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Free Companions.Xlsx
Free Companion List By AladdinAnon Key Type = There are 4 types Jump Name = Name of Jump Canon = Canon Charcter, typically a gift Folder = Which folder to find the jump OC = Get an OC Character, typically a "create your own" option Companion = What you get Scenario = required to do a scenario to get the companion Source = Copy and ctrl+F to find their location in jump doc Drawback = Taking the companion is optional after the drawback is finished TG Drive Jumps starting with Numbers Folder Companion Type Source 10 Billion Wives Gauntlets 0 - 10 Billion Wives OC 10 Billion Wives Jumps starting with A Folder Companion Type Source A Brother’s Price A-M Family OC Non Drop-ins A Brother’s Price A-M Husband OC Non Drop-in Women A Brother’s Price A-M Mentor OC Non Drop-in Men A Brother’s Price A-M Aged Spinsters OC Drop-ins of any Gender A Practical Guide to Evil A-M Rival Drawback Rival (+100) A Super Mario…Thing Images 1 OC OC Multiplayer Option After War Gundam X Gundum Frost brothers Drawback A Frosty Reception (+200cp/+300cp) Age of Empires III: Part 1: Blood Age of Empires III Pick 1 of 5 Canon Faction Alignment Ah! My Goddess A-M Goddess Waifu Scenario Child of Ash and Elm Ah! My Goddess A-M Raising Iðavöllr Scenario Iðavöllr AKB49 - Renai Kinshi Jourei (The Rules Against Love) A-M 1 A New Talent OC Drop-In, Fan, Stagework AKB49 - Renai Kinshi Jourei (The Rules Against Love) A-M 1 Canon Companion Canon Kenkyusei, Idol, Producer AKB49 - Renai Kinshi Jourei (The Rules Against Love) A-M Rival Drawback 0CP Rivals AKB49 - Renai Kinshi Jourei (The Rules Against Love) A-M Yoshinaga Drawback 400CP For Her Dreams Aladdin Disney Iago Canon Iago Aladdin Disney Mirage Scenario Mirage’s Wrath Aladdin Disney Forty Thieves Scenario Jumper And The Forty Thieves. -
Old Ipswichian Journal
The journal of the Old Ipswichian Club Old Ipswichian Journal The Journal of the Old Ipswichian Club | Issue 8 2017 In this issue Club news • Features • Members’ news • Births, marriages, deaths and obituaries OI Club events • School news • From the archives • Programme of events Page Content 01 Member Leavers 2016 Life Members Year 13 Friar Emily Victoria Murray Dylan James Goldthorpe Oliver Pardoe Maximillian Thomas Ablett Emily Louise Goodwin Adam Robert Patel Elisha Yogeshkumar Adams Georgina Baddeley Gorham Emily Louise Patten Arthur George Alexander Hannah Gravell Oscar James Robert Phillips Tobias Edward Oliver Alfs Benjamin Ward Hamilton Michael Pickering Jack Frederick Ayre Scarlett Victoria Hardwick Eleanor Maisie Price Indigo Celeste Imogen Barlow Natasha Alice Harris Leo William Patrick Prickett James Robert Bartleet Henry Oliver Hills Matilda Kate Proud Faye Madeleine Blackmore Livia Constance Houston Caitlin Siobhan Putman Sebastian Joseph Boyle India Howard Ruby Eliza Rackham Isabelle Eve Broadway Charles Hudson Tobias James Riley James Mark Brown Isobel Poppy Hyam Brittany Lily-Ray Robson Tallulah Inger Mary Bryanton Alexander James Jiang Wenyuan Robson Eben Harry Campbell Oliver Thomas Jones William James Cresswell Rowbotham Emily Charlotte Cappabianca Mia Isabella Kemp Nathanael Jefferson Royle Emily Florence Carless-Frost Tabitha Kemp-Smith Teja Kim Rule Charlotte Elizabeth Chan Yat Hei Knight Jonathan Anthony Rush Tobias Charles Chen Yuepeng Christopher Shaikly Anna Cheng Pun Hong Knights William John Sharma Sasha -
'O Rose Thou Art Sick': Floral Symbolism in William Blake's Poetry
