DOCSLIB.ORG

El Romanticismo De Emilio Salgari En El Corsario Negro

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
El Romanticismo De Emilio Salgari En El Corsario Negro Roberto Gerardo Flores Olague Número 12 / DICIEMBRE, 2020 (135-146) EL ROMANTICISMO DE EMILIO SALGARI EN EL CORSARIO NEGRO - Roberto Gerardo Flores Olague LA VENGANZA [email protected] EMILIO SALGARI’S ROMANTICISM IN Universidad Autónoma de Zacatecas, Unidad Académica de Historia. THE BLACK CORSAIR – THE REVENGE Zacatecas, México DOI: https://doi.org/10.37135/chk.002.12.09 Artículo de Reflexión Recibido: (11/10/2019) Aceptado: (06/05/2020) Número 12 / DICIEMBRE, 2020 (135-146) 135 EL ROMANTICISMO DE EMILIO SALGARI EN EL CORSARIO NEGRO - LA VENGANZA Número 12 / DICIEMBRE, 2020 (135-146) Resumen En la sociedad occidental actual, la filosofía empieza a reconocer algunos de los elementos representativos del pensamiento romántico, sobre todo en lo concerniente al quebranto de las relaciones que vinculan al hombre con su entorno natural, a la búsqueda de propósito más allá de las miras productivas del mercado y al renovado interés por lo trascendental. Con esa motivación, el presente artículo propone una lectura en clave analítica de la influencia del romanticismo en la novela El corsario negro - La venganza de Emilio Salgari. El análisis, a partir de la propuesta de Domínguez Caparrós, comprende la exposición del entorno del autor, de la corriente romántica y demuestra la presencia de influencias del romanticismo en el EL ROMANTICISMO DE estilo y la estructura del relato. EMILIO SALGARI EN EL Palabras clave: Romanticismo; siglo XIX, análisis literario; Emilio CORSARIO NEGRO - LA Salgari; novela histórica. VENGANZA EMILIO SALGARI’S ROMANTICISM IN THE Abstract BLACK CORSAIR – THE In today’s Western society, philosophy begins to recognize some of the REVENGE representative features of romantic thought, especially concerning the breakdown of the relationship linking man with his natural environment, also to the search for a purpose beyond the productive aims of the market, and to the renewed interest in the transcendental. With this motivation, this article proposes an analytical reading of Romanticism’s influence in the novel The Black Corsair - The Revenge of Emilio Salgari. The analysis, based on the proposal of Domínguez Caparrós, includes the exposition of the author’s environment, and the romantic movement demonstrating the influences of Romanticism on the style and structure of the story. Keywords: Romanticism; 19th century, literary analysis, Emilio Salgari; historical novel. Número 12 / DICIEMBRE, 2020 (135-146) 136 Roberto Gerardo Flores Olague sentimientos de una manera atractiva y seductora, también es reflejo de una sociedad necesitada de nuevos valores e ideales ante la caída del pensamiento racional del siglo XVIII. INTRODUCCIÓN METODOLOGÍA El siglo XIX inició con la herencia del racionalismo y la Ilustración, una manifiesta tendencia al cientificismo y a fundamentar todos los individuos y todos los fenómenos en la razón, que permeaba en todos los El presente es un artículo de reflexión que se inscribe ámbitos de la sociedad. En este contexto nace el dentro del ámbito del comentario literario, movimiento del Romanticismo, en contraposición a la específicamente en la rama del comentario temático, propuesta del movimiento ilustrado. En este caso, los definido por Hernández (1996) como un estudio que elementos que se contraponen son la razón y el analiza y describe los asuntos sobre los que versan las sentimiento y, por extensión, lo claro y lo misterioso, composiciones literarias concentrándose en su lo científico y lo fantástico, la certeza y la irresolución contenido y sus valores estéticos e ideológicos. Los nebulosa del pensamiento. estudios temáticos, de acuerdo con el autor, buscan mostrar que el valor de la literatura radica en lo que El Romanticismo enaltece las emociones al contrario está fuera de ella, es decir, en los referentes, en los del tratamiento que el iluminismo del siglo XVIII y elementos y factores que la rodean y la preceden. el enciclopedismo francés les habían dado al considerarlas aspectos inferiores de la existencia. El La estructura que aquí se sigue, replica la metodología Novecento romántico define al sentimiento como “(…) de Domínguez (1985), quien propone dar al texto un una categoría espiritual que la antigüedad clásica había sentido basado en la exposición de elementos internos ignorado” (Abbagnano 2000:1135). “Romances fue el y externos a ella. Esto supone una exposición que