Māori Potential: Barriers to Creating Culturally-Responsive Learning Environments in Aotearoa/New Zealand: Te Timatanga O Te Ara – Kei Whea Te Ara?

Total Page:16

File Type:pdf, Size:1020Kb

Māori Potential: Barriers to Creating Culturally-Responsive Learning Environments in Aotearoa/New Zealand: Te Timatanga O Te Ara – Kei Whea Te Ara? Māori Potential: Barriers to Creating Culturally-Responsive Learning Environments in Aotearoa/New Zealand: Te Timatanga O Te Ara – Kei Whea Te Ara? Lesleigh Henderson Resource Teacher: Learning and Behaviour, Te Rohe Potae/The King Country ABSTRACT Key evidence underpinning Ka Hikitia draws on a huge range of research and literature.1 This New Zealand Education reforms aligned with Maori Education Strategy was evaluated and an raising M a ¯ori student success are yet to result in updated version, Ka Hikitia – Accelerating Success ¯ Maori students reaching their educational potential 2013–2017, is presently being introduced.2 As part (Howard, 2010; ERO, 2008; 2010). Why do many of this renewed strategy, the Measurable Gains New Zealand teachers struggle to create and Framework (MGF) will be used by the Ministry of deliver programmes which allow M a ¯ori learners Education to monitor progress in implementing to succeed as M a ¯ori? What barriers and enablers Ka Hikitia and annual reports of progress will be exist today in New Zealand classrooms which published. It is anticipated that this information impact on M a ¯ori success? The literature both will deliver better understanding about what works from New Zealand and internationally regarding for M a ¯ori learners so that continued progress can culturally-responsive practice is formidable in be strengthened and enhanced. Such evidence both its volume and scope. The M a ¯ori Education is eagerly awaited. Until these annual reports are Strategy, Ka Hikitia (Ministry of Education, 2008), made available, it may be profitable to consider the Registered Teacher Criteria (RTC) (New a range of reasons why, with all of the work Zealand Teachers’ Council, 2010) and the teacher done over the last two decades, and since the guidelines for cross-cultural competency, T a ¯taiako implementation of Ka Hikitia in 2008, many M a ¯ori (New Zealand Teachers’ Council, 2011) provide students in New Zealand schools are still suffering excellent underpinnings for reshaping New disappointing outcomes. Whilst accepting these Zealand education into a cross-culturally inclusive reasons are likely to include some factors which lie and effective environment. The RTC are explicit in beyond the influence of schools, let us think about the expectation that teachers will practise within the factors which teachers and schools do have cross-culturally competent paradigms. This article within their control. examines possible reasons why, in 2013, M a ¯ori students in New Zealand schools are often still not reaching their potential. ENABLERS There are many enablers to consider which have Position paper been identified in various ways by a range of researchers and educationalists (Bevan-Brown, Keywords: Culturally-responsive, Ka Hikitia, Ma ¯ori 2003; Bishop, O’Sullivan & Berryman, 2010; Cartledge, Gardner & Ford, 2008; Robinson, INTRODUCTION Hohepa & Lloyd, 2009; Shields, Bishop & Mazawi, 2005). These enablers make, I believe, the critical According to the Auditor-General, the current difference between success and failure when statistics for achievement suggest that although aspiring to achieve improved outcomes for M a ¯ori there is an improvement in M a ¯ori student learners. Enablers of teaching include professional achievement, significant numbers of M a ¯ori development which expand teacher capability students are still under-served by the education and result in increased tauira (student) M a ¯ori system in New Zealand, with a disproportionate outcomes. The involvement of wh a ¯nau and iwi amount leaving the schooling system without in education and their openness to learning from the qualifications they need (Auditor-General, educators, and educators’ openness to learning ¯ 2012). The Government introduced the Maori from wh a ¯nau and iwi are vital. Other enablers Education Strategy Ka Hikitia in 2008 (Ministry of recognise the professional learning and capability Education, 2008), recognising the need to improve of teachers and their ability to provide high-quality achievement outcomes for M a ¯ori students. The teaching as imperative. Professional leadership by Ministry of Education described the overarching strategic intent of Ka Hikitia as “M a ¯ori enjoying educational success as M a ¯ori.” 1 http://www.minedu.govt.nz/theMinistry/PolicyAndStrategy/KaHikitia/ KeyEvidence/KeyReferences.aspx 2 Detailed information about Ka Hikitia – Accelerating Success 2013–2017 can be found at http://www.minedu.govt.nz/theMinistry/ PolicyAndStrategy/KaHikitia.aspx 10 KAIRARANGA – VOLUME 14, ISSUE 2: 2013 principals and school leaders which is responsive, BARRIERS accountable and majorly centred on teaching and learning are further key enablers (Robinson, Assumptions Hohepa & Lloyd, 2009). Where schools are Such assumptions are detrimental to the achieving significant success for M a ¯ori students it improvement of present outcomes; assuming that is likely that enablers are present which support providing a resource will ensure the effective this success. Whilst implementing professional implementation of said resource presupposes that learning models which include guidelines for one knows how to get from ‘here’ to ‘there’. If effective teaching and learning, self-review and teachers and/or schools live in a mono-cultural school-wide reform can, and do, improve results. It world of their own cultural norms and values, how is my belief that where enablers, which are specific do they change thinking, awareness and ultimately for cross-cultural competence exist, the possibility practice? If we accept that most teachers would of sustainable change is enhanced. engage effectively with things M a ¯ori if they knew how, what motivation exists for teachers to begin It might be assumed that if the enablers which the challenging and unpredictable journey across improve outcomes are implemented then barriers the cultural divide which is New Zealand? (Harris, to progress will be overcome. Research-based 2013). interventions, initiatives and approaches such as Te Mana Korero, Te Kotahitanga and He Kakano (to Barriers were identified by analysis across the Best name a few) were all designed and implemented Evidence Synthesis3 and recognised the inequitable in New Zealand schools with significant yet nature of the education system performance for varying success (Bishop, 2011a). So with such M a ¯ori learners. Barriers included: clarification of causes and effects, the huge work put into suggestions for school self-review and Low inclusion of M a ¯ori themes and topics change (Bevan-Brown, 2003; Bishop, O’Sullivan & in English-medium education, fewer Berryman,2010) surely we could reasonably teacher-student interactions, less positive expect the dramatic improvement which still feedback, more negative comments eludes us? The Effective Teaching Profile from Te targeted to M a ¯ori learners, under- Kotahitanga is one example of a systematic and assessment of capability, widespread controlled attempt to affect school-wide reform of targeting of M a ¯ori learners with ineffective practice by teachers and school leaders (Bishop, or even counterproductive teaching O’Sullivan & Berryman, 2010). Yet with all these strategies (such as the ‘learning styles’ tools the results are still varying tremendously from approach), failure to uphold mana M a ¯ori school to school and indeed from classroom to in education, inadvertent teacher racism, classroom (Bevan-Brown, 2003; Bishop, 2011b; peer racism, mispronounced names and so ERO, 2008; 2010). on (Harker, 2006). Many learned people have eloquently described Disconnection with the M a ¯ori World and Lack of the key indicators for success required to manifest Basic Cross-cultural Skills indigenous potential and explicitly M a ¯ori potential If one cannot cross cultural norms and engage (Bevan-Brown, 2003; Bishop & Berryman, 2006; with an ‘other’ in a cultural partnership, it is Cartledge, Gardner & Ford, 2008; Smith, 1996). highly unlikely that the needed “wh a ¯nau and Here then is the challenge; whilst accepting that community engagement” (Durie, 2001) is going this rich range of academic thinking, both within to occur. No matter how adept in their discipline New Zealand and internationally, is accurate, a professional is, or how well they implement I suggest we also interrogate the continuing teaching and learning tools, without involvement unsatisfactory results for some simple explanations. in the dual cultural heritage of this land, they will In as much as research, Teachers’ Council not see the cultural differences, far less bridge professional standards and New Zealand education them to form healthy, effective relationships documents and legislation make specific what is with M a ¯ori learners and wh a ¯nau. The resulting needed, teachers