Boston Symphony Orchestra Concert Programs, Season 101, 1981

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 101, 1981 BOSTON SOYMPHONY OORCHESTRA Hundredth Birthday Season 1881 -OCTOBER 22 -1981 ienivj Cf -AC V.S.OJP 7 REMY MA p'ftiiirtwvtt r'n &-'ru&& && COGNAC aSOt'f^ PRANCE Bii^i»iT 'J ' BV F-«IMV MVKTIiijJJJIiJal ,,NE CHAMPAGNE COOi THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE .COGNAC: FROM THE TWO "PREMIERS CRUS" ^^ ^ r BOSTON Sei ji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, .Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J.E Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D. Hill Joseph M. Hobbs Director of Director of Director of Promotion Business Affairs Development Judith Gordon Joyce M. Snyder Theodore A. Vlahos Assistant Director Development Controller of Promotion Coordinator Marc Solomon Katherine Whitty Arlene Germain Production Coordinator of Financial Analyst Coordinator Boston Council James E. Whitaker Elizabeth Dunton Richard Ortner Hall Manager, Director of Sales Adminstrator Symphony Hall Berkshire Music Center Charles Rawson James F. Kiley Anita R. Kurland Manager of Box Office Operations Manager, Administrator of Tanglewood Youth Activities Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director of Editorial Printing Production Publications Coordinator Coordinator Programs copyright ©1981 Boston Symphony Orchestra, Inc. Cover photo by Peter Schaaf 1 Board of Overseers of the Boston Symphony Orchestra, Inc. Mrs. Norman L. Cahners Chairman William J. Poorvu Mrs. William H. Ryan Vice-Chaiiman Secretary Charles F. Adams Jordan L. Golding Paul M. Montrone John Q. Adams Haskell R. Gordon Mrs. Hanae Mori Mrs. Frank G. Allen Graham Gund Mrs. Stephen VC. Morris David B. Arnold, Jr. Christian G. Halby E. James Morton Hazen H. Ayer Mrs. R. Douglas Hall III Stephen Paine, Sr. Bruce A. Beal Francis W Hatch, Jr. John A. Perkins Mrs. Richard Bennink Mrs. Richard D. Hill David R. Pokross David W. Bernstein Ms. Susan M. Hilles Mrs. Curtis Prout Mrs. Edward J. Bertozzi, Jr. Mrs. Amory Houghton, Jr. Mrs. Eleanor Radin Peter A. Brooke Richard S. Jackson, Jr. Peter C. Read William M. Bulger Mrs. Bela T. Kalman Mrs. Peter van S. Rice Curtis Buttenheim Mrs. Louis I. Kane David Rockefeller, Jr. Julian Cohen Mrs. S. Charles Kasdon Mrs. George R. Rowland Mrs. Nat King Cole Mrs. F. Corning Kenly Jr. Francis P. Sears Johns H. Congdon Mrs. Gordon F. Kingsley Gene Shalit William M. Crozier, Jr. Mrs. Carl Koch Donald B. Sinclair Mrs. Lewis S. Dabney Robert K. Kraft Richard A. Smith Mrs. Michael H. Davis Harvey C. Krentzman Ralph Z. Sorenson William S. Edgerly Mrs. E. Anthony Kutten Peter J. Sprague Mrs. Alexander Ellis, Jr. Benjamin H. Lacy Ray Stata Frank L. Farwell Mrs. Henry A. Laughlin Mrs. Edward S. Stimpson Kenneth G. Fisher Mrs. James F. Lawrence Mrs. Arthur I. Strang Mrs. John H. Fitzpatrick Mrs. Charles P. Lyman Mrs. Richard H. Thompson Peter H.B. Frelinghuysen C Charles Marran Mark Tishler, Jr. Paul Fromm Mrs. August R. Meyer Ms. Luise Vosgerchian Mrs. Thomas J. Galligan, Jr. Edward H. Michaelsen Robert A. Wells Mrs. Thomas Gardiner J. William Middendorf II Mrs. Donald Wilson Avram J. Goldberg John J. Wilson THE SYMBOL OF GOOD BANKING. Union Warren Savings Bank Main Office: 133 Federal Street, Boston, MA 02110 'But ifyou turn your back on the market entirely, will the Dow ever break a thousand again?" For good advice on personal trust and investment matters, call our Trust Division at (617) 742-4000. Or write New England Merchants National Bank, 28 State Street, Boston, Massachusetts 02109.