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1 Prof. Dr. Anne-Julia Zwierlein [DFG Sachbeihilfe ‘Lecturing Females’, ZW 81 /8-1; ZW 81/8-2] WOMEN’S PUBLIC SPEECH IN VICTORIAN ORAL AND PRINT CULTURES BIBLIOGRAPHY, pp. 1-56 1. Orality and Literacy: General 2 2. Victorian Oral Cultures 4 2.1. Victorian Orality and Literacy 4 2.2. Listening: Attention, Mesmerism, Hypnosis 7 2.3. Sermons 10 2.4. Lectures 10 2.4.1. Science Lectures 12 2.4.2. Comic Lectures, Humorous Monologues 15 2.5. Political Speeches 15 2.6. Author Readings 16 2.7. Penny Readings and Recitations 17 2.8. Theatre Culture 20 2.9. Rhetoric and Elocution 21 2.10. Voice in Early Cinema 24 3. Victorian Education and Female Emancipation 25 3.1. Victorian Education: General 25 3.2. Lecture Institutions; Literary and Scientific Institutions 27 3.2.1. Royal Institution 27 3.2.2. Birkbeck Literary and Scientific Institution 28 3.2.3. London Institution 28 3.3. Victorian Female Education 28 3.4. Suffragettism and Female Public Speech 30 4. Victorian Periodicals 39 4.1. Research Tools, Bibliographies, Databases 39 4.2. Research on Victorian Periodicals: General 40 4.3. Women and Periodicals 45 4.4. Sensation Fiction and Serialisation 49 4.5. Research on Specific Periodicals 50 4.5.1. Belgravia 50 4.5.2. Bow Bells 51 4.5.3. Good Words 51 4.5.4. The Leisure Hour 51 4.5.5. The London Journal 51 4.5.6. The London Reader 51 4.5.7. The Monthly Packet 51 4.5.8. Punch 52 4.5.9. Strand Magazine 52 4.5.10. Sunday at Home 52 4.5.11. The Women’s Penny Paper 52 5. New Woman Writing 52 2 1. Orality and Literacy: General Aczel, Richard (1998). “Hearing Voices in Narrative Texts.” New Literary History 29, 467-500. Bakhtin, Mikhail (1981). The Dialogic Imagination: Four Essays by M. M. Bakhtin. Trans. Caryl Emerson. Ed. Michael Holquist. Austin: University of Texas Press. Banfield, Ann (1982). Unspeakable Sentences: Narration and Representation in the Language of Fiction. London: Routledge & Kegan Paul. Barthes, Roland (1971). “Writers, Intellectuals, Teachers [Écrivains, intellectuels, professeurs]”. Trans. Stephen Heath. In: Roland Barthes: Image, Music, Text. New York: Hill and Wang, 1977. 190-215. Barthes, Roland. "Music, Voice, Language." The Responsibility of Forms: New Critical Essays on Music, Art, and Representation. New York: Hill & Wang, 1985. 249-284. Baudrillard, Jean (1988). The Ecstasy of Communication. Trans. Bernard and Caroline Schutze. Ed. Sylvère Lotringer. Paris: Editions Galilée. Bolter, Jay David, and Richard Grusin (1999). Remediation. Understanding New Media. Cambridge: MIT Press. Butler, Judith (2015). Notes toward a Performative Theory of Assembly. Cambridge, MA: Harvard University Press. Colligan, Colette and Margaret Linley (2011). "Introduction: The Nineteenth-Century Invention of Media." Media, Technology, and Literature in the Nineteenth Century. Eds. Colette Colligan and Margaret Linley. Aldershot: Ashgate. 1-19. Debord, Guy (1995). The Society of the Spectacle. Trans. Donald Nicholson-Smith. Cambridge: MIT Press. Dolar, Mladen. A Voice and Nothing More. Cambridge, MA: MIT Press, 2006. Dunn, Leslie C. and Nancy A. Jones (eds) (1994). Embodied Voices: Representing Female Vocality in Western Culture. Cambridge: Cambridge University Press. Fludernik, Monika (1999). “The Genderization of Narrative.” GRAAT 21, 153-75. Fludernik, Monika (2001). “New Wine in Old Bottles? Voice, Focalization, and New Writing.” New Literary History 32, 619-38. Genette, Gerard (1980). Narrative Discourse: An Essay in Method. Trans. J. E. Lewin. Ithaca: Cornell University Press. Habermas, Jürgen (2000). The Structural Transformation of the Public Sphere. Trans. Thomas Burger. Cambridge: MIT Press. Horatschek, Anna-Margaretha (2005). “The Auditory Self: Self-Constitution by Text, Voice, and Music in English Literature.” Anglistentag 2004 Aachen: Proceedings. Ed. Lilo Moessner and Christa M. Schmidt. Trier: WVT. 225-35. Kittler, Friedrich (1999). Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford: Stanford University Press. 3 Krämer, Sybille (2004). “Was haben Performativität und Medialität miteinander zu tun? Plädoyer für eine in der ‘Aisthetisierung’ gründende Konzeption des Performativen.” Performativität und Medialität. Ed. Sybille Krämer. Munich: Wilhelm Fink. 13-32. Kolesch, Doris and Sybille Krämer, eds. (2006). Stimme: Annäherung an ein Phänomen. Frankfurt: Suhrkamp. Mieszkowski, Sylvia (2014). Resonant Alterities: Sound, Desire and Anxiety. Bielefeld: Transcript. Ong, Walter J. (1982). Orality and Literacy. London: Methuen, repr. 2005. Parks, Ward (1987). “Orality and Poetics: Synchrony, Diachrony, and the Axes of Narrative Transmission.” Comparative Research on Oral Traditions: A Memorial for Milman Parry. Ed. John Miles Foley. Columbus: Slavia. 