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AN EAR IS a TERRIBLE THING to WASTE: the Reasoning of Marketing Is Cynical, but It Works All Too Well
An Ear is a 114 Terrible Thing to Waste: 115 CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET BY GWENDOLYN FREED MISSION: LOOKINGGLASS MISSION: LOOKINGGLASS AN EAR IS A TERRIBLE THING TO WASTE: The reasoning of marketing is cynical, but it works all too well. And CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET those who fail to fall in line with its dictates do so at their own peril. Witness what happens when a product is marketed not for every possible demograph- ic but instead, for one-size-fits-all. All the same, going against the grain, after a hard morning’s shopping at the mall, the mom from our example would like to take her son to a chil- dren’s concert at the local symphony orchestra. Would he like to come along? No way! She drags him there anyway. He wriggles and squirms and mumbles and pops gum as the conductor takes the orchestra through an unrehearsed mishmash —a little of Prokofiev’s Peter and the Wolf and a bit of Benjamin Britten’s Young Personís Guide to the Orchestra. No money has been allocated specifically for assuring this concert’s quality; little thought has gone into its overall presentation, educational thrust, or age-appropriateness. Kids of all ages turn up, including many who are not ready to sit still. The orchestra mother and her seven-year- apparently sees no artistic or financial incentive to put more effort into this 116 old boy walk into a grocery store.A The mother sees fifteen different kinds of concert. -
Minneapolis 2 Regional
2019 MINNEAPOLIS 2 REGIONAL THE IN10SITY CHALLENGE Studio Average Top Non-Solo 1ST PLACE - Lake Area Dance Center 276.28 “Survivor” $1000 2ND PLACE - In The Spotlight 276 “Girls Night Out” $750 3RD PLACE - Elite Dance Productions 267.68 “Shout” $500 4TH PLACE - Jan’s School of Dance 266.72 “Southbound Train” $250 5TH PLACE - Dance For Fun 255.08 “Rise Up” $100 IN10SE ROUTINES Routine Score Studio Prize In10se Mini “Flickers” 287.5 DelMonico Dance $500 In10se Junior “In May Blood” 288.1 DelMonico Dance $500 In10se Teen “The Tiger’s Bride” 288.2 DelMonico Dance $500 In10se Senior “Into The Spin” 285 In The Spotlight $500 !1 of !11 CON10TION Dancer Studio Mini Con10der Daphne Braun “Flickers” DelMonico Dance Junior Con10der Caleb Abea - “In My Blood” DelMonico Dance Teen Con10der Lucia Vera - “Survivor” DelMonico Dance Senior Con10der Angelina Amarigo - “Time” DelMonico Dance DIVISIONAL OVERALLS - MINI DEBUT MINI SOLO 1ST Kaylee Caldwell - “I’m A Lady” In The Spotlight 2ND Hadley Amick - “Flaunt It” Elite Dance Productions 3RD Ellas Sullivan - “Trust In Your Heart” Delmonico Dance 4TH Kennedi Roelike - “Getting Good At Being Elite Dance Productions Bad” 5TH Weatherly Drowne - “Kill The LIghts” In The Spotlight ELITE MINI SOLO 1ST Daphnie Braun - “Flickers” DelMonico Dance DEBUT MINI DUET/TRIO 1ST “The Squad” Elite Dance Productions DEBUT MINI SMALL GROUP 1ST “Better Together” Jan’s School of Dance 2ND “I’m A Lady” Dena’s Dance Company 3RD “Fight Song” Dance For Fun !2 of !11 DEBUT MINI LARGE GROUP 1ST “Tea With Me” In The Spotlight 2ND “Thankful” -
The Night Vigil of Shen Zhou
Glossator: Practice and Theory of the Commentary 3 (2010) THE NIGHT VIGIL OF SHEN ZHOU J. H. Prynne On a cold night sleep is very sweet. I woke in the middle of the night, my mind clear and untroubled, and as I was unable to go to sleep again, I put on my clothes and sat facing my flickering lamp. On the table were a few folders of books. I chose a volume at random and began to read, but tiring I put down the book and sat calmly doing nothing [shushou weizuo]. A long rain had newly cleared, and a pale moon was shining through the window. All around was silence. Then after a long time absorbing the fresh brightness, I gradually became aware of sounds. Listening to the rustling of the wind stirring the bamboo gave one the feeling of going bravely and unwaveringly onward. Hearing the harsh snarling of dogs gave feelings of barring out evil, of opposing marauders. Hearing the sound of drums, large and small—the small ones thin, and the far ones clear and deep and uninterrupted—stirred restless thoughts that were lonely and sad. The official drum was very close, from three beats, to four and then five, gradually faster, hastening the dawn. Suddenly in the northeast the sound of a bell, a bell pure and clean through rain-cleared air, and hearing it came thoughts of waiting for the dawn, rising and doing. It was inevitable. My nature is such as to enjoy sitting in the night [yezuo]. So I often spread a book under the lamp going back and forth over it, usually stopping at the second watch. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