® Bank of New England. Join morningpro musica's host Robert J. Lurtsema as he surveys the Boston Symphony Orchestra's 100th Birthday season through a series of infor- mal conversations with featured soloists, conduc- tors, and composers. morningpro musica is WVPS (107.9 fm) now heard coast to coast Burlington, VT on stations of the Public WMEH(90.9fm) Radio Cooperative Bangor, ME including, in the New York/New England area: WMEA(90.1fm) Portland, ME WGBH(897fm) Boston, MA WMEM (106.1 fm) Presque Isle, ME WFCR(88.5fm) Amherst, MA WPBH(90.5fm) Hartford, New Haven, WAMC(90.3fm) Waterbury, CT Albany, NY WEVO(89.1fm) WNYC(93.9fm) Concord, NH New York, NY WVPR(89.5fm) Windsor, VT BSO BSO/WCRB Musical Marathon 1982 The twelfth annual BSO/WCRB Musical Marathon will take place the weekend of 16-18 April 1982. The Marathon is of course one of the BSO's primary fundraising efforts, and it also serves as one of the most exciting and direct ways for volunteers to become involved with the orchestra. Planning for this year's Marathon began virtually as soon as last year's ended, and the range of this year's nearly 300 premiums is extraordinary: BSO "exclusives" highlighting the orchestra's international reputation with an "around-the- world" theme focusing on major cities to which the BSO has toured; premiums offered by orchestra members and staff and ranging from homebaked bread to evening-length recitals,- gift certificates from restaurants and items from retail stores; tickets for concert, theater, and sports events,- and nearly 25 premiums from the Berkshires, including weekend or overnight stays. This year's Marathon catalog, underwritten by New England Telephone, will be available in mid-March. WCVB-TV-Channel 5 will once again make available two-and-a-half hours of prime time for the Marathon concert broadcast on Sunday evening, 18 April. In addition to all of this, works by more than 75 artists in all media— including sculpture, photography, etchings, and paintings—have been donated for the Marathon Fine Arts Show, which will open in Symphony Hall on Monday evening, 5 April. A "Preview Party" for the Fine Arts Show will be held in the Hatch Room on Monday, 5 April from 5 to 8 p.m. There is no admission charge; refreshments donated by Concord Caterers will be served, and music will be provided by New England Conservatory musicians. If you would like to receive an invitation to the "Preview Party" please phone the Marathon Office at 266-1492, ext. 230. 'Presidents at Pops' A very special night at Pops, and a first for the BSO, is being planned by a committee of business leaders, BSO Trustees, and Overseers. Designed to solidify and broaden the relationship between the BSO and the business community, it will make possible corporate support of the BSO and, at the same time, the establishment of new business contacts, the honoring of employees and spouses, or the conclusion of a company business meeting with a pleasant evening. This "Presidents at Pops" Concert will be held on 15 June 1982 with an outstanding program and buffet supper. Tickets will be sold as a "package" to include two adjoining Pops floor tables of five seats each and ten balcony seats. In addition there will be a Presidents Dinner, an elegant and fun evening at Symphony Hall on 10 May 1982 for 100 Presidents of supporting companies who will be guests of the BSO. "Presidents at Pops" already has more than seventy businesses in the greater Boston area committed to attend. For further information on this and other aspects of the Boston