John Barcellona, Director University University

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John Barcellona, Director University University

UPCOMING EVENTS UNIVERSITY • Monday, October 26, 2015: Guest Artist Recital, LSU Faculty Wind Quintet: Masterclass and Concert 8:00pm Daniel Recital Hall FREE • Thursday, October 29, 2015: Concert Band: Spooktacular, Jermie Arnold, conductor 7:00pm WIND QUINTET Daniel Recital Hall $10/7; children under 13 in costume FREE • Friday, November 6, 2015: Faculty Artist Recital, John Barcellona, flute 8:00pm Daniel Recital JOHN BARCELLONA, DIRECTOR Hall $10/7 • Monday, November 9, 2015: Saxophone Ensemble, Jay Mason, director 8:00pm Daniel Recital Hall $10/7 UNIVERSITY • Wednesday, November 18, 2015: Woodwind Chamber Music, John Barcellona, director 8:00pm Daniel Recital Hall $10/7 BRASS QUINTET • Thursday, December 3, 2015: Wind Symphony and Symphonic Band, John Carnahan and Jermie Arnold, conductors 8:00pm Carpenter Performing Arts Center $10/7 STEVE TRAPANI, DIRECTOR WEDNESDAY, OCTOBER 21, 2015 8:00PM For tickets please call 562.985.7000 or visit the web at: GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. PROGRAM Suite Cantabile for Woodwind Quintet .......................................Bill Douglas Sonatine .........................................................................................Eugene Bozza I. Bachianas Africanas (b. 1944) I Allegro vivo (1905-1991) II. Funk Ben Ritmico II Andante ma non troppo III. Intermezzo III Allegro vivo IV. Samba Cantando IV Largo - Allegro vivo Summer Music ............................................................................. Samuel Barber Quintet ........................................................................................ Michael Kamen (1910-1981) (1948-2003) UNIVERSITY WOODWIND QUINTET Suite Americana ........................................................................ Enrique Crespo Vanessa Fourla—flute, Spencer Klass—oboe 1. Ragtime (b. 1941) Nick Cotter—clarinet, Jennifer Ornelas—horn 3. Vals Peruano Emily Prather—bassoon 5. Son de Mexico UNIVERSITY BRASS QUINTET Anthony Belletti—trumpet, Harry Ostrander—trumpet Christian Siqueros—horn, Tyler McGough—trombone Prichard Pearce—tuba 2 3.

