Cmpcanews11 MARCH 2008
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Curriculum Vitai
C V Dani Crompton Designs BA(hons) 6 High Cedar Drive , Wimbledon, SW20 ONU www.dani-c.co.uk [email protected] 0208 947 4426 Education and Qualifications: Higher Education 1996 - 1999 Upper second BA(Hons) Silversmithing, Jewellery and Allied Crafts. London Guildhall University Central House, 59-63 Whitechapel High Street, London E1 7PF 1996 - 1998 City and Guilds in Precious Jewellery/Diamond Mounting London Guildhall University. 1995 - 1996 Art and Design Foundation (Diploma with Merit) Chelsea Collage of Art and Design, London Institute, Hugon Road SW6 2015 Private Jewellery Commissions Mine Gallery – Carshalton, Surrey ‘Beads’ – Fiers Abilmente, Vicenza, Italy – February May - Artists Open Houses in Brighton with Diana Rogers and the Five Ways Artsts 2014 Private Jewellery Commissions Gowan Gallery – Jeweller of the month, July Festival of Crafts – demo room October at Farnham Maltings May - Artists Open Houses in Brighton with Diana Rogers and the Five Ways Artsts Message - beyond adornment – April-June - JSN Exhibition at the New Ashgate Gallery in Farnham Elements Refined - Year long touring exhibition celebrating the 21st anniversary of The Surrey Guild of Craftsmen February 7-9th - Desire - Chelsea Town Hall Mine Gallery- Carshalton , Surrey Gifted – Guildford House, Guildford, November - December 2013 Private Jewellery Commissions November 19th - December 24th - Gifted in Guildford - Surrey Guild selling Exhibition at Guildford House November 22nd - 24th - Sparkle at Landmark Arts Centre in Teddington May – Took -
Groundsure Planning
Groundsure Planning Address: Specimen Address Date: Report Date Report Reference: Planning Specimen Your Reference:Planning Specimen Client:Client Report Reference: Planning Specimen Contents Aerial Photo................................................................................................................. 3 1. Overview of Findings................................................................................................. 4 2. Detailed Findings...................................................................................................... 5 Planning Applications and Mobile Masts Map..................................................................... 6 Planning Applications and Mobile Masts Data.................................................................... 7 Designated Environmentally Sensitive Sites Map.............................................................. 18 Designated Environmentally Sensitive Sites.................................................................... 19 Local Information Map................................................................................................. 21 Local Information Data................................................................................................ 22 Local Infrastructure Map.............................................................................................. 32 Local Infrastructure Data.............................................................................................. 33 Education.................................................................................................................. -
Heritage-Statement
Document Information Cover Sheet ASITE DOCUMENT REFERENCE: WSP-EV-SW-RP-0088 DOCUMENT TITLE: Environmental Statement Chapter 6 ‘Cultural Heritage’: Final version submitted for planning REVISION: F01 PUBLISHED BY: Jessamy Funnell – WSP on behalf of PMT PUBLISHED DATE: 03/10/2011 OUTLINE DESCRIPTION/COMMENTS ON CONTENT: Uploaded by WSP on behalf of PMT. Environmental Statement Chapter 6 ‘Cultural Heritage’ ES Chapter: Final version, submitted to BHCC on 23rd September as part of the planning application. This document supersedes: PMT-EV-SW-RP-0001 Chapter 6 ES - Cultural Heritage WSP-EV-SW-RP-0073 ES Chapter 6: Cultural Heritage - Appendices Chapter 6 BSUH September 2011 6 Cultural Heritage 6.A INTRODUCTION 6.1 This chapter assesses the impact of the Proposed Development on heritage assets within the Site itself together with five Conservation Areas (CA) nearby to the Site. 6.2 The assessment presented in this chapter is based on the Proposed Development as described in Chapter 3 of this ES, and shown in Figures 3.10 to 3.17. 6.3 This chapter (and its associated figures and appendices) is not intended to be read as a standalone assessment and reference should be made to the Front End of this ES (Chapters 1 – 4), as well as Chapter 21 ‘Cumulative Effects’. 6.B LEGISLATION, POLICY AND GUIDANCE Legislative Framework 6.4 This section provides a summary of the main planning policies on which the assessment of the likely effects of the Proposed Development on cultural heritage has been made, paying particular attention to policies on design, conservation, landscape and the historic environment. -
J Kay Aplin 75 Stanmer Villas Brighton BN1 7HN +44 (0)7803161313 [email protected]
