New Executive Director Joins Education Through Music
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UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music
UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music Documentary Collection / Rosina Lhevinne Documentary Materials For more information, please e-mail the Archive Research & Study Center (ARSC) at [email protected] INV # TITLE No. SEGMENT TITLE YR CROSS REF # CONTENT FORMAT TYPE ARKATOV CATALOG #064 TAPE 2-MARIANNA LHEVINNE GRAHAM M141294 [ALEXANDRA LHEVINNE TAPE 2] INTERVIEW AT SALOME ARKATOV'S 1/2 IN. BETACAM SP PER LABEL: RESIDENCE, SWEETEN SOUND. 4/7/94 THIS UNEDITED FOOTAGE CONSISTS OF A 1992 INTERVIEW AND PIANO LESSON GIVEN BY MARTIN CANIN WHO SPEAKS TO SALOME ARKATOV CATALOG #019 ARKATOV IN HIS STUDIO AT THE JUILLIARD -- SCHOOL IN NEW YORK. AS PRINCIPLE [B-ROLL--JOSEPH RAIF AND ASSISTANT TO THE PRE-EMINENT TEACHER M156099 DUB FROM M141299 4 3/4 IN DVD MARTIN CANIN] OF HER DAY, ROSINA LHEVINNE, CANIN TAPE #5 DISCUSSES MME. LHEVINNE'S TEACHING AND APR 28, 1992 HIS APPLICATION OF WHAT HE LEARNED TO (TAPE #019) HIS OWN STUDENTS. HE IS SEEN TEACHING CHOPIN'S BARCAROLE IN F SHARP OP. 60. TO HIS PUPIL GWENYTH CHEN. THIS UNEDITED 1992 INTERVIEW AND DEMONSTRATION FOOTAGE IS OF RENOWNED LOS ANGELES BASED PIANIST ARKATOV CATALOG #134 AND PROMINENT TEACHER DANIEL POLLACK SPEAKING WITH SALOME ARKATOV AT THE PER LABEL: HER RESIDENCE IN WESTWOOD, CALIFORNIA. M141292 [DANIEL POLLACK #4] FEBRUARY 17, 1992 1/2 IN. BETACAM SP HE STUDIED WITH ROSINA LHEVINNE AT THE COMMENTARY AND JUILLIARD SCHOOL AND WAS HER ASSISTANT PIANO EXAMPLES- IN THE SUMMERS AT USC WHERE MME. ROSINA LHEVINNE LHEVINNE TAUGHT UNTIL THE AGE OF 94. POLLACK ILLUSTRATES IN DETAIL AT THE PIANO THE PHILOSOPHY AND RIGOROUS SET OF PIANISTIC STANDARDS OF THE OLD RUSSIAN SCHOOL PASSED ON TO HIM BY MME. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
.2 / TANGLEWOOD SEVENTH WEEK August 12, 13, 14, 1966 BERKSHIRE FESTIVAL The Boston Symphony TCHAIKOVSKY CONCERTO No. 1 ARTUR RUBINSTEIN BOSTON SYMPHONY under Leinsdorf ERICH LEINSDORF In an unforgettable performance of Tchaikovsky's Concen No. J, Leinsdorf and one of the world's greatest orchestra combine with Rubinstein in a collaboration that crackles wii power and lyricism. In a supreme test of a pianist's interpn tive powers, Rubinstein brings an emotional and intellectu> lu.vVunm grasp to his playing that is truly incomparable. In another vei Leinsdorf has recorded Prokofieff's Fifth Symphon y as part his growing series of recordings of this master's major work It belongs among recordings elite. Both albums recorded BC» VlCTOK Qynagrooye sound. PR0K0F1EFF: SYMPHONY No. 5 BOSTON SYMPHONY/ LEINSDORF PROKOFIEFF SERIES RCA Victor WfflThe most trusted name in sound BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1966 TWENTY-NINTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SEVENTH WEEK Historical and descriptive notes by John N. Burk Assisted by DONALD T. GAMMONS Copyright, 1966 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks John L. Thorndike Philip K. Allen Francis W. Hatch Henry A. Laughlin Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. -
Boston Symphony Orchestra Concert Programs, Summer, 1977
— *5F «\» ^^ . 1 7 L-y*jM %Wt &W1 ;**>] -v>- £t !=*?8fei ;>.» *g W ;. *, \ ^-W2 t* fc •*U*-T..-> ''- * K 9 ^.^5* I .MliNOFF® VODKA. 80 & 100 PROOF. DISTILLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF H EUBLEIN. I NCORPORATED ) HARTFORD. CONNECTICUT ' " ' -<*£sv Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-36 Seiji Ozawa 7 Berkshire Music Center 40 Map 8 Friends 42, 43 Information 9 The cover photo is by Walter H. -
Saint Louis Symphony Orchestra
