Lord of the Flies
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
1 the Polis of Springfield: the Simpsons and the Teaching of Political Theory
University of Huddersfield Repository Woodcock, Pete The Polis of Springfield: The Simpsons and the Teaching of Political Theory Original Citation Woodcock, Pete (2006) The Polis of Springfield: The Simpsons and the Teaching of Political Theory. Politics, 26 (3). p. 192. ISSN 0263-3957 This version is available at http://eprints.hud.ac.uk/id/eprint/9515/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Polis of Springfield: The Simpsons and the Teaching of Political Theory Pete Woodcock – The University of Huddersfield Abstract When students commence the study of political theory, they often lack the vocabulary necessary for that study and any specific examples of political societies other than their own. As a result of this, this article examines The Simpsons for examples that might help teachers of political theory to communicate key themes in political thought to undergraduates. -
ENG 1001G-048: Composition and Language Barry Hudek Eastern Illinois University
Eastern Illinois University The Keep Fall 2007 2007 Fall 8-15-2007 ENG 1001G-048: Composition and Language Barry Hudek Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2007 Part of the English Language and Literature Commons Recommended Citation Hudek, Barry, "ENG 1001G-048: Composition and Language" (2007). Fall 2007. 32. http://thekeep.eiu.edu/english_syllabi_fall2007/32 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in Fall 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. I 00 I G -04<? ENGLISH 1001.048 THE S/MPSONSAND COMPOSITION FALL 2007 TUESDAY-THURSDAY 2-3:1 5 COLEMAN HALL 3290 YOUR INSTRUCTOR Barry Hudek Office 3762 Office Hours: 3:30- 5:00, Tuesday and Thursday and 2-3, Wednesday. 217.549.6587 [email protected] TEXTBOOKS Beyond Words: Reading and Writing in a Visual Age (BW) The Norton Reader (NR) The Blair Handbook, 5th Edition (BH) COURSE OBJECTIVES Gain an understanding and command of visual and cultural literacy Use knowledge of visual and cultural literacy to build academic skills Learn argumentation and persuasion Write in a clear and affective manner Critically analyze various forms of media Beginning composition is, in many ways, the Jv!OST important class you will take at the university. It is designed to aid you throughout your entire collegiate career and into your careers as professionals. Therefore, treat it as such. You should also know that this class is considered "writing centered" for your EWP requirements (which we will talk about later in the semester). -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
An Analysis of the Presence of Literature in the Simpsons”
GRADO EN ESTUDIOS INGLESES ASIGNATURA TRABAJO FIN DE GRADO An Analysis of the Presence of Literature in The Simpsons Realizado por LAURA CARMEN DÍAZ MORENO Tutora Dra. MARÍA DOLORES NARBONA CARRIÓN Departamento de Filología Inglesa, Francesa y Alemana FACULTAD DE FILOSOFÍA Y LETRAS Málaga, June 2020 GRADO EN ESTUDIOS INGLESES ASIGNATURA TRABAJO FIN DE GRADO An Analysis of the Presence of Literature in The Simpsons Realizado por LAURA CARMEN DÍAZ MORENO Tutora Dra. MARÍA DOLORES NARBONA CARRIÓN Fdo.: Laura Carmen Díaz Moreno Fdo.: María Dolores Narbona Carrión Departamento de Filología Inglesa, Francesa y Alemana FACULTAD DE FILOSOFÍA Y LETRAS Málaga, June 2020 TITLE: “An Analysis of the Presence of Literature in The Simpsons” KEYWORDS: The Simpsons, literature, intertextuality, Mark Twain, William Shakespeare, Edgar Allan Poe, teaching literature. SUMMARY: The highly-acclaimed American TV show known as The Simpsons has become a referent in the development of several studies related to a variety of disciplines. Notwithstanding, little attention has been devoted to the impact of literature on this program. The central issue addressed in this paper, then, is the way in which literature is frequently presented within these cartoons. Given this orientation, it will be convenient to explain the concept of intertextuality together with the different ways in which this notion normally operates within the series. Special attention will be paid to three canonical authors, namely Mark Twain, William Shakespeare and Edgar Allan Poe. A major trait will be given to the classic works Hamlet and “The Raven” by Shakespeare and Poe, respectively. The analysis will conclude with the assets and drawbacks that can be derived from the study of literature along with The Simpsons. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