A New World Tragedy $13.95
... - Joumey to Nowhere A NEW WORLD TRAGEDY $13.95 Rarely does a book come along which so transcends its apparent subject that the reader is ultimately given something larger, richer, and more revealing than he might initially have imagined. Already published in Eng land to overwhelming acclaim (see back of jacket), Shiva Naipaul’s Journey to Nowhere is such a book — a “power ful, lucid, and beautifully written book” (The Spectator) that is destined to be one of the most controversial works of 1981. In it, this major writer takes us far beyond the events and surface details surrounding the tragedy of Jones town and the People’s Temple —and gives us his remark able, unique perspective on the deadly drama of ideas, environments, and unholy alliances that shaped those events both in Guyana and, even more significantly, in America. Journey to Nowhere is, on one level, a “brilliantly edgy safari” (New Statesman) inside the Third World itself—a place of increasing importance in our lives—and on another, a book about America, about the corrupt and corrupting ideologies and chi-chi politics of the past twenty years that enabled the Reverend Jim Jones and the Temple to flourish and grow powerful in California and Guyana. Drawing on interviews —with former members of the Temple, various officials, and such people as Buckmin ster Fuller, Huey Newton, Clark Kerr, and others —on documents, and most importantly, on his own strong, clear reactions to what he observed, Naipaul examines the Guyana of Forbes Bumham, the CIA stooge turned Third World socialist leader, whose stated ideals of socialism, racial brotherhood, and cooperative agricul tural enterprise coincided so neatly, we learn for the first time, with those of the People’s Temple — ideals that led all too easily to violence and death. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
1. Welcome Message from the President, Sphinx Board of Governors 2
SUMMER 2015 NEWSLETTER Contents: 1. Welcome Message from the President, Sphinx Board of Governors 2. Over 100 Sphinx Alumni and Undergraduate Members Attend Spring Banquet and Alumni Weekend Champagne Brunch 3. Sphinx Raises Over $7500 From Nearly 60 Sphinx Alumni But You Can Still Donate 4. Current Sphinx Campus News: Meet the Sphinx Class of 2016 and the Sphinx Board of Governors, 2015-2016 5. Annual Report of the Sphinx Class of 2015 6. Annual Daily Pennsylvanian Ad Bids Farewell to Sphinx Class of 2015 7. Sphinx Alumni News 8. Sign Up for the New Online Sphinx Class Alumni Directory 9. Order Sphinx Gear Directly From “Zazzle,” and Via Sphinx Gmail Account 10. Visit Penn Campus as a Distinguished Sphinx Alumnus 11. Mentor a Sphinx Undergraduate 12. Contribute to a New Sphinx Historical Archives Page 13. Help Us Identify Missing Honorary Sphinx Members 14. Join the Sphinx Facebook and LinkedIn Groups 15. Send Us Your News, Comments, and Suggestions 1. Welcome Message from the President, Sphinx Board of Governors Since our Spring Newsletter in March 2015, the Sphinx Senior Society, now in its 115th year, has continued to implement its five major goals through its 17-member Board of Governors (BOG), the 30 members of the Sphinx Class of 2015 and so far, the 23 newest members from the Sphinx Class of 2016: 1. Strengthen alumni outreach; 2. Support the undergraduate program; 3. Upgrade our online Sphinx Class Alumni Directory as part of our ever improving web site, www.sphinxseniorsociety.com ; 4. Expand the “Sphinx Links” mentoring program; and 1 5. -