nombre que (…) se dio a las narraciones (en verso o en relacione el contexto del autor, las características de la prosa) de las aventuras caballerescas” (Wolf 2007:7), corriente a la que pertenece con elementos textuales mundos fantásticos llenos de lances, donde lo dentro de la obra que ejemplifiquen dicha relación y tenebroso, lo misterioso y lo estremecedor creaban un vincular los resultados con la interpretación global de ambiente de arrebato. la obra. Los rasgos más importantes de esta nueva forma de Para los propósitos de este artículo, se realizará una pensar y de vivir, descrita por Friedrich Von recapitulación del movimiento romántico; Hardenberg, más conocido en el mundo literario como posteriormente, se contextualizará al autor del objeto Novalis, se centraban principalmente en un marcado de análisis, el italiano Emilio Salgari, y finalmente se panteísmo, donde el hombre empezaba atribuirle a la expondrán los elementos del Romanticismo presentes naturaleza un alma divina “(…) y una inmersión de la en la novela El Corsario Negro - La venganza, buscando fantasía individual en contextos cósmicos” (Wolf asociarlos a la experiencia humana de búsqueda 2007:6). individual de propósito y significado. Se deificaba a la naturaleza, y de la misma manera al hombre, ya no por intervención de una deidad, sino por ser parte del universo. “Todo se vuelve romántico” (Wolf 2007:8), decía Novalis. Además, existía un exacerbado deseo de explorar y explotar la creatividad del hombre, el cual se refugió en la soledad de su interior, ya que experimentó la pérdida de la relación armónica entre él, la sociedad y el cosmos. Con base en lo anterior, este comentario tiene como objetivo hacer una identificación del pensamiento romántico de Salgari, escritor decimonónico tardío, a través de un análisis de su novela El corsario negro - La venganza. Esta obra además de dar fama al escritor por su descripción de espacios, sucesos históricos y Número 12 / DICIEMBRE, 2020 (135-146) 137 EL ROMANTICISMO DE EMILIO SALGARI EN EL CORSARIO NEGRO - LA VENGANZA Alemania en los últimos años del siglo XVIII, alcanzó su máximo florecimiento en toda Europa durante los primeros decenios del silgo XIX y constituyó la nota característica de este siglo” (Abbagnano 2000:1135). RESULTADO Y DISCUSIÓN El término romántico (del francés antiguo romanz, usado para contraponer el latín, lengua culta, con las lenguas vulgares o romances), era, y sigue siendo, considerado sinónimo de sentimental. Esto se debía a EL ROMANTICISMO que el romanticismo, a diferencia del racionalismo, propuso la afirmación del sentimiento por encima de la COMO RUPTURA CON EL razón. Este movimiento “(…) descubrió las fuerzas de RACIONALISMO lo profundo, los abismos de la existencia humana.” (Stein 2007:6). Fue el inglés Thomas Baily quien utilizó por primera Como ya se anticipó, el siglo decimonónico es un vez, en 1650, el término romantick para señalar “(…) parteaguas del pensamiento occidental; esta centuria la inverosimilitud de las ficciones novelescas” (Wolf vio un sinnúmero de cambios en los aspectos políticos, 2007:7). Pero Novalis empleó la palabra románticos en nacionales, sociales, culturales, filosóficos y artísticos 1799, para nombrar a todos los escritores de novelas. especialmente en Europa. En sus primeros años se Es de él la definición más categórica que tal vez se expresó con una clara manifestación ideológica en haya dado sobre este movimiento, cuando dijo que el favor de un academismo riguroso, científico y romanticismo consiste en “Dar a lo corriente un sentido racionalista a ultranza. sublime, a lo cotidiano una apariencia misteriosa, a lo conocido la dignidad de desconocido, a lo finito un El siglo XVIII dejó en claro que todo aquello que semblante infinito” (Wolf 2007:7). Se anhelaba habría de aspirar a ser considerado como verdad en la reconciliar: ciencia y bello en el arte, debía tener como fundamento la razón y la lógica. La sociedad burguesa se consolidó … naturaleza y espíritu, consciente e y se forjó a través de este pensamiento neoclásico, inconsciente, ley y libertad, cuerpo y alma, donde los valores culturales eran inamovibles. individualidad y universalidad, sensibilidad e idealidad, finito e infinito. El secreto de la La industrialización de la sociedad, el desarrollo de la belleza está en que lo infinito desciende a tecnología, las conquistas del imperialismo europeo en encarnarse visiblemente en lo finito y en que África, Asia y Oceanía, junto con el avance de las lo finito se torna símbolo de lo infinito. ciencias naturales, la