The New-York Historical Society Annual Report BOARD of TRUSTEES

Total Page:16

File Type:pdf, Size:1020Kb

The New-York Historical Society Annual Report BOARD of TRUSTEES The New-York Historical Society Annual Report BOARD OF TRUSTEES ROBERT G. GOELET, President ANDREW OLIVER, D.CN.L., ES.A., First Vice-President R. McALLISTER LLOYD, LL.D., Second Vice-President ROBERT S. BEEKMAN, M.D., Third Vice-President LUCIUS WILMERDING, JR., Fourth Vice-President MRS. JOHN KEAN, L.H.D., Recording Secretary FRANK S. STREETER, Treasurer Term Ending 1977 Term Ending 1979 Jarvis Cromwell Robert S. Beekman Harry W. Havemeyer Robert G. Goelet James D. Landauer Walter Lord Andrew Oliver Townsend M. McAlpin John H. G. Pell, LL.D., L.H.D. Lucius Wilmerding, Jr. Term Ending 1978 Term Ending 1980 Harmon H. Goldstone James J. Beha Mrs. John Kean Mrs. Robert James Malone R. McAllister Lloyd Frank S. Streeter Russell Lynes, A.E D., L.H.D. Alexander O. Vietor Honorary Trustees Frederick B. Adams, Jr., Rodney W. Williams A.ED., Lrrr.D., L.H.D. COMMITTEES On Museum On Library On Membership Russell Lynes Alexander O. Vietor Jarvis Cromwell Andrew Oliver Frank S. Streeter Mrs. John Kean Robert S. Beekman Mrs. Robert James Malone Robert S. Beekman Harmon H. Goldstone Lucius Wilmerding, Jr. Walter Lord Harmon H. Goldstone On Finance On Building Frank S. Streeter On Publications James D. Landauer R. McAllister Lloyd Walter Lord R. McAllister Lloyd Jarvis Cromwell Russell Lynes Frank S. Streeter James D. Landauer Lucius Wilmerding, Jr. Harmon H. Goldstone Harry W. Havemeyer Andrew Oliver Lucius Wilmerding, Jr. On Nominations On Law Ex-Ofjicio, All Committees James D. Landauer Townsend M. McAlpin Mr. Goelet Townsend M. McAlpin Andrew Oliver Mr. Streeter Mrs. Robert James Malone James J. Beha Dr. Heslin JAMES J. HESLIN, PH.D., Director •^KflH THE fl* ^Hj New -York Historical Society ANNUAL REPORT HI FOR THE YEAR 1976 FOUNDED NOVEMBER 20, 1804 INCORPORATED 1809 CENTRAL PARK WEST AND 77TH STREET NEW YORK, NEW YORK 10024 THE NEW-YORK HISTORICAL SOCIETY The Library Open from 10 A.M. to 5 P.M. except Sundays and Mondays The Museum Open free to the public from 1 to 5 P.M. except Mondays Open Saturdays from 10 A.M. to 5 P.M. Copyright © 1977 by The New-York Historical Society. The view of the Society's building on the cover was engraved in 1904 for the certificate issued to Fellows of the Society. Designed by Klaus Gemming, New Haven, Connecticut. Set by Finn Typographic Ser­ vice, Inc., Stamford, Connecticut. Printed by The Meriden Gravure Company, Meriden, Connecticut. TABLE OF CONTENTS BOARD OF TRUSTEES 2 REPORT OF THE PRESIDENT 7 REPORT OF THE DIRECTOR 9 THE LIBRARY 11 t THE MUSEUM 21 ADDENDA 26 REPORT OF THE TREASURER 30 DONORS 39 NECROLOGY 46 MEMBERS OF THE SOCIETY 47 PRESIDENTS AND MEDALISTS OF THE SOCIETY 61 THE STAFF 62 The Declaration of Independence, woven on silk, from the painting by John Trumbull. Made by Wullschleger and Co., Lyons, France, in 192S, to commemorate American independence. Gift of Jarvis Cromwell. t REPORT OF THE PRESIDENT IN MY REPORT FOR 1975 I referred to the imminent observance of the bicentennial of the Declaration of Independence. The Bicenten­ nial is now behind us, but the observance of the establishment of the nation, which was commemorated by our Society with various exhibi­ tions, has left us richer. Stimulated by the heightened interest in American history during 1976, attendance at the Society increased substantially, and much favorable publicity was received. There was as well a welcome gain in contributions both in cash and kind, the latter valued at approximately $220,000. Our collections are extensive and significant, but the task of strengthening them is always with us. From funds restricted by donors for special purposes, we purchased items to the value of nearly $253,000. It is heartening to report that during the year the New York State Council on the Arts, the National Endowment for the Arts, and a number of foundations and corporations helped to finance exhibitions and some of our operating expenses. The financial aid we received from all sources was deeply appreciated and is warmly acknowledged. The search for funds to carry on our programs and properly house and maintain our collections in this inflationary period is time-con­ suming, but vital. We hope that all the members and friends of the Society will continue their support and, if possible, suggest new sources of funds. It is my sad duty to report the deaths, during the past year, of two dedicated trustees, Mr. Carl Otto von Kienbusch and Mr. John E. Parsons. These gentlemen were of great service to the