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the drums chapter of the Thelonious Monk Institute of Jazz’s Online Jazz Handbook! When learning jazz, there is no substitute for listening to the classic recordings and understanding the lineage. Please refer often to the albums listed at the end of this chapter for great examples of the material listed below. Don’t forget to practice with a metronome: This is important for drummers at all levels when learning new styles and ideas! Introduction: The drums can be heard in almost every style of music, and just like every instrument, the style helps dictate the specific roll of the instrument. For example, in traditional Afro-Cuban ensembles, the many drummers and percussionists create the main body of music that the bass, guitar, vocals, and other instruments float above. On the opposite side of that, you might hear an orchestra in which the only job of the percussionists is to create interesting sounds and colors on top of a the string section. In jazz, the drummer plays both a crucial part in creating a strong foundation, and helping add color and shape to the music. The first step is creating that strong foundation with the ride cymbal! Getting Started with the Ride Cymbal: Since the 1930’s and the beginning of the be-bop era, the main focal point on a jazz drum kit has been the ride cymbal. The phrasing of the ride cymbal is based around the quarter note, however instead of thinking in eighth notes (like most rock music on the radio today), we want to think in eighth note triplets. -
Compliment Expressions and the Responses in Pitch Perfect Film
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfilment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Devita Putri Saraswati Student Number: 141214079 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By Devita Putri Saraswati Student Number: 141214079 Approved by Monica Ella Harendita, S.Pd., M.Ed. 15 March 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By DEVITA PUTRI SARASWATI Student Number: 141214079 Defended before the Board of Examiners on 11 April 2018 and Declared Acceptable Board of Examiners Chairperson : Yohana Veniranda, S.Pd., M.Hum., M.A., Ph.D. ____________ Secretary : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Member : Monica Ella Harendita, S.Pd., M.Ed. ____________ Member : Priyatno Ardi, S.Pd., M.Hum. ____________ Member : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Yogyakarta, 11 April 2018 Faculty of Teachers Training and Education Sanata Dharma University Dean, Dr. Yohanes Harsoyo, S.Pd., M.Si iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI "A DREAM DOES NOT BECOME REALITY THROUGH MAGIC; IT TAKES SWEAT, DETERMINATION, AND HARD WORK." – Colin Powell I dedicate this thesis to those people who REFUSE TO GIVE UP on their dreams. iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI STATEMENT OF WORK’S ORIGINALITY I honestly declare that this thesis, which I have written, does not contain the work or parts of the work of other people, except those cited in quotations and the references, as scientific paper should. -
Impoliteness Strategies in Pitch Perfect and Pitch Perfect 2 Movies
IMPOLITENESS STRATEGIES IN PITCH PERFECT AND PITCH PERFECT 2 MOVIES A THESIS Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for Degree Strata One (S1) DANTI YANIAR 1113026000028 ENGLISH LETTERS DEPARTMENT FACULTY OF LETTERS AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2017 ABSTRACT Danti Yaniar, Impoliteness Strategies in Pitch Perfect and Pitch Perfect 2 Movies. Thesis. Jakarta: English Letters Department, Letters and Humanities Faculty, Syarif Hidayatullah State Islamic University of Jakarta, September 2017. This research is on Pragmatic scope that focuses on impoliteness strategies. The unit of analysis is Pitch Perfect movies transcript. It is a qualitative research. It is intended to identify the types of impoliteness strategies chosen by characters, how the characters respond the FTAs, and the features of offending event that trigger the characters to do impoliteness. This research used Impoliteness strategies theory by Jonathan Culpeper as the main theory, Impoliteness strategies by Derek Bousfield, and Offending Event by Timothy Jay as the supporting theories. As the result, it was found that all five strategies were chosen by the characters. The strategies from the most chosen to the less chosen were as follow positive impoliteness strategy, negative impoliteness strategy, bald on record impoliteness strategy, sarcasm or mock politeness strategy, and withhold politeness strategy. The characters frequently harmed the addressees‟ face by insulting name calling and using obscure language sub-strategies. The delivered FTAs made the addressees dominantly evaluated them with responses. The addressee responded the FTAs by choosing offensive countering. The characters mostly countered the offender by asking a challenge question which is in negative impoliteness strategy. -
