17Th INTERNATIONAL PHAROS CHAMBER MUSIC FESTIVAL
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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Activities Overview 2018,2019 Success of Rohm Music Friends
Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd. -
Yoon-Hee Kim Plays
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. ‘The profundity of her emotions impresses much more than her technical perfection. Her performance connects virtuosity, energy and passion’ – Rheinische Post, Germany ‘She demonstrates an extraordinary musicality, a strong expression and an absolutely perfect technique’ – Kölner Klassik YOON-HEE KIM PLAYS ‘A sensation … No-one can compete with her extraordinary musicality’ – Adresseavisen , Norway ‘Amazing performance’ – Austria Today KHACHATURIAN & TCHAIKOVSKY VIOLIN CONCERTOS YOON-HEE KIM VIOLIN . BARRY WORDSWORTH CONDUCTOR CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. By the early 1940s Khachaturian was riding on the crest of a wave of popular success. ARAM KHACHATURIAN (1903 –1978) His Piano Concerto (1936) and Violin Concerto (1940) established him, alongside Violin Concerto in D minor (1940) Prokofiev and Shostakovich, as one of Russia’s most celebrated composers. His I. Allegro con fermezza stunning incidental music to Lermontov’s Masquerade appeared in 1941 and the II. Andante sostenuto following year his epic ballet score Gayeneh was written, which included the ever- III. Allegro vivace popular whirlwind ‘Sabre Dance’. ‘I wrote the music as though on a wave of happiness; my whole being was in a state of joy, for I was awaiting the birth of my son. And this feeling, this love of life, was PYOTR TCHAIKOVSKY (1840 –1893) transmitted to the music.’ So saying, Khachaturian set the seal on his gloriously inspired Violin Concerto in D Op.35 (1878) Violin Concerto, composed over two months during the idyllic summer of 1940. -
Explore Unknown Music with the Toccata Discovery Club
Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details. -
Marryat Players Chamber Music FESTIVAL
marryat players chamber music FESTIVAL 13 - 16 June 2019 marryat players marryat players chamber music chamber music FESTIVAL FESTIVAL We look forward to welcoming you 2019 THURSDAY FRIDAY SATURDAY SUNDAY 13TH 14TH 15TH 16TH JUNE JUNE JUNE JUNE 3 MARRYAT ROAD WIMBLEDON VILLAGE LONDON SW19 5BB FOUNDER Margaret Lewisohn www.marryatplayers.com ARTISTIC DIRECTOR Bartholomew LaFollette GRAPHIC DESIGN Jenny Lewisohn Follow us on Twitter PHOTOGRAPHY Gabriel Isserlis, cover photo Blake Ezra @MarryatPlayers #MPCMF2019 PATRON Steven Isserlis Johannes Brahms String Sextet No.2 in G major, Op.36 PROGRAMME Brahms’s second string sextet was completed in 1865 when he was infatuated with, but never married, the soprano Agathe von Siebold. The first movement contains a concealed reference to her first name in the musical notation a-g-a-h-e, while the whole work is full of technical ingenuity and poetic inspiration. Thursday 13th June, 7.30 pm Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Jenny Lewisohn, Hannah Shaw, Jennifer Stumm violas Friday 14th June, 7.30pm Ashok Klouda, Bartholomew LaFollette, Peteris Sokolovskis cellos Julian Milford piano Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Hannah Shaw viola Ashok Klouda, Bartholomew LaFollette cellos Felix Mendelssohn String Quintet No.2 in B flat major, Op.87 Julian Milford, Zeynep Özsuca pianos Written in 1845, this exuberant work is reminiscent of Mendelssohn’s much-loved Octet written 20 years earlier. The energetic opening displays the virtuosity of the first violin whilst the rest of the quintet acts as an entire string orchestra. Wolfgang Amadeus Mozart Piano Quartet in E flat major, K493 This lyrical work with its profusion of melodies was composed in 1786 when piano quartets were a rarity Franz Schubert Arpeggione Sonata in A minor, D.821 in Vienna. -
TFO Tour 2017