Society over the years, and their absence will be sorely missed. Mr. Frederick B. Adams, Jr., my predecessor as president of the Society, submitted his resignation as a trustee. In order not to lose his counsel and experience he was elected an honorary trustee by the board. Over the past twelve months I have never lacked for advice and guidance from the board of trustees and have been impressed by the dedicated labors of the staff. To both I am deeply grateful. Robert G. Goelet, PRESIDENT [7] f* 111 Cw| % femii•* The Great Central Park Menagerie, lithograph by Endicott & Co., ca. i8jos. From the Bella C. Landauer Collection. £ t 0 *S» REPORT OF THE DIRECTOR HIXTENSIVE military preparations in New York two hundred years ago made many New Yorkers uneasy. There was anxiety that British ships in the harbor might bombard the city. In March, the British evacuation of Boston and, in July, the signing and proclamation of the Declaration of Independence produced a cheerful excitement throughout the colonies. This sentiment gradually subsided as British military activities became more threatening during the summer of 1776. After the Battle of Long Island, New York came under British military occupation and remained so until 1783. During 1976 the Society concentrated its activities in observing the nation's bicentennial and those important events of two hundred years ago. Eleven exhibitions were installed that reflected various aspects of the American scene and which affirmed the significance we attach to a knowledge of our country's history. The variety of the ex­ hibitions emphasizes the variety of the Society's collections—a reflec­ tion of the kaleidoscope of American history. The effort and energy involved in researching and preparing exhibitions is extensive, but the staff surmounted the difficulties with admirable dispatch. Not the least of these tasks is the never-ending chore of conserving our col­ lections. Both Mary Black and Richard J. Koke cooperated in the instal­ lation of a loan exhibition, The Dutch Republic in the Days of John Adams, a contribution by the people of the Netherlands to America's bicentennial celebration. The exhibition of our Bella C. Landauer Collection of advertising material, funded by a grant from the Mobil Oil Corporation and installed by Mary Black, attracted considerable attention. 200 Years of American Illustration, sponsored by the Society and The Society of Illustrators and supported by Exxon Corporation, was another successful exhibition. We welcomed 427,863 visitors to the Society in 1976. Many of them were from outside the metropolitan area and, doubtless, were at­ tracted to the city by its cultural richness as well as by the lively events of the bicentennial year. Prominent among our visitors was [9] [ lO ] ANNUAL REPORT His Majesty Carl XVI Gustaf of Sweden, who was conducted on a tour of the building by the director. The programs conducted by the education department included guided tours for United Nations personnel, senior citizens, and the handicapped. The department also provided programs for school chil­ dren as well as for young people of college age. In addition, it man­ aged the film programs, the Sunday afternoon concerts in the winter and, aided by volunteers, undertook the task of escorting many visi­ tors around the galleries. The building itself was maintained in its usual exemplary condition by the efforts of Mr. Robert E Muntzner, superintendent of buildings, and his maintenance staff. It is no mere convention that prompts the expression of gratitude for the aid we received during 1976. Our Pintard Fellows continue to be of vital importance. The National Endowment for the Arts, the New York State Council on the Arts, Mobil Oil Corporation, and Exxon Corporation all helped us in installing exhibitions and conserving our collections. The staff, one and all, rallied to preserve our historical items and make them known to the public and also worked to embel­ lish and strengthen the Society's resources. Their assistance was cru­ cial in the success of this past year. I express my utmost thanks to the staff. James J. Heslin, DIRECTOR THE LIBRARY JL/URING the often dramatic celebration of the nation's bicentennial, the Society's library was doing a little quiet celebrating of its own. In fact, the library has been observing the Bicentennial for the past ten years or longer by assisting an ever increasing number of authors in preparing publications to mark the nation's two hundredth birthday. Hardly had centennial studies of the Civil War abated when research started on bicentennial histories of nearly every aspect of the Ameri­ can Revolution. Many of these articles and books were written be­ tween 1965 and 1975 but were held for publication until 1976. Among them, 116 contained acknowledgments to the Society. Time after time, authors praised the scope and depth of the collection and the cour­ teous helpfulness of the staff as individuals and as a team. Collecting, preserving, and assisting are our raisons d'etre; knowing that we have fulfilled these objectives forms the basis for our celebration. We were also pleased throughout the year by the unusually large number of distinguished visitors who came to the library from all sec­ tions of this country and from abroad.
