in the making, and I am extremely grateful to many colleagues and friends for their help, advice, support, and reading and commenting along the way. Among others, I’d like to thank Guido Abuys, Merav Amir, Doris Bergen, Hubert Berkhout, Hartmut Kaelble, the late René Kruis, Anna Manchin, Jaroslava Milotová, Ted Muller, the late Miloš Pojar, Corinna Unger, and Lynne Viola; and the many people who in 2001 were so helpful and generous talking with me about their Terezín experience. 2 On Anne Frank as the point of departure for an important new history of the Ho- locaust in the Netherlands, see Katja Happe, “Die Geschichte der Judenverfolgung in den Niederlanden: Schwerpunktsetzungen innerhalb eines neuen Projekts” in Krijn Thijs und Rüdiger Haude, eds., Grenzfälle: Transfer und Konflikt zwischen Deutschland, Belgien und den Niederlanden im 20. -
From the Recent Dance Today
Guest Editor’s Introduction to Mahol Akhshav (Dance Today) 36 Judith Brin Ingber Extraordinary was the word describing Arizona State University’s of the ruses developed by the artists against their tormentors (ASU) international research conference1 “Jews and Jewishness in to maintain the imprisoned’s inner freedom even in the death the Dance World,” October 13-15, 2008 in Tempe, Arizona, USA. camps. Judith Brin Ingber’s “Correcting a Published Error: ‘Kamila The conference celebrated and examined the impact of Jewish Rosenbaumová, the Choreographer of Theresienstadt’s Broučci artists and scholars and the Jewish experience in the dance field and Brundibár died in Auschwitz’ and Other Quandaries” writes of and broader communities. As editors of this issue, we continue the challenges over many years researching through many archives the inclusivity that was so remarkable at ASU, presenting no exact for facts about the Czech choreographer Kamila Rosenbaumová definition or finality on Judaism, Jews or Jewishness and dance (who actually survived several camps including Auschwitz). Yehuda but continuing the dialogue and interactions with the articles we Hyman’s realization that the specter of Kristallnacht (Or the Night present in this issue. The authors (living in Israel, the United States, of Broken Glass, Nov. 9, 1938 when German synagogues, homes, Germany, France, England and Argentina) explore a multitude of schools and businesses were torched) continues to foul the air in ideas and aspects of Judaism, as well as individual dancers, some of the central square of Freiburg, Germany on the site of its destroyed whom may be introduced for the first time and others who may be synagogue. -
Universidade Estadual De Campinas Instituto De Estudos Da Linguagem
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM JACQUELIN DEL CARMEN CEBALLOS GALVIS RETORNO SEM RETORNO ÀS CIDADES DA MORTE CAMPINAS 2020 JACQUELIN DEL CARMEN CEBALLOS GALVIS RETORNO SEM RETORNO ÀS CIDADES DA MORTE Tese de doutorado apresentada ao Instituto de Estudos da Linguagem da Universidade Estadual de Campinas como parte dos requisitos exigidos para obtenção do título de Doutora em Teoria e História Literária na área de Teoria e Crítica Literária. Orientador: Prof. Dr. Márcio Orlando Seligmann-Silva Este exemplar corresponde à versão final da Tese defendida por Jacquelin Del Carmen Ceballos Galvis e orientada pelo Prof. Dr. Márcio Orlando Seligmann- Silva. CAMPINAS 2020 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Estudos da Linguagem Leandro dos Santos Nascimento - CRB 8/8343 Ceballos Galvis, Jacquelin Del carmen, 1978- C321r CebRetorno sem retorno às cidades da morte / Jacquelin Del carmen Ceballos Galvis. – Campinas, SP : [s.n.], 2020. CebOrientador: Márcio Orlando Seligmann-Silva. CebTese (doutorado) – Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. Ceb1. Kulka, Otto Dov, 1933-. Paisagens da metrópole da morte : reflexões sobre a memória e a imaginação. 2. Testemunho. 3. Memória. 4. Luto. I. Seligmann-Silva, Márcio Orlando.. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em outro idioma: Retorno sin retorno a las ciudades de la muerte Palavras-chave em inglês: Kulka, -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews
WITNESS TO AUSCHWITZ excerpts from 18 Centropa interviews WITNESS TO AUSCHWITZ Excerpts from 18 Centropa Interviews As the most notorious death camp set up by the Nazis, the name Auschwitz is synonymous with fear, horror, and genocide. The camp was established in 1940 in the suburbs of Oswiecim, in German-occupied Poland, and later named Auschwitz by the Germans. Originally intended to be a concentration camp for Poles, by 1942 Auschwitz had a second function as the largest Nazi death camp and the main center for the mass extermination of Europe’s Jews. Auschwitz was made up of over 40 camps and sub-camps, with three main sec- tions. The first main camp, Auschwitz I, was built around pre-war military bar- racks, and held between 15,000 and 20,000 prisoners at any time. Birkenau – also referred to as Auschwitz II – was the largest camp, holding over 90,000 prisoners and containing most of the infrastructure required for the mass murder of the Jewish prisoners. 90 percent of Auschwitz’s victims died at Birkenau, including the majority of the camp’s 75,000 Polish victims. Of those that were killed in Birkenau, nine out of ten of them were Jews. The SS also set up sub-camps designed to exploit the prisoners of Auschwitz for slave labor. The largest of these was Buna-Monowitz, which was established in 1942 on the premises of a synthetic rubber factory. It was later designated the headquarters and administrative center for all of Auschwitz’s sub-camps, and re-named Auschwitz III. All the camps were isolated from the outside world and surrounded by elec- trified barbed wire.