JESSE AUDITORIUM SERIES Saint Louis Symphony Orchestra, Misha Dichter, piano; Leonard Slatkin, conductor Friday, September 28 Itzhak Perlman, violin; Samuel Sanders, piano Thursday, November 29 Alvin Ailey American Dance Theater Tuesday, January 22 New York City Opera National Company, Rigoletto Sunday, March 10 Bach Aria Group Thursday, March 28 FIRST NATIONAL BANK CHAMBER MUSIC SERIES Northern Sinfonia of England, Barry Tuckwell, French horn Wednesday, October 17 Emanuel Ax, piano; Yo Yo Ma, cello Wednesday, November 7 Richard Stoltzman, clarinet; Bill Douglas, piano Thursday, January 24 Ars Musica Wednesday, February 13 Beaux Arts Trio Saturday, February 23 Concord Quartet Tuesday, April 16 SPECIAL EVENTS Saint Louis Sr.mphony Pops Concert, Richard Hayman, conductor; UMC Choral Union and Patricia Miller, Artist-in-Residence Sunday, October 28 Nikolais Dance Theatre Monday, November 12 Christmas Choral Concert Messiah, Choral Union, UMC Philharmonic; Distinguished Guest Soloists and Duncan Couch, conductor Friday, December 7 and Saturday, December 8 Alvin Ailey American Dance Theater Wednesday, January 23 Saint Louis Symphony Orchestra, Garrick Ohlsson, piano; Raphael Fruhbeck de Burgos, conductor Thursday, March 14 Houston Ballet (with orchestra) Tuesday, April 23 FIRST NATIONAL BANK MASTER CLASS SERIES Barry Tuckwell, French horn Ars Musica, Baroque music ·· To be arranged February 13 Emanual Ax, piano Beaux Arts Trio To be arranged February 23 Yo Yo Ma, cello Bach Aria Group To be arranged March 28 Richard Stoltzman, clarinet January -
Misha Dichter Piano Master Class CELIA Events
Wright State University CORE Scholar Misha Dichter Piano Master Class CELIA Events 10-10-2018 Misha Dichter - Pianist: Piano Master Class - Program CELIA Follow this and additional works at: https://corescholar.libraries.wright.edu/celia_misha_dichter Part of the Music Education Commons Repository Citation CELIA (2018). Misha Dichter - Pianist: Piano Master Class - Program. Dayton, Ohio. This Program is brought to you for free and open access by the CELIA Events at CORE Scholar. It has been accepted for inclusion in Misha Dichter Piano Master Class by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Misha Dichter’s discography on the Philips, RCA, MusicMasters, and Koch Classics labels are legendary, iconic, and musically omnivorous, encompassing the major scores of Beethoven, Brahms, Chopin, Gershwin, Liszt, Mussorgsky, COLLEGE OF Schubert, Schumann, Stravinsky, and Tchaikovsky. A noted exponent of Liszt’s LIBERAL ARTS piano works and a champion of the composer’s forward-looking contributions to the development of music, Dichter was honored in 1988 with the “Grand Prix International du Disque Liszt,” presented for his Philips recording of the master’s piano transcriptions. His first recording with Cipa Dichter is a three-CD set of Mozart’s complete piano works for four hands, and is available on the Nimbus label. American Record Guide called the album “an unmitigated delight,” and Music Web International named it a 2005 “Record of the Year.” Misha Dichter In 2007, Misha Dichter took a three-month hiatus from the concert stage to deal Pianist (one-color graphic treatment) with the onset of Dupuytren’s disease, a contracting of one or more fingers. -
Boston Symphony Orchestra Concert Programs, Season 101, 1981
BOSTON SOYMPHONY OORCHESTRA Hundredth Birthday Season 1881 -OCTOBER 22 -1981 ienivj Cf -AC V.S.OJP 7 REMY MA p'ftiiirtwvtt r'n &-'ru&& && COGNAC aSOt'f^ PRANCE Bii^i»iT 'J ' BV F-«IMV MVKTIiijJJJIiJal ,,NE CHAMPAGNE COOi THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE .COGNAC: FROM THE TWO "PREMIERS CRUS" ^^ ^ r BOSTON Sei ji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, .Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J.E Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D. Hill Joseph M. Hobbs Director of Director of Director of Promotion Business Affairs Development Judith Gordon Joyce M. -
The Brandenburg Concertos Program
The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. THE BRANDENBURG CONCERTOS PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 1 in F major, BWV 1046 (1720) [Allegro] Adagio Allegro Menuet—Trio—Polonaise Daniel Phillips, violino piccolo; Cho-Liang Lin, violin; Danbi Um, violin; Mark Holloway, viola; Colin Carr, cello; Joseph Conyers, bass; Kenneth Weiss, harpsichord; Stephen Taylor, oboe; Randall Ellis, oboe; James Austin Smith, oboe; Peter Kolkay, bassoon; Jennifer Montone, horn; Julie Landsman, horn BACH Brandenburg Concerto No. 2 in F major, BWV 1047 (1720) [Allegro] Andante Allegro assai Aaron Boyd, violin; Sooyun Kim, flute; Stephen Taylor, oboe; David Washburn, trumpet; Sean Lee, violin; Benjamin Beilman, violin; Lawrence Dutton, viola; Paul Watkins, cello; Marc Goldberg, bassoon; Timothy Cobb, bass; John