Recommended publications
  • MH-00-19-0031-19 the Schomburg Center for Research in Black Culture
    Museum Grants for African American History and Culture Sample Application MH-00-19-0031-19 “Schomburg Curriculum Project” The Schomburg Center for Research in Black Culture New York, NY Amount awarded by IMLS: $133,912 Amount of cost share: $133,912 Attached are the following components excerpted from the original application. Abstract . Narrative . Schedule of Completion Please note that the instructions for preparing applications for the FY2020 Museum Grants for African American History and Culture grant program differ from those that guided the preparation of FY2019 applications. Be sure to use the instructions in the FY2020 Notice of Funding Opportunity for the grant program to which you are applying. Museum Grants for African American History and Culture Program The Schomburg Center for Research in Black Culture Abstract There is a growing demand nationwide for culturally relevant curricula in the nation’s K-12 classrooms. In New York, the State Education Department plans to mandate that all schools implement culturally relevant pedagogical methods, including the use of curricula that draw on a broader array of social experiences, while nationally a recent report by the Southern Poverty Law Center demonstrated both that students are under-educated about the history of slavery and that teachers recognize that they have not been well-prepared to teach it. With its rich collections of more than 11 million items and its strong relationships with local educators, the Schomburg Center for Research in Black Culture, a research unit of The New York Public Library, is uniquely poised to meet these needs. Through the proposed Schomburg Curriculum Project, the Schomburg Center will engage a consultant Curriculum Writer to develop a history curriculum for grades 6-12 focusing on key themes in African American history that can be illustrated using the Schomburg Center’s rich collections.
    [Show full text]
  • MXB Virtual Tour
    Projects & Proposals > Manhattan > Virtual Tour of Malcolm X Boulevard Archived Content This page describes Malcolm X Boulevard as it appeared in 2001. The tour was developed as part of the Malcolm X Boulevard Streetscape Enhancement Project. Welcome! Welcome to Malcolm X Boulevard in the heart of Harlem! This online virtual tour highlights the landmarks of Harlem and is available in printable text form. Introduction: This tour was developed by the Department of City Planning as part of its Malcolm X Boulevard Streetscape Enhancement Project. The project, which extends from West 110th to West 147th Street, seeks to complement the ongoing capital improvements for Malcolm X Boulevard and take advantage of the growing tourist interest in Harlem. The project proposes a program of streetscape and pedestrian space improvements, including new pedestrian lighting, new sidewalk and median landscaping and the provision of pedestrian amenities, such as seating and pergolas. The Department has been working with Cityscape Institute, the Upper Manhattan Empowerment Zone, the New York City Department of Transportation, and the Department of Design and Construction, and has received implementation funds totaling $1.2 million through the federal TEA21 Enhancement Funding program for the proposed pedestrian lighting improvements. As one element of the project, the Department developed this guided tour of the boulevard and neighboring blocks. The tour provides an overview of local area history, and highlights architecturally significant and landmarked buildings, noteworthy cultural and ecclesiastical institutions and other points of interest. A listing of former famous jazz clubs, such as the Cotton Club and Savoy Ballroom, is also provided. Envisioned as an information resource for residents and visitors, the tour is also available in printable text format for use as a hand-held guide for a self-guided walking tour along the boulevard.