‘O Rose Thou Art Sick’: Floral Symbolism in William Blake’s Poetry Noelia Malla1 ARTICLE INFO ABSTRACT Available Online March 2014 The primary aim of this paper is to analyse the symbolic implications of Key words: floral imagery in William Blake’s poetry. More specifically, this study William Blake; explores the process of floral (re)signification of William Blake’s Songs of Songs of Innocence and of Innocence (1789) and Songs of Experience (1794) as case studies. Since Experience; “Without contraries [there] is no progression” (Marriage of Heaven and The Sick Rose; Hell, plate 3), it can be argued that the Songs represent contrary aspects floral imagery. of the human condition that far from contradicting each other, establish a static contrast of shifting tensions and revaluation of the flower-image not only as a perfect symbol of the “vegetable” life rooted to the Earth but also as a figure longing to be free. In some sense at some level, the poetic- prophetic voice asserts in the Songs of Experience the state of corruption where man has fallen into. Ultimately, this study will explore how the failure to overcome the contrast that is suggested in the Songs will be deepened by the tragedy of Thel, which is symbolized by all unborn forces of life, all sterile seeds as an ultimate means of metaphorical regeneration throughout Poetry which constitutes in itself the Poet Prophet’s own means of transcending through art. William Blake (1757-1827) was the first English poet to work out the revolutionary structure of imagery that (re)signifies through the Romantic poetry. -
September 2014 Issue
Street Spirit Volume 20, No. 9 September 2014 Donation: $1.00 A publication of the American Friends Service Committee JUSTICE NEWS & HOMELESS BLUES IN THE B AY A REA A Quaker’s Ceaseless Quest for a World Without War by Terry Messman uring a long lifetime spent working for peace and social justice, David DHartsough has shown an uncanny instinct for being in the right place at the right time. One can almost trace the mod- ern history of nonviolent movements in America by following the trail of his acts of resistance over the past 60 years. His life has been an unbroken series of sit-ins for civil rights, seagoing blockades of munitions ships sailing for Vietnam, land blockades of trains carrying bombs to El Salvador, arrests at the Diablo nuclear reac- tor and the Livermore nuclear weapons lab, Occupy movement marches, and interna- tional acts of peacemaking in Russia, Nicaragua, Kosovo, Iran and Palestine. It all began at the very dawn of the Freedom Movement when the teenaged Hartsough met Martin Luther King and Ralph David Abernathy at a church in Montgomery, Alabama, in 1956 as the min- isters were organizing the bus boycott at the birth of the civil rights struggle. Next, while at Howard University, Hartsough was involved in some of the first “Where have all the flowers gone?” David Hartsough is arrested by police in San Francisco for blocking Photo credit: sit-ins to integrate restaurants in Arlington, Market Street in an act of civil disobedience in resistance to the U.S. invasion of Iraq. -
Interpreting Race and Difference in the Operas of Richard Strauss By
Interpreting Race and Difference in the Operas of Richard Strauss by Patricia Josette Prokert A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2020 Doctoral Committee: Professor Jane F. Fulcher, Co-Chair Professor Jason D. Geary, Co-Chair, University of Maryland School of Music Professor Charles H. Garrett Professor Patricia Hall Assistant Professor Kira Thurman Patricia Josette Prokert [email protected] ORCID iD: 0000-0002-4891-5459 © Patricia Josette Prokert 2020 Dedication For my family, three down and done. ii Acknowledgements I would like to thank my family― my mother, Dev Jeet Kaur Moss, my aunt, Josette Collins, my sister, Lura Feeney, and the kiddos, Aria, Kendrick, Elijah, and Wyatt―for their unwavering support and encouragement throughout my educational journey. Without their love