J Kay Aplin 75 Stanmer Villas Brighton BN1 7HN +44 (0)7803161313 [email protected] www.kayaplin.com www.theceramichouse.co.uk Blogs Made in Korea 2016-17 www.a-n.co.uk/blogs/made-in-korea In A Shetland Landscape 2015 http://www.a-n.co.uk/blogs/shetland-project-with-j-kay-aplin UK-Denmark ceramics exchange project 2014 www.a-n.co.uk/link/KayAplin-Denmark Unravelling Shetland public art commission 2010 www.a-n.co.uk/link/KayAplin-Shetland Profile I am a ceramic artist with over 20 years’ experience creating site-specific work predominantly for the public realm. I have undertaken numerous commissions around the UK and internationally, producing a distinct range of art works that have stood the tests of weather and time. In recent years, I have been developing large-scale installation-based work for exhibitions, resulting from various residencies. Since 2011, I have been curating international exhibitions of contemporary ceramics at The Ceramic House, my home and a living showcase of my work. In 2013 it was voted Best Open House (Brighton Festival) and its reputation as a specialist gallery showing excellence in ceramic art in a unique domestic context is growing year on year. www.theceramichouse.co.uk Made in Korea is the seventh and most ambitious Ceramic House project to date. A cultural exchange between the UK and Korea, it evolved throughout 2017 in Brighton, London, Stoke-on- Trent and Seoul, part of the UK-Korea Cultural Season 2017-18 supported by the British Council and funded by Arts Council England. -
Ladies Mile Road, Mile End Cottages, 1-6 Historic Building No CA Houses ID 75 & 275 Not Included on Current Local List
Ladies Mile Road, Mile End Cottages, 1-6 Historic Building No CA Houses ID 75 & 275 Not included on current local list Description: Brown brick terrace of six cottages, with red brick dressings and a clay tile roof. Two storey with attic; a matching dormer window has been inserted into the front roof slope of each property. The terrace is set at right angles to the road, at the western end of Ladies Mile Road, a drove road which became popular as a horse-riding route in the late 19th century. The properties themselves are of late 19th century date. They are first shown on the c.1890s Ordnance Survey map. A complex of buildings is shown to the immediate west of the cottages on this map. Arranged around a yard, this likely formed agricultural buildings or service buildings associated with Wootton House. The architectural style and physical association of the cottages to these buildings and the drove road suggests they may have formed farmworkers’ cottages. A Architectural, Design and Artistic Interest ii A solid example of a terrace of worker’s cottages B Historic and Evidential Interest ii Illustrative of the agricultural origins of Ladies Mile Road as a drove road and associated with the historic agricultural village of Patcham. C Townscape Interest ii Outside of Patcham Conservation Area, but associated with its history and contributes positively to the street scene F Intactness i Although some of the windows have been replaced, and there are modern insertions at roof level (particularly to the rear), the terrace retains a sense of uniformity and completeness Recommendation: Include on local list Lansdowne Place, Lansdowne Place Hotel, Hove Historic Building Brunswick Town Hotel ID 128 + 276 Not included on current local list Description: Previously known as Dudley Hotel. -
Heritage at Risk Register 2016, London
London Register 2016 HERITAGE AT RISK 2016 / LONDON Contents Heritage at Risk III The Register VII Content and criteria VII Criteria for inclusion on the Register IX Reducing the risks XI Key statistics XIV Publications and guidance XV Key to the entries XVII Entries on the Register by local planning XIX authority Greater London 1 Barking and Dagenham 1 Barnet 2 Bexley 5 Brent 5 Bromley 6 Camden 11 City of London 20 Croydon 21 Ealing 24 Enfield 27 Greenwich 30 Hackney 34 Hammersmith and Fulham 40 Haringey 43 Harrow 47 Havering 50 Hillingdon 51 Hounslow 58 Islington 64 Kensington and Chelsea 70 Kingston upon Thames 81 Lambeth 82 Lewisham 91 London Legacy (MDC) 95 Merton 96 Newham 101 Redbridge 103 Richmond upon Thames 104 Southwark 108 Sutton 116 Tower Hamlets 117 Waltham Forest 123 Wandsworth 126 Westminster, City of 129 II London Summary 2016 he Heritage at Risk Register in London reflects the diversity of our capital’s historic environment. It includes 682 buildings and sites known to be at risk from Tneglect, decay or inappropriate development - everything from an early 18th century church designed by Nicholas Hawksmoor, to a boathouse built during WWI on an island in the Thames. These are sites that need imagination and investment. In London the scale of this challenge has grown. There are 12 more assets on the Heritage at Risk Register this year compared to 2015. We also know that it’s becoming more expensive to repair many of our buildings at risk. In the face of these challenges we’re grateful for the help and support of all those who continue to champion our historic environment. -
AMON WILDS ❋ Invitation, and Should Reply in in a Press Cuttings’ Album in Our Archive There Is One from the Order to Ensure Their Place