    [Show full text]
  • New York Public Library and the Proposed Designation of the Related Landmark Site
    LA.NDJVL.\.RKS PRESERVATION CCNMISSION Jan~~ry 11, 1967, Number 5 LP-0246 NEW YORK PUBLIC LIBRi;RY, 476 Fifth :venue at 42nd Street, Borough of Manhattan. Begun 1898, completed 1911; architects Carrere & Hastings. Landmark Site: Borough of Manhattan Tax Map Block 1257, Lot 1. On April 12, 1966, the Landmarks Pre serv~tion Commission held a public hearing on the proposed designation as a Landmark of the New York Public Library and the proposed designation of the related Landmark Site. (Item No. 28). Two witnesses spoke in favor of designation. The Commission continued the public hearing until June 14, 1966. (Item No. 1). At that time one sepaker favored designation. Both hearings Here duly advertised in accordance with the provisions of law. There were no spe~kers in opposition to designation at either meeting. In a l etter to the Commission, the Director of the Library approved desig~~tion. DESCRIPTION .ruiD JUJALYSIS The Central Building of the New York Public Library occupies a fabulous site, that has often been r eferred to as "the crossroads of the worldlf. This majestic marble building, one of the masterpieces of the Beaux-Arts style of architecture, is a magnificent civic monument and fully justifies the pride of its generation and of ours. It sits regally enthroned on a terraced plateau, displaying ur~s, fountains, flagpoles, sculpture and ornan1ent. Replete with sparkle and delicacy, it is by night or day a, :joyous creation. This building comes closer than any other in America to tho complete realization of Beaux Jwts design at its best.
    [Show full text]
  • Recollections of Mr. James Lenox of New York and the Formation Of
    RECOLLECTIONS OF MR JAMES LENOX OF NEW YORK AND THE FORMATION OF r HIS LIBRARY A nation's Books are her vouchers ; her Libraries are her muniments. H. S. RECOLLECTIONS OF MR JAMES LENOX OF NEW YORK AND THE FORMATION OF HIS LIBRARY By HENRY STEVENS of Vermont Bibliographer and Lover of Books Fellow of the Society of Antiquaries of Old England and Corresponding Member of the American Antiquarian Society of New England of the Massachusetts Historical Society and of the New England Genealo gical Society Life Member of the British Association for the Advance ment of Science Fellow of the British Archaeological Association and the Zoological Society of London Black Balled Athenaeum Club of London also Patriarch of Skull & Bones of Yale and Member of the Historical Societies of Vermont New York Wisconsin Maryland &c &c BA and MA of Yale College as well as Citizen of Noviomagus et cetera LONDON HENRY STEVENS & SON 115 ST MARTIN'S LA Over against the Church of St Martin in the Fields MDCCCLXXXVI LIBRARY SCHOOL c TO THE READER WHO faulteth not, liueth not ; who mendeth faults is commended : The Printer hath faulted a little : it may be the author oversighted more. is the least then erre not Thy paine (Reader) ; thou most by misconstruing or sharpe censuring ; least thou be more vncharitable, then either of them hath been heedlesse : God amend and guide vs a\\.Robartes on Tythes 4 Camb. 1613. COPYRIGHT l886 BY HENRY N. STEVENS FOR AULD LANG SYNE THESE pages are inscribed with plea- sant Recollections of more than forty- five years to my old and valued friend DOCTOR GEORGE H.