consolidación de la historia con el (Hirschberger 2000:241) positivismo como disciplina científica, el nacimiento de estados nacionalistas, especialmente Italia y Alemania, De igual manera, algunos de los exponentes del son parte de los principales hechos que marcaron al movimiento, como Friedrich y Schegel, señalaban una siglo XIX. tendencia a recuperar la herencia cristiana medieval que había sido desvirtuada y rechazada por los La sociedad decimonónica se aferra por una parte a los movimientos de Ilustración en el siglo XVIII. Para el valores clásicos y al deseo de alcanzar el bienestar año de 1820, Johann Wolfgang von Goethe social a través del orden y el progreso (por medio de especificaba que ser romántico y “ser moderno no los gobiernos), y por otra parte, se desea redescubrir la significa dejar de lado la formación clásica, ni tampoco parte esencial del hombre, aquello que tiene más un el ideario procedente de la Biblia. Sin embargo, la gran carácter trascendental que material, anhelando mayoría se da por satisfecha con llamar romántico a recuperar la libertad del espíritu humano que se había todo lo que es oscuro, necio, confuso e incomprensible” anquilosado en una existencia racional y estática, (Hirschberger 2000:241). explorando “(…) lo misterioso, lo vedado, lo sugestivo” (Yegres 2015:20).
Load more

Recommended publications
  • Sandokan the Tigers of Mompracem
    Sandokan The Tigers of Mompracem Sandokan The Tigers of Mompracem Emilio Salgari Translated by Nico Lorenzutti iUniverse, Inc. New York Lincoln Shanghai Sandokan The Tigers of Mompracem All Rights Reserved © 2003 by Nico Lorenzutti No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permis- sion of the publisher. iUniverse, Inc. For information address: iUniverse, Inc. 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com SANDOKAN: The Tigers of Mompracem By Emilio Salgari Translated from the Italian by Nico Lorenzutti Edited by Dan Tidsbury Special thanks to Felice Pozzo and Claudio Gallo for their invaluable assistance in the production of this novel. Original Title: Le Tigri di Mompracem First published in serial form in “La Nuova Arena” (1883/1884) ISBN: 0-595-29133-3 Printed in the United States of America “To read is to travel without all the hassles of luggage.” Emilio Salgari (1863-1911) Contents Chapter 1: Sandokan and Yanez ......................................1 Chapter 2: Ferocity and Generosity...................................8 Chapter 3: The Cruiser...................................................16 Chapter 4: Lions and Tigers............................................20 Chapter 5: Escape and Delirium.....................................32 Chapter 6: The Pearl of Labuan ......................................38 Chapter 7: Recovery
    [Show full text]
  • Line Producer
    0 INDEX Pag. 2 - DIRECTOR’S NOTE Pag. 4 - SINOPSYS Pag. 5 - TECNICAL DATA Pag. 6 - PRODUCTION PROFILE Pag. 7 - DIRECTOR Pag. 11 - SCREENWRITER Pag. 12 - CAST WISH LIST Pag. 15 - LOCATIONS Pag. 18 - SKETCHES GOLETTA AND PRAHO 1 DIRECTOR’S NOTE Many years have passed since the last Theatrical or Television production narrating the achievements of the most fascinating and exotic hero born from the imagination of a novelist and this is where our story starts, from the casual meeting between the young Emilio Salgari in a tavern at the port of Trieste and a mysterious sailor who will tell him a story, a story rich of adventure and courage, of battles and love : the story of the Tiger of Mompracem. The old sailor is Yanez De Gomera, a Portuguese pirate and Sandokan’s companion in many adventures. The idea to narrate Salgari’s character at the beginning and at the end of the story, will also give a hypothetical reading of a mystery that has always intrigued thousands of readers worldwide: how Emilio Salgari was able to describe so well and with such abundance of exciting details, lands and countries that in reality he had never seen, having never been able to travel if not with his imagination. Another innovation in comparison to the previous versions of Sandokan will be the story of the genesis of the character, the creation of its myth by the English themselves, that he will fight against for his whole life. In fact we will narrate Sandokan as a child, son of a Malayan Rajah who fights against the control of his country by the English and for this reason he is killed together with all his family by some hired assassins Dayakis paid by James Brooke the white rajah of Sarawak, a man without scruples at the service of the Crown.
