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The Woman-Slave Analogy: Rhetorical Foundations in American
The Woman-Slave Analogy: Rhetorical Foundations in American Culture, 1830-1900 Ana Lucette Stevenson BComm (dist.), BA (HonsI) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of History, Philosophy, Religion and Classics I Abstract During the 1830s, Sarah Grimké, the abolitionist and women’s rights reformer from South Carolina, stated: “It was when my soul was deeply moved at the wrongs of the slave that I first perceived distinctly the subject condition of women.” This rhetorical comparison between women and slaves – the woman-slave analogy – emerged in Europe during the seventeenth century, but gained peculiar significance in the United States during the nineteenth century. This rhetoric was inspired by the Revolutionary Era language of liberty versus tyranny, and discourses of slavery gained prominence in the reform culture that was dominated by the American antislavery movement and shared among the sisterhood of reforms. The woman-slave analogy functioned on the idea that the position of women was no better – nor any freer – than slaves. It was used to critique the exclusion of women from a national body politic based on the concept that “all men are created equal.” From the 1830s onwards, this analogy came to permeate the rhetorical practices of social reformers, especially those involved in the antislavery, women’s rights, dress reform, suffrage and labour movements. Sarah’s sister, Angelina, asked: “Can you not see that women could do, and would do a hundred times more for the slave if she were not fettered?” My thesis explores manifestations of the woman-slave analogy through the themes of marriage, fashion, politics, labour, and sex. -
Evolución, Tendencias Y Perspectivas De Futuro De La Publicidad De Moda En Revistas Especializadas
Trabajo Fin de Máster Evolución, tendencias y perspectivas de futuro de la publicidad de moda en revistas especializadas Alyona Dvornikova Tutor: Dr. Juan Miguel Monserrat Gauchi Máster Universitario en Comunicación e Industrias Creativas Junio de 2014 comincrea* Trabajo Fin de Máster COMINCREA* 2013 - 2014 Este documento es parte de mi trabajo para la obtención del título de Máster Universitario en Comunicación e Industrias Creativas de la Universidad de Alicante y no ha sido utilizado previamente (o simultáneamente) para la obtención de cualquier otro título o superación de asignaturas. Se trata de un trabajo original e inédito, producto de una investigación genuina, con indicación rigurosa de las fuentes que he utilizado, tanto bibliográficas como documentales o de otra naturaleza, en papel o en soporte digital. Doy mi consentimiento para que se archive este trabajo en la biblioteca universitaria del centro, donde se puede facilitar su consulta. Trabajo Fin de Máster COMINCREA* 2013 - 2014 A mi familia, Ucrania y a él, que amo tanto Quisiera agradecer a mi familia que me inspira, apoya y nunca pierde la fe en mí. Gracias a las dos Anas, a mis dos hermanas que llenan mi vida y me ayudan a sentirla con cada célula de mi cuerpo. Gracias a mi tierra natal, Ucrania, que me hizo así como soy ahora, que me ayuda siempre ir adelante hacia mis objetivos y nunca redirme. Gracias a él, una persona especial de mi vida, que me ayudó a encontrar mi punto de apoyo y con él ahora sé exactamente que un día moveré el mundo. Le agradezco muchísimo a mi quierido tutor, Juan Monserrat Gauchi. -
Gillian Laub CV 2021
