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Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
Oil Workers' Rights Will Not Be Undermined, Minister Says
SUBSCRIPTION WEDNESDAY, JUNE 22, 2016 RAMADAN 17, 1437 AH www.kuwaittimes.net Alghanim to More than 700 England Iran: Bahrain Ramadan TImings expand Wendy’s doctors killed progress after ‘will pay price’ Emsak: 03:04 brand into Saudi in Syrian war Slovakia draw for crackdown Fajer: 03:14 Shrooq: 04:48 Dohr: 11:50 Asr: 15:24 Maghreb: 18:51 2 7 19 13 Eshaa: 20:23 Oil workers’ rights will not Min 33º Max 47º be undermined, Minister says High Tide 02:55 & 12:12 Low Tide MPs call for new strategy for Kuwaiti investments 06:55 & 19:57 40 PAGES NO: 16912 150 FILS KUWAIT: Finance Minister and Acting Oil Minister Anas Ramadan Kareem Al-Saleh said yesterday the government will not under- mine the rights of the workers in the oil sector who Social dimension went on a three-day strike in April to demand their rights. The minister said that the oil sector proposed a of fasting, Ramadan number of initiatives to cut spending in light of the sharp drop in oil prices and the workers went on strike By Hatem Basha even before these initiatives were applied. ost people view Ramadan as a sublime peri- He said the Ministry is currently in talks with the od, where every Muslim experience sublime workers about the initiatives but insisted that the Mfeelings as hearts soften and souls tran- rights of the workers will not be touched. The minis- scend the worldly pleasures. Another dimension that ter’s comments came in response to remarks made by is often overlooked is the social dimension of fasting. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Come & Get It<Span Class="Orangetitle"> Deconstructed
Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Come & Get It Deconstructed Skip to: Audio/Video At a Glance Song Overview Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Primary Instrumentation, Tone & Mix Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Selena Gomez Song/Album: Come & Get It / Stars Dance Songwriters: Dean, Eriksen, Hermansen Genre: Pop Sub Genre: Electropop, World (Indian) Length: 3:52 Structure: B-A-B-A-B-C-B Tempo: 80 bpm First Chorus: 0:15 / 6% into the song Intro Length: 0:15 Outro Length: n/a Electric vs. Acoustic: Electric Primary Instrumentation: Synth Lyrical Theme: Love/Relationships Title Occurrences: Come & Get It occurs 12 times within the song Primary Lyrical P.O.V: 1st & 2nd Song Overview Back to Top Released as the lead single from her first solo album, Stars Dance, Come & Get It finds Selena Gomez teaming up with 3 of today’s hottest hitmakers including Tor Hermansen & Mikkel Eriksen (both of Stargate), and Ester Dean with the aim of separating her from her Disney 1 / 71 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com past and to establish her as a major force within the mainstream Pop scene alongside contemporaries including Rihanna, Katy and Britney. As you’ll see within the report, Come & Get It possesses many of the “hit qualities” that are indicative of today’s chart-topping songs, but it also falls short in some key areas that preclude it from realizing its fullest potential. -
"Australia's Most Evil and Repugnant Nightspot" the FOCO Club
"Australia’s most evil and repugnant nightspot" The FOCO Club... Personal Recollections by Frank Neilsen, edited by Peter Gray In the 1960s, the restless first wave of "baby-boomers" were just learning to spread their adult wings; to be able to vote, and, importantly for some, to drink in Queensland pubs. I was a 1946-model "boomer" from an average family, and had been brought up with the parental admonition to "never discuss religion, politics or money". Of course, sex should have been on the taboo list, but that particular word was never mentioned. In 1964, I was privileged to start working as photographic assistant to Geoff Dauth at his Petrie Bight studio. Geoff was undoubtedly Brisbane's leading photographer, a world-class creative talent, an interesting bohemian character, and a great friend. It can not be overstated how repressively conservative the status quo was in Brisbane during the 1960s. From many of the younger generation's point of view, Brisbane was a mind-numbing, cultural desert. Yet, despite everything, oases began to appear. I fell into the habit of frequenting the hippest place in Brisbane, the Primitif Café, owned by Geoff's friend Peter Hackworth; in the basement of Queen Street's Piccadilly Arcade. It was here I met Larry Zetlin, who was then a student at the University of Queensland (UQ). In an era when the drinking age was 21, there were few places, apart from the ubiquitous milk bar, where young people could gather to listen to interesting music, enjoy a bite to eat, and simply 'hang out'. -
The FOCO Club, Brisbane, 1968-69 Peter