    [Show full text]
  • Sandokan: the Pirates of Malaysia
    SANDOKAN The Pirates of Malaysia SANDOKAN The Pirates of Malaysia Emilio Salgari Translated by Nico Lorenzutti Sandokan: The Pirates of Malaysia By Emilio Salgari Original Title: I pirati della Malesia First published in Italian in 1896 Translated from the Italian by Nico Lorenzutti ROH Press First paperback edition Copyright © 2007 by Nico Lorenzutti All Rights Reserved No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher. For information address: [email protected] Visit our website at www.rohpress.com Cover design: Nico Lorenzutti Special thanks to Felice Pozzo and Hanna Ahtonen for their invaluable advice. ISBN: 978-0-9782707-3-5 Printed in the United States of America Contents Part I: The Tiger of Malaysia Chapter 1: The Young India....................................................................1 Chapter 2: The Pirates of Malaysia .........................................................8 Chapter 3: The Tiger of Malaysia ..........................................................14 Chapter 4: Kammamuri’s Tale..............................................................21 Chapter 5: In pursuit of the Helgoland .................................................29 Chapter 6: From Mompracem to Sarawak ............................................36 Chapter 7: The Helgoland.....................................................................45
    [Show full text]
  • Italy's Enduring Love Affair with Emilio Salgari
    Prospero Still telling tales Italy’s enduring love affair with Emilio Salgari A century after his death, the author and his creations still occupy a prominent place in the cultural imagination Prospero Jun 19th 2017 | by A.V. LAST month, Neapolitan anti-mafia investigators announced plans to indict Francesco “Sandokan” Schiavone, a local gangster, for the killing of a policeman in 1989. Naples has long been used to Mr Schiavone and his ilk: he is already in jail for murder, along with dozens of his colleagues. What distinguishes Mr Schiavone is his nickname. “Sandokan” was first conjured by Emilio Salgari, a writer who died over a century ago. That his most famous character is still considered relevant hints at his influence. WelcoXme to The Born in Verona in 1862, Salgari led a sad and quietly dramatic life. Although he was Economist. prodigious—writing more than 200 novels and stories in his short life—and Subscribe popular, Salgari struggled with poverty. He was also crippled by personal tragedy: today his wife was sent to an asylum, and his father committed suicide. Salgari to take advantage eventually took his own life, disembowelling himself in the style of a Japanese of our samurai. “You have kept me and my family in semi-penury,” he wrote to his introductory publisher. “I salute you as I break my pen.” offers and Far removed from his bleak personal enjoy Latest updates circumstances, Salgari’s stories pant with 12 How Poland’s government is weakening life. He never travelled far, but deployed his weeks' democracy access THE ECONOMIST EXPLAINS frantic imagination to render faraway A chance finding may lead to a treatment for places like the American West or the golden multiple sclerosis SCIENCE AND TECHNOLOGY beaches of the Caribbean.
