Japanese Culture & Art Technique Lesson Plan
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Identification of Asian Garments in Small Museums
AN ABSTRACTOF THE THESIS OF Alison E. Kondo for the degree ofMaster ofScience in Apparel Interiors, Housing and Merchandising presented on June 7, 2000. Title: Identification ofAsian Garments in Small Museums. Redacted for privacy Abstract approved: Elaine Pedersen The frequent misidentification ofAsian garments in small museum collections indicated the need for a garment identification system specifically for use in differentiating the various forms ofAsian clothing. The decision tree system proposed in this thesis is intended to provide an instrument to distinguish the clothing styles ofJapan, China, Korea, Tibet, and northern Nepal which are found most frequently in museum clothing collections. The first step ofthe decision tree uses the shape ofthe neckline to distinguish the garment's country oforigin. The second step ofthe decision tree uses the sleeve shape to determine factors such as the gender and marital status ofthe wearer, and the formality level ofthe garment. The decision tree instrument was tested with a sample population of 10 undergraduates representing volunteer docents and 4 graduate students representing curators ofa small museum. The subjects were asked to determine the country oforigin, the original wearer's gender and marital status, and the garment's formality and function, as appropriate. The test was successful in identifying the country oforigin ofall 12 Asian garments and had less successful results for the remaining variables. Copyright by Alison E. Kondo June 7, 2000 All rights Reserved Identification ofAsian Garments in Small Museums by Alison E. Kondo A THESIS submitted to Oregon State University In partial fulfillment of the requirements for the degree of Master ofScience Presented June 7, 2000 Commencement June 2001 Master of Science thesis ofAlison E. -
Description of Fences
Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Description of Fences フェンスの説明 / Description des obstacles Fence 1 – RIO 2016 EQUO JUMPINDV----------QUAL000100--_03B 1 Report Created TUE 3 AUG 2021 17:30 Page 1/14 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Fence 2 – Tokyo Skyline Tōkyō Sukai Tsurī o 東京スカイツリ Sumida District, Tokyo The new Tokyo skyline has been eclipsed by the Sky Tree, the new communications tower in Tokyo, which is also the highest structure in all of Japan at 634 metres, and the highest communications tower in the world. The design of the superstructure is based on the following three concepts: . Fusion of futuristic design and traditional beauty of Japan, . Catalyst for revitalization of the city, . Contribution to disaster prevention “Safety and Security”. … combining a futuristic and innovating design with the traditional Japanese beauty, catalysing a revival of this part of the city and resistant to different natural disasters. The tower even resisted the 2011 earthquake that occurred in Tahoku, despite not being finished and its great height. EQUO JUMPINDV----------QUAL000100--_03B 1 Report Created TUE 3 AUG 2021 17:30 Page 2/14 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Fence 3 – Gold Repaired Broken Pottery Kintsugi, “the golden splice” The beauty of the scars of life. The “kintsugi” is a centenary-old technique used in Japan which dates of the second half of the 15th century. -
Shigisan Engi Shigisan Engi Overview
Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls. -
Sports Quiz When Were the First Tokyo Olympic Games Held?
Sports Quiz When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari Which of these is not included in the waza techniques of -
Title Enhanced Tradition Sub Title Author Sokol, Wilhelmine Edna
Title Enhanced tradition Sub Title Author Sokol, Wilhelmine Edna Kunze, Kai Publisher 慶應義塾大学大学院メディアデザイン研究科 Publication year 2015 Jtitle Abstract Notes Genre Thesis or Dissertation URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=KO40001001-00002015 -0457 Powered by TCPDF (www.tcpdf.org) Master’s Thesis Academic Year 2016 Enhanced Tradition Graduate School of Media Design, Keio University Wilhelmine Edna Sokol AMaster’sThesis submitted to Graduate School of Media Design, Keio University in partial fulfillment of the requirements for the degree of MASTER of Media Design Wilhelmine Edna Sokol Thesis Committee: Associate Professor Kai Kunze (Supervisor) Professor Masahiko Inami (Co-supervisor) Professor Ichiya Nakamura (Member) Abstract of Master’s Thesis of Academic Year 2016 Enhanced Tradition Category: Design Summary Nowadays, people of this generation seem to be slowly loosing interest in tradi- tional culture of their own country. By focusing on future and possibilities o↵ered by technological advancements and following popular culture is how most people connect with each other. Tradition, expressed by both customs and objects is not something people put much thought in their everyday lives. When unification of everyday culture seems to be the leading trend, by forgetting about traditions countries, ethnic groups, etc. face the real danger of loosing their cultural iden- tity and uniqueness. While museums and galleries do wonderful job of preserving tradition, the best way to preserve it is to find a way to make it again interesting and valuable for younger generations and functional in everyday life. The purpose of this research is to establish a new path in design that combines modern interactive design with traditional wearable artifacts in a natural way. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
The Japan the Japan-America Society America Society America
