Walking Tour and Visits of the Following Locations: A
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The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
EGYPT in ROME (AND BEYOND) JC Zietsman University Of
ACTA CLASSICA LII (2009) 1-21 ISSN 0065-1141 CHAIRPERSON’S ADDRESS • VOORSITTERSREDE CROSSING THE ROMAN FRONTIER: EGYPT IN ROME (AND BEYOND) J.C. Zietsman University of the Free State ABSTRACT A coin issued by Octavian in 27 BC, when he became the Emperor Augustus, pro- claims AEGYPTO CAPTA, ‘Egypt has been captured.’ In actual fact Egyptian culture, architecture, art and religion crossed the Roman frontier and captured the imagination of the Roman world. Apart from Greece, no other country had greater influence over the Romans. The most distinctive evidence of Egyptian presence in Rome is the obelisks. Several of the obelisks exalted the military victories of the pharaohs to whom they were originally dedicated. The Roman emperors, as rulers of Egypt, identified with this use for their own imperialistic and propagandistic purposes. This article will look at the afterlife of some of the most famous obelisks in and beyond the Eternal City after the fall of Rome. Introduction In 264 BC Rome became involved in the First Punic War against Carthage. By the end of this war (241 BC) the Romans found themselves in possession of Sicily, which became the first Roman province. The Third Punic War ended in 146 BC, when the defeated Carthaginian territory became the pro- vince of Africa. Macedonia and Achaea became Roman provinces in the same year. Cunliffe argues that ‘the rise of Rome in the Mediterranean did not lead to a confrontation with Egypt, although the internal quarrels among the mem- bers of the Egyptian dynasty did give Rome some say in the internal matters of Egypt.1 Under the Ptolemies economic and political decay had set in and by the time that Egypt was drawn into the Roman political arena in the second half of the first century BC, the country was in a state of near collapse.’ 1 Cunliffe 1978:232. -
Star Polyhedra: from St Mark's Basilica in Venice To
STAR POLYHEDRA: FROM ST MARK’S BASILICA IN VENICE TO HUNGARIAN PROTESTANT CHURCHES Tibor TARNAI János KRÄHLING Sándor KABAI Full Professor Associate Professor Manager BUTE BUTE UNICONSTANT Co. Budapest, HUNGARY Budapest, HUNGARY Budapest, HUNGARY Summary Star polyhedra appear on some baroque churches in Rome to represent papal heraldic symbols, and on the top of protestant churches in Hungary to represent the Star of Bethlehem. These star polyhedra occur in many different shapes. In this paper, we will provide a morphological overview of these star polyhedra, and we will reconstruct them by using the program package Mathematica 6. Keywords : Star polyhedra; structural morphology; stellation; elevation; renaissance; baroque architecture; protestant churches; spire stars; Mathematica 6.0. 1. Introduction Star is an ancient symbol that was important already for the Egyptians. Its geometrical representation has been a planar star polygon or a polygramma. In reliefs, they have got certain spatial character, but still they remained 2-dimensional objects. Real 3-dimensional representations of stars are star polyhedra. They are obtained by extending the faces of convex polyhedra so that their planes intersect again [1]. This technique is called stellation . In a broader sense, those polyhedra are also called star polyhedra that are obtained by elevating the face centres of the polyhedra, which are, in this way, augmented by pyramids (the base of a pyramid is identical to the face of the polyhedron on which it stands). To our knowledge, star polyhedra do not occur in European culture until the Renaissance. The first example of a star polyhedron is a planar projection of a small stellated dodecahedron in the pavement mosaic of St Mark’s Basilica in Venice ( Fig. -
The Urban Development of Rome in the Age of Alexander VII by Dorothy Metzger Habel Review By: John E
Masthead Logo Smith ScholarWorks Art: Faculty Publications Art 6-2006 Reviewed Work(s): The rbU an Development of Rome in the Age of Alexander VII by Dorothy Metzger Habel John E. Moore Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/art_facpubs Part of the Arts and Humanities Commons Recommended Citation Moore, John E., "Reviewed Work(s): The rU ban Development of Rome in the Age of Alexander VII by Dorothy Metzger Habel" (2006). Art: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/art_facpubs/7 This Book Review has been accepted for inclusion in Art: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] Review Reviewed Work(s): The Urban Development of Rome in the Age of Alexander VII by Dorothy Metzger Habel Review by: John E. Moore Source: Journal of the Society of Architectural Historians, Vol. 65, No. 2 (Jun., 2006), pp. 306-308 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/25068281 Accessed: 09-07-2018 15:51 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive -
Dinner in Piazza Della Rotonda
Pont. Max. Campo Marzio feet in width and fifteen feet in depth The entire interior space of the Pantheon mea- sures some 142 feet in diameter, as well as in height—a perfect sphere—large enough to contain the aforementioned dome of St Peter’s or the nave of Chartres Cathedral; yet unlike Chartres, a completely freestanding structure As I proceeded to the center of this immense rotunda, I found myself completing a 360 degree circuit beneath the oculus to take it all in—an idealized circle of Had- rian’s invulnerable empire and representation of heaven itself; the physical sanction of “all the gods” that Rome (under Hadrian, of course) should rule the world But the Pantheon’s interior is more than a doorway to Rome’s imperial past, for the tombs in its pavement and niches are also windows into the Italian Renaissance and the Risorgi- mento under the Savoy kings Along the western wall above the pavement I visited the tomb of Raphael, who had requested in his will to be buried in the Church of Santa Maria della Rotonda, as the Pantheon has also been known ever since Pope Boniface IV (608–615) received it from the Byzantine Emperor Phocas and converted it into a church in dedication to the Virgin and all the Christian martyrs Further on, toward the altar that rests against the wall opposite the entrance, I came upon the tomb of the Savoy King Umberto I, and continuing past the altar to the right, were the highly ornamented tombs of the Savoys Vittorio Emanuele II and Umberto II The inscription for Victor Emmanuel II reads: “Vittorio Emanuele -
Step + Don Do Rome
Step + Don do Rome February 2, 2018 - February 5, 2018 Friday ColosseumB8 • Piazza del Colosseo, 00184 February 2, 2018 Rome Ciampino Airport F11 • Roma Ciampino Airport (Giovan Battista Pastine Airport), Via Appia Nuova B&B La Terrazza sul Colosseo 1651, 00040 Rome Ciampino, Italy B9 • Via Ruggero Bonghi 13/b, 00184 Rome Basilica of Saint Mary Major B9 • Piazza di S. Maria Maggiore, 42, 00100 Roma RM, Italy Palazzo delle Esposizioni B8 • Via Nazionale 194, Rome, Latium, 00184, Italy Church of St Andrea della Valle B8 • Corso del Rinascimento Rome, Italy 00186 Trevi Fountain B8 • Piazza di Trevi, 00187 Roma, Italy Caffè Tazza d'Oro B8 • 84 Via degli Orfani, 00186 Pantheon B8 • Piazza della Rotonda, 00186 Roma, Italy Freni e Frizioni B8 • Rome Trastevere B8 • Rome Area sacra dell'Argentina B8 • Rome Venice Square B8 • Rome Monument to Vittorio Emanuele II B8 • Piazza Venezia, 00187 Roma, Italy Trajan's Column B8 • Via dei Fori Imperiali, Roma, Italy Imperial Forums B8 • Largo della Salara Vecchia 5/6, 9 00184 Roma, Italy Forum of Augustus B8 • Via dei Fori Imperiali, Rome, Latium, 00186, Italy Forum of Trajan B8 • Via IV Novembre 94, 00187 Roma, Italy Saturday Sunday February 3, 2018 February 4, 2018 B&B La Terrazza sul Colosseo B&B La Terrazza sul Colosseo B9 • Via Ruggero Bonghi 13/b, 00184 Rome B9 • Via Ruggero Bonghi 13/b, 00184 Rome Colosseum Navona Square B8 • Piazza del Colosseo, 00184 B8 • Piazza Navona, 00186 Rome, Italy Imperial Forums Pantheon B8 • Largo della Salara Vecchia 5/6, 9 00184 Roma, Italy B8 • Piazza della Rotonda, -
Rome 2016 Program to SEND
A TASTE OF ANCIENT ROME 17–24 October 2016 Day-by-Day Program Elizabeth Bartman, archaeologist, and Maureen Fant, food writer, lead a unique, in-depth tour for sophisticated travelers who want to experience Rome through the eyes of two noted specialists with a passion for the city, its monuments, and its cuisine. Together they will introduce you to the fascinating archaeology of ancient foodways and to the fundamentals of modern Roman cuisine. Delicious meals, special tastings, and behind-the-scenes visits in Rome and its environs make this week-long land trip an exceptional experience. You’ll stay in the same hotel all week, in Rome’s historic center, with some out-of-town day trips. October is generally considered the absolutely best time to visit Rome. The sun is warm, the nights not yet cold, and the light worthy of a painting. The markets and restaurants are still offering the last of the summer vegetables—such as Rome’s particular variety of zucchini and fresh borlotti beans—as well as all the flavors of fall and winter in central Italy—chestnuts, artichokes, broccoli, broccoletti, chicory, wild mushrooms, stewed and roasted meats, freshwater fish, and so much more. Note: Logistics, pending permissions, and new discoveries may result in some changes to this itinerary, but rest assured, plan B will be no less interesting or delicious. B = Breakfast included L = Lunch included D = Dinner included S = Snack or tasting included MONDAY: WELCOME AND INTRODUCTION You’ll be met at Leonardo da Vinci Airport (FCO) or one of the Rome railroad stations and transferred to our hotel near the Pantheon, our base for the next seven nights. -
Cianci-Molinari Fullpaper
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W15, 2019 27th CIPA International Symposium “Documenting the past for a better future”, 1–5 September 2019, Ávila, Spain THE TRACES OF THE PAST: INFORMATIVE TOOLS FOR THE RECONSTRUCTION OF AURELIAN WALLS IN RIONE TESTACCIO M.G. Cianci 1, M. Molinari 1 1 Roma Tre University, Dept. Architecture, Rome, Italy - (mariagrazia.cianci, matteo.molinari)@uniroma3.it Commission II, WG II/8 KEY WORDS: Aurelian Walls, Testaccio, Analysis, GIS, Mapping ABSTRACT: Rome has a great cultural heritage, formed by the stratification of styles and political influences from different eras. The different eras and architectural styles that have defined the city in the two millennia of history, make each part unique in its kind. This succession of changes has by necessity led to the denial of some archaeologies that in past ages were pivotal points in the development of the ancient city. The research presented here is intended to analyze and reconstruct the archeology of the river stretch of the Aurelian Walls on the Lungotevere Testaccio partly disappeared from the architectural landscape of the city. The research was set in two main phases, the first based on the two-dimensional study of the lost fabric, focusing on the cartographic study and the digitization of them in the GIS environment. The second one still under development foresees the digitalization of the three- dimensional elements detected and the insertion of these within the dedicated platforms. 1. INTRODUCTION construction of new infrastructures have imposed arbitrary choices that have given a new face to the city. -
Twenty-Four Italy, Rome, & Vatican City Historical Maps & Diagrams
Twenty-Four Italy, Rome, & Vatican City Historical Maps & Diagrams From the Roman Republic to the Present Compiled by James C. Hamilton for www.vaticanstamps.org (November 2019), version 2.0 This collection of maps is designed to provide information about the political and religious geography of Europe, Italy, Rome, and Vatican City from the era of the Roman Republic to the present day. The maps include the following: 1. Plan of the Ancient City of Rome with the Servian and Aurelian Walls and location of Mons Vaticanus (Vatican Hill). 2. Map of Roman Republic and Empire, 218 B.C and 117 A.D. 3. Europe during the reign of Emperor Augustus, 31 B.C. to 14 A.D. 4. Palestine at the time of Jesus, 4 B.C to 30 A.D. 5. Diocletian’s division of the Roman Empire (r. 284-305). 6. Roman Empire at the death of Constantine I (337). 7. European kingdoms at the death of Charlemagne (814). 8. Divisions of the Carolingian Emopire (843) and the Donation of Pepin (756). 9. Europe and the Mediterranean, ca. 1190 (High Middle Ages). 10. Central Europe and the Holy Roman Empire under the Hohenstauffen Dnyasty (1079-1265). 11. Map of Italy in ca. 1000 12. Map of the Crusader States, ca. 1135 13. Map of Medieval Cluniac and Cisterciam Monasteries. 14. Map of Renaissance Italy in 1494. 15. Map of religious divisions in Europe after the Reformation movements. 16. Map of Europe in 1648 after the Peace of Westphalia (end of the ‘wars of religion’). 17. Italy in 1796, era of the wars of the French Revolution and Napoleon 18. -
Erasmus+ Clil4dsn 1
Mobility in Italy - Rome – L.S. F. Enriques 18/3/2019 – 23/03/2019 CLIL4DSN Project N°: 2018-1-RO01-KA201-049519 Visit of Ostia NECROPOLIS -“columbarium”= a tomb, but with a particularity, it had special spaces in the wall for holding urns where the ashes were put. Rectangular form, it had an upper floor that could be reached by walking up a staircase. In the middle of 1800 Ostia Antica’s necropolis was unearthed for the first time, it had around 60 tombs, it was situated outside the city. Tombs made of marble and terracotta, dead bodies could be put under the ground, in the wall, or in some urns outside, in the courtyard if present in the structure. Right next to the necropolis there were little shops. SQUARE OF VICTORY -“Statue of Minerva Victory”= a statue representing a Goddess with big wings. She represents sapience, poetry and medicine; It was used to decorate the entrance of the city together with an inscription dedicated to it by two of the most popular politicians named Clodius and Cicero; Next to the statue there was a large drinker for the animals who accompany visitors and roman citizens; In the square there was even a huge pool and a big fountain. SHOPS OF THE FISHMONGERS -“Fish Mosaics”= pictures made of small stones, glass pieces.. representing something in particular like for this monument, a picture of a dolphin maybe, holding his lunch in his mouth. There is a script on it, -INBIDE CALCO TE- that means “envious one, I tread on you”, this sentence expresses the way roman fishmongers thought about them, a negative one since dolphins were their enemies because it disturbed the fishing; There are shops, we can see two of them, they have a table right in the middle of the shop; It also has a sink, supported by some small columns. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Funerary Ritual and Urban Development in Archaic Central Italy Permalink https://escholarship.org/uc/item/5w54r8pb Author Evans, Jennifer Marilyn Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Funerary Ritual and Urban Development in Archaic Central Italy By Jennifer Marilyn Evans A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classical Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor J. Theodore Peña, Chair Professor Christopher Hallett Professor Dylan Sailor Professor Nicola Terrenato Professor Carlos Noreña Spring 2014 Copyright 2014, Jennifer Marilyn Evans Abstract Funerary Ritual and Urban Development in Archaic Central Italy by Jennifer Marilyn Evans Doctor of Philosophy in Classical Archaeology University of California, Berkeley Professor J. Theodore Peña, Chair This dissertation examines the evidence for burial in archaic Rome and Latium with a view to understanding the nature of urban development in the region. In particular, I focus on identifying those social and political institutions that governed relations between city‐ states at a time when Rome was becoming the most influential urban center in the area. I examine the evidence for burial gathered primarily from the past four decades or so of archaeological excavation in order to present first, a systematic account of the data and second, an analysis of these materials. I reveal that a high degree of variation was observed in funerary ritual across sites, and suggest that this points to a complex system of regional networks that allowed for the widespread travel of people and ideas.