The BG News December 1, 2000
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-1-2000 The BG News December 1, 2000 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 1, 2000" (2000). BG News (Student Newspaper). 6729. https://scholarworks.bgsu.edu/bg-news/6729 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. XHMVMMHMMM State University FRIDAY i December 1, 2000 YELLOW-BELLIED: NOW delves into the SNOW realm of Springfield, its HIGH: 3J | LOW 29 inhabitants and its www.bgnsws.com avid fans; PAGE 12 independent student press VOLUME 90 ISSUE 64 Museum commemorates Rosa Parks By Bob Johnson Montgomery dedicates the Rosa visitors will see a video that recre- planned to put a parking lot at ASSOCIATED PRESS WRITER Parks Library and Museum. ates the famous conversation the site but changed its plans. MONTGOMERY, Ala. — It was Joining Parks will be such civil between Parks and the driver. University President Cameron a cold evening 45 years ago rights figures as Martin Luther "Are you going to stand up," the Martindale said the decision was Friday when a Montgomery city King 111, president of the driver asked. prompted by the number of peo- bus stopped in front of the Southern Christian Leadership "No," Park answered. -
The Simpsons and Philosophy the D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T
The Simpsons and Philosophy The D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T. Conard, and Aeon J. Skoble a.b.e-book v3.0 / Notes at EOF (Annotations appear at the end of each essay) Back Cover: No less an authority than Homer Simpson himself has declared: "Cartoons don't have any deep meaning. They're just stupid drawings that give you a cheap laugh." Don't have a cow, man. Here comes a squadron of erudite scholars with the guts to challenge even Homer's pessimistic view of his family's historic plight. Does Homer Simpson really exhibit Aristotelian virtues? Can we learn from Maggie about the value of silence? Is Bart the kind of individual Nietzsche was trying to warn us about? How does Lisa illuminate American ambivalence toward intellectuals? Here we can find out about irony and the meaning of life, the politics of the nuclear family, Marxism in Springfield, the elusiveness of happiness, popular parody as a form of tribute, and why we need animated TV shows. As if all that weren't enough, this book actually contains the worst philosophy essay ever. Now that we have The Simpsons and Philosophy, we can all rub our hands together and say, in a slow, sinister, breathy voice: "Excellent. ." "Most scholars of mass art hold themselves at a distance from their subject. The authors in this volume really immerse themselves in The Simpsons, and the result is this absolutely unique book. Go for it!" -- Professor David Carrier, Carnegie Mellon University "Bill Irwin and his colleagues have done it again: they have produced a terrific volume. -
ENG 1001G-034: Composition and Language Barry Hudek Eastern Illinois University
Eastern Illinois University The Keep Fall 2007 2007 Fall 8-15-2007 ENG 1001G-034: Composition and Language Barry Hudek Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2007 Part of the English Language and Literature Commons Recommended Citation Hudek, Barry, "ENG 1001G-034: Composition and Language" (2007). Fall 2007. 26. http://thekeep.eiu.edu/english_syllabi_fall2007/26 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in Fall 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. .. ENGLISH 1001.034 THE S/MPSONSAND COMPOSITION FALL 2007 MONDAY-WEDNESDAY-FRIDAY 1:00-1:50 COLEMAN HALL 3150 YOUR INSTRUCTOR Barry Hudek Office 3762 Office Hours: 3:30- 5:00, Tuesday and Thursday and 2-3, Wednesday. 217.549.6587 [email protected] TEXTBOOKS Beyond Words: Reading and Writing in a Visual Age (BW) The Norton Reader (NR) The Blair Handbook, 5th Edition (BH) COURSE OBJECTIVES Gain an understanding and command of visual and cultural literacy Use knowledge of visual and cultural literacy to build academic skills Learn argumentation and persuasion Write in a clear and affective manner Critically analyze various forms of media Beginning composition is, in many ways, the MOST important class you will take at the university. It is designed to aid you throughout your entire collegiate career and into your careers as professionals. Therefore, treat it as such. You should also know that this class is considered "writing centered" for your EWP requirements (which we will talk about later in the semester).