Gillian Laub (b.1975, Chappaqua, New York) is a photographer and filmmaker based in New York. She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography, where her love of visual storytelling and family narratives began. Laub’s first monograph, Testimony (Aperture 2007), began as a response to the media coverage during the second Intifada in the Middle East, and a desire to create a dialogue between apparent enemies. This work is comprised of portraits and testimonies from Israeli Jews, Israeli Arabs, Lebanese, and Palestinians all directly and indirectly affected by the complicated geopolitical context in which they lived. Laub spent over a decade working in Georgia exploring issues of lingering racism in the American South. This work became Laub’s first feature length, directed and produced, documentary film, Southern Rites that premiered on HBO in May 2015. Her monograph, Southern Rites (Damiani, 2015) and travelling exhibition by the same title came out in conjunction with the film and are being used for an educational outreach campaign, in schools and institutions across the country. Southern Rites was named one of the best photo books of 2015 by TIME, Smithsonian, Vogue, LensCulture, and American Photo. It was also nominated for a Lucie award and Humanitas award. "Riveting...In a calm, understated tone, Southern Rites digs deep to expose the roots that have made segregated proms and other affronts possible. Southern Rites is a portrait of the inequities that lead to disaster on the streets of cities like Baltimore and Ferguson, Mo.” - The New York Times Laub has been interviewed on NPR, CNN, MSNBC, Good Morning America, Times Talks and numerous others. -
No Permanent Waves Bbbbbbbbbbbbbbbbbbbbbbb
No Permanent Waves bbbbbbbbbbbbbbbbbbbbbbb No Permanent Waves Recasting Histories of U.S. Feminism EDITED BY NANCY A. HEWITT bbbbbbbbbbbbbbbbbbbbbbb RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY, AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA No permanent waves : recasting histories of U.S. feminism / edited by Nancy A. Hewitt. p. cm. Includes bibliographical references and index. ISBN 978‒0‒8135‒4724‒4 (hbk. : alk. paper)— ISBN 978‒0‒8135‒4725‒1 (pbk. : alk. paper) 1. Feminism—United States—History. 2. First-wave feminism—United States. 3. Second-wave feminism—United States. 4. Third-wave feminism—United States. I. Hewitt, Nancy A., 1951‒ HQ1410.N57 2010 305.420973—dc22 2009020401 A British Cataloging-in-Publication record for this book is available from the British Library. This collection copyright © 2010 by Rutgers, The State University For copyrights to previously published pieces please see first note of each essay. Pieces first published in this book copyright © 2010 in the names of their authors. All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854‒8099. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Visit our Web site: http://rutgerspress.rutgers.edu Manufactured in the United States of America To my feminist friends CONTENTS Acknowledgments xi Introduction 1 NANCY A. HEWITT PART ONE Reframing Narratives/Reclaiming Histories 1 From Seneca Falls to Suffrage? Reimagining a “Master” Narrative in U.S. -
March/April 2017
Glen Cove Public Library Newsletter THE GLEN COVE PUBLIC LIBRARY ANNOUNCES March/April 2017 2017—2018 BUDGET VOTE AND TRUSTEE ELECTION TUESDAY, APRIL 4, 2017 The Glen Cove Public Library will present its annual budget to the citizens of Glen Cove for a vote on Tuesday, April 4th, 2017 in the Library’s Community Room. Polls will be open from 9am to 9pm. The public will also be asked to vote for one member of the five-member Library Board of Trustees for a five-year term. A hearing on the Library budget and a chance to meet the trustee candidates will be held in the History Room on Tuesday, March 21st at 7pm. All are encouraged to attend. Please visit our website at glencovelibrary.org to see upcoming events. Registration for programs requiring payment must be done in person at the Library. We encourage online registration for all other programs. Please register online through the Adult Services tab at www.glencovelibrary.org or call the Reference desk @ 516-676-2130. CELEBRATE LONG ISLAND READS! Celebrate National Library Week, April 9 - 15, by participating in the ever-popular Long Island Reads program. Long Island Reads is an Island-wide program that brings communities together through literature. Each year, everyone in Nassau and Suffolk Counties is encouraged to read and discuss the same book. THE SELECTION FOR LONG ISLAND READS 2017 IS DEAD WAKE, BY ERIK LARSON NORTH SHORE READS - AT THE SWAN CLUB - TUESDAY, APRIL 4, 7PM - 8:30PM Join us for North Shore Reads, an additional celebration of Long Island Reads, which brings the patrons of several neighbor- ing libraries together. -