    [Show full text]
  • (Verona 21 Agosto 1862 - Torino 25 Aprile 1911) Autore Di Romanzi D’Avventura Molto Popolari
    Il Ristorante Salgari nasce in onore dello scrittore veronese Emilio Salgari (Verona 21 Agosto 1862 - Torino 25 Aprile 1911) autore di romanzi d’avventura molto popolari. Salgari fu uno scrittore particolarmente attivo: scrisse più di duecento opere, tra le quali i grandi successi legati ai personaggi di Sandokan, di Yanez de Gomera e del Corsaro Nero. Il nostro ristorante, con la stessa passione e ricerca nelle materie prime, vuole proporre ai propri ospiti una selezione dei migliori piatti stagionali del nostro territorio e della cucina italiana. Our restaurant ows its name to Emilio Salgari (Verona 21 August 1862 - Turin 25 April 1911), an Italian writer of adventure and swashbucklers fiction. Salgari wrote more than 200 very popular stories and novels, his major works are: The Pirates of Malaysia, The Black Corsair Saga and The Pirates of Bermuda. Our restaurant, with the same passion and research of raw materials, wants to offer its guests a selection of the best seasonal dishes of our region and of the Italian cuisine. Prima di ordinare, Vi preghiamo di notare che: Gli ingredienti usati per preparare i nostri piatti sono sempre freschi. Può capitare che sul mercato non ci sia la possibilità di reperirli, in questo caso siamo costretti ad usare e/o sostituire tali ingredienti con ingredienti conservati o surgelati, sempre di prima qualità. La nostra filosofia consiste nell’offrire ai nostri ospiti qualità, sicurezza e trasparenza in ogni fase produttiva della trasformazione, dalle materie prime fino alla tavola. Avvisate il personale di una eventuale vostra intolleranza. Before ordering, we kindly ask you to note that: The ingredients used in our dishes are always fresh.
    [Show full text]
  • 20210514092607 Amarcorden
    in collaborazione con: The main places linked to Fellini in Rimini Our location 12 31 Cimitero Monumentale Trento vialeTiberio 28 via Marecchia Matteotti viale Milano Venezia Torino 13 via Sinistra del Porto 27 Bologna Bastioni Settentrionali Genova Ravenna via Ducale via Destra del Porto Rimini Piacenza Firenze Ancona via Dario Campana Perugia Ferrara Circonvallazione Occidentale 1 Parma 26 Reggio Emilia viale Principe piazzale Modena via dei Mille dei via Amedeo Fellini Roma corso d’Augusto via Cavalieri via via L. Toninivia L. corso Giovanni XXIII Bari Bologna viale Valturio 14 Ravenna largo 11 piazza 19 21 Napoli Valturio Malatesta 15piazza piazza Cavour via GambalungaFerrari Forlì 3via Gambalunga Cesena via Cairoli 9 Cagliari Rimini via G. Bruno Catanzaro Repubblica di San Marino 2 7 20 22 Tintori lungomare Palermo via Sigismondo via Mentana Battisti Cesare piazzale i via Garibaldi via Saffi l a piazza Roma via n 5 o Tre Martiri 6 i 17 viaTempio Malatestiano d i via IV Novembre via Dante 23 r e 18 4 piazzale Covignano M via Clementini i Kennedy n o i t s a 16 B via Castelfidardo corso d’Augusto via Brighenti piazzale The main places linked to Fellini near Rimini 10 8 Gramsci via Roma Anfiteatro Arco e lungomare Murri lungomare l d’Augusto Bellaria a Bastioni Orientali n Igea Marina o Gambettola i viale Amerigo Vespucci Amerigo viale 33 d i r 25 e M e via S. Brancaleoni n o i z a l l a via Calatafimi Santarcangelo v n via XX Settembre o di Romagna c r piazza i 24 Ospedale 30Aeroporto viale Tripoli C Marvelli 32 Rimini via della Fiera viale Tripoli 29 Poggio Berni Rimini 18 Piazza Tre Martiri (formerly Piazza G.
    [Show full text]
  • Sandokan: the Tigers of Mompracem by Emilio Salgari Book
    Sandokan: The Tigers of Mompracem by Emilio Salgari book Ebook Sandokan: The Tigers of Mompracem currently available for review only, if you need complete ebook Sandokan: The Tigers of Mompracem please fill out registration form to access in our databases Download here >> Series:::: Sandokan+++Paperback:::: 272 pages+++Publisher:::: ROH Press (September 30, 2007)+++Language:::: English+++ISBN-10:::: 097827072X+++ISBN-13:::: 978-0978270728+++Product Dimensions::::6 x 0.6 x 9 inches++++++ ISBN10 097827072X ISBN13 978-0978270 Download here >> Description: Would you be the greatest pirate in the South China Sea or would you hang up your sword to be with the woman you love?Malaysia, 1849. The Tigers of Mompracem are a band of rebel pirates fighting for the defense of tiny native kingdoms against the colonial powers of the Dutch and British empires. They are led by Sandokan, the indomitable Tiger of Malaysia, and his faithful friend Yanez de Gomera, a Portuguese wanderer and adventurer. Orphaned when the British murdered his family and stole his throne, Sandokan has been mercilessly leading his men in vengeance. But when the pirate learns of the extraordinary Pearl of Labuan his fortunes begin to change... As I turned the last pages of Emilio Salgari’s exciting adventure thriller “Sandokan: The Tigers of Mompracem,” I was convinced that there is no one more dangerous afloat or ashore than a pirate in love. The pirate in question is one Captain Sandokan, a former Indian prince everyone— including himself—calls the Tiger of Mompracem, dead set on avenging the deaths of his family at the hands of British colonists in India.
