2014 Annual Report
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Yaddo News Release
Yaddo News Release Contact: Tristan Kirvin ▪ 518-584-0746 ▪ [email protected] YADDO RECEIVES $250,000 GIFT FROM HELEN FRANKENTHALER FOUNDATION FOR FUNDING OF NEW LIVE-WORK VISUAL ARTS STUDIO Saratoga Springs, NY, December 3, 2015 …Yaddo, one of the nation’s oldest artist communities, announced today that it has received a $250,000 gift from the Helen Frankenthaler Foundation to underwrite the cost of a new live-work studio for a visual artist. The studio is one of five currently under construction on the 400-acre estate, a National Historic Landmark that welcomes over 200 artists working in a variety of disciplines each year. The visual arts studio will be named in Frankenthaler’s honor. “This gift is deeply meaningful to us in a number of ways,” said Yaddo President Elaina Richardson. “It helps to underscore our rich legacy of hosting incredibly talented visual artists at various stages in their careers, from emerging artists to those who are world-renowned, such as Helen Frankenthaler. The gift also confirms a core fact—the artists who know us best have been remarkable supporters of Yaddo and are the reason we’re poised for a vibrant second century. We are grateful to the Frankenthaler Foundation’s Board and leadership for their generosity, and honored by the trust they have placed in us.” Helen Frankenthaler’s association with Yaddo extended over many years, and included serving on the community’s Board of Trustees from 1973 to 1978. In addition to providing generous financial support for Yaddo, she additionally served on visual arts admissions panels and was actively involved in the recruitment of artists. -
REPORT Los Angeles, CA 90004 (323) 769-2520 • Fax: (323) 769-2521
UNITED STATES National Office 2814 Virginia St. Houston, Texas 77098 (713) 524-1264 • 1-800-594-5756 Fax: (713) 524-7165 2010 ANNUAL Western Region 662 N. Van Ness Ave. #203 REPORT Los Angeles, CA 90004 (323) 769-2520 • Fax: (323) 769-2521 Eastern Region Two Hartford Square West 146 Wyllys Street, Ste. 2-305 Hartford, CT 06106 (860) 904-5493 • Fax: (860) 904-5268 CANADA 1680 Lakeshore Road West, Ste. 5 Mississauga, ON L5J 1J5 (904) 403-8652 e-mail: [email protected] www.sunshinekids.org A Message from our Board Chairperson Dear Sunshine Kids Family, 2010 has been such a wonderful year for the Sunshine Kids Foundation! We are always grateful for the generosity of our donors and volunteers. Without your continued support, we could not have weathered the challenging economic times. The Sunshine Kids Foundation has been touching the lives of children with cancer since 1982. This past year, our family of dedicated staff and volunteers continued to do just that. They planned and implemented 10 national trips, hundreds of regional activities and in-hospital events. Our Kids participated in activities as varied as riding in a Mardi Gras Parade, visiting the set of the TV show “Vampire Diaries”, attending the NBA All-Star game, experiencing the Ringling Bros. and Barnum & Bailey Circus and even meeting the Jonas Brothers. What a positive and exciting year it has been! Mission: The Sunshine Kids Foundation adds quality of It is truly an honor to serve as the newly elected Chairperson of the Board of Directors of the Sunshine Kids Foundation. -
The Giffin Family Pioneers in America Prior to 17 42