"Australia’s most evil and repugnant nightspot" Memories from those involved: The FOCO Club, Brisbane, 1968-69 Peter Gray with recollections by Frank Neilsen It cannot be overstated how repressively conservative the status quo was in Brisbane during the 1960s. For many of the younger generation, Brisbane was a mind-numbing, cultural desert. Yet, despite everything, oases began to appear. In 1964, I was privileged to start working as photographic assistant to Geoff Dauth at his Petrie Bight studio.1 I fell into the habit of frequenting Brisbane's hippest place, the Primitif Café, which was owned by Geoff’s friend, a glamorous woman named Peter Cox. At a time when the drinking age was twenty-one, there were very few places in Brisbane where young people could 'hang out'. That was where I first met Larry Zetlin, who had recently become the Brisbane correspondent for Go-Set, Australia’s first pop-music newspaper, which was published weekly from February 1966 to August 1974. Larry invited me to become their Brisbane-based 'rock photographer'. That sounded interesting, so I agreed as an extra-curricular activity; mainly for the fun of it as the pay was a pittance. Larry and I attended just about every gig in town, from way out in suburbia (including the reputedly dangerous Inala) to the inner city. We interviewed and photographed nearly every musician around the scene at the time, including overseas arrivals, such as The Yardbirds. Larry Zetlin with The Yardbirds Left-to-right: Chris Dreja (bass), Keith Relf (vocals), Jimmy Page (guitar), Jim McCarty (drums), and Larry Zetlin (Go-Set). -
Download Lagu Cant Help Falling in Love Mp3 Download 414 MB Mp3 Free Download
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Can Music Make You Sick?: Measuring the Price of Musical
“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying CAN food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author) MUSIC “Singing is crying for grown-ups. To create great songs or play them with meaning its creators reach far into emotion and fragility seeking the communion we demand of music. The world loves music for bridging those lines. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much SICK? YOU MAKE needed reality check, deglamourising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy) It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. -
Www . Cotemagazine . Com Marseille
°147 n e 17 rue Grignan - Marseille 6 - Tél. 04 91e 54 88 78 66 boulevard Rodocanachi - Marseille 8 - Tél. 04 91 77 03 45 e Le Valstore - Val d’Isère - Tél. 04 79 00 50 29 2013 - novembre-decembre R 97302 - 147 - F : 6,00 - RD marseille - aix en provence - arles - avignon - alpilles - lubéron frojo.com Place de la Garonne - Saint-Tropez - Tél. 04 94 97 58 13 www.cotemagazine.com Cote mars pro.indd 1 31/10/13 14:39 xpm_Rolex_1213.indd 1 04/11/13 15:35 xpm_Rolex_1213.indd 2 04/11/13 15:35 M12 Edito MH_Mise en page 1 21/11/13 16:24 Page1 ÉDITO / EDITORIAL Par Alexandre Benoist VIVEMENT Come on, 2014! Christmas is coming fast. The race to buy gifts is on and again this year it looks like the winners will be... our beloved kids, because if a Deloitte survey is to be believed, the French still see Christmas as being for the children more than anything else, so they’ll spoil their offspring rotten (47% of the gift budget) even if it means cutting back on everyone else. This year’s must-have pressies for oël arrive à grands en soit, l’option jeux de little miss include a Flying Fairy pas. La course aux cons truction sera le ticket (she really does) and a Furby cadeaux aussi. Et gagnant, car, toujours (sort of furry Tamagotchi), and N les grands gagnants selon Deloitte, 55 % des for sonny some Lego Ninja seront cette année encore… consom mateurs fran çais Turtles and a Meccano set from nos chers bambins. -
BLACK MUSIC MAGAZIN (PDF-Magazin) #012
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Pdf, 324.74 KB
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Host Hello, I’m Oliver Wang. 00:00:06 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. 00:00:09 Oliver Host Welcome to the final episode of our Music and Popcorn series, where we are deep-diving into the intersection between pop music and movies. Today’s heat rock—you know, a film and soundtrack that are straight fire—turns 20 years old this month. Stephen Frears’s film adaptation of author Nick Hornby’s novel about love, loss, and record stores, High Fidelity. 00:00:29 Music Music “Always See Your Face” off the album High Fidelity by L.O.V.E. Mid-tempo rock. Won't somebody please Help me with my memories? Can't somebody see? Yeah [Music fades out as Oliver speaks] 00:00:45 Oliver Host As a record collector and music writer, when High Fidelity came out in March of 2000, it maybe hit just a little too close to home. Like, the movie’s struggling protagonist, Rob Gordon, I too was in my messy late 20s and early 30s, trying to navigate my professional and personal life. Not to mention growing record collection, alphabetized by artist, I’ll have you all know. [Morgan responds emphatically.] Had the movie just been about Rob, played by John Cusack at the tail end of his rom-com days, running his Chicago record store, Championship Vinyl, alongside dysfunctional fellow music snobs Dick and Barry I already would have been all the way in.