State of Africa Report 2004 Contents

Total Page:16

File Type:pdf, Size:1020Kb

State of Africa Report 2004 Contents BOSTON UNIVERSITY AFRICAN PRESIDENTIAL ARCHIVES AND RESEARCH CENTER African Leaders STATE OF AFRICA REPORT 2004 CONTENTS Letter from the Director 2 Foreword 4 Republic of Benin 6 Republic of Botswana 14 Republic of Cape Verde 26 Republic of Ghana 34 Republic of Kenya 46 Republic of Malawi 52 Republic of Mali 66 Republic of Mozambique 74 Federal Republic of Nigeria 108 Republic of Senegal 114 Republic of South Africa 128 United Republic of Tanzania 140 Republic of Zambia 164 APARC and Its Mission Since the 1990s, a number of sub-Saharan establishing a forum for African leaders to African countries have been making significant engage other political, business, academic, strides in furthering democratic and free-market and public-sector leaders regarding Africa’s reform. These changes reflect the vision and global relationships. dynamism of the present generation of African To learn more about the center or to leaders in those countries. receive additional copies of this report, The African Presidential Archives and please contact the Boston University African Research Center at Boston University (APARC) Presidential Archives and Research Center, is collecting documents that chronicle this phase 141 Bay State Road, Boston, Massachusetts in Africa’s development, taking a multidiscipli- 02215, 617-353-5452, [email protected]. nary approach to teaching about Africa, and African Leaders State of Africa Report 2004 chronicled in this report are the struggles with that question and the enormous comparative progress that has been made in the postcolonial, post–Cold War period in Africa. The countries featured in this report have made significant strides in terms of democratic governance and the development of their economies along free-market lines. In terms of governance, the countries featured have had to confront all of the challenges one 2 would expect nascent democracies to face. Nigerian president Olusegan Obasanjo articulates those challenges as “strengthening political insti- tutions, fighting corruption, building new leader- ship, sanitising the nature of political competi- tion, and refocusing our political perspectives towards peace, tolerance, inclusion, harmony, and From the Director collective dedication to the common good.” This report catalogues the trials and travails that are The African Leaders State of Africa Report is a part of the pain of birthing new democracies. But publication of the African Presidential Archives the dominant theme is one of leaders and coun- and Research Center at Boston University. The tries clearly institutionalizing the principles and report is an effort to provide a forum for Africa’s processes of democratic governance. leaders to offer an assessment—in their own voic- The process of democratic governance is root- es—of contemporary trends and developments in ing itself all across the continent. It is reflected in their respective countries. The 2004 report is the the stability of Tanzania, which is preparing for its third in the series of reports, representing an fifth cycle of multiparty elections over the last ongoing contemporary chronicle of the progress twenty-plus years. It is reflected in Mozambican of the countries featured in this publication. president Joaquim Chissano passing the torch of The present period in the history of modern leadership in this year’s multiparty elections after Africa could be characterized as a second epoch. having led the country through civil war and con- The first was from the mid-1950s through the end stitutional changes to stability. It is reflected in of apartheid in South Africa. During this period Botswana, which just concluded its “ninth consec- the liberation of the continent was the focal point utive general election since 1965. Like all of those of political and practical concern. The major ques- before it, the ballot was carried out in a peaceful, tion for the leadership on the continent was: free, and fair manner.” Benin has recently cele- “How do Africans get their countries back?” brated its forty-fourth anniversary, which, accord- Although the liberation of the continent was ing to President Mathieu Kérékou, “occurs in a not complete until the end of apartheid in South context characterized by the protection of liber- Africa, the transition from the first epoch to the ties within our political stability and the correct second began well before apartheid ended. The and regular functioning of the state’s institutions, second period substantively began with the end national unity, and social peace.” of the Cold War. This period is marked by an Relative to the economy, the report chronicles equally poignant question for African leaders: unprecedented economic performance, which has “Now that Africans have their countries back, been accomplished on the dregs of economic how do they make them work?” What we have infrastructure left in most African countries at the end of the colonial period. Botswana the construction sector continues to grow at 11 “achieved independence as one of the