    [Show full text]
  • Sir Walter Scott Books Pdf
    Sir walter scott books pdf Continue We apologise for any inconvenience caused. Your IP address was automatically blocked from accessing the Project Gutenberg website, www.gutenberg.org. This is due to the fact that the geoIP database shows that your address is in Germany. Diagnostic information: Blocked at germany.shtml Your IP address: 176.9.137.118 Referee Url (if available): Browser: Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.36 (KHTML, as Gecko) Chrome/41.0.2228.0 Safari/537.36 Date: Wednesday, 14-October-2020 06:43:40 GMT Why did this block happen? A court in Germany ruled that access to some items from the Gutenberg Project collection was blocked from Germany. The Gutenberg Project believes that the Court does not have jurisdiction over this matter, but until the matter is resolved, it will comply. For more information about the German court case, and the reason for blocking the entire Germany rather than individual items, visit the PGLAF information page about the German lawsuit. For more information on the legal advice the project Gutenberg has received on international issues, visit the PGLAF International Copyright Guide for project Gutenberg This page in German automated translation (via Google Translate): translate.google.com how can I get unlocked? All IP addresses in Germany are blocked. This unit will remain in place until the legal guidance changes. If your IP address is incorrect, use the Maxmind GeoIP demo to verify the status of your IP address. Project Gutenberg updates its list of IP addresses about monthly. Sometimes a website incorrectly applies a block from a previous visitor.
    [Show full text]
  • EMILIO SALGARI Walking-Mind, That Is, the Mind That Walks
    PEN WALKING: EMILIO SALGARI Walking-mind, that is, the mind that walks. Emilio Carlo Giuseppe Maria SALGARI ( Verona, 21 August 1862 - Turin, 25 April 1912) Is the demonstration of how You can travel with thought, even if you are still standing on your armchair house. Eighty novels, bringing forth timeless characters such as: Sandokan, Yanez, Black Corsaro, Bruck, etc. Or, imaginative places such as: Monpracen, Labuan, etc. To him we dedicate this tribute through these works on a Historical exhibition, which honor the fervent imagination of exploration thanks to the mind. In practice, Salgari has never moved from its two regions, Veneto (Verona) Where he was born and Piedmont (Turin) where he migrated with his family and where he finally died. Yet, thanks to this "eye of the intellect", he managed to create a mythology that appears What fruit of "visions" and hallucinations. He explored as a Traveler-adventurer the lands of Africa and Southeast Asia. A boundless world, made up of pirates, heroes, mercenaries and idealists. It's universally Known to be the "father of Sandokan". For whoever reads his works yet now a century away, has the perception of a literary description and a geography that leaves no doubt about the veracity of places and characters. What He describes it is actually the "world of Salgari". The same where he became Walker and explorer. An authentic pilgrimage to fantasy. The life of Salgari, marked by serious family tragedies (suicide of his father, his son Romero e The author himself), seems to feed the fervent mind of the literary traveler, towards What we may call as an escape from reality.