The Giffin Family Pioneers in America Prior to 17 42 This Giffin History has to do with at least Eight Genera tions in America, widely scattered in many of the Far West States, as well as in the Eastern and Middle States. Following the Descent of Andrew Giffin I, from Eastern Penna. "Big Spring," Cumberland County And of his Son, the fourth born of his Five Children, Andrew Giffin II, to Western Penna. Washington County, in 1797 Scotch in Origin, Daring and Venturesome in Spirit, Fearless in their Every Undertaking. Published August 24, 1933 Giffin Reunion Association, Canonsburg, Pa. Wm. Ewing Giffin, Pres., R. D. 1, Bridgeville, Pa. S. Alice Freed, Secy., R. D. 1, Bridgeville, Pa. T. Andrew Riggle, Treas., Houston, Pa. Book arranged by William W. Rankin Manufactured in Pittsburgh, Penna., by American Printing Company The Giffin Family Dedicated to the Unnamed Gua,ontors who generously made the J,ublishing of this book possible by their payment in advance for a sufficient number of the books to justify the Publishing Committee in placing the order for the printing of the work.Starting at the Bienlfial Giffin Reunion August 20, 1915, with Twenty-six Dollars, this fund was at the 1931 Reunion and since, increased to several hundred dollars. Meanwhile for eighteen years, the original nest-egg has been gathering interest in a Sav ings Bank and is now being put to practical use. The Giffin Reunion Association. Contents Frontispiece, Dr. Isaac Boyce 4 Title Page 5 Dedicatio" 6 Are You a Giffin! Buy a Family History 8 Contents 9 Foreword 10 Portrait of Isaac Newton Boyce, Owr Eldest Giffin 12 History of the Giffin Family 13 Summary of Generations 33 Indexing Library System 34 William Giffin 49 Nancy Agnes Giffin 63 I ane Giffin 82 Joh,. -
Case: 12-17046 09/14/2012 ID: 8324887 Dktentry: 4-1 Page: 1 of 44
Case: 12-17046 09/14/2012 ID: 8324887 DktEntry: 4-1 Page: 1 of 44 No. 12-17046 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT Valle del Sol. et al., No. 12-17046 Plaintiffs-Appellants, v. No. 2:10-cv-01061-PHX-SRB District of Arizona Michael B. Whiting, et al., Defendants-Appellees, and State of Arizona and Janice K. Brewer, Intervenor Defendants- Appellees. EMERGENCY MOTION UNDER CIRCUIT RULE 27-3 FOR AN INJUNCTION PENDING APPEAL Thomas A. Saenz Linton Joaquin Victor Viramontes Karen C. Tumlin Nicholás Espíritu Nora A. Preciado MEXICAN AMERICAN LEGAL Melissa S. Keaney DEFENSE AND EDUCATIONAL FUND Alvaro M. Huerta 634 S. Spring Street, 11th Floor NATIONAL IMMIGRATION LAW Los Angeles, California 90014 CENTER Telephone: (213) 629-2512 3435 Wilshire Boulevard, Suite 2850 Los Angeles, California 90010 Omar C. Jadwat Telephone: (213) 639-3900 Andre Segura AMERICAN CIVIL LIBERTIES UNION FOUNDATION IMMIGRANTS’ RIGHTS PROJECT Attorneys for Appellants 125 Broad Street, 18th Floor New York, New York 10004 Additional Counsel on the following Telephone: (212) 549-2660 pages Case: 12-17046 09/14/2012 ID: 8324887 DktEntry: 4-1 Page: 2 of 44 Nina Perales Cecillia D. Wang MEXICAN AMERICAN LEGAL AMERICAN CIVIL LIBERTIES DEFENSE AND EDUCATIONAL FUND UNION FOUNDATION 110 Broadway Street, Suite 300 IMMIGRANTS’ RIGHTS PROJECT San Antonio, Texas 78205 39 Drum Street Telephone: (210) 224-5476 San Francisco, California 94111 Telephone: (415) 343-0775 Chris Newman Daniel J. Pochoda Lisa Kung James Duff Lyall NATIONAL DAY LABOR ACLU FOUNDATION OF ORGANIZING NETWORK 675 S. Park ARIZONA View Street, Suite B Los Angeles, 3707 N. -
SCBWI New England
New England the society of children’s book writers illustrators January - February 2018 & ews Upcoming N NESCBWI Events Happy New Year! February 2-4 SCBWI in New York scbwi.org for more information NESCBWI18 April 20-22, 2018 August 2-5, 2018 SCBWI in Los Angeles See scbwi.org more more information Photos from NESCBWI events. Above: At Agent/Editor Day on November 4. One of the critique tables celebrated their leader, Feiwal & Friends/Swoon editor Holly West (see article inside). Kelly Carey, Megan Howe, Annie Cronin Romano , Holly West (editor), Pamela Quattrocchi, Rae Chalmers, Dawn Metcalf, D’Ann Burrow. Right: Omar Bah, Founder & Executive Director of the Refugee Dream Center, Lin Oliver, SCBWI Executive Director, Mary Wagley Copp, NESCBWI member who wrote the winning application to bring donated books to the center. (See article inside) Below: Team NESCBWI at the Refugee Dream Center event. Front: Marilyn Salerno, Betsy Devany, Anika Denise, Marlo Garnsworthy, Pegi Dietz Shea, Linda Crotta Brennen, Lin Oliver (SCBWI Executive Director), Sally Riley, Emma Dryden (SCBWI board member), Tammy Brown (SCBWI Director of Marketing & Engagement). Second row: Chris Denise, Gaia Cornwall, Kara Lareau, Janny Ho, Patty Murphy (SCBWI Literacy Consultant), Julia Boyce. Photographer Margo Lemieux. What’s Inside! The Society of Children’s Book Writers & Illustrators New England Who’s Who page 2 NESCBWI Resources page 3 What’s Going On... page 4 NESCBWI18 Preview page 5 The RA’s Desk page 6 Books for Readers at the Refugee Dream Center page 7 Agent/Editor -
The YA Novel in the Digital Age by Amy Bright a Thesis
The YA Novel in the Digital Age by Amy Bright A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Amy Bright, 2016 Abstract Recent research by Neilsen reports that adult readers purchase 80% of all young adult novels sold, even though young adult literature is a category ostensibly targeted towards teenage readers (Gilmore). More than ever before, young adult (YA) literature is at the center of some of the most interesting literary conversations, as writers, readers, and publishers discuss its wide appeal in the twenty-first century. My dissertation joins this vibrant discussion by examining the ways in which YA literature has transformed to respond to changing social and technological contexts. Today, writing, reading, and marketing YA means engaging with technological advances, multiliteracies and multimodalities, and cultural and social perspectives. A critical examination of five YA texts – Markus Zusak’s The Book Thief, Libba Bray’s Beauty Queens, Daniel Handler’s Why We Broke Up, John Green’s The Fault in Our Stars, and Jaclyn Moriarty’s The Ghosts of Ashbury High – helps to shape understanding about the changes and the challenges facing this category of literature as it responds in a variety of ways to new contexts. In the first chapter, I explore the history of YA literature in order to trace the ways that this literary category has changed in response to new conditions to appeal to and serve a new generation of readers, readers with different experiences, concerns, and contexts over time. -
Nomination Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. VLR Listed: 4/17/2019 1. Name of Property NRHP Listed: 6/12/2019 Historic name: Duff Mansion House Other names/site number: Duff Homestead; Duff House and Farm; DHR #052-5122 Name of related multiple property listing: N/A (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: 4354 Kane Gap Road City or town: Duffield State: VA County: Lee Not For Publication: N/A Vicinity: X ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements -
October 12, 7:30 Pm
GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS Featuring the music of Wilson, Dvorak, Persichetti, Sousa, Ravel/Frey, and Schwantner OCTOBER 12, 7:30 P.M. THE COLORADO STATE UNIVERSITY WIND SYMPHONY PRESENTS: FIND YOUR STATE: State of Inspiration REBECCA PHILLIPS, Conductor ANDREW GILLESPIE, Graduate Student Conductor RICHARD FREY, Guest Conductor CORRY PETERSON, Guest Conductor Fanfare for Karel (2017) / DANA WILSON Serenade in d minor, op. 44 (1878) / ANTONÍN DVOŘÁK Moderato, quasi Marcia Finale Symphony for Band (Symphony No. 6), op. 69 (1956) / VINCENT PERSICHETTI Adagio, Allegro Adagio sostenuto Allegretto Vivace Andrew Gillespie, graduate guest conductor Nobles of the Mystic Shrine (1923) / JOHN PHILIP SOUSA Corry Peterson, guest conductor, Director of Bands, Poudre High School Ma mére l’Oye (Mother Goose Suite) (1910) / MAURICE RAVEL trans. by Richard Frey Pavane de la Belle au bois dormant (Pavane of Sleeping Beauty) Petit Poucet (Little Tom Thumb) Laideronnette, impératrice des pagodes (Little Ugly Girl, Empress of the Pagodas) Les entretiens de la belle et de la bête (Conversation of Beauty and the Beast) Le