world’s percent per annum. poorest states, surrounded on all sides by racist The cover design of the 2004 report is a col- and oppressive minority regimes.” From 1986 to lage of national flags and national currencies. As 2003, the poverty rate dropped from 59 percent has been the case in previous years, the cover to 30 percent, “while at the same time a veritable design is a representation of the dominant telecommunications revolution has taken place.” themes of the report. The flags and currencies The overall “teledensity” rate in Botswana has are meant to be a graphic depiction of the politi- increased from 8 percent to more than 40 cal stability and economic viability that are the percent over the last four years. Since the end hallmarks of the countries featured in this year’s of apartheid in South Africa, President Thabo State of Africa Report. 3 Mbeki notes, his country “is experiencing the longest period of consistent positive growth since the GDP [gross domestic product] was properly recorded in the 1940s.” In his final state of the state assessment, Tanzanian president Benjamin Ambassador Charles R. Stith, Director Mkapa stated, “Tanzania has entered the new African Presidential Archives and millennium with hope and optimism . after a Research Center long period of stagnation and slow growth”; the Boston University mining sector grew at 17 percent in 2003, the February 21, 2005 manufacturing sector grew by 8.6 percent, and African Leaders State of Africa Report 2004 Foreword It gives me great pleasure, as the third Balfour African President-in-Residence at the African Presidential Archives and Research Center at Boston University (APARC), to contribute to the African Leaders State of Africa Report 2004. I wish to commend the African Presidential Archives and Research Center and in particular its dedicated director, Ambassador Charles R. Stith, 4 for this excellent initiative. I have no doubt that this year’s report, just like the two earlier editions, will shed more light on current issues pertaining to Africa and create a better understanding of this continent. Such a mission is of utmost relevance at the present time, since, as I have personally I would be failing in my duty were I not to noticed on many occasions, surprisingly little is pay a deserving tribute to the Lloyd G. Balfour known of Africa in the United States. Foundation for its generous grant to APARC, But more important, the African Leaders State which enables this organization to carry out its of Africa Report, which highlights the efforts highly important mission. made by many African countries to shift to Finally, I am pleased to convey my best wishes democracy and a free-market economy, will to APARC in its future endeavors, which will certainly serve as an effective tool to clear up most certainly have a considerable and positive numerous misconceptions and to dispel existing impact on the future of our continent—Africa. doubts about Africa’s genuine commitment to good governance—responsibility, accountability, and transparency—and to moving down the path Karl Auguste Offmann of sustainable development through pragmatic Former President of Mauritius and carefully prepared economic policies. Balfour African President-in-Residence It is only when a true image of Africa is African Presidential Archives and projected to the outside world that this long- Research Center neglected continent can take its rightful place February 21, 2005 and play a meaningful and fruitful role in today’s globalized environment. That is why organizations like the African Presidential Archives and Research Center and a host of others that are striving in the same direction must pursue with added determination and vigor their mission of promoting friendship and a wider measure of cooperation between the peoples of Africa and the rest of the world. In this task, the support of the Balfour African President-in-Residence program and former African leaders with their wealth of wisdom and experience will, I hope, not be lacking. BENIN Divider Page BENIN 6 Tomorrow our country, Benin, will celebrate without ceremony but with legitimate pride the forty-fourth anniversary of its accession to inde- pendence and international sovereignty. Despite the turmoil and hardships currently observed throughout the world, our country is still a haven for peace, where hardworking people in our cities and our rural communities strive with courage and tenacity to increase production, transform their lives, and create the material foundations for prosperity and modernity. Impervious to the despair or resignation of Address to the Nation by the scope of this task and the sacrifices necessary to overcome poverty and underdevelopment, the His Excellency Mathieu Kérékou, people of Benin march on, confident in this country’s inexhaustible creativity and firmly President of the Republic of Benin, resolved to shape its destiny. By the grace of God, our country happily thrives in tranquility— on the Occasion of the Celebration far from the horrors of war, ruin, and disaster caused by intolerance, extremism, and the mur- of Independence Day derous folly of mankind.
Recommended publications
  • Frank Paco Art Ensemble
    Frank Paco Art Ensemble Nu-World Jazz @ its best Frank Paco’s impressive career includes highlights such as 46664 Mandela AIDS concert performing with many of the world’s great musicians such as the legendary band “Queen”, Bono, Jimmy Cliff, Angelique Kidjo, Dave Stewart, Andrew Bonsu, Johnny Clegg, Brian May and Peter Gabriel. Frank started playing drums at the tender age Jazz Fest, Washington DC, New York, of 11 in Mozambique, where he already gained Switzerland’s Lugano Jazz Fest, Italy, France performance experience with friends and and Holland’s North Sea Jazz Fest just to name school bands. He recalls making his own but a few. drums and guitars out of oil canisters as a child, as it was hard to find musical instruments in a Mozambique oppressed by a In 1994 Frank Paco decided to further his raging civil war. Despite the challenges, study in jazz by enrolling at the University of however, Frank achieved true musical Cape Town where he attained an Honours greatness. Degree in Jazz Performance with distinction. Other collaborative highlights include In 2000 Frank was invited to record with performances with internationally acclaimed South Africa’s top musicians under the Sheer South African-born LA-based guitarist / singer Sound Jazz Label, of which his composition Jonathan Butler; Miriam Makeba, Hugh Milagre was chosen for the music video. The Masekela, Ragga Africa, an Indian-African group also won the South African Music collaboration that performed at Cape Town’s Awards (SAMA), for the Best Contemporary 2004 North Sea Jazz Festival; Award-winning Jazz Album and received an invitation to Den guitarist Allou April and saxophonist Moreira Hague to perform at the North Sea Jazz Chonguiça; the highly acclaimed house music Festival in 2001.
    [Show full text]
  • Jazz Circuit Texto Text Amâncio Miguel Fotografia Photography Ouri Pota
    Carlos Gave e/and Sheila Jesuíta O circuito de jazz de TheMaputo jazz circuit texto text Amâncio Miguel fotografia photography Ouri Pota Trinta de janeiro. Noite de chuviscos, na Julius 30 January. A night of showers on Julius Nyerere Nyerere, avenida da zona nobre de Maputo. Quanto Avenue in the heart of Maputo. As I approach the mais me aproximo do parque de estacionamento do Polana Hotel car park, the rain is competing with the Hotel Polana, mais os chuviscos competem com o sounds of guitar and saxophone. I follow the sound som de guitarra e saxofone. Sigo o som e vou dar ao and come to the Polana’s Aquarius Bar which, Aquarius Bar deste ex-libris de Maputo, que, por ser because it is Thursday, is hosting another jazz quinta-feira, acolhe mais uma sessão de jazz. Aqui, session. Here I decide to begin my round of the decido iniciar a ronda pelo circuito jazz da capital. capital’s jazz circuit. O sopro e a guitarra que atrairiam qualquer The sax and guitar notes which would attract amante de jazz são do tema “Mo’ any lover of jazz are from the theme “Mo’ Better Blues", composed by Bill Lee, and popularised by the Branford Marsalis quartet (with the collabora- tion of Terence Blanchard), for the soundtrack of the film of the same name, by the American director Spike Lee, of 1990. The dramatic film is about Bleek Gilliam, a fictitious jazz trumpeter. This time, “Mo’ Better Blues" is recreated by the guitarist João Cabral, accompanied by Vando Infante, on drums; Sarmento de Cristo, alto sax; and Realdo Salato, on bass.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Durban: a Return to Paradise and Its People
    DURBAN A Return to Paradise and its People welcome t to durban you are here CONTENTS 009 Foreword 010 History 016 City Plans 026 Faith 030 Commerce 036 Eating 042 Building 048 Design 054 Writing 058 Art 064 Music 072 Dance 076 Theatre 080 Film Published by eThekwini Municipality 084 Museums Commissioned by Ntsiki Magwaza 088 Getting Out eThekwini Communications Unit Words and layout Peter Machen 092 Sport Photography See photo credits 096 Mysteries Printed by Art Printers 100 Where to Stay Printed on Environmentally friendly Sappi Avalon Triple Green Supreme Silk paper 102 Governance ISBN 978-0-620-38971-6 104 Etcetera FOREWORD The face of Durban has changed citizens in to the mainstream of economic activity in eThekwini. dramatically over the past few years These plans are part of the Citys 2010 and Beyond Strategy. due to the massive investments in When the Municipality was planning for the 2010 World Cup, it did infrastructure upgrade that were kick- not just focus on the tournament but tried to ensure that infrastructural started ahead of the 2010 Fifa World improvements would leave a lasting legacy and improve the quality Cup. Many of the plans that were of life for its residents. Beyond the World Cup, these facilities, detailed in the previous edition of Durban together with the Inkosi Albert Luthuli International Convention Centre A Paradise and its People have now been completed and have and Ushaka Marine World, have helped Durban to receive global helped to transform Durban into a world class city that is praised by recognition as Africas sporting and events capital.
    [Show full text]
  • MALAUENE Umn 0130E 22082.Pdf
    A history of music and politics in Mozambique from the 1890s to the present A DISSERTATION SUBMITTED TO THE COLLEGE OF LIBERAL ARTS OF THE UNIVERSITY OF MINNESOTA BY DENISE MARIA MALAUENE IN PARTIAL FULFILLMENT OF THE REQUEREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ALLEN F. ISAACMAN JANUARY 2021 Ó DENISE MARIA MALAUENE, 2021 Acknowledgements Nhi bongide ku womi ni vikelo Thank you for life and protection Nhi bongide gurula ni guhodza Thank you for peace and provision Nhi bongide gu nengela omo gu Thank you for happiness in times of tsanisegani suffering Nhi bongide Pfumu Thank you, God! Denise Malauene song titled “Nhi bongide Pfumu”1 Pfumu Nungungulu, nhi bongide ngudzu! (Thank you, God!) My children Eric Silvino Tale and Malik TSakane Malauene Waete: I thank you for your unconditional love, Support, and understanding aS many timeS I could not be with you nor could meet your needs because I waS studying or writing. Mom and dad Helena ZacariaS Pedro Garrine and João Malauene, nhi bongide ku SatSavbo. My Siblings Eduardo Malauene, GiSela Malauene, Guidjima Donaldo, CriStina AgneSS Raúl, DioníSio, Edson Malauene, ChelSea Malauene, Kevin Malauene, obrigada por tudo. I am grateful to my adviSor Allen IsSacman for the advice, guidance, and encouragement, particularly during the difficult timeS in my Ph.D. trajectory Somewhat affected by Several challengeS including CycloneS Idai, the armed instability in central and northern Mozambique, and Covid 19. Barbara’s and hiS support are greatly appreciated. I am grateful to ProfeSSor Helena Pohlandt-McCormick for her encouragement, guidance, and Support. Her contribution to the completion of my degree in claSSeS, reading groups, paper preSentations, grant applications, the completion of my prelimS, and Michael’s and her support are greatly appreciated.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • Elke Krasny Archive, Care, and Conversation: Suzanne Lacy's
    Elke Krasny Archive, Care, and Conversation: Suzanne Lacy’s International Dinner Party in Feminist Curatorial Thought Elke Krasny Archive, Care, and Conversation: Suzanne Lacy’s International Dinner Party in Feminist Curatorial Thought Acknowledgment First and foremost, I am deeply grateful to my supervisor Dorothee Richter for her endless support. I appreciate the ongoing conversations around feminist curating. I am especially thankful to Susanne Clausen and Alun Rowlands for their support throughout. This book is lovingly dedicated to my wonderful family. Elke Krasny Archive, Care, and Conversation: Suzanne Lacy’s International Dinner Party in Feminist Curatorial Thought The present study was accepted as a dissertation at the Department of Fine Arts of the University of Reading. Prof Dr Dorothee Richter advised the dissertation. This publication is based on the dissertation as part of the PhD in Practice in Curating Program, a joint doctoral program of the Zurich University of the Arts and the University of Reading, supported by “swissuniversities.” Published by ONCURATING.org Proofreading: Stephanie Carwin Set and design: Biotop 3000 © 2020 ONCURATING.org, and the author. The rights of this publication remain by the author. The publication is openly accessible on the website www.on-curating.org and can be downloaded and shared under the restriction of crediting the author and/or OnCurating.org. The Publisher is granted a non-exclusive right of use in respect of the online publication of the work without the obligation to make use of this right. The Author is entitled to make a PDF version of the work publicly accessible online via his/ her personal website, an institutional server or a suitable subject-based repository once it has appeared in book form.