and assistance, I would not have come so far. I am equally indebted to my husband, Martin Prokert, for his emotional and technical support, advice, and his invaluable help with translations. I would also like to thank my doctorial committee, especially Drs. Jane Fulcher and Jason Geary, for their guidance throughout this project. Beyond my committee, I have received guidance and support from many of my colleagues at the University of Michigan School of Music, Theater, and Dance. Without assistance from Sarah Suhadolnik, Elizabeth Scruggs, and Joy Johnson, I would not be here to complete this dissertation. In the course of completing this degree and finishing this dissertation, I have benefitted from the advice and valuable perspective of several colleagues including Sarah Suhadolnik, Anne Heminger, Meredith Juergens, and Andrew Kohler. -
IAFP Meeting
July 31-August 3 M Annual20 O N IAFPMeetingMilwaukee,11 WI D th All presentations to be held at Frontier Airlines Convention Center A Y MONDAY MORNING 9:15 Food Safety Activities in Thailand — PENSRI RODMA, AUGUST 1 Ministry of Public Health, Nonthaburi, Thailand A 10:00 Break M (Posters will be on display 10:00 a.m. − 6:00 p.m. 10:30 TBD — QINCY LISSAUR, BSI Standard Solutions, See details beginning on page 51.) London, United Kingdom S1 The Diverse and Discrepant Non-O157 STEC: 11:00 Moving Forward — Changing Cultures on Different Data, Differences and Discernment Levels — PATRICK WALL, University College Dublin, Frontier Airlines Convention Center, 203 Dublin, Ireland Sponsored by ILSI North America Technical 11:30 Panel Discussion Committee on Food Microbiology Organizer: Darinka Djordjevic S3 To Tell or Not to Tell, That is the Question! Convenor: Peter Gerner-Smidt Environmental Testing and Mandatory 8:30 The Increasing Importance of Non-O157 STEC in the Reporting — An Industry, Regulatory and United States — RAJAL MODY, Centers for Disease Public Relations Nightmare Control and Prevention, Atlanta, GA, USA Frontier Airlines Convention Center, 201AB 9:00 STEC Pathobiology and Virulence — LOTHAR BEUTIN, Sponsored by the IAFP Foundation Federal Institute for Risk Assessment, Berlin, Germany Organizers: Rudy Westervelt and Nancy Eggink 9:30 STEC Detection/Characterization Current Status — Convenors: Rudy Westervelt and Nancy Eggink Future Prospects — NANCY STROCKBINE, Centers for 8:30 Liability and Responsibility — The Legal Ramifications Disease Control and Prevention, Atlanta, GA, USA of Reporting or Not Reporting — SHAWN K. 10:00 Break STEVENS, Gass Weber Mullins, Milwaukee, WI, USA 10:30 Industry Perspectives on Non-O157 — TIMOTHY A. -
The Universal Character, Cave Beck
Fiat Lingua! ! Title: The Universal Character ! Author: Cave Beck ! MS Date: 04-15-2012! ! FL Date: 05-01-2012 ! FL Number: FL-000008-00 ! Citation: Beck, Cave. 1657.The Universal Character (Andy Drummond, Transcription).FL-000008-00, Fiat Lingua, <http://fiatlingua.org>. Web. 01 May. 2012.! ! Copyright: PD 1657 Cave Beck. This work is licensed under a Creative Commons Attribution- ! NonCommercial-NoDerivs 3.0 Unported License.! ! " ! http://creativecommons.org/licenses/by-nc-nd/3.0/ Fiat Lingua is produced and maintained by the Language Creation Society (LCS). For more information about the LCS, visit http://www.conlang.org/ Transcription of the 1657 edition of Cave Beck’s “The Universal Character”. What’s this all about then? The idea of a “universal language”, a language that can be understood by all peoples of the Earth, has been with us for several centuries. There were two periods when the idea flourished – firstly, at the start of the European Enlightenment era, in the 17th century; and again towards the second half of the 19th century, when the Socialist and pacifist