511-32. Raven, James, Helen Small and Naomi Tadmer (eds) (1996). The Practice and Representation of Reading in England. Cambridge: Cambridge University Press. Ree, Jonathan (1999). I See a Voice. Deafness, Language and the Senses. A Philosophical History. London: Harper Collins. Sacido-Romero, Jorge and Sylvia Mieszkowski, eds (2015). Sound Effects: The Object Voice in Fiction. Leiden: Brill Rodopi. 101-129. Schmidt, Leigh Eric (2003). “Hearing Loss.” The Auditory Culture Reader. Ed. Michael Bull and Les Back. Oxford: Berg. Selig, Maria (1996). “Mündlichkeit und Schriftlichkeit im Bereich der trobadoresken Lieddichtung.” Mündlichkeit – Schriftlichkeit – Weltbildwandel. Ed. Werner Röcke und Ursula Schaefer. Tübingen: Gunter Narr. 9-37. Shatz, Adam (2012). “Not in the Mood.” Review of Derrida: A Biography by Benoit Peeters. London Review of Books. 22 November, 11-14. Smith, Bruce R. (1999). The Acoustic World of Early Modern England. Chicago: University of Chicago Press. Spice, Nicholas (1995). “Hubbub.” Review of Repeated Takes: A Short History of Recording and its Effects on Music by Michael Chanan and Elevator Music: A Surreal History of Muzak Easy Listening and other Moodsong by Joseph Lanza. London Review of Books. 6 July, 3-6. Stanzel, Franz K. (1984). A Theory of Narrative. Cambridge: Cambridge University Press. Steiner, George (1989). Real Presences: Is There Anything in What We Say? London: Faber. Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press. Stewart, Garrett (1990). Reading Voices. Literature and the Phonotext. Berkeley: University of California Press. Storey, John (2010). Cultural Studies and the Study of Popular Culture. Edinburgh: Edinburgh University Press. Wimmer, Mario (2012). “Der Geschmack des Archivs und der historische Sinn.” Historische Anthropologie: Kultur, Gesellschaft, Alltag 20.1, 90-107. 4 2. Victorian Oral Cultures 2.1. Victorian Orality and Literacy Altick, Richard D. (1978). The Shows of London: A Panoramic History of Exhibitions, 1600-1862. Cambridge: Belknap Press. Appleton, Margit (1992). Animated Conversations: Die Darstellung der Gesellschafts- konversation im englischen Roman des 19. und 20. Jahrhunderts. Pfaffenweiler: Centaurus. BBC Radio 4 (2003). History: Lend me your ears. Soundscapes of Victorian London. Perf. Fiona Shaw. Web. Bevis, Matthew (2003). “Volumes of Noise.” Victorian Literature and Culture 31.2, 577-91. Bevis, Matthew (2007). The Art of Eloquence: Byron, Dickens, Tennyson, Joyce. Oxford: Oxford University Press. Brantlinger, Patrick (1998). The Reading Lesson: The Threat of Mass Literacy in Nineteenth- Century British Fiction. Bloomington: Indiana University Press. British Library (2007ff.) Early Spoken Word Recordings. Archival Sound Recordings, BL, Web. Brosch, Renate (2008). Victorian Visual Culture. Heidelberg: Winter. Camlot, Jason (2003). “Early Talking Books: Spoken Recordings and Recitation Anthologies, 1880-1920.” Book History 6, 147-73. Colligan, Colette and Margaret Linley (eds) (2011). Media, Technology, and Literature in the Nineteenth Century. Aldershot: Ashgate. Comment, Bernard (1999). The Panorama. London: Reaktion Books. Corbin, Alain (1998). Village Bells. The Culture of the Senses in the Nineteenth-Century French Countryside. Trans. Martin Thom. New York: Columbia University Press. Crary, Jonathan (1990). Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press. Crary, Jonathan (1999). Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge: MIT Press. D’Arcy Wood, Gillen (2001). The Shock of the Real: Romanticism and Visual Culture, 1760- 1860. Basingstoke: Palgrave. Daly, Nicholas (2004). Literature, Technology, and Modernity, 1860-2000. Cambridge: Cambridge University Press. Daly, Nicholas (2015). “The Frenzy of the Legible in the Age of Crowds.” The Demographic Imagination and the Nineteenth-Century City: Paris, London, New York. Cambridge: Cambridge University Press. 107-47. Erll, Astrid (2007). Prämediation – Remediation. Repräsentationen des indischen Aufstands in imperialen und post-kolonialen Medienkulturen (von 1857 bis zur Gegenwart). Trier: WVT. Frankel, Oz (2010). “The State between Orality and Textuality: Nineteenth-Century Govern- ment Reports and ‘Orature’.” Cultural Narratives: Textuality and Performance in 5 American Culture before 1900. Ed. Sandra M. Gustavson and Caroline F. Sloat. Notre Dame: University of Notre Dame Press. 276-96. Fried, Michael (1980). Absorption and Theatricality. Painting and Beholder in the Age of Diderot. Berkeley: University of California Press. Garrison, Laurie (ed.) (2012). Panoramas, 1787-1900: Texts and Contexts. 5 vols. London: Pickering & Chatto. Gitelman, Lisa (2003). “Souvenir Foils:
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