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SONGS DANCES Acknowledgments & Recorded at St
SONGS DANCES Acknowledgments & Recorded at St. Mark’s Evangelical Lutheran Church, Jacksonville, Florida on June 13 and 14, 2018 Jeff Alford, Recording Engineer Gary Hedden, Mastering Engineer in THE SAN MARCO CHAMBER MUSIC SOCIETY collaboration THE LAWSON ENSEMBLE with WWW.ALBANYRECORDS.COM TROY1753 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2018 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. SanMarco_1753_book.indd 1-2 10/18/18 9:36 AM The Music a flute descant – commences. Five further variations ensue, each alternating characters and moods: a brisk second variation; a slow, sad, waltzing third; a short, enigmatic fourth; a sprawling fifth, this the Morning Elation for oboe and viola by Piotr Szewczyk (2010) emotional heart of the composition; and a contrapuntal sixth, which ends with a restatement of the theme Piotr Szewczyk was fairly new to Jacksonville when I asked him if he could compose an oboe/viola duo for now involving the flute. us in 2010, so I did not expect the enthusiasm and speed in which he composed “Morning Elation”! Two In all, it’s a complex, ambitious score, a glowing example of the American Romantic style of which days later he greeted me with the news that he had a burst of inspiration and composed our piece the day Beach, along with George Whitefield Chadwick, John Knowles Paine, and Arthur Foote, was such a wonder- before.
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Spring Recital Program
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Ordanna Matlock, Bassoon Gail Novak, Piano Kristi Hanno, Clarinet
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Stol Nyc Concerts 2006-7 Rel
As of 22 September 06, 2:16 p.m. Formatted: Border: Top: (Single solid line, Auto, 0.5 pt Line width), Bottom: (Single solid line, Auto, 0.5 pt Line width), Left: (Single solid line, Auto, 0.5 pt Line width, From text: 5 pt Border spacing: ), Right: (Single solid line, Auto, 0.5 pt Line width) PLEASE NOTE: BACKGROUND INFORMATION BEGINS ON PAGE 2 Formatted: Left: 1.08", Right: 1.25", Different first page header CLARINETIST RICHARD STOLTZMAN Formatted: Border: Box: (Single solid line, THREE NYC APPEARANCES IN 2006-07 SEASON Auto, 0.5 pt Line width) PEOPLES’ SYMPHONY CONCERTS AT WASHINGTON IRVING HIGH SCHOOL WITH THE BORROMEO STRING QUARTET SATURDAY, NOVEMBER 11, 2006, AT 8 P.M. SCHNEIDER CONCERT SERIES AT THE NEW SCHOOL AUDITORIUM WITH THE AMELIA PIANO TRIO SUNDAY, DECEMBER 3, 2006, AT 2 P.M. ZANKEL HALL AT CARNEGIE HALL WITH MIKA YOSHIDA, MARIMBA, AND FRIENDS PRESENTED BY MIDAMERICA PRODUCTIONS SUNDAY, JANUARY 28, 2007, AT 2 P.M. New York audiences have three opportunities to hear the virtuosic clarinetist Richard Stoltzman in concert. He will appear on the Peoples’ Symphony Concerts’ Chamber Series at Washington Irving High School (16th Street and Irving Place, one block east of the Union Square subway station at 14th Street) on Saturday, November 11, 2006, at 8 p.m. in performance with the Borromeo String Quartet. Tickets are $9 and can be purchased by calling, 212-586-4680 or visiting www.pscny.org. The program is as follows: Golijov - Tenebrae Shostakovich - Quartet No. 3 Brahms - Clarinet Quintet Stoltzman will also appear during the Schneider Concert Series’ 50th anniversary season at the New School’s Tishman Auditorium (66 West 12th Street) on Sunday, December 3, 2006, at 2:00 p.m.
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Woody Herman Richard Stoltzman
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presents DAVID FUNG, piano Tributes: Works of Homage and Devotion FRI FEB 12, 7:30 PM Hodgson Concert Hall FRI FEB 12, 7:30 PM – THURS FEB 18, 7:30 PM Studio HH SUPPORTED BY MURRAY AND DORRIS TILLMAN Please silence all mobile phones and electronic devices. Photography, video and/or audio recording, and texting are forbidden during the performance. #ugapresents PROGRAM PROGRAM NOTES become (predictably) lost in distant keys. The ensuing lament is a By Luke Howard Johann Sebastian Bach (1685-1750) passacaglia based on a descending chromatic bass line (a traditional Capriccio in B-flat Major, BWV 992, Capriccio on the departure Johann Sebastian Bach (1685-1750) mournful motif) and in a key (F minor) of a beloved brother Capriccio in B-flat Major, BWV 992, that Bach would later associate with I. Arioso: Adagio – “Friends Gather & Try to Dissuade Him Capriccio on the departure of a grieving. The descending scales continue from departing” beloved brother as the friends are reconciled to the II. (Andante) – “They Picture the Dangers Which May Befall Him” departure, and the postillion’s horn call At some point during J. S. Bach’s late signals the arrival of the carriage. In III. Adagiosissimo – “The Friends’ Lament” teens, he wrote a poignantly evocative the final fugue—the most extended of IV. (Andante con moto) – “Since He Cannot Be Dissuaded, keyboard work, a Capriccio, in the the movements—the program seems to They Say Farewell” manner of Johann Kuhnau’s Biblical have been put aside for a demonstration which had just been published V. Allegro poco – “Aria of the Postilion” Sonatas of the teenage Bach’s precocious in 1700.
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Richard Stoltzman
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School of Music Bill Douglas (B
Gabrielle Hsu, bassoon Student Recital Series Katzin Concert Hall I March 14, 2018 I 5:00 pm Program Suite Cantando (2006) Bill Douglas I. Sambata (b. 1944) IV. Cantabile V. Bebop Capriccio Caitlin Kierum, clarinet Yiqian Song, piano Contrastes Ill ( 1977) Eugene Bozza I. Moderato (1905-1991) VIII. Allegretto VII. Allegretto Matt Fox, soprano saxophone Riptide (2009) Theresa Martin (b. 1979) Julia Lougheed, clarinet 98 Skidoo (2003) Paul Hanson (b. 1961) Evelyn Jones, bassoon Trio pour hautbois, bassoon et piano (1926) Francis Poulenc I. Presto (1899-1963) II. Andante III. Rondo Isaac Miller, oboe Yiqian Song, piano ARIZONA STATE UNIVERSITY School of Music Bill Douglas (b. 1944) is a Canadian composer and multi-instrumentalist. He earned a BA in music education from the University of Toronto, and master's degrees in bassoon performance and composition from Yale University. He has written many chamber works featuring the bassoon, including two Partitas for bassoon and piano, two trios for oboe, bassoon and piano, and three volumes of Eight Lyrical Pieces for bassoon and piano. Although trained as a violinist, French composer Eugene Bozza (1905-1991) is most well-known as a prolific composer of solo and chamber wind music. Two of his compositions for bassoon and piano, Recit, Sicilienne et Rondo (1935) and Fantaisie (1945) were used in the famous Paris Conservatoire concours. "He is a performer's composer, in that the music is well written for the instrument, is challenging to play and enjoyable to rehearse. He is the listener's composer since the music is always interesting, and has a familiarity of melody and tonality that even the untrained ear can enjoy." -Dr.
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Sundance Trio
Baroque, Canyon Winds woodwind quintet, and the Sun c~c Fine Arls - Dcporln1cnt Music dance Trio. Currently he is principal bassoonist with the Or Co ll or or chestra at Temple Square in Salt Lal<e City. As a studio mu \'(lc lcomcs sician, he has recorded under the Centaur, Telarc, Biddulph, Special Guest Artists Prima, Shadow Mountain, and Mormon Tabernacle Choir re cord labels, as well as for numerous :film and television scores. From 1993-1997 he served as Coordinator of Woodwind Studies at Ricl<s College (now BYU-Idaho) where he found ed the Chamber Winds ensemble and frequently conducted Sundance Trio the Symphony and Chamber Orchestras. His most influen tial teachers/mentors have been Glenn Williams (BYU), Clyn Barrus (BYU), and Ricl1.ard Beene (University of Michigan). Feahrring Jed Moss is a prolific performer who has appeared on the Co lumbia Artists' Community concert series, the Utah Arts Coun Geralyn Giovannetti, cil Performing Arts Tour, the Mendelssohn Society of Chicago series, the Nova Concert series, the Utah Chamber Music Soci oboe ety series, the Canyonlands New Music series and the Contem porary Music Consortium. He performs frequently on faculty recitals at Brigham Young Universit-y, The University of Utah Christian Smith and Utah State University. As a collaborative pianist, Moss has performed with musicians from the nation's top orchestras, in bassoon cluding the Los Angeles Philharmonic and the New Yorl< Phil harmonic. Moss has soloed with orchestras in Idaho, Utah, Texas andWashington D.C. In 2007, Moss appeared in Montevideo, Moss, Uruguay, performing Liszt, and the South American premier of Jed Gorecl<i's piano concerto.
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