Gibbons, harpsichord BACH Brandenburg Concerto No. 3 in G major, BWV 1048 (1720) [Allegro]—Adagio Allegro Chamber Music Society of Lincoln Center Ani Kavafian, violin; Yura Lee, violin; Alexander Sitkovetsky, violin; Matthew Lipman, viola; Paul Neubauer, viola; Daniel Phillips, viola; Mihai Marica, cello; Timothy Eddy, cello; Inbal Segev, cello; Anthony Manzo, bass; Paolo Bordignon, harpsichord --INTERMISSION (Discussion with artists)-- BACH Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Paul Huang, violin; Sooyun Kim, flute; Demarre McGill, flute; Chad Hoopes, violin; Daniel Phillips, violin; Richard O'Neill, viola; Jakob Koranyi, cello; Joseph Conyers, bass; Kenneth Weiss, harpsichord BACH Brandenburg Concerto No. -
School of Music 2020–2021
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2020–2021 School of Music 2020–2021 BULLETIN OF YALE UNIVERSITY Series 116 Number 7 July 25, 2020 BULLETIN OF YALE UNIVERSITY Series 116 Number 7 July 25, 2020 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in October; three times in September; four and employment of individuals upon their qualifications and abilities and a∞rmatively times in June and July; five times in August) by Yale University, 2 Whitney Avenue, New seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Senior Direc- tor of the O∞ce of Institutional Equity and Access, 221 Whitney Avenue, 4th Floor, The closing date for material in this bulletin was July 15, 2020. -
View Program History Through 2021
SPOLETO FESTIVAL USA PROGRAM HISTORY 2021 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 1999 ...................................... 91 2021 ....................................... 3 1998 ...................................... 95 2020 – “Spoleto at Home” ...... 5 1997 ...................................... 99 2020 ....................................... 6 1996 .................................... 103 2019 ..................................... 10 1995 .................................... 106 2018 ..................................... 14 1994 .................................... 109 2017 ..................................... 18 1993 .................................... 113 2016 ..................................... 22 1992 .................................... 116 2015 ..................................... 27 1991 .................................... 119 2014 ..................................... 30 1990 .................................... 122 2013 ..................................... 34 1989 .................................... 126 2012 ..................................... 38 1988 .................................... 129 2011 ..................................... 42 1987 .................................... 132 2010 ..................................... 47 1986 .................................... 135 2009 ..................................... 51 1985 .................................... 138 2008 ..................................... 54 1984 .................................... 141 2007 .................................... -
Fatetfiatipnal
fatetfiatipnal THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Warsaw Philharmonic Orchestra KAZIMIERZ KORD Conductor MISHA DICHTER, Pianist THURSDAY EVENING, NOVEMBER 10, 1983 AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Concerto No. 1 in D minor, Op. 15, for Piano and Orchestra ........... BUAHMS Maestoso Adagio Rondo: allegro non troppo MISHA DICHTER INTERMISSION Symphony No. 10, Op. 93................................... SHOSTAKOVICH Modcrato Allegro Allegretto Andante, allegro Warsaw Philharmonic: Deutsche Grammophon, Scliwann, and AMS Records. Mislia Dichter: Philips Records. Merrill Lynch Pierce Fenner & Smith has generously provided fonds to defray the printing costs of this concert program and those that follow in the 1983-84 Choral Union Series. Fourteenth Concert of the 105th Season 105th Annual Choral Union Series About the Artists The Warsaw Philharmonic Orchestra gave its inaugural concert in 1901 and before the First World War was already established as Poland's leading musical institution. The Orchestra lost half its members during the Second World War, but re-established its permanent concert activity in the 1947-48 season. In 1950 Witold Rowicki was appointed