January 26, 2010, Vol. 56 No. 19
UNIVERSITY OF PENNSYLVANIA Tuesday January 26, 2010 Volume 56 Number 19 www.upenn.edu/almanac $20 Million from George Weiss for Four PIK Professors Lynn Marsden-Atlass: The University House, a student-run learning hub focused on University Curator of Pennsylvania has technological innovation, and the Weiss Center Lynn Marsden- received a $20 mil- for International Financial Research at the Whar- Atlass, director of lion gift designat- ton School. His steadfast commitment to inter- the Arthur Ross Gal- ed for faculty sup- collegiate athletics will soon be celebrated once lery, has been ap- port from George A. again at the opening of the George A. Weiss Pa- pointed Curator of Weiss, a Penn alum- vilion, a state-of-the-art weight-training facility the University Art nus and trustee and and fitness center built in the arcades of Frank- Collection, effective chair of the Mak- lin Field. January 1, 2010, ing History cam- “It’s impossible to overstate George’s impact Provost Vincent paign, Penn Presi- on the very basics of living, learning and teaching Price announced. dent Amy Gutmann at Penn,” Dr. Gutmann said. “In our Arts & announced. The first George A. Weiss University Profes- The City Year,” said The gift will be sor is Karen Glanz, who shares appointments in Provost Price, “we used to fund four the School of Medicine and School of Nursing are truly fortunate George Weiss Penn Integrates and is leading Penn’s new Center for Health Be- to be able to entrust Knowledge Univer- havior Research. Dr. Glanz specializes in the im- Penn’s outstanding Lynn Marsden-Atlass sity Professorships and advances the PIK ini- pact of behavior on health, especially the modi- art collection to a tiative launched by President Gutmann in 2005 fication of risks for cancer and obesity. -
View the Full Song List
PARTY WITH THE PEOPLE 2020 Song List POPULAR SONGS & DANCE HITS ▪ Lizzo - Truth Hurts ▪ The Outfield - Your Love ▪ Tones And I - Dance Monkey ▪ Vanilla Ice - Ice Ice Baby ▪ Lil Nas X - Old Town Road ▪ Queen - We Will Rock You ▪ Walk The Moon - Shut Up And Dance ▪ Wilson Pickett - Midnight Hour ▪ Cardi B - Bodak Yellow, I Like It ▪ Eddie Floyd - Knock On Wood ▪ Chainsmokers - Closer ▪ Nelly - Hot In Here ▪ Shawn Mendes - Nothing Holding Me Back ▪ Lauryn Hill - That Thing ▪ Camila Cabello - Havana ▪ Spice Girls - Tell Me What You Want ▪ OMI - Cheerleader ▪ Guns & Roses - Paradise City ▪ Taylor Swift - Shake It Off ▪ Journey - Don’t Stop Believing, Anyway You Want It ▪ Daft Punk - Get Lucky ▪ Natalie Cole - This Will Be ▪ Pitbull - Fireball ▪ Barry White - My First My Last My Everything ▪ DJ Khaled - All I Do Is Win ▪ King Harvest - Dancing In The Moonlight ▪ Dr Dre, Queen Pen - No Diggity ▪ Isley Brothers - Shout ▪ House Of Pain - Jump Around ▪ 112 - Cupid ▪ Earth Wind & Fire - September, In The Stone, Boogie ▪ Tavares - Heaven Must Be Missing An Angel Wonderland ▪ Neil Diamond - Sweet Caroline ▪ DNCE - Cake By The Ocean ▪ Def Leppard - Pour Some Sugar On Me ▪ Liam Payne - Strip That Down ▪ O’Jay - Love Train ▪ The Romantics -Talking In Your Sleep ▪ Jackie Wilson - Higher And Higher ▪ Bryan Adams - Summer Of 69 ▪ Ashford & Simpson - Ain’t No Stopping Us Now ▪ Sir Mix-A-Lot – Baby Got Back ▪ Kenny Loggins - Footloose ▪ Faith Evans - Love Like This ▪ Cheryl Lynn - Got To Be Real ▪ Coldplay - Something Just Like This ▪ Emotions - Best Of My Love ▪ Calvin Harris - Feel So Close ▪ James Brown - I Feel Good, Sex Machine ▪ Lady Gaga - Poker Face, Just Dance ▪ Van Morrison - Brown Eyed Girl ▪ TLC - No Scrub ▪ Sly & The Family Stone - Dance To The Music, I Want ▪ Ginuwine - Pony To Take You Higher ▪ Montell Jordan - This Is How We Do It ▪ ABBA - Dancing Queen ▪ V.I.C.