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Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert
LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
PDF Version of July 2018 Patterns
FRIENDS OF WILL MEMBERSHIP MAGAZINE patterns july 2018 Tuesday, July 10 at 8 pm WILL-TV TM patterns Membership Hotline: 800-898-1065 july 2018 Volume XLVI, Number 1 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also heard at 106.5 in Danville and with live streaming on will.illinois.edu.) See pages 4-5. 101.1 FM and 90.9 FM HD2: Locally produced music programs and classical music from C24. (101.1 The month of July means we’ve moved into a is available in the Champaign-Urbana area.) See page 6. new fiscal year here at Illinois Public Media. 580 AM: News and information, NPR, BBC, news, agriculture, talk shows. (Also heard on 90.9 FM HD3 First and foremost, I want to give a big thank with live streaming on will.illinois.edu.) See page 7. you to everyone who renewed or increased your gift to Illinois Public Media over the last Television 12 months. You continue to show your love and WILL-HD All your favorite PBS and local programming, in high support for what we do time and again. I am definition when available. -
2013 Winners — Broadway.Com Audience Choice Awards
HOME / 2013 WINNERS / ABOUT / BUZZ / VIDEO / PAST WINNERS And the Winners Are... Winners are marked below in bold. FAVORITE NEW MUSICAL A Christmas Story: The Musical (Book by Joseph Robinette; Music and Lyrics by Benj Pasek and Justin Paul) Bring It On: The Musical (Book by Jeff Whitty; Music by Tom Kitt and Lin-Manuel Miranda; Lyrics by Amanda Green and Lin-Manuel Miranda) Kinky Boots (Book by Harvey Fierstein; Music and Lyrics by Cyndi Lauper) Matilda (Book by Dennis Kelly; Music and Lyrics by Tim Minchin) Motown: The Musical (Book by Berry Gordy Jr.) FAVORITE NEW PLAY *Breakfast at Tiffany’s byby RichardRichard GreenbergGreenberg Lucky Guy by Nora Ephron The Nance by Douglas Carter Beane The Performers by David West Read Vanya and Sonia and Masha and Spike by Christopher Durang FAVORITE MUSICAL REVIVAL *Annie Jekyll & Hyde The Mystery of Edwin Drood Pippin Rodgers & Hammerstein’s Cinderella FAVORITE PLAY REVIVAL Cat on a Hot Tin Roof Harvey The Heiress *Macbeth Who’s Afraid of Virginia Woolf? FAVORITE LONG-RUNNING SHOW The Book of Mormon The Lion King Newsies The Phantom of the Opera *Wicked FAVORITE TOUR Anything Goes The Book of Mormon Les Miserables The Lion King *Wicked FAVORITE ACTOR IN A MUSICAL Bertie Carvel, Matilda Will Chase, The Mystery of Edwin Drood Santino Fontana, Rodgers & Hammerstein’s Cinderella *Billy Porter,, Kinky Boots Anthony Warlow, Annie FAVORITE ACTRESS IN A MUSICAL Annaleigh Ashford, Kinky Boots Stephanie J. Block, The Mystery of Edwin Drood Victoria Clark, Rodgers & Hammerstein’s Cinderella Patina Miller, Pippin *Laura Osnes,, Rodgers & Hammerstein’s Cinderella FAVORITE ACTOR IN A PLAY Norbert Leo Butz, Dead Accounts *Alan Cumming, Macbeth Tom Hanks, Lucky Guy Nathan Lane, The Nance Jim Parsons, Harvey FAVORITE ACTRESS IN A PLAY Jessica Chastain, The Heiress Scarlett Johansson, Cat on a Hot Tin Roof Patti LuPone, The Anarchist *Bette Midler, I’llI’ll EatEat YouYou Last:Last: AA ChatChat withwith SueSue MengersMengers Sigourney Weaver, Vanya and Sonia and Masha and Spike FAVORITE DIVA PERFORMANCE *Stephanie J. -
Classical Jazz
LIVE FROM LINCOLN CENTER May 29, 2003, 8:00 p.m. on PBS Marsalis at the Penthouse In the summer of 1987 a "Classical Jazz" concert series was established at New York City's Lincoln Center for the Performing Arts, under the inspired leadership of trumpet player, Wynton Marsalis. Seven years later this indispensable activity was redefined and became the autonomous jazz division at Lincoln Center--Jazz at Lincoln Center. Thus this essential American musical form took its place at Lincoln Center alongside such other constituents as the New York Philharmonic and the Metropolitan Opera, with Marsalis continuing as the driving force behind it. We have been privileged over the years on Live From Lincoln Center to be able to bring you several performances by this outstanding ensemble, most recently in concert with Kurt Masur and the New York Philharmonic. (Interestingly, during the years of the Masur family's residence in New York, the Maestro's son-- himself an aspiring conductor--became a great jazz enthusiast.) Our next Live From Lincoln Center telecast, on Thursday evening, May 29, will be devoted to yet another live performance by Jazz at Lincoln Center. But with a difference! Our previous sessions with Jazz at Lincoln Center have originated in one of the several concert halls in the Lincoln Center complex and have featured the artistry of the large ensemble. On May 29 the 90-minute performance will take place in the intimate confines of the Kaplan Penthouse high atop the building that houses Lincoln Center's administration offices. The Kaplan Penthouse has served as the locale for three previous Live From Lincoln Center telecasts: two featuring Itzhak Perlman, the other spotlighting Renée Fleming. -
PROGRAM NOTES Gustav Mahler Symphony No. 1 in D Major
PROGRAM NOTES by Phillip Huscher Gustav Mahler Born July 7, 1860, Kalischt, Bohemia. Died May 18, 1911, Vienna, Austria. Symphony No. 1 in D Major Mahler did most of the work on his First Symphony in February and March of 1888, incorporating music that had been written much earlier. He revised the score on several occasions. The first performance was given on November 20, 1889, in Budapest, with the composer conducting. The score calls for four flutes and three piccolos, four oboes and english horn, four clarinets, two E-flat clarinets and bass clarinet, three bassoons and contrabassoon, seven horns, four trumpets, three trombones and tuba, timpani, bass drum, cymbals, triangle, tam-tam, harp, and strings. Performance time is approximately fifty-seven minutes. The Chicago Symphony Orchestra's first subscription concert performances of Mahler's First Symphony were given at Orchestra Hall on November 6 and 7, 1914, with Frederick Stock conducting. Our most recent subscription concert performances were given on April 5, 6, 7, and 10, 2007, with Gustavo Dudamel conducting. The Orchestra first performed this symphony at the Ravinia Festival on July 19, 1949, with William Steinberg conducting, and most recently on June 24, 2005, with James Conlon conducting. When Alma Schindler first met Gustav Mahler, whom she later married, she could only remember how much she had disliked his First Symphony. She wasn't alone. The history of this symphony, even into relatively recent times, is one of misunderstanding and rejection. The first performance, in Budapest in 1889, was greeted with indifference, bewilderment, and, in the words of the local critic, "a small, but, for all that, audible element of opposition." Mahler seldom understood the animosity his music aroused. -
Arts and Laughs ALL SOFT CLOTH CAR WASH $ 00 OFF 3ANY CAR WASH! EXPIRES 8/31/18
FINAL-1 Sat, Jul 21, 2018 6:13:44 PM Your Weekly Guide to TV Entertainment for the week of July 28 - August 3, 2018 HARTNETT’S Arts and laughs ALL SOFT CLOTH CAR WASH $ 00 OFF 3ANY CAR WASH! EXPIRES 8/31/18 BUMPER Nick Offerman and Amy Hartnett's Car Poehler host “Making It” SPECIALISTS Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 15 WATER STREET DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful “Parks and Recreation” alumni Amy Poehler and Nick Offerman reunite in the artisanal The LawOffice of event of the summer to celebrate the creativity and craftiness in all of us. “Making It” STEPHEN M. FORLIZZI features artisans competing in themed challenges that are inspired by crafting and Auto • Homeowners DIY trends that test their creativity, skills and outside-the-box thinking — but there Business • Life Insurance 978.739.4898 can only be one Master Maker. Get inspired and laugh with the fun summer series pre- Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] miering Tuesday, July 31, on NBC. -
Proposed 13-Weeksemesternow Underinvestigation Committeef;Onnedto Analyzeprosandcons
.'-:;),)1 \'.~ 0.:'· ... '...... '..t:» '~... ~ ~, ....: -_.- - ' . .. 1932 * The Students' Voice for 50 Years ·1982 .. Volume 83 No.4 Baruch College, CUNY October 25, 1982 Proposed 13-WeekSemesterNow UnderInvestigation CommitteeF;onnedto AnalyzeProsandCons. Committee members are con 198~. .By S~ven Appenzeller of Bragen pointed out that, tacting their colleagues at the in to compensate for the shorter se stitutions operating under the new A committee of faculty mem mester, class length and!or class schedule, and will present their bers and administration officials meeting frequency may be in findings at a committee meeting at is considering a proposal that creased. Classes presently meet the end of this month. A vote will would shorten the academic se ing twice a week may meet three be taken to decide the matter on mester at Baruch from 14 to 13 or four times a week.: January 6th. The committee is weeks. The 13-week semester is Dr. Ronald Aaron, Associate presently in use at four responsible for deciding whether Dean of Students, is concerned