Tongyeong Festival Orchestra European Tour 2017 Celebrating the 100th Anniversary of Isang Yun (1917-1995) 23 September to 2 October 2017 Program Maurice Ravel: Le Tombeau du Couperin Isang Yun: Violin Concerto No. 3 (1992) Isang Yun: Harmonia (1974) Maurice Ravel: Ma Mère l´oye (Ballett) Clara Jumi Kang Violin Tongyeong Festival Orchestra Heinz Holliger Conductor Inquiries: Tongyeong International Music Foundation www.timf.org [email protected] Tongyeong Festival Orchestra Following the example of Lucerne, Switzerland, Tongyeong Festival Orchestra (TFO) was created to enhance the musical spectrum of the Tongyeong International Music Festival, and to serve as an artistic ambassador for Tongyeong City, a UNESCO Creative City of Music. Since the festival’s first edition in 2002, TIMF has been striving to assemble highly qualified musicians in order to build its own ensemble. In 2011, then Alexander Liebreich initiated a collaboration of musicians from Ensemble TIMF with the Munich Chamber Orchestra, thus for the first time building a truly international Festival Orchestra. From then on, the group was assembled annually, performing at home and abroad. At the opening of the new Tongyeong Concert Hall in 2014, TFO was again led by Alexander Liebreich and included musicians from Ensemble TIMF, Polish National Radio Orchestra of Katowice, and from major international symphony orchestras, such as NDR Hamburg, Munich Philharmonic, Kremerata Baltica, Osaka Philharmonic, Melbourne Symphony and Sydney Symphony Orchestra. In 2015, TFO truly became a musical centerpiece of the Tongyeong International Music Festival. Following the festival theme „Voyages“, the orchestra went abroad to play in Japan and China. Performing together with violinist Gidon Kremer and German conductor Christoph Poppen, the orchestra consisted of musicians mainly from Korea, Japan and China to create a musical bridge between the three countries. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Toccata Classics Cds Are Also Available in the Shops and Can Be Ordered from Our Distributors Around the World, a List of Whom Can Be Found At
Recorded in the Great Hall of the Moscow Conservatoire on 25–27 June 2013 Recording engineers: Maria Soboleva (Piano Concerto) and Pavel Lavrenenkov (Cello Concerto) Booklet essays by Anastasia Belina and Malcolm MacDonald Design and layout: Paul Brooks, [email protected] Executive producer: Martin Anderson TOCC 0219 © 2014, Toccata Classics, London P 2014, Toccata Classics, London Come and explore unknown music with us by joining the Toccata Discovery Club. Membership brings you two free CDs, big discounts on all Toccata Classics recordings and Toccata Press books, early ordering on all Toccata releases and a host of other benefits, for a modest annual fee of £20. You start saving as soon as you join. You can sign up online at the Toccata Classics website at www.toccataclassics.com. Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 E-mail: [email protected] A student of Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood, Hobart Earle studied conducting at the Academy of Music in Vienna; received a performer’s diploma in IGOR RAYKHELSON: clarinet from Trinity College of Music, London; and is a magna cum laude graduate of Princeton University, where he studied composition with Milton Babbitt, Edward Cone, Paul Lansky and Claudio Spies. In 2007 ORCHESTRAL MUSIC, VOLUME THREE he was awarded the title of Honorary Professor of the Academy of Music in Odessa. -
Download Booklet
557921bk USA 14/3/07 10:08 am Page 5 Ashley Wass The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at BRIDGE the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. In 2002 he was made an Associate of the Royal Academy. He has spent three summers as a participant at the Marlboro Music Festival, Piano Music playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He has given recitals at most of the major British concert halls, including the Wigmore Hall, Queen Elizabeth Hall, Symphony Hall, Purcell Room, Bridgewater Hall and St David’s Hall, with Piano Sonata appearances at the City of London Festival, Bath Festival, Brighton Festival, Cheltenham Festival, Belfast Waterfront Hall, Symphony Hall in Birmingham, the Wallace Collection, LSO St Luke’s, St George’s in Bristol, Three Sketches • Pensées fugitives Chicago’s Cultural Centre and Sheffield ‘Music in the Round’. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz. -