cannot realistically be ignorant potential clash of cultural values creates a huge of expectations. Why, then, are some teachers barrier to establishing authentic relationships and schools finding it difficult to implement the (Cartledge, Gardner & Ford, 2008; Howard, 2010). concepts outlined within Ka Hikitia? Perhaps once Additionally, some teachers and school leaders the resources are made available it is assumed that do not see that it is their role or responsibility to those of us with little experience of the work through cultural norms which are not their M a ¯ori world will be able to apply these resources own (Bishop & Glynn, 2003) which leads us to the effectively. It is my belief that without support from point of discussion below. those
Recommended publications
  • Art's Histories in Aotearoa New Zealand Jonathan Mane Wheoki
    Art’s Histories in Aotearoa New Zealand Jonathan Mane Wheoki This is the text of an illustrated paper presented at ‘Art History's History in Australia and New Zealand’, a joint symposium organised by the Australian Institute of Art History in the University of Melbourne and the Australian and New Zealand Association of Art Historians (AAANZ), held on 28 – 29 August 2010. Responding to a set of questions framed around the ‘state of art history in New Zealand’, this paper reviews the ‘invention’ of a nationalist art history and argues that there can be no coherent, integrated history of art in New Zealand that does not encompass the timeframe of the cultural production of New Zealand’s indigenous Māori, or that of the Pacific nations for which the country is a regional hub, or the burgeoning cultural diversity of an emerging Asia-Pacific nation. On 10 July 2010 I participated in a panel discussion ‘on the state of New Zealand art history.’ This timely event had been initiated by Tina Barton, director of the Adam Art Gallery in the University of Victoria, Wellington, who chaired the discussion among the twelve invited panellists. The host university’s department of art history and art gallery and the University of Canterbury’s art history programme were represented, as were the Museum of New Zealand Te Papa Tongarewa, the City Gallery, Wellington, the Govett-Brewster Art Gallery, New Plymouth, the Dunedin Public Art Gallery and the University of Auckland’s National Institute of Creative Arts and Industries. The University of Auckland’s department of art history1 and the University of Otago’s art history programme were unrepresented, unfortunately, but it is likely that key scholars had been targeted and were unable to attend.
    [Show full text]
  • REFEREES the Following Are Amongst Those Who Have Acted As Referees During the Production of Volumes 1 to 25 of the New Zealand Journal of Forestry Science
    105 REFEREES The following are amongst those who have acted as referees during the production of Volumes 1 to 25 of the New Zealand Journal of Forestry Science. Unfortunately, there are no records listing those who assisted with the first few volumes. Aber, J. (University of Wisconsin, Madison) AboEl-Nil, M. (King Feisal University, Saudi Arabia) Adams, J.A. (Lincoln University, Canterbury) Adams, M. (University of Melbourne, Victoria) Agren, G. (Swedish University of Agricultural Science, Uppsala) Aitken-Christie, J. (NZ FRI, Rotorua) Allbrook, R. (University of Waikato, Hamilton) Allen, J.D. (University of Canterbury, Christchurch) Allen, R. (NZ FRI, Christchurch) Allison, B.J. (Tokoroa) Allison, R.W. (NZ FRI, Rotorua) Alma, P.J. (NZ FRI, Rotorua) Amerson, H.V. (North Carolina State University, Raleigh) Anderson, J.A. (NZ FRI, Rotorua) Andrew, LA. (NZ FRI, Rotorua) Andrew, LA. (Telstra, Brisbane) Armitage, I. (NZ Forest Service) Attiwill, P.M. (University of Melbourne, Victoria) Bachelor, C.L. (NZ FRI, Christchurch) Bacon, G. (Queensland Dept of Forestry, Brisbane) Bagnall, R. (NZ Forest Service, Nelson) Bain, J. (NZ FRI, Rotorua) Baker, T.G. (University of Melbourne, Victoria) Ball, P.R. (Palmerston North) Ballard, R. (NZ FRI, Rotorua) Bannister, M.H. (NZ FRI, Rotorua) Baradat, Ph. (Bordeaux) Barr, C. (Ministry of Forestry, Rotorua) Bartram, D, (Ministry of Forestry, Kaikohe) Bassett, C. (Ngaio, Wellington) Bassett, C. (NZ FRI, Rotorua) Bathgate, J.L. (Ministry of Forestry, Rotorua) Bathgate, J.L. (NZ Forest Service, Wellington) Baxter, R. (Sittingbourne Research Centre, Kent) Beath, T. (ANM Ltd, Tumut) Beauregard, R. (NZ FRI, Rotorua) New Zealand Journal of Forestry Science 28(1): 105-119 (1998) 106 New Zealand Journal of Forestry Science 28(1) Beekhuis, J.