    [Show full text]
  • Mzwakhe Mbuli God the Best Free Downloading the Voice of Reason
    mzwakhe mbuli god the best free downloading The Voice Of Reason. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £11.49. The Voice Of Reason. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Mzwakhe Mbuli, Composer, MainArtist. (C) 2009 The CCP Record Company, a division of EMI Music South Africa (Pty) Ltd This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2009 EMI Music South Africa (Pty) Ltd ℗ 2005 The CCP Record Company (Pty) Ltd. Mzwakhe Mbuli, Composer, MainArtist. (C) 2009 The CCP Record Company, a division of EMI Music South Africa (Pty) Ltd This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2009 EMI Music South Africa (Pty) Ltd ℗ 2005 The CCP Record Company (Pty) Ltd. Mzwakhe Mbuli, Composer, MainArtist. (C) 2009 The CCP Record Company, a division of EMI Music South Africa (Pty) Ltd This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2009 EMI Music South Africa (Pty) Ltd ℗ 2005 The CCP Record Company (Pty) Ltd. Mzwakhe Mbuli, Composer, MainArtist. (C) 2009 The CCP Record Company, a division of EMI Music South Africa (Pty) Ltd This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2009 EMI Music South Africa (Pty) Ltd ℗ 2005 The CCP Record Company (Pty) Ltd.
    [Show full text]
  • Joy of Jazz Festival, Grahamstown 2004
    Standard Bank Jazz Festival, Grahamstown 2015 (Incorporating the Standard Bank National Youth Jazz Festival) Support funding from: The Austrian Embassy Brian Meese Dutch Fund of the Performing Arts The French Institute of South Africa Paul Bothner Music ProHelvetia Johannesburg The Royal Netherlands Embassy SAfm SAMRO Spedidam Swedish Arts Council / Swedish Jazz Federation / Mary Lou Meese Youth Jazz Fund Swiss Arts Council The US Embassy Thursday 2 July Bokani Dyer Quintet Contemporary South African Jazz meets Swiss precision Bokani Dyer has had a meteoric rise in the jazz world, winning the Standard Bank Young Artist Award at age 25 and garnering invitations to international festivals such as the London Jazz Festival. As part of his extensive 2014 European tour he performed with four gifted representatives of the Swiss jazz scene whom he had met during his residency at the Bird’s Eye Jazz Club in Basel, and the vitality of contemporary South African Jazz meets Swiss precision and musicianship in this outstanding collaboration. Dyer’s music is all-encompassing, embracing his roots as well as the contemporary musical landscape of South Africa. Bokani Dyer (piano), Donat Fisch (sax - CH), Matthias Spillmann (trumpet – CH), Stephan Kurrman (bass - CH), Norbert Pfammatter (drums - CH) DSG Hall Thursday 2 July 17:00 R80 Carlo Mombelli & the Storytellers Manipulated bass and sound design “Disconcertingly beautiful” was the comment on Carlo Mombelli’s playing from The Jazz Times – the world’s leading jazz periodical. The US Bass Player Magazine’s view was that “Avant-garde bass-focused jazz composition has rarely sounded so gorgeous....Once in a while an artist comes along who produces music unlike anything you’ve heard.” Having played sold out concerts over the past year to much critical acclaim, this ensemble features the unique composer/bassist Carlo Mombelli, known in South Africa for his cutting-edge voice-like playing style.
    [Show full text]
  • Blaze Biography
    BLAZE Consisting of some of Cape Town's most accomplished musicians, BLAZE is a function band with great substance. Suitable for a range of event types, from corporate and private events and parties, to weddings and Bar Mitzvahs, Blaze's repertoire ranges from easy listening jazz background music to high energy (60’s, 70's 80's and current) R & B, Rock-Pop-Disco, Latin dance music, and vibrant African music. Their high-energy renditions of hits and covers never fail to fill up the dance floor. The band has performed at numerous corporate and private functions at venues such as the Mount Nelson, Kirstenbosch, Rotunda at the Bay Hotel, President Hotel, the Cape Town International Convention Centre, Westin Grand, Arabella Sheraton Kleinmond, Backsberg and Webersberg Wine Estates, Lord Charles Hotel, Fancourt Golf Estate, and Erinvale Hotel, to mention a few. Recent high profile events include Travel Corporation Gala Dinner 2010 at Green Point Stadium, Pick and Pay Management Function 2011, Liberty Properties Networking Soiree 2011 at Cape Town International Convention Centre and Oasis Group Employee of the year awards ceremony 2011. MEMBERS Frank Paco Renowned drummer, percussionist and singer Frank Paco holds an Honours' Degree in jazz Performance with distinction from the University of Cape Town. He has worked with bands like Sakhile, Loading Zone, Virtual Jazz Reality, Sheer Sound All Stars and great artists such as Jimmy Dludlu, Miriam Makeba, Brenda Fassie, Judith Sephuma, Hugh Masekela and Jonathan Butler, amongst others. He is also an experienced session musician, having played on more than 20 albums for artists like Jimmy Dludlu, Mc Coy Marrubata, Sheer Sound All Stars, Musa Manzini, Wanda Baloyi, Jonas Segwangwa and Gito Baloi, to name a few.