FP 4.2 1984.Pdf (2.137Mb)
' a current listing of contents Volume 4, Number 2, 1984 Published by Susan Searing, Women's Studies Librarian-at-Large, University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263- 5754 a current listing of contents I Volume 4, Number 2, 1984 Periodical 1i terature i's the cuttinq edqe of women's scholars hi^, feminist theory, and much of women'; cuiture. Feminist periodicals: A Current Listinq of Contents is published by the Office of the Women's Studies Librarian-at-Large on a quarterly basis with the intent of increasina ~ublicawareness of feminist ~eriodicals. It is our ho~ethat Feminist 6ekiodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to pro- vide the requisite bib1 iographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through inter1 ibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials. ) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As pub1 ication schedules vary enormously, not every periodical wi 11 have table of contents pages reproduced in each issue of FP. The annotated l isting provides the fol lowing information on each journal : Year of first publication. Frequency of publication. U.S. -
Teaching Gender with Libraries and Archives the Power of Information
Teaching Gender with Libraries and Archives The Power of Information i5 Libraries 00 book.indb 1 2013.10.04. 9:49 Titles in the Series: 1. Teaching with Memories. European Women’s Histories in International and Interdisciplinary Classrooms 2. Teaching Gender, Diversity and Urban Space. An Intersectional Approach between Gender Studies and Spatial Disciplines 3. Teaching Gender in Social Work 4. Teaching Subjectivity. Travelling Selves for Feminist Pedagogy 5. Teaching with the Third Wave. New Feminists’ Explorations of Teaching and Institutional Contexts 6. Teaching Visual Culture in an Interdisciplinary Classroom. Feminist (Re)Interpretations of the Field 7. Teaching Empires. Gender and Transnational Citizenship in Europe 8. Teaching Intersectionality. Putting Gender at the Centre 9. Teaching “Race” with a Gendered Edge 10. Teaching Gender with Libraries and Archives The Power of Information Title 1 is published by ATHENA2 and Women’s Studies Centre, National University of Ireland, Gal- way; Titles 2–8 are published by ATHENA3 Advanced Thematic Network in Women’s Studies in Europe, University of Utrecht and Centre for Gender Studies, Stockholm University; Title 9-10 are jointly published by ATGENDER, The European Association for Gender Research, Edu- cation and Documentation, Utrecht and Central European University Press, Budapest. i5 Libraries 00 book.indb 2 2013.10.04. 9:49 Edited by Sara de Jong and Sanne Koevoets Teaching Gender with Libraries and Archives The Power of Information Teaching with Gender. European Women’s Studies in International and Interdisciplinary Classrooms A book series by ATGENDER ATGENDER. The European Association for Gender Research, Education and Documentation Utrecht & Central European University Press Budapest–New York i5 Libraries 00 book.indb 3 2013.10.04. -
Op in Vogue Elena Galleani D'agliano 2020