    [Show full text]
  • A Tour of Christchurch New Zealand Aotearoa & Some of the Sights We
    Welcome to a Tour of Christchurch New Zealand Aotearoa & some of the sights we would have liked to have shown you • A bit of history about the Chch FF Club and a welcome from President Jan Harrison New Zealand is a long flight from most large countries New Zealand is made up of two main islands and several very small islands How do we as a country work? • NZ is very multi cultural and has a population of just over 5 million • About 1.6 M in our largest city Auckland • Christchurch has just on 400,000 • Nationally we have a single tier Government with 120 members who are elected from areas as well as separate Maori representation. • Parliamentary system is based on a unitary state with a constitutional monarchy. How has Covid 19 affected us? • Because of being small islands and having a single tier Govt who acted very early and with strong measures Covid 19, whilst having had an impact on the economy, has been well contained • We are currently at level 1 where the disease is contained but we remain in a state of being prepared to put measurers in place quickly should there be any new community transmission. • There are no restrictions on gathering size and our sports events can have large crowds. • Our borders are closed to general visitor entry. • We are very blessed South Island Clubs Christchurch Christchurch Places we like to share with our visiting ambassadors First a little about Christchurch • Located on the east coast of the South Island, Christchurch, whose Maori name is Otautahi (the place of tautahi), is a city of contrasts.
    [Show full text]
  • Volume 26 | Number 1 | 2014
    Pacific-AsianVolume Education 26 –| Vol.Number 26, No. 1 11 | 2014 Pacific-Asian Education The Journal of the Pacific Circle Consortium for Education Volume 26, Number 1, 2014 ISSUE EDITOR Elizabeth Rata, The University of Auckland EDITOR Elizabeth Rata, School of Critical Studies in Education, Faculty of Education, The University of Auckland, New Zealand. Email: [email protected] EXECUTIVE EDITORS Kirsten Locke, The University of Auckland, New Zealand Elizabeth Rata, The University of Auckland, New Zealand Alexis Siteine, The University of Auckland, New Zealand CONSULTING EDITOR Michael Young, Institute of Education, University of London EDITORIAL BOARD Kerry Kennedy, The Hong Kong Institute of Education, Hong Kong Meesook Kim, Korean Educational Development Institute, South Korea Carol Mutch, Education Review Office, New Zealand Gerald Fry, University of Minnesota, USA Christine Halse, University of Western Sydney, Australia Gary McLean,Texas A & M University, USA Leesa Wheelahan, University of Toronto, Canada Rob Strathdee, RMIT University, Victoria, Australia Xiaoyu Chen, Peking University, P. R. China Saya Shiraishi, The University of Tokyo, Japan Richard Tinning, University of Queensland, Australia Rohit Dhankar, Azim Premji University, Bangalore, India Airini, Thompson Rivers University, British Columbia, Canada ISSN 10109-8725 Pacific Circle Consortium for Education Publication design and layout: Halcyon Design Ltd, www.halcyondesign.co.nz Published by Pacific Circle Consortium for Education http://pacificcircleconsortium.org/PAEJournal.html Pacific-Asian Education Volume 26, Number 1, 2014 CONTENTS Articles The dilemmas and realities of curriculum development: Writing a social studies 5 curriculum for the Republic of Nauru Alexis Siteine Renewal in Samoa: Insights from life skills training 15 David Cooke and T.
    [Show full text]
  • New Zealand Wars Sources at the Hocken Collections Part 2 – 1860S and 1870S
    Reference Guide New Zealand Wars Sources at the Hocken Collections Part 2 – 1860s and 1870s Henry Jame Warre. Camp at Poutoko (1863). Watercolour on paper: 254 x 353mm. Accession no.: 8,610. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the New Zealand Wars in the 1860s and 1870s held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu.
