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Compliment Expressions and the Responses in Pitch Perfect Film
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfilment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Devita Putri Saraswati Student Number: 141214079 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By Devita Putri Saraswati Student Number: 141214079 Approved by Monica Ella Harendita, S.Pd., M.Ed. 15 March 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By DEVITA PUTRI SARASWATI Student Number: 141214079 Defended before the Board of Examiners on 11 April 2018 and Declared Acceptable Board of Examiners Chairperson : Yohana Veniranda, S.Pd., M.Hum., M.A., Ph.D. ____________ Secretary : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Member : Monica Ella Harendita, S.Pd., M.Ed. ____________ Member : Priyatno Ardi, S.Pd., M.Hum. ____________ Member : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Yogyakarta, 11 April 2018 Faculty of Teachers Training and Education Sanata Dharma University Dean, Dr. Yohanes Harsoyo, S.Pd., M.Si iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI "A DREAM DOES NOT BECOME REALITY THROUGH MAGIC; IT TAKES SWEAT, DETERMINATION, AND HARD WORK." – Colin Powell I dedicate this thesis to those people who REFUSE TO GIVE UP on their dreams. iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI STATEMENT OF WORK’S ORIGINALITY I honestly declare that this thesis, which I have written, does not contain the work or parts of the work of other people, except those cited in quotations and the references, as scientific paper should. -
Impoliteness Strategies in Pitch Perfect and Pitch Perfect 2 Movies
IMPOLITENESS STRATEGIES IN PITCH PERFECT AND PITCH PERFECT 2 MOVIES A THESIS Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for Degree Strata One (S1) DANTI YANIAR 1113026000028 ENGLISH LETTERS DEPARTMENT FACULTY OF LETTERS AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2017 ABSTRACT Danti Yaniar, Impoliteness Strategies in Pitch Perfect and Pitch Perfect 2 Movies. Thesis. Jakarta: English Letters Department, Letters and Humanities Faculty, Syarif Hidayatullah State Islamic University of Jakarta, September 2017. This research is on Pragmatic scope that focuses on impoliteness strategies. The unit of analysis is Pitch Perfect movies transcript. It is a qualitative research. It is intended to identify the types of impoliteness strategies chosen by characters, how the characters respond the FTAs, and the features of offending event that trigger the characters to do impoliteness. This research used Impoliteness strategies theory by Jonathan Culpeper as the main theory, Impoliteness strategies by Derek Bousfield, and Offending Event by Timothy Jay as the supporting theories. As the result, it was found that all five strategies were chosen by the characters. The strategies from the most chosen to the less chosen were as follow positive impoliteness strategy, negative impoliteness strategy, bald on record impoliteness strategy, sarcasm or mock politeness strategy, and withhold politeness strategy. The characters frequently harmed the addressees‟ face by insulting name calling and using obscure language sub-strategies. The delivered FTAs made the addressees dominantly evaluated them with responses. The addressee responded the FTAs by choosing offensive countering. The characters mostly countered the offender by asking a challenge question which is in negative impoliteness strategy. -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
LAMORINDA WEEKLY | 'Pitch Perfect 2'
LAMORINDA WEEKLY | 'Pitch Perfect 2' Published May 20th, 2015 'Pitch Perfect 2' By Derek Zemrak The pitch is in tune in "Pitch Perfect 2"! The Bella's are back in the sequel to the 2012 surprise hit, "Pitch Perfect," which was made on a $17 million production budget and grossed $65 million at the U. S. box office. Moviegoers knew a sequel would be in the works with those results. This time, everyone's favorite a capella group - the Barden University Bellas - must regain their glory after a humiliating wardrobe malfunction by Fat Amy (Rebel Wilson) that was witnessed by the president of the United States while they performed at the prestigious Lincoln