The Japan ---America Society of Washington DC Edo Tsumami Kanzashi Monthly Workshop Beginner 6: Spring fragrance~ Three Level Large Peach Blossom Clip with Dangling Petal String & Narcissus Clip ~ Wednesday, March 13, 2013 6:00 P.M. to 9:15 P.M. @JASW’s Office $70 for JASW Members $80 for Non-JASW Members Prerequisite: Beginner 1~5 New students can always start as Beginner 1 Please RSVP by March 12th at 3:00 P.M. Space is limited. Please register online at www.jaswdc.org Learn how to make Edo Tsumami Kanzashi from the only authentic Edo Tsumami Kanzashi artisan in the U.S.! Kanzashi is an ornamental hairpin and its history goes back as far as 3000 years. There are many types of Kanzashi, Edo Tsumami Kanzashi was developed during the Edo period when the technique of Hana-kanzashi, worn by apprentice Geisha in Kyoto, was brought over to Edo (modern day Tokyo). It is a designated traditional handicraft in Tokyo and Chiba prefecture today. The art is disappearing due to fewer people wearing Kimono. However, it is becoming very popular among non-Japanese incorporating it into Western attire, such as Katy Perry wearing it at the MTV Music Awards ceremony. In this workshop, you will make a set of Spring Fragrance: Three level large Peach blossom clip with dangling petal string & Narcissus clip as shown above (picture-left), improve two level construction going over the lower petals, learn a challenging “opened” dangling petal string, and elaborate three level petal construction by Hashikiri technique. The class fee includes all materials. -
EVOLUTION of JAPANESE WOMEN's KIMONO from A.D. 200 to 1960
THE EVOUTCION OF JAPANESE WOMEN'S KIMONO FEOK A.D. 200 TO 1960 *"> MASAKO TOYOSHMA B. S., Fukuoka Women's University, 1963 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE General Home Economics College of Home Eoonomios KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved byi Major Professor TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. HU-STYLE PERIOD (A.D. 200-552) 7 Political Situation 7 Dress of tha Period 9 III. T'ANG-STYLE PERIOD (552-894) 13 Politioal Situation 13 Dress of T'ang-stylo Period 18 IV. OS0DE-FASHI0N PERIOD (894-1477) 26 Political Situation 26 Dress of the OBode-Fashion Period 33 V. KOSODE-FASHION PERIOD (1477-1868) 44 Politioal Situation 44 Dress of Kosode-fashion Period •• 52 VI. JAPANESE-WESTERN PERIOD (1868-1960) 68 Politioal Situation 68 Dress of Japanese -'Western Period • 75 VII. SUMMARY AND RECOMMENDATIONS 83 Summary ............. 83 Recommendations •• •• 87 88 BIBLIOGRAPHY • • • ii LIST OF PLATES PLATE PAGE I Dress of Hu-style Period ..... ... 11 II Dress of T'ang-style Period 21 III Dress of Osode-fashion Period 37 17 Dress of Kosode-fashion Period 54 V Dress of Japanese -We stern Period. ............ 82 iii CHAPTER I INTRODUCTION Costume expresses a relationship to the ideals and the spirit - of the country during a particular time. Hurlock states in The Psych ology of Pre s s : In every age, some ideal is developed which predominates over all others. This ideal may be religious or political; it may re- late to the crown or to the people; it may be purely social or artistic, conservative or radical. -
Japanese Costume
JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago, 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military ( samurai ) class, the ma- jority of whose descendents still cling to the national costume. -
Marriage in Japan Tadamasa Kobayashi*
Marriage in Japan Traditional and Current Forms of Japanese Marriage Tadamasa Kobayashi* 1. Preface Marriage law follows folk practices. As Masayuki Takanashi writes, “Folk practices determine the reality of marriage. Laws cannot change these practices; they can only reflect them” (Masayuki Takanashi, 1969. Minpo no Hanasi. [Tales of Civil Law], p. 168. NHK Shuppan Kyokai). This theory is currently well-established; in fact Japanese family law specifi- cally states that marriage law “must match the sense of ethics and morality that characterizes a nation and should never run counter to social mores” (Kikunosuke Makino, 1929. Nihon Shinzoku Horon. [Theory on Japanese Family Law], pp. 7-8. Gan Sho Do). It is also specified that family law “is based on natural human relations, such as those between a married couple and between parent and child. Such natural human relations are influenced by a country’s climate, manners, and customs, as well as by the human characteristics of its inhabitants. Human relations thus develop uniquely in each country (Kikushiro Nagata, 1960. Shin Minpo Yogi 4. Shinzokuho. [Family Law, Major Significance of New Civil Law, and Vol. 4], p. 10. Tei- koku Hanre Hoki Shuppan Sha). Another writer has gone so far as to say that “Family law is powerless relative to traditional folk practices. Legisla- tion aiming at maintaining social mores is much less effective in practice than, for example, traditional talismans believed to expel evil and sickness” (Zennosuke Nakagawa, 1933. Minpo 3. [Civil Law, Vol. 3], pp. 6-7. Iwanami Shoten). With these views in mind, this paper focuses on traditional family law, particularly on marriage law and related issues, from the perspective of so- cio-jurisprudence rather than based on a strict legal interpretation. -
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN …........................................P3 2 THE HOUSEHOLD SHRINE ….....................................P23 3 OF WOMEN'S HAIR …................................................P36 4 FROM THE DIARY OF AN ENGLISH TEACHER …..........P43 5 TWO STRANGE FESTIVALS …....................................P73 6 BY THE JAPANESE SEA …..........................................P79 7 OF A DANCING-GIRL …..............................................P89 8 FROM HOKI TO OKI …................................................P102 9 OF SOULS ….............................................................P137 10 OF GHOSTS AND GOBLINS …...................................P142 11 THE JAPANESE SMILE …..........................................P152 12 SAYONARA! …........................................................P165 NOTES …....................................................................P170 CHAPTERONE In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway.