Saint Louis Symphony Orchestra
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music
UCLA FILM & TELEVISION ARCHIVE Salome Arkatov Music Documentary Collection / Rosina Lhevinne Documentary Materials For more information, please e-mail the Archive Research & Study Center (ARSC) at [email protected] INV # TITLE No. SEGMENT TITLE YR CROSS REF # CONTENT FORMAT TYPE ARKATOV CATALOG #064 TAPE 2-MARIANNA LHEVINNE GRAHAM M141294 [ALEXANDRA LHEVINNE TAPE 2] INTERVIEW AT SALOME ARKATOV'S 1/2 IN. BETACAM SP PER LABEL: RESIDENCE, SWEETEN SOUND. 4/7/94 THIS UNEDITED FOOTAGE CONSISTS OF A 1992 INTERVIEW AND PIANO LESSON GIVEN BY MARTIN CANIN WHO SPEAKS TO SALOME ARKATOV CATALOG #019 ARKATOV IN HIS STUDIO AT THE JUILLIARD -- SCHOOL IN NEW YORK. AS PRINCIPLE [B-ROLL--JOSEPH RAIF AND ASSISTANT TO THE PRE-EMINENT TEACHER M156099 DUB FROM M141299 4 3/4 IN DVD MARTIN CANIN] OF HER DAY, ROSINA LHEVINNE, CANIN TAPE #5 DISCUSSES MME. LHEVINNE'S TEACHING AND APR 28, 1992 HIS APPLICATION OF WHAT HE LEARNED TO (TAPE #019) HIS OWN STUDENTS. HE IS SEEN TEACHING CHOPIN'S BARCAROLE IN F SHARP OP. 60. TO HIS PUPIL GWENYTH CHEN. THIS UNEDITED 1992 INTERVIEW AND DEMONSTRATION FOOTAGE IS OF RENOWNED LOS ANGELES BASED PIANIST ARKATOV CATALOG #134 AND PROMINENT TEACHER DANIEL POLLACK SPEAKING WITH SALOME ARKATOV AT THE PER LABEL: HER RESIDENCE IN WESTWOOD, CALIFORNIA. M141292 [DANIEL POLLACK #4] FEBRUARY 17, 1992 1/2 IN. BETACAM SP HE STUDIED WITH ROSINA LHEVINNE AT THE COMMENTARY AND JUILLIARD SCHOOL AND WAS HER ASSISTANT PIANO EXAMPLES- IN THE SUMMERS AT USC WHERE MME. ROSINA LHEVINNE LHEVINNE TAUGHT UNTIL THE AGE OF 94. POLLACK ILLUSTRATES IN DETAIL AT THE PIANO THE PHILOSOPHY AND RIGOROUS SET OF PIANISTIC STANDARDS OF THE OLD RUSSIAN SCHOOL PASSED ON TO HIM BY MME. -
John Barcellona, Director University University
UPCOMING EVENTS UNIVERSITY • Monday, October 26, 2015: Guest Artist Recital, LSU Faculty Wind Quintet: Masterclass and Concert 8:00pm Daniel Recital Hall FREE • Thursday, October 29, 2015: Concert Band: Spooktacular, Jermie Arnold, conductor 7:00pm WIND QUINTET Daniel Recital Hall $10/7; children under 13 in costume FREE • Friday, November 6, 2015: Faculty Artist Recital, John Barcellona, flute 8:00pm Daniel Recital JOHN BARCELLONA, DIRECTOR Hall $10/7 • Monday, November 9, 2015: Saxophone Ensemble, Jay Mason, director 8:00pm Daniel Recital Hall $10/7 UNIVERSITY • Wednesday, November 18, 2015: Woodwind Chamber Music, John Barcellona, director 8:00pm Daniel Recital Hall $10/7 BRASS QUINTET • Thursday, December 3, 2015: Wind Symphony and Symphonic Band, John Carnahan and Jermie Arnold, conductors 8:00pm Carpenter Performing Arts Center $10/7 STEVE TRAPANI, DIRECTOR WEDNESDAY, OCTOBER 21, 2015 8:00PM For tickets please call 562.985.7000 or visit the web at: GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. PROGRAM Suite Cantabile for Woodwind Quintet .......................................Bill Douglas Sonatine .........................................................................................Eugene Bozza I. Bachianas Africanas (b. 1944) I Allegro vivo (1905-1991) II. Funk Ben Ritmico II Andante ma non troppo III. Intermezzo III Allegro vivo IV. Samba Cantando IV Largo - Allegro vivo Summer Music ............................................................................. Samuel Barber Quintet ........................................................................................ Michael Kamen (1910-1981) (1948-2003) UNIVERSITY WOODWIND QUINTET Suite Americana ........................................................................ Enrique Crespo Vanessa Fourla—flute, Spencer Klass—oboe 1. Ragtime (b. 1941) Nick Cotter—clarinet, Jennifer Ornelas—horn 3. Vals Peruano Emily Prather—bassoon 5. -
SONGS DANCES Acknowledgments & Recorded at St
SONGS DANCES Acknowledgments & Recorded at St. Mark’s Evangelical Lutheran Church, Jacksonville, Florida on June 13 and 14, 2018 Jeff Alford, Recording Engineer Gary Hedden, Mastering Engineer in THE SAN MARCO CHAMBER MUSIC SOCIETY collaboration THE LAWSON ENSEMBLE with WWW.ALBANYRECORDS.COM TROY1753 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2018 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. SanMarco_1753_book.indd 1-2 10/18/18 9:36 AM The Music a flute descant – commences. Five further variations ensue, each alternating characters and moods: a brisk second variation; a slow, sad, waltzing third; a short, enigmatic fourth; a sprawling fifth, this the Morning Elation for oboe and viola by Piotr Szewczyk (2010) emotional heart of the composition; and a contrapuntal sixth, which ends with a restatement of the theme Piotr Szewczyk was fairly new to Jacksonville when I asked him if he could compose an oboe/viola duo for now involving the flute. us in 2010, so I did not expect the enthusiasm and speed in which he composed “Morning Elation”! Two In all, it’s a complex, ambitious score, a glowing example of the American Romantic style of which days later he greeted me with the news that he had a burst of inspiration and composed our piece the day Beach, along with George Whitefield Chadwick, John Knowles Paine, and Arthur Foote, was such a wonder- before. -
Spring Recital Program
~PROGRAM~ 1. Sheep May Safely Graze……J.S. Bach/ Arr. Ricky Lombardo 2. Silver Celebration…………..……………..Catherine McMichael UIS Flute Choir 3. Six Studies in English Folk Song……………Vaughn Williams I. Adagio IV. Lento V. Andante tranquillo Angelina Einert, bass clarinet; Yiqing Zhu, piano 4. All of Me……………………………..John Legend and Toby Gad James Ukonu, Alexis Hogan Hobson, voices; Pamela Scott*, piano 5. String Quartet No.1…………………………Serge Rachmaninoff Romance Samantha Hwang, Natalie Kerr, violins; Savannah Brannan, viola; Kevin Loitz, cello 6. Cavatina………………………………………………John Williams 7. And I love Her…………………..John Lennon, Paul McCartney Josh Song*, guitar 8. Introduction and Rondo Capriccioso…...Camille Saint Saëns Meredith Crifasi, violin; Maryna Meshcherska, piano 9. Sweet Rain………………………………………………Bill Douglas 10. Return to Inishmore…………………………………Bill Douglas Kristin Sarvela*, oboe; Yichen Li*, piano 11. Five Hebrew Love Songs…………………………Eric Whitacre I. Temuná II. Kalá Kallá III. Lárov IV. Éyze shéleg V. Rakút Brooke Seacrist, voice and tambourine; Meredith Crifasi, violin; Yiqing Zhu, piano 12. Stereogram………………………………………….Dave Brubeck #3-For George Roberts #7-For Dave Taylor Bill Mitchell*, Bass Trombone 13. In Ireland………………………………………….Hamilton Harty Abigail Walsh*, flute; Pei-I Wang*, piano 14. Ahe Lau Makani………….Lili’uokalani, Likelike,and Kapoli; (There is a Breath) Arranged by Jerry Depuit 15. “Nachtigall, Sie Singt So Schӧn”………….Johannes Brahms Liebeslieder No. 15 Text by Georg Friedrich Daumer 16. Africa……………………………..David Paich and Jeff Porcaro -
Ordanna Matlock, Bassoon Gail Novak, Piano Kristi Hanno, Clarinet
• ordanna Matlock, bassoon Gail Novak, piano Kristi Hanno, clarinet April 23rd, 2016 at 7:30pm Recital Hall at ASU ARIZONA STATE UNIVERS I TY Antonio Lucio Vivaldi is one of the most important composers of -PROGRAM- the Baroque Era. For bassoonists, he is even more influential. Vivaldi wrote 37 bassoon concertos, more than any other composer. His incredible contributions to the bassoon repertoire makes him one of the Concerto in e minor Antonio Vivaldi few prolific composers for bassoonists. The Concerto in e minor, like I. Allegro Poco many others, was written for an orphanage of abandoned girls fNhere Vivaldi was employed as the resident musician. II. Andante Aside from his beautiful music, our historical assessment Ill. Allegro Vivaldi is full of contradictions. He was a red-haired promiscuous priest who never made it through a Mass, a world trave1,,-.. ~ho could not walk far Gail Novak, piano due to his baited breathing, and a champion of yeung female musicians. Most classical music lovers only kn ~w. him as a 'l'Usical prodigy and yet Vivaldi's life reveals a series of cht\ices ~ make us wonder who was the iThree Rainy-Day Barcarolles Evan C. Paul ' -;.,- t ._J . man behind the music. 1. A Dreary Mid-Morning r# Three RainY, !fay harcal'olles by Evan C. Paul was written in 2011. 2. A Cafe on Rue Pergol~se The p_iet e is written in three m& emetits, A Dreary Mid-Morning, A Cafe on Rue/'ergo/ese, and A Downp/Jl/r. The three movements are meant to 3. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
.2 / TANGLEWOOD SEVENTH WEEK August 12, 13, 14, 1966 BERKSHIRE FESTIVAL The Boston Symphony TCHAIKOVSKY CONCERTO No. 1 ARTUR RUBINSTEIN BOSTON SYMPHONY under Leinsdorf ERICH LEINSDORF In an unforgettable performance of Tchaikovsky's Concen No. J, Leinsdorf and one of the world's greatest orchestra combine with Rubinstein in a collaboration that crackles wii power and lyricism. In a supreme test of a pianist's interpn tive powers, Rubinstein brings an emotional and intellectu> lu.vVunm grasp to his playing that is truly incomparable. In another vei Leinsdorf has recorded Prokofieff's Fifth Symphon y as part his growing series of recordings of this master's major work It belongs among recordings elite. Both albums recorded BC» VlCTOK Qynagrooye sound. PR0K0F1EFF: SYMPHONY No. 5 BOSTON SYMPHONY/ LEINSDORF PROKOFIEFF SERIES RCA Victor WfflThe most trusted name in sound BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1966 TWENTY-NINTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SEVENTH WEEK Historical and descriptive notes by John N. Burk Assisted by DONALD T. GAMMONS Copyright, 1966 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks John L. Thorndike Philip K. Allen Francis W. Hatch Henry A. Laughlin Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. -
Stol Nyc Concerts 2006-7 Rel
As of 22 September 06, 2:16 p.m. Formatted: Border: Top: (Single solid line, Auto, 0.5 pt Line width), Bottom: (Single solid line, Auto, 0.5 pt Line width), Left: (Single solid line, Auto, 0.5 pt Line width, From text: 5 pt Border spacing: ), Right: (Single solid line, Auto, 0.5 pt Line width) PLEASE NOTE: BACKGROUND INFORMATION BEGINS ON PAGE 2 Formatted: Left: 1.08", Right: 1.25", Different first page header CLARINETIST RICHARD STOLTZMAN Formatted: Border: Box: (Single solid line, THREE NYC APPEARANCES IN 2006-07 SEASON Auto, 0.5 pt Line width) PEOPLES’ SYMPHONY CONCERTS AT WASHINGTON IRVING HIGH SCHOOL WITH THE BORROMEO STRING QUARTET SATURDAY, NOVEMBER 11, 2006, AT 8 P.M. SCHNEIDER CONCERT SERIES AT THE NEW SCHOOL AUDITORIUM WITH THE AMELIA PIANO TRIO SUNDAY, DECEMBER 3, 2006, AT 2 P.M. ZANKEL HALL AT CARNEGIE HALL WITH MIKA YOSHIDA, MARIMBA, AND FRIENDS PRESENTED BY MIDAMERICA PRODUCTIONS SUNDAY, JANUARY 28, 2007, AT 2 P.M. New York audiences have three opportunities to hear the virtuosic clarinetist Richard Stoltzman in concert. He will appear on the Peoples’ Symphony Concerts’ Chamber Series at Washington Irving High School (16th Street and Irving Place, one block east of the Union Square subway station at 14th Street) on Saturday, November 11, 2006, at 8 p.m. in performance with the Borromeo String Quartet. Tickets are $9 and can be purchased by calling, 212-586-4680 or visiting www.pscny.org. The program is as follows: Golijov - Tenebrae Shostakovich - Quartet No. 3 Brahms - Clarinet Quintet Stoltzman will also appear during the Schneider Concert Series’ 50th anniversary season at the New School’s Tishman Auditorium (66 West 12th Street) on Sunday, December 3, 2006, at 2:00 p.m. -
Woody Herman Richard Stoltzman
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Woody Herman AND THE THUNDERING HERD WITH SPECIAL GUEST STAR Richard Stoltzman FRIDAY EVENING, OCTOBER 3, 1986, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN Following the tradition of the Big Bands, the program is decided on rather spur-of-the-moment and pieces will be announced from the stage. The legendary Woody Herman and the Thundering Herd team up with Grammy Award-winning clarinetist Richard Stoltzman in an evening of virtuosic renditions of old jazz standards and original tunes written especially for them. Mr. Stoltzman will perform Igor Stravinsky's Ebony Concerto, a piece for swing band and clarinet composed specially for Woody, who premiered it in Carnegie Hall on March 25, 1946. WOODY HERMAN clarinet, soprano and alto sax, vocals RICHARD STOLTZMAN, clarinet Trumpets: Roger Ingram, Larry Gillcspic, Mark Lewis, Ron Stout, Bill Byrne Trombones: John Fedchock, Paul McKee, Ken Kugler Saxophones: Frank Tiberi, Dave Riekenberg, Jerry Pinter, Mike Brignola Alto sax: Keith Karabcll; Piano: Joel Weiskopf; Double bass: Dave Carpenter French horn: Daniel Facklcr; Harp: Barbara Harig; Drums: Dave Hardman The Musical Society gratefully acknowledges the generosity of Ford Motor Company Fund for underwriting the costs of this house program. New UMS 1986-87 Season Events Calendar A convenient and attractive month-by-month wall calendar for planning cultural and other important events on sale in the lobby for $4, or at Burton Tower during office hours. Third Concert of the 108th Season Sixteenth Annual Choice Series About the Artists Woodrow Charles Herman, one of the true legends of jazz and popular music, this year celebrates his 50th anniversary as a bandleader. -
Model Musician Sounds Provided By: Jim Matthews Who Are YOUR
Model Musician Sounds Provided by: Jim Matthews Who are YOUR models for music? Which performing artists do YOU listen to? Who do you play for your students as a STANDARD - model of excellence? This certainly is NOT a complete list as there are many models which are not listed. This is simply a start. Flute - Emmanuel Pahud, Andreas Blau, Sharon Bezaly, Julius Baker, Jean-Pierre Rampal, James Galway, Ian Clarke, Thomas Robertello, Mimi Stillman, Aurele Nicolet, Jasmine Choi, Paula Robison, Andrea Griminelli, Jane Rutter, Jeanne Baxtresser, Sefika Kutluer, Jazz: Hubert Laws, Nestor Torres, Greg Patillo (beatbox), Ian Anderson (Jethro Tull), Herbie Mann, Dave Valentine, Oboe - Albrecht Mayer, Marcel Tabuteau, John Mack, Joe Robinson, Alex Klein, Eugene Izotov, Heinz Holliger, Elaine Douvas, John de Lancie, Andreas Whitteman, Richard Woodhams, Ralph Gomberg, Katherine Needleman, Marc Lifschey, David Weiss, Liang Wang, Francios Leleux, Bassoon - David McGill, Arthur Grossman, Klaus Thunemann, Dag Jensen, Joseph Polisi, Frank Morrelli, Judith LeClair, Breaking Winds Bassoon Quartet, Albrecht Holder, Milan Turkovic, Gustavo Nunez, Antoine Bullant, Bill Douglas, Julie Price, Asger Svendsen, Carl Almenrader, Karen Geoghegan, Clarinet - Sabine Meyer, Julian Bliss, Andrew Mariner, Martin Frost, Larry Combs, Stanley Drucker, Alessandro Carbonare, John Manasse, Sharon Kam, Karl Leister, Ricardo Morales, Jack Brymer, Yehuda Gilad, Harold Wright, Robert Marcellus, Richard Stoltzman, Jazz: Benny Goodman, Artie Shaw, Paquito D’Rivera, Eddie Daniels, Pete -
DAVID FUNG, Piano Tributes: Works of Homage and Devotion
presents DAVID FUNG, piano Tributes: Works of Homage and Devotion FRI FEB 12, 7:30 PM Hodgson Concert Hall FRI FEB 12, 7:30 PM – THURS FEB 18, 7:30 PM Studio HH SUPPORTED BY MURRAY AND DORRIS TILLMAN Please silence all mobile phones and electronic devices. Photography, video and/or audio recording, and texting are forbidden during the performance. #ugapresents PROGRAM PROGRAM NOTES become (predictably) lost in distant keys. The ensuing lament is a By Luke Howard Johann Sebastian Bach (1685-1750) passacaglia based on a descending chromatic bass line (a traditional Capriccio in B-flat Major, BWV 992, Capriccio on the departure Johann Sebastian Bach (1685-1750) mournful motif) and in a key (F minor) of a beloved brother Capriccio in B-flat Major, BWV 992, that Bach would later associate with I. Arioso: Adagio – “Friends Gather & Try to Dissuade Him Capriccio on the departure of a grieving. The descending scales continue from departing” beloved brother as the friends are reconciled to the II. (Andante) – “They Picture the Dangers Which May Befall Him” departure, and the postillion’s horn call At some point during J. S. Bach’s late signals the arrival of the carriage. In III. Adagiosissimo – “The Friends’ Lament” teens, he wrote a poignantly evocative the final fugue—the most extended of IV. (Andante con moto) – “Since He Cannot Be Dissuaded, keyboard work, a Capriccio, in the the movements—the program seems to They Say Farewell” manner of Johann Kuhnau’s Biblical have been put aside for a demonstration which had just been published V. Allegro poco – “Aria of the Postilion” Sonatas of the teenage Bach’s precocious in 1700. -
Bill Douglas Quiet Moon - Solo Piano
Bill Douglas Quiet Moon - Solo Piano For more than three decades, Bill Douglas has been composing and performing wondrous neo-symphonic and contemporary music. His newest offering is called Quiet Moon - Solo Piano. He is a multi- instrumentalist (bassoon, piano) that crosses musical genres like the kindly winds that cross over the North American plains. Jazz, classical, and ethnic categories are definitely part of his wheelhouse. He has collaborated with master clarinetist Richard Stoltzman, played with the Toronto Symphony Orchestra, released fifteen albums, and contributed to countless other albums. His music exudes gentleness, warmth, and highly listenable beauty. I first heard his music on an album called Earth Prayer back in 1999. I have been a fan ever since. Quiet Moon is a fourteen-track album of contemporary glimpses of nature, myths, and reveries. Angelico is the first track. Perhaps it is musical reflection of the beauty found in a Fra Angelico painting. The deep colors, the fine details and especially the ethereal qualities are all present in this gentle tune. Douglas’ melody is memorable and poignant and a clear welcoming to his album. Woodland Path is an unforgettable walk into the verdant forest with Bill’s inimitable sense of calmness utilizing an idyllic melody. You’re going to be a spectator to the beauty of nature in every fern, every brook, and every wildflower. Each one will have a story to tell. Bill takes on the mythological Lady of the Lake. Starting out like royal march, the song changes into ballad of long ago when kings were kind and ladies were loyal and magic was in the air. -
Boston Symphony Orchestra Concert Programs, Summer, 1977
— *5F «\» ^^ . 1 7 L-y*jM %Wt &W1 ;**>] -v>- £t !=*?8fei ;>.» *g W ;. *, \ ^-W2 t* fc •*U*-T..-> ''- * K 9 ^.^5* I .MliNOFF® VODKA. 80 & 100 PROOF. DISTILLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF H EUBLEIN. I NCORPORATED ) HARTFORD. CONNECTICUT ' " ' -<*£sv Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-36 Seiji Ozawa 7 Berkshire Music Center 40 Map 8 Friends 42, 43 Information 9 The cover photo is by Walter H.