Center for the Performing Arts. With nowhere else to turn, the Bellas enter an international competition that no American a cappella group has ever won. The solid ensemble cast from the original Fat Amy (Rebel Wilson) steals the show in movie returns in "Pitch Perfect 2," which includes "Pitch Perfect 2," the follow-up to 2012's Oscar nominee Anna Kendrick (Beca), comedian surprise hit. Photo Richard Cartwright Rebel Wilson (Fat Amy), Brittany Snow (Chloe), Ester Dean (Cynthia), Hana Mae Lee (Lily) and Alexis Knapp (Stacie). Beca is a senior at Barden and working as an intern at a record label company when Chloe discovers that Beca is more interested in her career. The Bellas once again must pull it all together and find the "perfect pitch." Two-time Emmy Award nominee Elizabeth Banks ("30 Rock") takes the directing reins and keeps the movie going at a quick, witty pace. -
On the Auto Body, Inc
FINAL-1 Sat, Oct 14, 2017 7:52:52 PM Your Weekly Guide to TV Entertainment for the week of October 21 - 27, 2017 HARTNETT’S ALL SOFT CLOTH CAR WASH $ 00 OFF 3 ANY CAR WASH! EXPIRES 10/31/17 BUMPER SPECIALISTSHartnetts H1artnett x 5” On the Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 run DANA F. HARTNETT LIC. #9482 Emma Dumont stars 15 WATER STREET in “The Gifted” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Now that their mutant abilities have been revealed, teenage siblings must go on the lam in a new episode of “The Gifted,” airing Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 Monday. ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents Massachusetts’ First Credit Union • Slip &Fall • Motorcycle &Pedestrian Accidents Located at 370 Highland Avenue, Salem John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks St. Jean's Credit Union • Injuries2 x to 3 Children Voted #1 1 x 3” With 35 years experience on the North Serving over 15,000 Members •3 A Partx 3 of your Community since 1910 Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful Supporting over 60 Non-Profit Organizations & Programs The LawOffice of Serving the Employees of over 40 Businesses STEPHEN M. FORLIZZI Auto • Homeowners 978.739.4898 978.219.1000 • www.stjeanscu.com Business -
The Evolution of Fat Female Characters in Contemporary American Film a Thesis Presented to the Faculty Of
Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Laura E. Pohlman April 2016 © 2016 Laura E. Pohlman. All Rights Reserved. 2 This thesis titled Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film by LAURA E. POHLMAN has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract LAURA E. POHLMAN, M.A., April 2016, Film Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film Director of Thesis: Ofer Eliaz The purpose of this thesis is to elucidate the fluid conception of fat women within contemporary American culture from the early 1970s to the present. Due to their non- normative embodiment, fat women typically face denigration and marginalization. Most mainstream film narratives reify the negative social positioning of fat women, often through assimilationist characters that resign themselves to fatphobia or otherwise compensate for their fatness. On the flipside, carnival and camp narratives foster liberatory fat characterization, as exemplified by the figure of “the unruly woman.” In his portrayal of both assimilationist and liberationist women, Divine functions as a barometer for subsequent fat characterization. Overall, this thesis critiques fat assimilation, argues for the importance of fat liberation, and projects a future where fat acceptance becomes the norm. 4 Table of Contents Page Abstract .............................................................................................................................. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
"So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence. -
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon -
Roots and Routes 188