OP IN VOGUE ELENA GALLEANIELENA D’AGLIANO 2020 Op in Vogue Elena Galleani d’Agliano Op in Vogue Master Thesis by Elena Galleani d’Agliano Supervised by Jérémie Cerman Printed at Progetto Immagine, Torino MA Space and Communication HEAD Genève October 2019 Vorrei ringraziare il mio tutor Jérémie per avermi seguito in questi mesi, Sébastien e Laurence per il loro indispensabile aiuto al Musée des Arts Décoratifs, Oliver and Anna per avermi dato una mano con l’inglese, Alexandra e gli altri tutor per i loro incoraggiamenti e la mia famiglia per il loro instancabile supporto. 5 10 18 34 43 87 108 88 A glimse of the Sixties 90 The Optical Woman Portfolio 91 The diffusion of Architectural 64 prêt a porter Defining Op 44 The Guy visions in Mulas 18 92 Economic impli- fashion Bourdin’s elegance 67 Who are you, 34 Fashion pho- cations 11 Definition of The relation- 48 The youth quake William Klein? 21 tography in the 96 Basis for further Op Art according to Bailey Franco Rubar- ship with the Sixties 70 experimentations: 13 The influen- source 52 The female telli, the storyteller 36 Defining Op the Space Age Style ces Op art and emancipation throu- 74 Swinging with 27 photography 102 The heritage 108 Epilogue 14 Exhibitions its representation gh the lens of Hel- Ronald Traeger 83 Advertising mut Newton today 111 Bibliography and diffusion on Vogue 78 Others 57 Monumentality in Irving Penn 60 In the search of other worlds with Henry Clarke Prologue The Op Op Fashion Sociological Epilogue fashion photography implications 7 8 9 Prologue early sixty years ago, mum diffusion, 1965 and 1966. -
The Politics of Vision, Visibility, and Visuality in Vogue
Race as Aesthetic: The Politics of Vision, Visibility, and Visuality in Vogue Italia’s “A Black Issue” Character count (with spaces): 66,505 Character count (without spaces): 56,391 Introduction In July 2008, Vogue Italia, the least commercial of all Vogue editions, released “A Black Issue” (ABI) exclusively featuring black models as well as commentary on topics that would seemingly interest a black American audience (e.g., profiles of First Lady Michelle Obama, Spike Lee’s film Miracle at St. Anna, and pieces about Ebony and Essence magazines). All of the images were photographed in the United States yet represented a global production of black beauty, using models from the United States, Europe, and Latin America; American and European photographers; and an Italian magazine using English headings and Italian text. ABI quickly became the highest grossing issue of Vogue Italia. The first run of the July 2008 issue sold out in the United States and Britain, which led Vogue Italia to reprint several thousand copies for American and British audiences–it did not sell particularly well in Italy. This was the first time a Condé Nast magazine was reprinted to satisfy high demand. The issue provoked multiple conversations online and in print on the topic of race and racism in the fashion industry. Those who celebrated the issue praised its focus on positive representations in a world that so easily attaches to negative and stereotypical depictions of black women. In particular, the 1 magazine was heralded for shining a spotlight on the notion that beauty comes in various colors, shapes, and sizes.1 ABI also sparked controversy among detractors who spoke against the issue’s tokenism, which could be seen as a way to overlook the lack of diversity in the high fashion industry. -
Interweaving Dressmaking and Placemaking
RE (DIS) COVERING FASHION DESIGNERS Interweaving Dressmaking and Placemaking NAMKYU CHUN RE(DIS)COVERING FASHION DESIGNERS INTERWEAVING DRESSMAKING AND PLACEMAKING SUPERVISING PROFESSOR KIRSI NIINIMÄKI THESIS ADVISORS OLGA GUROVA, KIRSI NIINIMÄKI PRELIMINARY EXAMINERS MARILYN DELONG, PAMMI SINHA RE OPPONENT PAMMI SINHA (DIS) COVERING AALTO UNIVERSITY PUBLICATION SERIES DOCTORAL DISSERTATIONS 180/2018 FASHION AALTO UNIVERSITY SCHOOL OF ARTS, DESIGN AND ARCHITECTURE DEPARTMENT OF DESIGN AALTO ARTS BOOKS ESPOO, FINLAND SHOP.AALTO.FI DESIGNERS ©Namkyu Chun, 2018 Interweaving Dressmaking and Placemaking Graphic design: Patrícia Rezende Materials: Scandia Natural 115 g, Invercote Creato 300 g ISBN 978-952-60- 8188-5 (printed) ISBN 978-952-60- 8189-2 (pdf) ISSN 1799-4934 ISSN 1799-4942 (electronic) NAMKYU CHUN Unigrafia Helsinki 2018 4 5 For the people who have been singing ‘Bread and Roses’ 6 7 TABLE OF CONTENTS Acknowledgements 13 3. Weaving Narratives in Helsinki 