Artistic Director, a post he held for 26 years prior to Kazimicrz Kord's appointment in 1977. Some of the distinguished musicians who have appeared with the Orchestra include Sergei Rachmaninoff, Serge Prokofiev, Bela Bartok, Igor Stravinsky, Wilhelm Furtwangler, Kiril Kondrashin, Dimitri Mitropoulos, Arthur Rubinstein, Sviatoslav Richtcr, Claudio Arrau, and Isaac Stern. Kazimierz Kord was born in Silesia, Poland, and studied piano at Leningrad's Academy of Music, where he graduated with highest honors. He continued his training at the School of Music in Cracow, studying composition and conducting and, concurrently, was engaged as conductor and chorus master at the Warsaw Opera. -
2018 Washington International Piano Artists Competition OFFIC
Established 2001 __________________________________________________________ Dedicated to Creating a Renaissance of Interest in the Art of Piano Performance ♫ Making Music Flourish in Our Communities ♫ Promoting International Friendship and Cultural Understanding through the Art of Classical Piano Music ♫♫♫ 3862 Farrcroft Drive, Fairfax, VA 22030 USA E-mail: [email protected] Website: www.wipac.org (703) 728-7766 The Festival of Music 2018 & The 16th Washington International Piano Artists Competition Welcome to the Wonderful World of Music! The Festival and piano competition mark the culmination of the WIPAC Season 2017-2018! It is my distinct honor and privilege to extend my sincere gratitude to so many special people as we continue our journey. Let me begin by thanking Michael Davidson for his dedicated service as Chair of the competition jury for six consecutive years, and a big welcome as he embarks in his new role as President of WIPAC. His wife, Portia Davidson, and Michael have brought tremendous energy to WIPAC over several years and add more with each passing year. My gratitude to Suzanne Finney and Diane Merriam, co-chairs of this year’s Festival and Competition; to Carmen Stull, WIPAC facilitator, and our Hospitality Chair, Jean Wigham. Their combined dedication has been in so many ways immeasurable. WIPAC has been truly fortunate to have supporters such as our very talented Board member and friend, Robin Phillips, whose contribution to the arts has no bounds, always standing by and ready to help us. Together with Tim Thomas, they co-chaired “Le Bal des Lumières,” WIPAC November 2017 Gala that featured the talented duo Paul Romero, the first winner of our Washington International Piano Artists Competition in 2003, and his saxophonist partner Brock Summers. -
American Music Research Center Journal
American Music Research Center Journal American Music Research American Music Research Center Journal Volume 28 • 2019 Volume 28 2019 Volume American Music Research Center Journal Volume 28 • 2019 Susan Thomas and Thomas L. Riis Editors-in-Chief Matthew J. Jones Managing Editor American Music Research Center College of Music University of Colorado Boulder The American Music Research Center Susan Thomas, Director Stephanie Bonjack, Faculty Head, Howard Waltz Music Library Megan Friedel, Head of Archives Heather Bowden, Special Collections & Archives Eric J. Harbeson, University Libraries Sister Mary Dominic Ray, O. P. (1913-1994), Founder Karl Kroeger, Archivist Emeritus Robert Shay, Dean, College of Music Robert McDonald, University Libraries Eric Hansen, Editorial Assistant Editorial Board Susan Cook Tom C. Owens Paul Laird Katherine Preston Victoria Lindsay Levine Ann Sears Kip Lornell Jessica Sternfeld Portia Maultsby Joanne Swenson-Eldridge Nancy Newman Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada) Please address all inquiries to AMRC, 288 UCB, University of Colorado, Boulder, CO 80309-0288. Email: [email protected] The American Music Research Center website address is www.colorado.edu/amrc ISBN 1058-3572 © 2019 by Board of Regents of the University of Colorado Information for Authors The American Music Research Center Journal is dedicated to publishing ar- ticles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and proposals from the scholarly community, ranging from 3,000 to 10,000 words (exclud- ing notes). All articles should be addressed to Susan Thomas, College of Music, Universi- ty of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.