jardin féerique (The Fairy Garden) Richard Frey, guest conductor From a Dark Millennium (1980) / JOSEPH SCHWANTNER The 2017-18 CSU Wind Symphony season highlights Colorado State University's commitment to inspiration, innovation, community, and collaboration. All of these ideals can clearly be connected by music, and the Wind Symphony begins the season by featuring works that have been inspired by other forms of art, including folk songs, hymns, fairy tales, and poems. We hope that you will join us to "Find Your State” at the UCA! NOTES ON THE PROGRAM Fanfare for Karel (2017) Dana Wilson Born: 4 February 1946, Lakewood, Ohio Duration: 2 minutes Born in Prague on August 7, 1921, Karel Jaroslav Husa was forced to abandon his engineering studies when Germany occupied Czechoslovakia in 1939 and closed all technical schools. -
PAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’S Inside Baltimore Symphony Orchestra
Classical Movements, Inc. PAXPAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’s Inside Baltimore Symphony Orchestra ........... 9 202 Concerts Canterbury Youth Chorus ................. 15 Arranged College of William and Mary ............ 10 Worldwide Collège Vocal de Laval ...................... 11 Read more inside! Children’s Chorus of Sussex County ............................... 7 Dallas Symphony Orchestra Proud to Start and Chorus .................................... 9 Our 20th Year Drakensberg Boys’ Choir .................... 2 Eric Daniel Helms Classical Movements New Music Program ...................... 5 Rwas established in El Camino Youth Orchestra ................ 7 1992, originally Fairfield County Children’s Choir .......................... 15 operating as Blue George Washington University Choir .. 7 Heart Tours and Greater New Orleans providing exclusive Youth Orchestra ............................ 4 tours to Russia. Harvard-Radcliffe Orchestra ............... 3 Ihlombe! South African Rapidly, more Choral Festival ............................. 14 countries were added, Marin Alsop (Baltimore Symphony Orchestra Music Director), David Los Angeles Children’s Choir ........... 15 attracting more and Rimelis (Composer), Dan Trahey (OrchKids Director of Artistic Melodia! South American Program Development) and Neeta Helms (Classical Movements Music Festival ................................ 6 more extraordinary President) at the premiere of Rimelis’ piece OrchKids Nation Minnesota Orchestra .......................... -
Our Playwrights in the Spotlight Tony Nods, Rave Reviews, and The
NEWS | SUMMER 2017 inside: Our Playwrights in the Spotlight James Baldwin is Having a Moment The Yaddo Summer Reading List Tony nods, rave reviews, and the premieres Thirty years after his death, the radical prophet of a With a bumper crop of new releases, our we’re looking forward to this fall generation is the hottest writer in America authors have you covered for beach season Our Playwrights Step Into the Spotlight t has been a banner year thus far for Yaddo dramatists both on and off Broadway. Leading the pack is J.T. Rogers, whose magnificent Oslo JENNY ANDERSON JENNY opened at Lincoln Center’s Vivian IBeaumont Theater in April to rave reviews and went on to win the 2017 Tony for Best Play. Directed by Bartlett Scher and starring Broadway vets Jennifer Ehle and Jefferson Mays, Rogers’s “colossus” of a play (so labeled by New York Times theater critic Ben Brantley) depicts the behind-the-scenes intrigue of the secret peace talks between Israel and the Palestine Liberation Organization that led to the 1993 Oslo Accords. Another late-season standout was War Paint, a triumphant collaboration between three Yaddo alums — Doug Wright (book), Scott Frankel (music) and Michael Korie (lyrics) — that garnered nominations ABOVE: J.T. Rogers and the cast of his Tony-award winning Oslo for best leading actress in a musical (double honor to Tony-Award grand dames Patti legend Paula Vogel’s elegiac Indecent writer Danny Rubin celebrated his first Tony LuPone and Christine Ebersole, playing (first staged at the Yale Repertory Theater nomination, for Best Book of a Musical, cosmetic industry rivals Helena Rubinstein in 2015) picked up a Best Play Tony for Groundhog Day, his adaptation of the and Elizabeth Arden), best costume design, nomination as well as awards for screenplay he co-wrote with Harold and best scenic design. -
Works by George Perle, David Del Tredici, and Nicholas Thorne New World 80380-2
Works by George Perle, David Del Tredici, and Nicholas Thorne New World 80380-2 The vastly divergent reactions to twelve-tone composition of George Perle, David Del Tredici and Nicholas Thorne are a vivid reflection not only of their different generations, but of the unfolding of musical style change in America. Perle, born in 1915 and educated here at a time when twelve-tone composition was little understood, felt the urge to revise Schoenberg's method so as to reconcile serial chromaticism with the hierarchical elements of tonal practice. The system he evolved, known as “twelve-tone tonality,” has been the basis of most of his compositions until 1969, and all since. Del Tredici, born in 1937, studied at Princeton at a time when serialism had become dogma. Yet he eventually repudiated the technique and turned to a highly eccentric form of tonality. Thorne, born in 1953, gave little thought to twelve-tone composition. “It was the generation before me who had this monkey on its back,” he says. Instead, Thorne came to maturity amid the welter of styles, from minimalism to neo-Romanticism, that characterized America during the 1970s. All three attitudes offer us invaluable insights into the composers and their music. In some circles George Perle is known as a musicologist, particularly for his pathbreaking studies of Alban Berg. In other circles, he is viewed as a theorist, a coherent codifier and radical reviser of serial technique. But he insists that both these pursuits have been sidelines to composition, and his music belies the popular misconception that art conceived under the wing of academia need be abstruse or inaccessible. -
By Joseph Schwantner: an Exploration of Trajectory As an Organizing Principle for Drama, Motive, and Structure
New Morning For The World ("Daybreak Of Freedom") By Joseph Schwantner: An Exploration Of Trajectory As An Organizing Principle For Drama, Motive, And Structure By Mark Feezell, Ph.D. ([email protected], www.drfeezell.com) Copyright © 2002 by Mark Feezell. All Rights Reserved. Used on this site by permission of the author. This essay explores techniques found in Joseph Schwantner's 1982 composition New Morning for the World ("Daybreak of Freedom"). Schwantner's piece, in which a speaker performs the part of Martin Luther King, Jr. using texts from his speeches and writings, establishes dramatic, motivic, and structural trajectories1 through the interactions of the speaker and the orchestra. Each of the three trajectories, dramatic/narrative, motivic, and structural, exert their influence continuously throughout Schwantner's piece. Simultaneously, each trajectory supports and influences the others. Joseph Schwantner (born 1943) is an American composer2 who earned composition degrees from the American Conservatory of Music in Chicago (BM, 1964) and Northwestern University (MM 1966, DM 1968). Elements that pervade his mature works include "a fascination with timbre, extreme instrumental range, juxtaposed instrumental groupings, pedal points, and a 1 A trajectory is the directed evolution of a set of related musical parameters. 2 For background and analysis on other Schwantner works, see, for example, Cynthia Folio's article "The synthesis of traditional and contemporary elements in Joseph Schwantner's 'Sparrows,'" Perspectives of New Music,