movements began to take root. The very first published attempt at producing a universal language was made by Francis Lodwick in 1652, when he published his “The Ground-work or Foundation Laid (or so intended) For the Framing of a New Perfect Language: and an Universall or Common Writing”. This was a very brief description of a universal language scheme, running to no more than 19 pages. But it heralded the beginning of a golden era of similar schemes, which culminated in – and arguably was finished off by – John Wilkins’ “Essay Towards a Universal Character” of 1668. -
Patronage, Performance, and Reputation in the Eighteenth-Century Church
PATRONAGE, PERFORMANCE, AND REPUTATION IN THE EIGHTEENTH-CENTURY CHURCH DANIEL REED OXFORD BROOKES UNIVERSITY Thesis submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy in History SEPTEMBER 2019 1 Lancelot Blackburne, Archbishop of York. After unknown artist. Mezzotint, sold by Thomas Bakewell. 1724 or after. Private collection of Daniel Reed. 2 For Freya 3 Abstract The perceived success of the revisionist programme in dissipating the ‘longest shadow in modern historiography’ calls into question the ongoing relevance of ‘optimistic’ versus ‘pessimistic’ interpretations of the Church of England in the long eighteenth century. And yet, the case of Lancelot Blackburne, Archbishop of York (1724-1743), has not benefitted from the ‘revisionist turn’ and represents an unparalleled problem in accounts of the Georgian episcopate. Whilst Benjamin Hoadly has been the most maligned bishop of the period for his theology, Blackburne is the most derided for his personal imperfections and supposed negligence of his episcopal duties. These references are often pernicious and euphemistic, manifesting in several quasi-apocryphal tales. The most regularly occurring being accounts of Blackburne’s lasciviousness, speculation over the paternity of his chaplain Thomas Hayter, and the Archbishop’s association with piracy. As long as these bastions of resistance to revisionism remain, negative assumptions will linger on in contemporary studies of the Church, regardless of whether they are reframed by current trends. As such, this thesis utilises under-explored archival sources to reorient Blackburne’s case to its historical context. This is achieved through an exploration of the inter-connected themes of patronage, performance, and reputation. -
Handbook-Of-Semiotics.Pdf
Page i Handbook of Semiotics Page ii Advances in Semiotics THOMAS A. SEBEOK, GENERAL EDITOR Page iii Handbook of Semiotics Winfried Nöth Indiana University Press Bloomington and Indianapolis Page iv First Paperback Edition 1995 This Englishlanguage edition is the enlarged and completely revised version of a work by Winfried Nöth originally published as Handbuch der Semiotik in 1985 by J. B. Metzlersche Verlagsbuchhandlung, Stuttgart. ©1990 by Winfried Nöth All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress CataloginginPublication Data Nöth, Winfried. [Handbuch der Semiotik. English] Handbook of semiotics / Winfried Nöth. p. cm.—(Advances in semiotics) Enlarged translation of: Handbuch der Semiotik. Bibliography: p. Includes indexes. ISBN 0253341205 1. Semiotics—handbooks, manuals, etc. 2. Communication —Handbooks, manuals, etc. I. Title. II. Series. P99.N6513 1990 302.2—dc20 8945199 ISBN 0253209595 (pbk.) CIP 4 5 6 00 99 98 Page v CONTENTS Preface ix Introduction 3 I. History and Classics of Modern Semiotics History of Semiotics 11 Peirce 39 Morris 48 Saussure 56 Hjelmslev 64 Jakobson 74 II. Sign and Meaning Sign 79 Meaning, Sense, and Reference 92 Semantics and Semiotics 103 Typology of Signs: Sign, Signal, Index 107 Symbol 115 Icon and Iconicity 121 Metaphor 128 Information 134 Page vi III. -