Symphony's Business Leadership Program, please contact Frank Pemberton in the BSO's Development Office at (617) 266-1492. BSO/WCRB Musical Marathon '82: Musical Premiums The dedicated volunteers who contribute each year to the creative planning, efficient organization, and talented staffing of the BSO/WCRB Musical Marathon are augmented annually by another category of special helpers: orchestra members and BSOrelated musicians who donate their artistry in the form of recital premiums. Looking through the twenty-page Marathon Catalog, to be mailed in mid-March, you will discover that your pledge of support to the BSO can bring you the gift of music. For example, BSO trombonist Gordon Hallberg offers a duo-recital with violinist Priscilla Hallberg of the Pops Esplanade Orchestra, including violin showpieces, music for trombone, and even a few rare duos for the two together. Burton Fine, BSO principal violist, offers a recital by the Famous Fine Family and Friends, to include harp, viola, and several surprise addi- tions. Luise Vosgerchian, particularly familiar to our Stage Door Lecture audiences, offers either a solo piano recital or a chamber concert of Mozart piano quartets. And the Empire Brass Quintet is offering Wi hours of chamber music—for which half the premium pledge will provide a talented young musician a Fellowship to the Berkshire Music Center! Other instrumentalists are donating to the Marathon in non-musical ways: BSO principal trumpet Charles Schlueter, for example, will cook and serve a Chinese dinner for four. Last year, BSO members themselves raised more than $22,000 by donating their talents. Their contributions to the Marathon are essential, and their recital premiums and other donations are among the most invaluable gifts offered to our supporters.
Recommended publications
  • UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music
    UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music Documentary Collection / Rosina Lhevinne Documentary Materials For more information, please e-mail the Archive Research & Study Center (ARSC) at [email protected] INV # TITLE No. SEGMENT TITLE YR CROSS REF # CONTENT FORMAT TYPE ARKATOV CATALOG #064 TAPE 2-MARIANNA LHEVINNE GRAHAM M141294 [ALEXANDRA LHEVINNE TAPE 2] INTERVIEW AT SALOME ARKATOV'S 1/2 IN. BETACAM SP PER LABEL: RESIDENCE, SWEETEN SOUND. 4/7/94 THIS UNEDITED FOOTAGE CONSISTS OF A 1992 INTERVIEW AND PIANO LESSON GIVEN BY MARTIN CANIN WHO SPEAKS TO SALOME ARKATOV CATALOG #019 ARKATOV IN HIS STUDIO AT THE JUILLIARD -- SCHOOL IN NEW YORK. AS PRINCIPLE [B-ROLL--JOSEPH RAIF AND ASSISTANT TO THE PRE-EMINENT TEACHER M156099 DUB FROM M141299 4 3/4 IN DVD MARTIN CANIN] OF HER DAY, ROSINA LHEVINNE, CANIN TAPE #5 DISCUSSES MME. LHEVINNE'S TEACHING AND APR 28, 1992 HIS APPLICATION OF WHAT HE LEARNED TO (TAPE #019) HIS OWN STUDENTS. HE IS SEEN TEACHING CHOPIN'S BARCAROLE IN F SHARP OP. 60. TO HIS PUPIL GWENYTH CHEN. THIS UNEDITED 1992 INTERVIEW AND DEMONSTRATION FOOTAGE IS OF RENOWNED LOS ANGELES BASED PIANIST ARKATOV CATALOG #134 AND PROMINENT TEACHER DANIEL POLLACK SPEAKING WITH SALOME ARKATOV AT THE PER LABEL: HER RESIDENCE IN WESTWOOD, CALIFORNIA. M141292 [DANIEL POLLACK #4] FEBRUARY 17, 1992 1/2 IN. BETACAM SP HE STUDIED WITH ROSINA LHEVINNE AT THE COMMENTARY AND JUILLIARD SCHOOL AND WAS HER ASSISTANT PIANO EXAMPLES- IN THE SUMMERS AT USC WHERE MME. ROSINA LHEVINNE LHEVINNE TAUGHT UNTIL THE AGE OF 94. POLLACK ILLUSTRATES IN DETAIL AT THE PIANO THE PHILOSOPHY AND RIGOROUS SET OF PIANISTIC STANDARDS OF THE OLD RUSSIAN SCHOOL PASSED ON TO HIM BY MME.
    [Show full text]
  • PROGRAM NOTES Gustav Mahler Symphony No. 1 in D Major
    PROGRAM NOTES by Phillip Huscher Gustav Mahler Born July 7, 1860, Kalischt, Bohemia. Died May 18, 1911, Vienna, Austria. Symphony No. 1 in D Major Mahler did most of the work on his First Symphony in February and March of 1888, incorporating music that had been written much earlier. He revised the score on several occasions. The first performance was given on November 20, 1889, in Budapest, with the composer conducting. The score calls for four flutes and three piccolos, four oboes and english horn, four clarinets, two E-flat clarinets and bass clarinet, three bassoons and contrabassoon, seven horns, four trumpets, three trombones and tuba, timpani, bass drum, cymbals, triangle, tam-tam, harp, and strings. Performance time is approximately fifty-seven minutes. The Chicago Symphony Orchestra's first subscription concert performances of Mahler's First Symphony were given at Orchestra Hall on November 6 and 7, 1914, with Frederick Stock conducting. Our most recent subscription concert performances were given on April 5, 6, 7, and 10, 2007, with Gustavo Dudamel conducting. The Orchestra first performed this symphony at the Ravinia Festival on July 19, 1949, with William Steinberg conducting, and most recently on June 24, 2005, with James Conlon conducting. When Alma Schindler first met Gustav Mahler, whom she later married, she could only remember how much she had disliked his First Symphony. She wasn't alone. The history of this symphony, even into relatively recent times, is one of misunderstanding and rejection. The first performance, in Budapest in 1889, was greeted with indifference, bewilderment, and, in the words of the local critic, "a small, but, for all that, audible element of opposition." Mahler seldom understood the animosity his music aroused.
    [Show full text]
  • GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS? With
    GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS® with JEFFREY SIEGEL Franz Schubert in the Age of the Sound Bite Tuesday, October 29, 2013 8:00 p.m. Lillian H. Duncan Recital Hall PROGRAM Three Waltzes Franz Schubert (1797-1828) Impromptu in E-flat Major, Op. 90, No. 2 (D. 899) Impromptu in F Minor, Op. 142, No. 4 (D. 935) INTERMISSION Sonata in B-flat, Op. Posthumous (D. 960) Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza Allegro, ma non troppo Questions and Answers Please join us for a reception in the Grand Foyer immediately following the concert. BIOGRAPHY American pianist JEFFREY SIEGEL returns to the Shepherd School for the third consecutive season to present Keyboard Conversations®. Jeffrey Siegel has been soloist with the world’s great orchestras. Abroad, these include the Berlin Philharmonic, London Symphony, Philharmonic and Philharmonia, Moscow State Symphony, Munich’s Bayerischer Rund- funk, the Amsterdam, Oslo and Stockholm Philharmonic, Orchestra of La Scala and NHK Symphony of Japan. In the United States, engagements include the New York Philharmonic, Los Angeles Philharmonic, The Phila- delphia Orchestra, The Cleveland Orchestra, Boston Symphony Orches- tra and Chicago Symphony Orchestra. Mr. Siegel has collaborated with many of the pre-eminent conductors of our time: Claudio Abbado, Pierre Boulez, Charles Dutoit, Neeme Järvi, James Levine, Lorin Maazel, Zubin Mehta, Leonard Slatkin, Michael Tilson Thomas, and David Zinman, as well as legendary maestros of the past, including Eugene Ormandy, Sir George Solti, William Steinberg, Klaus Tennstedt and Yevgeny Svetlanov. In addition to his solo appearances, Jeffrey Siegel presents Keyboard Conversations®, a brilliantly polished concert-with-commentary format in which captivating remarks precede virtuoso performances of piano masterpieces.
    [Show full text]
  • A CONCERT with COMMENTARY, JEFFREY SIEGEL to PRESENT MOZART and HAYDN “The Leonard Bernstein of the Piano” Returns for His Ninth Season
    Contact: Dave Webb Phone: 530-400-1253 E-mail: [email protected] Web: harriscenter.net/about/press-room A CONCERT WITH COMMENTARY, JEFFREY SIEGEL TO PRESENT MOZART AND HAYDN “The Leonard Bernstein of the piano” returns for his ninth season (August 2, 2019, Folsom, CA) Hailed as “an artist who means every note he plays” (New York Times), internationally acclaimed pianist Jeffrey Siegel brings power and passion to his celebrated Keyboard Conversations — returning to Folsom for his ninth season. He has been called “the Leonard Bernstein of the piano” (Chicago Tribune); "Jeffrey Siegel has everything: massive technique, musical sensitivity and character, wide tonal resources, immense reserves of power, and the ability to communicate" (Los Angeles Times). In presenting these “concerts with lively commentary” Mr. Siegel offers comments on the work, the composer, even the times in which the work was composed and then gives a virtuosic performance of a piano masterpiece. A lively Q&A concludes the concert. His presentations enrich the listening experience for the avid music lover as well as provide an inviting, instantly accessible introduction to great music for those new to classical music. "Siegel's programs strengthen the fragile bonds of communication between composer and listener and are as welcome as they are rare." (Chicago Tribune). For his concert on Saturday, August 24, Mr. Siegel will perform MOZART AND HAYDN – HUMOR AND HEARTACHE, an evening of irresistible charm and wit – and deep anguish and sadness. Haydn’s exuberant “Gypsy Rondo” and melancholy “F Minor Variations,” Mozart’s passionate “A Minor Sonata.” The inaugural Keyboard Conversations® With Jeffrey Siegel commences on Saturday, August 24 at 7:30 pm.
    [Show full text]
  • LONDON PHILHARMONIC ORCHESTRA 56238 LPO 27 October 10 56238 LPO 27 October 10 20/10/2010 12:15 Page 2
    56238 LPO 27 October 10_56238 LPO 27 October 10 20/10/2010 12:15 Page 1 Principal Conductor VLADIMIR JUROWSKI Principal Guest Conductor YANNICK NÉZET-SÉGUIN Leader PIETER SCHOEMAN Composer in Residence JULIAN ANDERSON Patron HRH THE DUKE OF KENT KG Chief Executive and Artistic Director TIMOTHY WALKER AM† MAHLER ANNIVERSARY PROGRAMME £3 CONTENTS SOUTHBANK CENTRE’S ROYAL FESTIVAL HALL Wednesday 27 October 2010 | 7.30pm 2 List of Players 3 Orchestra History 4 Leader 5 Vladimir Jurowski VLADIMIR JUROWSKI 6 Sarah Connolly conductor 7 Programme Notes 12 Southbank Centre SARAH CONNOLLY 13 Supporters 14 Recordings mezzo soprano 15 Administration 16 Future Concerts The timings shown are not MENDELSSOHN precise and are given only as a guide. Symphony No. 5 in D (Reformation) (33’) MAHLER Kindertotenlieder (23’) INTERVAL BRAHMS Symphony No. 3 in F (33’) † supported by Macquarie Group CONCERT PRESENTED BY THE LONDON PHILHARMONIC ORCHESTRA 56238 LPO 27 October 10_56238 LPO 27 October 10 20/10/2010 12:15 Page 2 LONDON PHILHARMONIC ORCHESTRA FIRST VIOLINS CELLOS BASS CLARINET * Holds a professorial Pieter Schoeman* Leader Kristina Blaumane Principal Paul Richards Principal appointment in London Vesselin Gellev Sub-Leader Chair supported by Chair supported by Simon Yates and Kevin Roon BASSOONS + Chevalier of the Brazilian John and Angela Kessler Francis Bucknall Gareth Newman* Principal Order of Rio Branco Julia Rumley Laura Donoghue Stuart Russell Katalin Varnagy Santiago Sabino Carvalh o+ Simon Estell Catherine Craig Jonathan Ayling ASSISTANT CONDUCTOR
    [Show full text]
  • Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
    Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