    [Show full text]
  • The Sea, the Sea the Life of an Italian Rider Haggard
    BIOGRAPHY & MEMOIRS MARCH 27, 2019 Ann Lawson Lucas EMILIO SALGARI Una mitologia moderna tra letteratura, politica, società I: Fine Secolo 1883– 1915 – La verità di una vita letteraria II: Fascismo 1916–1943 – Lo sfruttamento personale e politico 441pp + 503pp. Olschki. Paperback, €29 and 35. The cover illustration for Emilio Salgari’s La Caduta di un impero, 1911 © Fototeca Gilardi/SuperStock The sea, the sea The life of an Italian Rider Haggard DAVID ROBEY The European adventure romance has a long history. With antecedents in the medieval romances of chivalry and their early modern successors, it gained a new lease of life from the international success of Walter Scott’s Waverley novels and flourished throughout the nineteenth century. For most of its history, it was typically set at some distance in the past, often a semi-mythical past. In the Middle Ages, that commonly meant the court of King Arthur, in the Italian Renaissance the crusade of the Emperor Charlemagne against the Moors. Scott drew on European history from the Crusades to the eighteenth century, Alexander Dumas on that of France from Louis XIV to Napoleon onwards. But with Europeans’ increasing awareness of the wider world reinforced by the accelerating race for colonies, the romance of the later nineteenth century shifted its interest to other continents: the distance became geographical and exotic. Jules Verne’s journey romances are an early example, beginning in the 1860s. Robert Louis Stevenson’s Treasure Island appeared in 1883; Rider Haggard’s African tales shortly after. The sea-roving novels of Joseph Conrad were the most refined literary expression of the trend, though he also wrote a popular adventure story with Ford Madox Ford mostly set in the West Indies, published in 1903 and titled, appropriately, Romance.
    [Show full text]
  • L'italia E Gli Italiani Nelle Opere Di Emilio Salgari
    Belphégor Corinne "La Perla di Labuan" D'Angelo L'Italia e gli Italiani nelle opere di Emilio Salgari E' comunemente riconosciuto che Emilio Salgari abbia ambientato le avventure descritte nei suoi romanzi in tutto il mondo, attraversandolo sia seguendo i vari meridiani che i paralleli, e quindi dal Polo Nord a quello Sud, dalle coste della Florida a quelle dell'Oceania, passando per il Capo di Buona Speranza. I suoi eroi, e il nostro pensiero cade subito su Sandokan, certamente il più celebre, sono spesso nativi dei Paesi in cui la sua penna si é soffermata, oppure avventurieri (ecco far capolino nella nostra memoria, immancabile, anche il suo compagnoYanez) che si sono, per varie motivazioni, allontanati dalla loro Patria. Propriamente, solo I naviganti della Meloria e La Bohème Italiana effettivamente si svolgono in Italia. Quindi, in tutta la vasta produzione salgariana (85 romanzi, più di 100 racconti), l'Italia, che pure, negli anni in cui Salgari scriveva, muoveva i primi passi nell'ambito di imprese coloniali in Africa, l'Italia, dicevo, sembra essere quasi dimenticata. Ma ne siamo proprio sicuri? Cominciano a sorgere dei dubbi se si fanno un po' di conti, e ci si accorge allora che l'opera di nonno Emilio è letteralmente "rigurgitante" di personaggi italiani, che portano, per usare un termine caro allo stesso Salgari, alla riscossa la loro Patria, ovunque li porti il Fato e il sentiero delle loro avventure. I Naviganti della Meloria, 1930, Ill. di D. Natoli Una ricchezza di personaggi che incarnano in pieno il mito del "buon italiano", lavoratore, onesto, che gode dei frutti del proprio lavoro, ma che sa anche come divertirsi nei momenti di svago con gli amici.
    [Show full text]
  • Sandokan: the Tigers of Mompracem by Emilio Salgari Original Title: Le Tigri Di Mompracem First Published in Serial Form in “La Nuova Arena” (1883/1884)
    SANDOKAN The Tigers of Mompracem SANDOKAN The Tigers of Mompracem Emilio Salgari Translated by Nico Lorenzutti Sandokan: The Tigers of Mompracem By Emilio Salgari Original Title: Le tigri di Mompracem First published in serial form in “La Nuova Arena” (1883/1884) Translated from the Italian by Nico Lorenzutti ROH Press First paperback edition Copyright © 2007 by Nico Lorenzutti All Rights Reserved No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher. For information address: [email protected] Visit our website at www.rohpress.com Cover design: Nico Lorenzutti Special thanks to Felice Pozzo, Claudio Gallo, Dan Tidsbury and Hanna Ahtonen for their invaluable advice. ISBN: 978-0-9782707-2-8 Printed in the United States of America Contents Chapter 1: Sandokan and Yanez .......................................................... 1 Chapter 2: Ferocity and Generosity ....................................................... 8 Chapter 3: The Cruiser........................................................................ 16 Chapter 4: Lions and Tigers ................................................................ 20 Chapter 5: Escape and Delirium ......................................................... 32 Chapter 6: The Pearl of Labuan ........................................................... 38 Chapter 7: Recovery and Love ............................................................
    [Show full text]