    [Show full text]
  • CIMAM 2014 Annual Conference Proceedings Mathaf: Arab Museum
    CIMAM 2014 Annual Conference Proceedings Museums in Progress: Public Interest, Private Resources? CIMAM 2014 Annual Conference Proceedings Mathaf: Arab Museum of Modern Art Doha 9 — 11 November 2014 1 CIMAM 2014 Annual Conference Proceedings Sunday 9 November 2014 — Gabi Ngcobo, curator and member of faculty at The Wits School of Arts, University of What Is Public Interest Today? Witswatersrand, Johannesburg — Abdellah Karroum, Director, Mathaf: Arab Welcoming Speeches: Museum of Modern Art, Doha — Abdellah Karroum, Director, Mathaf: Arab Museum of Modern Art Perspective 1: Gabi Ngcobo, curator and member of — Her Excellency Sheikha Al Mayassa bint Hamad faculty at The Wits School of Arts, University of bin Khalifa Al-Thani, chairperson, Qatar Witswatersrand, Johannesburg Museums Board of Trustees — Catherine Robert-Hauglustaine, General Director Perspective 2: Suha Shoman, Artist, Founder and of ICOM Chair of the Khalid Shoman Foundation and Darat al — Bartomeu Marí, President of CIMAM Funun, Amman Perspective 1: Graham W. J. Beal, Director, Detroit Perspective 3: Zeina Arida, Director, Sursock Institute of Arts, Detroit Museum, Beirut. Perspective 2: Maria Lind, curator and writer, Perspective 4: Abdellah Karroum, Director, Mathaf: Director of Tensta Konsthall, Stockholm Arab Museum of Modern Art, Doha. Perspective 3: Olav Velthuis, Associate Professor at Q&A with perspective speakers the Department of Sociology and Anthropology, University of Amsterdam Perspective 4: Rana Sadik, collector and Director of Tuesday 11 November 2014 MinRASY
    [Show full text]
  • Notes from the South Peter Machen
    Notes from the South Peter Machen PUBLISHER From South African arts writer Peter Machen, Notes from the South is a collection of conversations wuth key counter-cultural voices in the first two decades of the 21st Century. From South African superstar Brenda Fassie to American independent filmmaker Larry Clark to punk icon Patti Smith, Machen’s inti- mate interview style allows his subjects to reveal parts of themselves that are rarely expresssed in public. While the subjects of these Notes from the South are remarkably diverse, they share an alternative perspec- tive on the world, regardless of their physical prox- imity to the global South. In this context, Australian political writer John Pilger sits comfortably next to South African acadamic Njabulo Ndebele, Brazilian filmmaker Fernando Meirelles and Senegalese musi- cian Baaba Maal, all of whom, in their own ways, are striving for a better, more humanist world. Collectively, this polyphony of voices, as chan- neled through Machen’s transcripts and recollections, presents a cultural and political snapshot of life in the first two decades of this still new century, one that is given additional texture by several of Machen’s col- umns and travel pieces which are interspersed with the interviews. Notes from the South Copyright © 2017 Peter Machen All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the author except for the use of brief quotations in a book review. “We cannot be impartial, only intellectually honest. Impartiality is a dream, honesty a duty.” - Italian philosopher Gaetano Salvemini I have been interviewing, artists, mu- sicians, filmmakers and writers for the last 20 years.
    [Show full text]