Regency Review CONSIDERING THE PAST…FRAMING THE FUTURE THE NEWSLETTER OF THE REGENCY SOCIETY ISSUE 19 NOVEMBER 2007 Murky Waters and Economical Truths y now Members will know that the Society did not The Council went on to say: Bproceed to a Judicial Review of the Council’s planning “Officers answered questions from Members about the Council’s decision on the King Alfred. It was a difficult decision to make role as landowner and whether the developer could have recourse not least because we had delays in obtaining information from to civil remedies if the Council amended its earlier decision. Since the City Council. such questions were raised, officers had a duty to answer them Following the reconfirmation of the Labour administration’s honestly and fairly. In responding to such questions officers decision by the new Conservative-led one, we sought emphasised that while members should be aware of the Council’s further advice from our planning barrister and a top planning wider role as landowner, which related largely to commercial solicitor. We had two principal objectives. These were to see matters, such matters fell outside the planning process. whether we were likely to obtain a ruling in the courts that Members were told that detailed discussions had taken place the previous decision was unsound and, if it was quashed, to with the developer over a long period of time and the developer open the way for a new planning decision, refusing consent. had incurred considerable costs in bringing the proposed scheme Counsel’s advice was that we had an arguable case concerning forward and working it up to its current stage. -
Short History
ADELAIDE CRESCENT AND PALMEIRA SQUARE - A SHORT HISTORY The land occupied by the Crescent and Square was originally part of the Wick Estate, the property of the Stapley family for 150 years until 1701. Anthony Stapley, a staunch Puritan who had succeeded to the estate at the age of fifteen, was distinguished by having been one of the judges at the trial of Charles the First, and a signatory to his death warrant of 29th January 1649, the day before the King's execution. He was active in the affairs of Sussex, Governor of Chichester from 1643 to 1645, and a Justice of the Peace until his death in 1655. By contrast, his son was a Royalist, and it was for this reason that the estate was intact at the Restoration in 1660. The estate was sold in 1701 for £,1600 to John Scutt of Brighthelmstone, whose grandson built Wick House, and whose great grandson, the Rev.Thomas Scutt, sold the estate to Sir Isaac Lyon Goldsmid in 1830. Five years previously to this, the architect of Kemp Town, Thomas Read Kemp, had entered into an agreement with Thomas Scutt, in the hope of building a Kemp Town West on the land to the west of Brunswick Town, but owing to lack of money this scheme was never realised. Sir Isaac Lyon Goldsmid planned to build a new estate of houses, and asked permission of William the Fourth to name the crescent after Queen Adelaide. The architect Decimus Burton was appointed, and work began in 1830. The original scheme was for a single semi-circular crescent, similar to Royal Crescent but much larger, and the first three houses facing the sea, and seven facing the Crescent, were either fully or partially completed by 1832. -
Event Programme Brighton & Hove Open Door 2009 10 – 13 September Inclusive
Event Programme Brighton & Hove Open Door 2009 10 – 13 September inclusive 150+ FREE EVENTS To Celebrate our City’s Magnificent Architectural Heritage - - staged as a part of the annual Heritage Open Days - - Note: every effort has been made to ensure the accuracy of the information provided in this programme. All details can be checked and up-to-the-minute details obtained via http://www.rth.org.uk/opendoor09 Event Programme Brighton & Hove Open Door 2009 10 – 13 September inclusive 150+ FREE EVENTS To Celebrate our City’s Magnificent Architectural Heritage - staged as a part of the annual Heritage Open Days - Contents Note: events that must be pre-booked, prior to attendance, can be reserved via: 01273 206306 or online at http://www.rth.org.uk/opendoor09 Contents P. 02 About the Organisers - P. 03 About the Event - P. 03 Event Category: General – Open Door Events (no reservations needed) P. 04-07 General – Pre-Bookable Events (res. compulsory) P. 07-13 Industrial Heritage – Open Door Events (no reservations needed) P. 14-18 Industrial Heritage – Pre-Bookable Events (res. compulsory) P. 19-24 Fashionable Houses – Open Door Events (no reservations needed) P. 24-26 Fashionable Houses – Pre-Bookable Events (res. compulsory) P. 26-31 Religious Spaces – Open Door Events (no reservations needed) P. 31-38 Religious Spaces – Pre-Bookable Events (res. compulsory) P. 38-40 Learning, Ed. & Training – Open Door Events (no reservations needed) P. 40-41 Learning, Ed. & Training – Pre-Bookable Events (res. compulsory) P. 41-45 Trails/Walks – History, etc – Open Door Events (no reservations needed) P. 45-46 Trails/Walks – History, etc – Pre-Bookable Events (res. -
Regency Review Spring 2009