61 Abstract 16 3.1. Two Inquiries and 62 Methodological Challenges 1. Introduction 18 3.2. The Context of Helsinki 67 2. Call for Rethinking the 25 Role of Fashion Designers 3.3. Substudy 1: Grounded Theory Strategy 75 2.1. The Condition of the Contemporary 28 3.3.1. Types of Grounded Theory 75 Fashion System 3.3.2. Implications of Grounded Theory 79 2.1.1. Contextualizing Fashion Design 29 3.3.3. Theoretical Sampling and Data Collection 80 2.1.2. Conceptualizing Fashion Designers 33 3.3.4. Coding Phases 85 2.2. Recovering the Meaning of 35 Fashion Design Profession 3.4. Substudy 2: Case Study Strategy 92 2.2.1. The Rise of the Design Profession 35 3.4.1. -
Like Minded, Educated Women – for Reforms
The Ladies of Langham Place • Growing sense of being victims of oppressive male domination • Motivated – like minded, educated women – for Reforms They met at Langham Place – to discuss the strategies of dealing with issues of… Education Employment Reforms of martial law At present put them in a state of dependency Submitted petitions signed by a large number of women Group included – women like – Emily Davies Barbara Smith Anna Jameson Elizabeth Gaskell Bessie Raynes Parker Used to write prolifically persistent outcry for their rights Barbara Smith and Bessie Raynes Parker – noted for their literary endeavour- wrote – A Brief Summary of the Laws of England Drew attention- not only to the inadequacy of the current legal machinery But threw light on its harshness and hostility to women Another contribution of Langham Ladies- With vigorous campaign The formation of the Married Women’s Property Committee in 1855 Barbara Smith attended – the first women’s convention in Seneca Falls, New York- 1848 The English women’s journal - another major step The society for Promoting the Employment of Women (SPEW) – another outcome Braches of SPEW – appeared outside London- continuing the momentum created by the movement Emily Davies and Elizabeth Garret – responsible for the establishment of more branches of SPEW Several Institutions – Queen’s College and Bedford College – offered higher education to women In 1862 - Emily Davies – got a committee established to persuade (influence, convince) Universities to allow women to appear for recently established -
GQ Italia Compie 15 ANNI
GQ Italia compie 15 ANNI Milano 7 ottobre - Con il numero 181, in edicola mercoledì 8, GQ Italia compie 15 anni. Come nell'ottobre del 1999 in copertina c'erano due delle popstar più celebri del momento, Sting e Madonna, così oggi - in due cover speciali distinte - ci sono i protagonisti di due delle serie tv di maggior successo degli ultimi, uno dei nuovi fenomeni più diffusi della cultura pop: Bryan Cranston, il Walter White di "Breaking Bad", e Kevin Spacey, il perfido Frank Underwood di "House of Cards". Molte cose sono accadute in questi 15 anni, intorno a GQ, e molte altre ne accadranno. GQ ha chiesto di raccontarle a scienziati, economisti, esperti di tecnologia e di politica internazionale. A questo numero hanno collaborato grandi firme come: Luigi Zingales, Stefano Boeri, Francesco Merlo, Federico Rampini, Roberto Cingolani, Niccolò Ammaniti, Marco Gregoretti, Giorgio Terruzzi, Darwin Pastorin. E grandi fotografi come Norman Jean Roy, Patrick Demarchelier, Terry Richardson, Peter Lindbergh e Paolo Pellegrin. "Quindici anni sono passati dall'uscita nelle edicole italiane del primo numero di GQ. E' un compleanno leggero leggero. Siamo ancora adolescenti, in fondo. E con questo tipo di sguardo puro abbiamo guardato al periodo storico tra il 1999 e il 2014, coinvolgendo analisti e penne eccellenti. Oltre a molti storici collaboratori della testata. Questo tempo a cavallo tra due secoli è stato un momento storico straordinario, che ha portato a una ridefinizione totale e progressiva della percezione del mondo, della vita quotidiana, delle emozioni e delle relazioni. E ha trasformato per sempre l'uomo, il maschio". Così Carlo Antonelli, direttore di GQ.