    [Show full text]
  • A Collection of Stan Ruttenberg's Reviews of Mahler Recordings From
    A collection of Stan Ruttenberg’s Reviews of Mahler Recordings from the Archives Of the Colorado MahlerFest (Symphonies 3 through 7 and Kindertotenlieder) Colorado MahlerFest XIII Recordings of the Mahler Third Symphony Of the fifty recordings listed in Peter Fülöp’s monumental discography (up to 1955, and many more have been added since then), I review here fifteen at my disposal, leaving out two by Boulez and one by Scherchen as not as worthy as the others. All of these fifteen are recommendable, all with fine points, all with some or more weaknesses. I cannot rank them in any numerical order, but I can say that there are four which I would rather hear more than the others — my desert island choices. I am glad to have the others for their own particular merits. Getting ready for MFest XIII we discovered that the matter of score versions and parts is complex. I use the Dover score, no date but attributed to Universal Edition; my guess this is an early version. The Kalmus edition is copied from who knows which published version. Then there is the “Critical Edition,” prepared by the Mahler Gesellschaft, Vienna. I can find two major discrepancies between the Dover/Universal and the Critical (I) the lack of horns at RN25-5, doubling the string riff and (ii) only two harp glissandi at the middle of RN28, whereas the Critical has three. Our first horn found another. Both the Dover and Critical have the horn doublings, written ff at RN 67, but only a few conductors observe them.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
    .2 / TANGLEWOOD SEVENTH WEEK August 12, 13, 14, 1966 BERKSHIRE FESTIVAL The Boston Symphony TCHAIKOVSKY CONCERTO No. 1 ARTUR RUBINSTEIN BOSTON SYMPHONY under Leinsdorf ERICH LEINSDORF In an unforgettable performance of Tchaikovsky's Concen No. J, Leinsdorf and one of the world's greatest orchestra combine with Rubinstein in a collaboration that crackles wii power and lyricism. In a supreme test of a pianist's interpn tive powers, Rubinstein brings an emotional and intellectu> lu.vVunm grasp to his playing that is truly incomparable. In another vei Leinsdorf has recorded Prokofieff's Fifth Symphon y as part his growing series of recordings of this master's major work It belongs among recordings elite. Both albums recorded BC» VlCTOK Qynagrooye sound. PR0K0F1EFF: SYMPHONY No. 5 BOSTON SYMPHONY/ LEINSDORF PROKOFIEFF SERIES RCA Victor WfflThe most trusted name in sound BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1966 TWENTY-NINTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SEVENTH WEEK Historical and descriptive notes by John N. Burk Assisted by DONALD T. GAMMONS Copyright, 1966 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks John L. Thorndike Philip K. Allen Francis W. Hatch Henry A. Laughlin Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006
    2006-2007 SEASON BOSTON SYM PH ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK SEIJI OZAWA MUSIC DIRECTOR LAUREATE Leaa o richer (Ue. ) i * II mmturn tin \ flftffwir " W > f John Hancock is proud to support the Boston Symphony Orchestra, the future is yours S;A« 3nl v 1 IH Hoi View from The McLean Center, Princeton, MA y . i • - j < E McLEAN CENTER AT FERNSIDE JMB^^m A comprehensive residential treatment program. So • Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. 'i»S -'V McLean Hospital: A Legacy of Compassionate Care Uji and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center | Official Hospital of the Boston Red Sox James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • 1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand
    1. 101 Strings: Panoramic Majesty Of Ferde Grofe’s Grand Canyon Suite 2. 60 Years of “Music America Loves Best” (2) 3. Aaron Rosand, Rolf Reinhardt; Southwest German Radio Orchestra: Berlioz/Chausson/Ravel/Saint-Saens 4. ABC: How To Be A Zillionaire! 5. ABC Classics: The First Release Seon Series 6. Ahmad Jamal: One 7. Alban Berg Quartett: Berg String Quartets/Lyric Suite 8. Albert Schweitzer: Mendelssohn Organ Sonata No. 4 In B-Flat Major/Widor Organ Symphony No. 6 In G Minor 9. Alexander Schneider: Brahms Piano Quartets Complete (2) 10. Alexandre Lagoya & Claude Bolling: Concerto For Classic Guitar & Jazz Piano 11. Alexis Weissenberg, Georges Pretre; Chicago Symphony Orchestra: Rachmaninoff Concerto No. 3 12. Alexis Weissenberg, Herbert Von Karajan; Orchestre De Paris: Tchaikovsky Concerto #2 13. Alfred Deller; Deller Consort: Gregorian Chant-Easter Processions 14. Alfred Deller; Deller Consort: Music At Notre Dame 1200-1375 Guillaume De Machaut 15. Alfred Deller; Deller Consort: Songs From Taverns & Chapels 16. Alfred Deller; Deller Consort: Te Deum/Jubilate Deo 17. Alfred Newman; Brass Of The Hollywood Bowl Symphony Orchestra: Hallelujah! 18. Alicia De Larrocha: Grieg/Mendelssohn 19. Andre Cluytens; Paris Conservatoire Orchestra: Bizet 20. Andre Kostelanetz & His Orchestra: Columbia Album Of Richard Rodgers (2) 21. Andre Kostelanetz & His Orchestra: Verdi-La Traviata 22. Andre Previn; London Symphony Orchestra: Rachmaninov/Shostakovich 23. Andres Segovia: Plays J.S. Bach//Edith Weiss-Mann Harpsichord Bach 24. Andy Williams: Academy Award Winning Call Me Irresponsible 25. Andy Williams: Columbia Records Catalog, Vol. 1 26. Andy Williams: The Shadow Of Your Smile 27. Angel Romero, Andre Previn: London Sympony Orchestra: Rodrigo-Concierto De Aranjuez 28.
    [Show full text]
  • London Philharmonic Orchestra Announces Karina Canellakis As Principal Guest Conductor from 2020/21 Season
    LONDON PHILHARMONIC ORCHESTRA ANNOUNCES KARINA CANELLAKIS AS PRINCIPAL GUEST CONDUCTOR FROM 2020/21 SEASON The London Philharmonic Orchestra today announces the appointment of American conductor Karina Canellakis as its new Principal Guest Conductor from September 2020. One of the most dynamic and exciting conductors of our time, Karina Canellakis made an immediate impact on the players of the LPO when she made her debut with them in October 2018 in a concert of Sibelius, Dvořák and Bartók at the Royal Festival Hall. Currently Chief Conductor of the Netherlands Radio Philharmonic and Principal Guest Conductor of the Rundfunk Sinfonieorchester Berlin, Canellakis’s international reputation has quickly grown since winning the Sir Georg Solti Conducting Award in 2016. Canellakis began her career as a violinist, graduating from the Curtis Institute of Music, performing frequently as soloist and chamber musician, and playing for two years in the Berlin Philharmonic as a member of their Orchester-Akademie. She then spent a number of years playing regularly in the Chicago Symphony and appearing as Guest Leader of various orchestras including the Bergen Philharmonic. Having been inspired to focus more seriously on conducting, she decided to study at Juilliard, and began conducting professionally in 2013, initially with the International Contemporary Ensemble in New York. She made her European conducting debut in 2015 and over the last few seasons has made hugely successful debuts with leading orchestras around the world that have resulted in instant re-invitations and lasting relationships. Timothy Walker, Chief Executive & Artistic Director of the LPO, says: ‘There are very few conductors who instantly impress players by their command of a score, their insights and their intellectual rigour.
    [Show full text]