    [Show full text]
  • Oconnellkarenhoffman.Pdf (565Kb)
    THE LIBRARY OF JOHN GILMARY SHEA: EXPLORING THE BOOK COLLECTING MIND OF A NINETEENTH-CENTURY HISTORIAN A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Karen H. O’Connell, M.S.L.S. Georgetown University Washington, D.C. April 4, 2011 Copyright © 2011 by Karen H. O’Connell All Rights Reserved ii THE LIBRARY OF JOHN GILMARY SHEA: EXPLORING THE BOOK COLLECTING MIND OF A NINETEENTH-CENTURY HISTORIAN Karen H. O’Connell, M.S.L.S. Mentor: William J. O’Brien, Ph.D. ABSTRACT Since there have been books to collect, there have been book collectors. When Renaissance technology brought about the possibility for a wider distribution of books (i.e., knowledge) with the development of printing using moveable type, books became less unique; however, books remained dear for several hundred years. And beyond their tomes, book collectors have existed to varying heights of fame throughout history. Is it the books collected or the collectors themselves that should be remembered? Perhaps it is both. There have been memorable collectors from the Middle Ages through the nineteenth century, when again, technology changed and expanded the dissemination of knowledge. These include Bishop Richard de Bury, Jean Grolier, Jacques-Auguste de Thou, the Marquesa de Pompadour, Sir John Soane, Thomas Jefferson, James Lenox, and Rush C. Hawkins. John Gilmary Shea was a nineteenth-century book collector of great depth; but who today remembers him as such? Historians go in and out of favor, as historical trends change.
    [Show full text]
  • Schomburg Collection for Research in Black Culture
    Landmarks Preservation Commission February 3, 1981, Designation List 139 LP-1133 SCHOMBURG COLLECTION FOR RESEARCH IN BLACK CULTURE (originally the West 135th Street Branch Library), New York Public Library, 103 West 135th Street, Borough of Manhattan. Built 1904-05; architect Charles F. McKim, of McKim, Mead & White Landmark Site: Borough of Manhattan Tax Map Block 1920, Lot 26. On May 13, 1980, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Schomburg Collection for Research in Black Culture and the proposed designation of the related Landmark Site (Item No. 5). The hearing had been duly advertised in accordance with the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. Letters have been received in f avor of designation. DESCRIPTION AND ANALYSIS Built as the West 135th Street Branch Library, the former Schomburg Collection building at 103 West 135th Street was designed in 1904 by the eminent firm of McKim, Mead & White. Small and dignified, the structure is one of the eleven elegant neo-classical buildings that the firm designed for the New York City Public Library system under a generous grant from Andrew Carnegie. Located in the heart of Harlem the Library Branch became a center of black cultural events during the 1920s, as the well-known Schomburg Collection on black history and culture, housed in the building, served as a magnet to countless intellectuals drawn to the area during the "Harlem Renaissance". Distinguished by a fine architectural design, the build­ ing is also nationally significant as a cultural center and a site ~h~re the documentation of the black experience was a long and important tradition.
    [Show full text]
  • The Three Sowers
    Colby Quarterly Volume 4 Issue 6 May Article 3 May 1956 The Three Sowers Richard Humphry, III Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.6, May 1956, p.105-108 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Humphry, III: The Three Sowers Colby Library Quarterly Series IV May 1956 No.6 THE THREE SOWERS By JAMES HUMPHRY, III HEN the American Branch of The N ewcomen Society W held a National Dinner at the Union League Club of New York City on February 16, 1944, it was addressed by Franklin Ferguson Hopper, then Director of the New York Public Library. He spoke on the subject "Three Men -their Intellectual Contribution to America." When the address was afterwards printed, its summarizing section ap­ peared under the heading (page 19) "The Three Sowers." This heading is now made to serve anew as a title for this article, and for reasons which will shortly appear. The three men about whom Mr. Hopper spoke at the Dinner are the three whose names are carved on the eastern face of the New York Public Library building: John Jacob Astor (1763-1848), James Lenox (1800-1880), and Samuel J. Tilden (1814-1886). The address pointed out that "it is cer­ tain that Astor, Lenox, and Tilden, the three Sowers, had no notion that the seed sown by them singly, in 1848, 1870, and 1886, respectively, was to have its greatest fruition on May 23, 1895." That is the date ,vhen an enabling act, passed by the New York State Legislature, made effective the consolidation of the Astor, Lenox, and Tilden Foun­ dations and opened the way for the construction of that "citadel of scholarship, of learning," the present nine-mil­ lion-dollar Central Building of the New York Public Li­ brary.
    [Show full text]
  • James Lenox Banks
    GENEALOGICAL NOTES CONCERNING THE BANKS AND ALLIED FAMILIES COMPILED BY JAMES LENOX BANKS PRIVATELY PRINTED NEW YORK I 1938 ·~( L!============.11) ~· GOLD MASONIC MEDAL Presented to Br Jarnes Hankes in 1790 "for his steady and upright conduct in the office of llt. WI Master." (In tlte possession of tlie compiler) PREFACE The compiler of these records and notes has been collecting the data contained herein over a period of many years, and has visited several of the places men­ tioned. Searches · have been made by and for him in this country and abroad . .Attention is called to the variation in the spelling of some names and in two or more instances of the same person, but this spelling follows the records as found. -~cknowledgment is made for the help of Mrs. Evelyn JVIarshall Suarez and Mr. Frederic Barnard in the cost of publishing this book, and to Mr. Alexander J. Wall for his help in editing it. .:.\'ot'ember 27th, 1937. CONTENTS .A.NCESTRY CH.A.RT . • facing page X PAGE DESCENDANTS OF JAMES BANKS • . • . 11 DESCENDANTS OF JOSEPH MOZIER . • . 33 DESCENDANTS OF WILLIAM LENNOX . • 41 DESCENDANTS OF ABRAHAM CARMER . • 65 DESCENDANTS OF ARCHIBALD DIXON . • . • 75 DESCENDANTS OF GEORGE Hoaa . • 79 ROBERT LENOX IN POLITICS . • 85 JAMES LENOX OF NEW YORK . 91 D.A. VID SPROAT OF PORT l\fARY . • 101 MILNHOUSE . • • . 107 N E,v HAMBURGH, NE,v YoRK . 113 EPITAPHS . 123 •• Yll ILLUS TR.A~ TIO NS Gow ~L.\SONIC ~IEDAL, PRESENTED TO JAMES BANKS I~ 1790 Frontispiece PAGE SILHOUETTE OF WILLIAM BANKS BY JOHN MIERS, LONDON, 1807 13 WILLIAM BANKS, 1782-1848 .
    [Show full text]
  • Nomination Form
    Form NO 10-300 (Rev 10-74) MTIONAL HISTORIC LANDMARK THEME: Education UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC The New fork Public Library AND/OR COMMON The New York Public Library LOCATION STREETS NUMBER Fifth Avenue and Forty-second Street —NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT New York . VICINITY OF 17 STATE CODE COUNTY CODE New York 36 New York 61 UCLA SSIFI c ATI ON CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT X-PUBLIC X- OCCUPIED —AGRICULTURE —MUSEUM X-BUILDING(S) —PRIVATE _ UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS X-EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _ IN PROCESS —YES: RESTRICTED _ GOVERNMENT —SCIENTIFIC _ BEING CONSIDERED -XYES: UNRESTRICTED _ INDUSTRIAL — TRANSPORTATION —NO —MILITARY MOTHER: Library IOWNER OF PROPERTY NAME Board of Trustees, New York Public Library STREET & NUMBER Fifth Avenue and Forty^second Street CITY. TOWN STATE New York VICINITY OF New York LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEDS,ETC New York County Hall of Records STREET & NUMBER 31 Chambers Street CITY, TOWN STATE New York, New York REPRESENTATION IN EXISTING SURVEYS TITLE None DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY, TOWN STATE ^DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED X-ORIGINAL SITE X-GOOD —RUINS X-ALTERED —MOVED DATE_______ —FAIR —UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The New York Public Library at Fifth Avenue and Forty-second Street is a .handsome example of Beaux Arts classicism.
    [Show full text]
  • A Digital Recreation of the Lenox Library Picture Gallery: Scholarly
    Sally Webster A Digital Recreation of the Lenox Library Picture Gallery: Scholarly Essay,” in Webster and Schwittek et al., “A Digital Recreation of the Lenox Library Picture Gallery: A Contribution to the Early History of Public Art Museums in the United States: Scholarly Essay Nineteenth-Century Art Worldwide 17, no. 2 (Autumn 2018) Citation: Sally Webster, “A Digital Recreation of the Lenox Library Picture Gallery: Scholarly Essay,” in Webster and Schwittek et al., “A Digital Recreation of the Lenox Library Picture Gallery: A Contribution to the Early History of Public Art Museums in the United States,” Nineteenth-Century Art Worldwide 17, no. 2 (Autumn 2018), https://doi.org/10.29411/ncaw. 2018.17.2.22. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Webster: A Digital Recreation of the Lenox Library Picture Gallery: Scholarly Essay Nineteenth-Century Art Worldwide 17, no. 2 (Autumn 2018) A Digital Recreation of the Lenox Library Picture Gallery: Scholarly Essay by Sally Webster Introduction | Scholarly Essay and 3D model | Project Narrative | Appendices Click here to view: the 3D model In the archives of the New York Public Library (NYPL) is a set of nine previously unpublished installation photographs of the Lenox Library Picture Gallery (LLPG; 1882; Appendix 4), [1] which once formed an integral part of the Lenox Library located on Fifth Avenue between Seventieth and Seventy-First Streets (fig.
    [Show full text]
  • April 7, 2020 Hon. Sarah Carroll, Chair New York City Landmarks
    April 7, 2020 Hon. Sarah Carroll, Chair New York City Landmarks Preservation Commission One Centre Street, 9th floor New York, NY 10007 Re: Further information regarding historic significance of buildings within proposed historic district south of Union Square along Fifth Avenue, Nos. 49 through 59 (east side) and 60 through 80 (west side) Dear Chair Carroll, I write to share with you further information we have uncovered regarding the significance of several buildings in our proposed historic district south of Union Square along the Fifth Avenue corridor. As you know from prior information we have submitted to the Commission, this area holds a remarkable place in the history of New York and the nation in relation to progressive and transformative social and political movements, the publishing industry, the arts, and commerce. These buildings add to that extraordinary record, and further testify to the extraordinary significance of this area. Just within this two block stretch, one finds the buildings which housed the headquarters of organizations which became the American Civil Liberties Union and Students for A Democratic Society (SDS); those which were founded or led by historically significant figures such as Upton Sinclair, Henry Morgenthau, Sr., Crystal Eastman, Andrew Carnegie and Norman Thomas; and those which led the defense of Sacco and Vanzetti and were the first to call attention to the Armenian genocide. You’ll also find the buildings which housed the headquarters of the country’s largest publishing house; the studio of the woman called “the Picasso of dance;” the first art movie house in America; the residences of such prominent political figures as Alfred E.
    [Show full text]
  • Download File
    FOUNDERS AND FUNDERS: Institutional Expansion and the Emergence of the American Cultural Capital 1840-1940 Valerie Paley Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Valerie Paley All rights reserved ABSTRACT Founders and Funders: Institutional Expansion and the Emergence of the American Cultural Capital 1840-1940 Valerie Paley The pattern of American institution building through private funding began in metropolises of all sizes soon after the nation’s founding. But by 1840, Manhattan’s geographical location and great natural harbor had made it America’s preeminent commercial and communications center and the undisputed capital of finance. Thus, as the largest and richest city in the United States, unsurprisingly, some of the most ambitious cultural institutions would rise there, and would lead the way in the creation of a distinctly American model of high culture. This dissertation describes New York City’s cultural transformation between 1840 and 1940, and focuses on three of its enduring monuments, the New York Public Library, the Metropolitan Museum of Art, and the Metropolitan Opera. It seeks to demonstrate how trustees and financial supporters drove the foundational ideas, day-to-day operations, and self- conceptions of the organizations, even as their institutional agendas enhanced and galvanized the inherently boosterish spirit of the Empire City. Many board members were animated by the dual impulses of charity and obligation, and by their own lofty edifying ambitions for their philanthropies, their metropolis, and their country. Others also combined their cultural interests with more vain desires for social status.
    [Show full text]