Fendler / Roots and Routes 188 ROOTS AND ROUTES Hip-Hop from South Korea Ute Fendler University of Bayreuth [email protected] Abstract With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“roots”) and proposes instead conceiving hip-hop in South Korea as a movement at the crossroads (“routes”) of various influences and practices. Keywords Authenticity, Identity, Music videos, Performance, R&B, Rap About the Author Ute Fendler is chair of romance cultural and comparative cultural studies at the University of Bayreuth (Germany). Her research interests include intermedial and intercultural phenomenon, popular culture, migration, iconographies, music video, and performance. Kritika Kultura 29 (2017): –213 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Fendler / Roots and Routes 189 In the ongoing process of reaching out to global markets, pop music in South Korea undergoes fast changes, mainly under the influence of US-American and Western European markets, as literature on K-pop highlights (Choi and Maliangkay). John Lie dealt with the question of K-pop as music positioned between different influences: K-pop is symptomatic of the cultural transformation of South Korea: at once the almost complete repudiation of traditional cultures—both Confucian and folk—and the repeated rhetorical stress on the continuities between the past and the present: the nearly empty signifier that is South Korean cultural-national identity. -
Pitch Perfect by Kay Cannon
Pitch Perfect by Kay Cannon Revision by Jeff Roda Revision Date: 10/04/11 Date: 10/21/11 Based on the Book: "Pitch Perfect: The Quest for Collegiate A Capella Glory" By Micky Rapkin WHITE 10/21/11 BLUE REVISED 10/25/11 PINK PAGES 10/27/11 YELLOW PAGES 10/28/11 GREEN PAGES 11/1/11 GOLDENROD PAGES 11/16/11 BUFF PAGES 11/21/11 SALMON PAGES 11/27/11 CHERRY PAGES 12/12/11 TAN PAGES 12/13/11 SECOND REVISED BLUE 12/14/11 OVER BLACK: We hear the sound of a pitch pipe. VOICE One, two, three, four -- As the Universal logo appears on screen, we hear Universal’s theme song sung a cappella. FADE IN: 1 INT. LINCOLN CENTER - STAGE - CONTINUOUS 1 On stage, the Barden Treblemakers, an all-male a cappella group dressed in matching smoking jackets, conclude singing Universal’s theme song. BARDEN TREBLEMAKERS BRRMP BRRMP! The audience cheers. Then, the Trebles begin Rihanna’s, “Don’t Stop The Music,” and the place goes apeshit. BARDEN TREBLEMAKERS (CONT’D) PLEASE DON’T STOP THE MUSIC, MUSIC, MUSIC/PLEASE DON’T STOP THE MUSIC, MUSIC... (song continues) 2 INT. DRESSING ROOM - NIGHT 2 CREDITS ROLL as a gorgeous girl, CHLOE (20), dressed like a 1970’s flight attendant, frantically rummages through a swanky dressing room. CHLOE Shitballs, where is it? Chloe stops, reaches into her jacket pocket, and pulls out a red scarf. Relieved, she DASHES out of the room. 3 INT. STAGE - SAME TIME 3 As the BU Treblemakers sing, we WIDEN TO REVEAL: A sold out audience at Lincoln Center. -
Sing. Dance. Laugh. Repeat!
Sing. Dance. Laugh. Repeat! BRING HOME HAPPY WITH DREAMWORKS TROLLS ON DIGITAL HD JAN. 24 AND BLU-RAY™ & DVD FEB. 7 DREAMWORKS TROLLS PARTY EDITION INCLUDES NEVER-BEFORE-SEEN SING-ALONG, DANCE-ALONG “PARTY MODE”, AND IS PACKED WITH FUN, COLORFUL EXTRAS, PERFECT FOR YOUR FAMILY MOVIE NIGHT! LOS ANGELES, CA (Jan. 10, 2016) – A hit with audiences and critics alike, DreamWorks Animation’s TROLLS, is the “feel-good” movie of the year receiving an outstanding audience reaction with a coveted “A” CinemaScore® and a Certified Fresh rating on RottenTomatoes.com. DreamWorks TROLLS, the fresh, music- filled adventure packed with humor and heart dances onto Digital HD on Jan. 24 and Blu-ray™ and DVD on Feb. 7 from Twentieth Century Fox Home Entertainment. The colorful, richly textured Troll Village is full of optimistic Trolls, who are always ready to sing, dance and party. When the comically pessimistic Bergens invade, Poppy (Anna Kendrick), the happiest Troll ever born, and the overly-cautious, curmudgeonly Branch (Justin Timberlake) set off on an epic journey to rescue her friends. Their mission is full of adventure and mishaps, as this mismatched duo try to tolerate each other long enough to get the job done. From Shrek franchise veterans Mike Mitchell (Shrek Forever After) and Walt Dohrn (Shrek 2, Shrek the Third), TROLLS features the voice talents of Golden Globe® nominee Anna Kendrick (Pitch Perfect, The Accountant), Grammy and Emmy® Award winner and Golden Globe® Award nominee Justin Timberlake (Friends with Benefits, Shrek the Third), Golden