21-Asis Aktualios Muzikos Festivalis GAIDA 21Th Contemporary Music Festival
GAIDA 21-asis aktualios muzikos festivalis GAIDA 21th Contemporary Music festival 2011 m. spalio 21–29 d., Vilnius 21–29 October, 2011, Vilnius Festivalio viešbutis Globėjai: 21-asis tarptautinis šiuolaikinės muzikos festivalis GAIDA 21th International Contemporary Music Festival Pagrindiniai informaciniai rėmėjai: MINIMAL | MAXIMAL • Festivalio tema – minimalizmas ir maksimalizmas muzikoje: bandymas Informaciniai rėmėjai: pažvelgti į skirtingus muzikos polius • Vienos didžiausių šiuolaikinės muzikos asmenybių platesnis kūrybos pristatymas – portretas: kompozitorius vizionierius Iannis Xenakis • Pirmą kartą Lietuvoje – iškiliausio XX a. pabaigos lenkų simfoninio kūrinio, Henryko Mikołajaus Góreckio III simfonijos, atlikimas • Dėmesys tikriems šiuolaikinės muzikos atlikimo lyderiams iš Prancūzijos, Vokietijos ir Italijos Partneriai ir rėmėjai: • Intriguojantys audiovizualiniai projektai – originalios skirtingų menų sąveikos ir netikėti sprendimai • Keletas potėpių M. K. Čiurlioniui, pažymint kompozitoriaus 100-ąsias mirties metines • Naujų kūrinių užsakymai ir geriausi Lietuvos bei užsienio atlikėjai: simfoniniai orkestrai, ansambliai, solistai Festivalis GAIDA yra europinio naujosios muzikos kūrybos ir sklaidos tinklo Réseau Varése, remiamo Europos Komisijos programos Kultūra, narys. The GAIDA Festival is a member of the Réseau Varése, European network Rengėjai: for the creation and promotion of new music, subsidized by the Culture Programme of the European Commission. TURINYS / CONTENT Programa / Programme.......................................................................................2 -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
25. Mai 2015 Programm Grusswort Der Gastgeber
22. - 25. MAI 2015 PROGRAMM GRUSSWORT DER GASTGEBER Wir möchten Sie hier auf der Brunegg herzlich willkommen heissen. Esther Hoppe und Jürg Dähler haben mit ihren Kolleginnen und Kollegen ein Programm zusammengestellt, das schon bei der ersten Ankündigung begeisterte Kommentare ausgelöst hat. Wir freuen uns mit Ihnen auf ein hervorragendes musikalisches Erlebnis. Bis anhin hatten wir die Räumlichkeiten stets nur für private Anlässe benützt. Dass nun die Öffentlichkeit Zutritt hat, ist vollkommen neu, und wir wollen damit eine neue Tradition beginnen. Da wir hier unser privates Wohnen eingerichtet haben, bitten wir Sie um Verständnis, wenn Sie keinen Zutritt in unsere Wohnräume erhalten. Diese stehen übrigens zum Teil den Künstlern zur Verfügung. Brunegg war seit dem Beginn des 19. Jahrhunderts im Besitz der Familie Hünerwadel von Lenzburg und gelangte durch die Heirat von Marie Pauline mit Adolf von Salis, dem Vater von Jean Rudolf von Salis, in unsere Familie. Es wurde im Sommer sehr lebhaft zu geselligem Zusammensein genutzt; es wurde gewohnt, gespielt, geschrieben und diskutiert. Wir selber haben seit den 1990er Jahren Renovations- und Umbauarbeiten machen lassen; die Unterburg erhielt zwei moderne Wohnungen und den Festraum in der Tenne. Das Schloss oben und die Gartenanlagen wurden tiefgreifenden Restaurierungen und Erneuerungen unterzogen; die gesamte Anlage wurde von einem halb ruinenhaften in den heutigen, bequem bewohn- und bespielbaren Zustand umgewandelt. Wir hoffen, dass Sie das mit uns geniessen können und wünschen Ihnen ein gelungenes Pfingstfestival! Thomas und Elisabeth von Salis Gastgeber EDITORIAL DER KÜNSTLERISCHEN LEITUNG Die Historie des Schlosses Brunegg in seinem heute rundum erneuerten Gewand verführt und verpflichtet zu gleichen Teilen, an diesem geschichtsträchtigen Ort ein Festival zu gestalten, welches Tradition und Innovation in sinnlicher Art und Weise verbindet.