Regency Review CONSIDERING THE PAST…FRAMING THE FUTURE THE NEWSLETTER OF THE REGENCY SOCIETY ISSUE 24 MARCH 2009 CONGRATULATIONS Last year, we were pleased to congratulate Selma Montford Goodbye ... and thank you on being awarded an MBE. This year, another member, I TH I NK THAT TH I S IS THE T I ME It has been a privilege to style now usually referred to Robert Parsons, has received when I should mention all carry the Society’s name as ‘modern’. So many waves the same honour. Robert is a the pleasure that I have had on my lapel badge at the of architectural styles have Herald Painter at the College during the past 15 years as many meetings, conferences, occurred since then that most of Arms and won his award your ‘Honorary Secretary’. I exhibitions and visits that I of us quickly lose track of the for services to art. have very much enjoyed the have attended on its behalf, various ‘isms’ that label them. AGM AND friendship, enlightenment both in this country and In Brighton & Hove we COMMITTEE and entertainment that our are fortunate to have a large abroad. The title ‘The Regency ELECTIONS members have provided during Society’ usually attracts selection of delightful, and Members are asked to this time. attention and comment and, often quirky buildings, which give their attention to the sometimes, puzzlement. This are possibly the result of proposal form for Committee has led to my recalling the having the Royal Pavilion elections: there is much origin of the Society, when sitting so prominently in their work to be done, and rather its name was certainly aptly midst. -
Winter 2011/2012 Volume 23 Issue 04 Totaltheatre.Org.Uk
Winter 2011/2012 Volume 23 Issue 04 totaltheatre.org.uk SMASH AND GRAB GANDINI JUGGLING AT THE LONDON INTERNATIONAL MIME FESTIVAL WALK THIS WAY WITH ALEXANDER ROBERTS AND RAGEWALKsLONDON AT BR-116 LEVIATHAN LOOMING: THERE’S A FLURRY AT SEA WITH LIVING STRUCTURES THE VOICE OF GISLI FROM VESTURPORT IS CALLING SEPARATE THE SHEEP FROM THE GOATS IN RED EARTH’S CHALK SHINE A LIGHT ON BRAZIL WITH LUME TEATRO WHAT A GIFT! TIM JEEVES ENJOYS THE PRESENT MOMENT PLUS: SUSPENSE LONDON PUPPETRY FESTIVAL, HATCH IN LEICESTER, THE RSC’S MARAT/SADE, AND MORE... www.lispa.co.uk Phone: +44 (0)20 8215 3390 London International School Fax: +44 (0)20 8215 3392 of Performing Arts Email: [email protected] “Our aim is to foster a never ending curiosity in life as it is, a strong vision of life as it could be, and a fully alive body with which to express creative visions.” Thomas Prattki, Founder and Director of LISPA Creating Theatre and Performance Full-time two-year postgraduate level training in Devised Theatre Short courses for Professional Development Weekend Workshops Summer Intensives For more information on course contents and fees visit www.lispa.co.uk www.lispa.co.uk Phone: +44 (0)20 8215 3390 London International School Fax: +44 (0)20 8215 3392 of Performing Arts Email: [email protected] “Our aim is to foster a never ending curiosity in life as it is, a strong vision of life as it could be, and a fully alive body with which to express creative visions.” Thomas Prattki, Founder and Director of LISPA Creating Theatre and Performance Full-time two-year -
Places of Worship in Georgian and Regency Brighton and Hove’, the Georgian Group Journal, Vol
Sue Berry, ‘Places of worship in Georgian and Regency Brighton and Hove’, The Georgian Group Journal, Vol. XIX, 2011, pp. 157–172 TEXT © THE AUTHORS 2011 PLACES OF WORSHIP IN GEORGIAN AND REGENCY BRIGHTON AND HOVE C . – SUE BERRY Between and , the number of places of whereas Lewes had , residents and six parish worship in the flourishing resort of Brighton and churches and Chichester , residents, eight Hove increased from four to about forty, most of which parish churches and a cathedral. The writer believed were built after . The provision for Anglican that Brighton needed at least four more Anglican worshippers before was limited to two old parish churches, calculating that one church would serve churches and a seasonally open chapel of ease. By , people. He claimed that, because of the lack of the total number of buildings and sittings offered by provision by the Church of England, dissenting Nonconformist places of worship had outnumbered groups would flourish, and he drew attention to the those for Anglicans. Their simple buildings were closure of the St James’s Street Chapel (see below), located on cheaper land behind streets or along minor an Anglican free chapel opened by some local streets. But from Anglicans and Nonconformists gentlemen in because neither the Vicar of started building larger places of worship on major Brighton nor the Bishop of Chichester would streets, and some of these striking buildings still survive. support it. Though there were already some fifteen nonconformist places of worship, most of which had rom around the small town of Brighton was free seats, the outburst did not result in any Fsaved from a long period of decline by the immediate change, and in this respect Brighton was development of seaside tourism, attracting increasing typical of other fast-growing towns in which the numbers of wealthy visitors and residents and many Church of England did little to attract worshippers people who provided the wide range of services that until the s.