CUNY schools-Hostos Com to proceed with the plan, but not that, "presently some students munity, Kingsborough Communi for the actual implementation. have all their classes scheduled < 'Student input is important in ty, Manhattan Community, and for two days. As an educator. I deciding this issue," Dr. Henry Hunter Colleges. The impetus for don't think that is ideal." Wilson, Dean of Students, said at the change came from the CUNY At Hunter College where the Council of Faculty Senate a meeting of student representa program has already been in ef tives, where faculty and adminis Presidents, which recommended fect for a year, the students are ProfessorTracy Bragen will chair committee which will decide whetber to im tration representatives were also plement a 13-week semester. -
10 That Changed America
10 That Changed America Episode Guide 10 Buildings That Changed America Explore 10 trend-setting works of architecture that have shaped and inspired the American landscape. These aren’t just historic structures by famous architects – they’re buildings with global influence that have dramatically changed the way people live, work, and play. Hosted by Geoffrey Baer, the program features striking videography, rare archival images, distinctive animation, and interviews with some of the most insightful historians and architects (including Frank Gehry and Robert Venturi). This is a journey that will take viewers inside these groundbreaking works of art and engineering. It is also a journey back in time, to discover the shocking, funny, and even sad stories of how these buildings came to be. And ultimately, it is a journey inside the imaginations of ten daring architects who set out to change the way we live, work, worship, learn, shop, and play. Buildings profiled include Frank Gehry’s Disney Concert Hall in Los Angeles, a Prairie-style home by Frank Lloyd Wright, Henry Ford’s first Model T factory, Dulles International Airport, and the Trinity Church in Boston designed by H.H. Richardson. 10 Homes That Changed America He was a successful lawyer, a violinist, the father of American archaeology, author of the Declaration of Independence, President of the United States, and a self-taught architect, who helped established his new nation’s sense of style. Thomas Jefferson’s designs for the Virginia State Capitol and the University of Virginia became models for statehouses and college campuses across the country. But it was his own home – inspired by classical temples, and elevated on an idyllic hilltop in Virginia – that Jefferson called his “essay in architecture.” Monticello was more than just an architectural statement; it was also a political one. -
GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS? With
GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS® with JEFFREY SIEGEL Franz Schubert in the Age of the Sound Bite Tuesday, October 29, 2013 8:00 p.m. Lillian H. Duncan Recital Hall PROGRAM Three Waltzes Franz Schubert (1797-1828) Impromptu in E-flat Major, Op. 90, No. 2 (D. 899) Impromptu in F Minor, Op. 142, No. 4 (D. 935) INTERMISSION Sonata in B-flat, Op. Posthumous (D. 960) Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza Allegro, ma non troppo Questions and Answers Please join us for a reception in the Grand Foyer immediately following the concert. BIOGRAPHY American pianist JEFFREY SIEGEL returns to the Shepherd School for the third consecutive season to present Keyboard Conversations®. Jeffrey Siegel has been soloist with the world’s great orchestras. Abroad, these include the Berlin Philharmonic, London Symphony, Philharmonic and Philharmonia, Moscow State Symphony, Munich’s Bayerischer Rund- funk, the Amsterdam, Oslo and Stockholm Philharmonic, Orchestra of La Scala and NHK Symphony of Japan. In the United States, engagements include the New York Philharmonic, Los Angeles Philharmonic, The Phila- delphia Orchestra, The Cleveland Orchestra, Boston Symphony Orches- tra and Chicago Symphony Orchestra. Mr. Siegel has collaborated with many of the pre-eminent conductors of our time: Claudio Abbado, Pierre Boulez, Charles Dutoit, Neeme Järvi, James Levine, Lorin Maazel, Zubin Mehta, Leonard Slatkin, Michael Tilson Thomas, and David Zinman, as well as legendary maestros of the past, including Eugene Ormandy, Sir George Solti, William Steinberg, Klaus Tennstedt and Yevgeny Svetlanov. In addition to his solo appearances, Jeffrey Siegel presents Keyboard Conversations®, a brilliantly polished concert-with-commentary format in which captivating remarks precede virtuoso performances of piano masterpieces.