    [Show full text]
  • New Zealand by Claire Bruell
    New Zealand by Claire Bruell ew Zealand is composed of two islands, the North Island century. Its website* lists a VHS Nand the South Island. The capital is Wellington, at the video 16 minutes “A Guide for foot of the North Island; the largest city is Auckland in the north New Readers” (VHS) available for of the North Island. Christchurch and Dunedin are the two major NZ$35 published 1996. This is an centers in the South Island. introduction to the reference and European explorers first came to New Zealand at the end of research service at Archives New the 18th century and a steady stream of traders, whalers, sealers Zealand Head Office in Wellington. and missionaries followed in the early nineteenth century. Regional offices in Auckland, Christchurch and Dunedin British rule was formalized by the Treaty of Waitangi signed are repositories for government archives originating within by both the native Maori and representatives of the Queen of these geographical areas. The head office in Wellington holds England in 1840. At this time, an estimated 1,200 Europeans lived records for that region as well as some that originate in other in the North Island and 200 lived in the South Island. Most of areas. the main cities were founded in the 1840s. A large number of The publication (1990) “Family History at National Archives” people came in the 1850s and 1860s, when gold was discovered by Bridget Williams describing records held by Archives NZ is in Coromandel and Thames in the North Island, and in Nelson, now out of print.
    [Show full text]
  • The Story of the Treaty Part 1 (Pdf
    THE STORY OF THE TREATY Introduction This is the story of our founding document, the Treaty agreement contained within it. At the outset it of Waitangi. It tells of the events leading up to the should be noted that, while the steps leading to the Treaty at a time when Mäori, far outnumbering Treaty are well known and have been thoroughly Päkehä, controlled New Zealand. It describes the studied, historians do differ in what they see as the The Treaty of Waitangi is New Zealand’s founding document. Over 500 Mäori chiefs and essential bargain that was struck between Mäori main developments and trends. Some historians, for representatives of the British Crown signed the Treaty in 1840. Like all treaties it is an exchange and the British Crown and what both sides hoped example, emphasise the humanitarian beliefs of the of promises; the promises that were exchanged in 1840 were the basis on which the British to obtain by agreeing to it. However, it does not tell 1830s; others draw attention to the more coercive Crown acquired New Zealand. The Treaty of Waitangi agreed the terms on which New Zealand the full story of what has happened since the signing aspects of British policy or take a middle course would become a British colony. of the Treaty in 1840: of the pain and loss suffered of arguing that while British governments were by Mäori when the Treaty came to be ignored concerned about Mäori, they were equally concerned This is one of a series of booklets on the Treaty of Waitangi which are drawn from the Treaty of by successive settler-dominated governments in about protecting the interests of Britain and British Waitangi Information Programme’s website www.treatyofwaitangi.govt.nz.
    [Show full text]
  • Ma19-Programme.Pdf
    Friday 24 May – Te Papa venues all day Friday 24 May – Te Papa venues all day Conference programme TIME SESSION VENUE TIME SESSION VENUE Angus, 12.30 – 1.30pm Lunch Oceania 7 – 8am ICOM AGM & Breakfast Te Huinga Centre Plenary: International Exhibitions discussing the Oceania Innovations Breakfast: 1.30 – 2.30pm exhibition with Adrian Locke, Linnae Pohatu Soundings Theatre Richard Foy Chair: Charlotte Davy James McLean (Curio) Rangimarie 1, 7.30 – 8.45am Laureen Jones (He Tohu) Te Huinga Centre Short Film: Ngā Taonga presents: Is this New Zealand? Andy Fenton (NZ Micrographic Services) 2.30 – 2.40pm (A view of multicultural Aotearoa through advertising). Soundings Theatre Hosted by Tui Te Hau Presented by Diane Pivac, Principal Curator. 8am Registration Opens Plenary: Ko Aotearoa Tēnei: Reflections A group of Museums Aotearoa 2019 conference speakers 2.40 – 3.30pm Soundings Theatre Options: and attendees offer reflections and thoughts on the past • Te Papa Insights (take a tour before the doors open) three days. Facilitated by MA Chair Courtney Johnston • Te Taiao walk-through with Susan Waugh • Hīnātore visit with Jessie Robieson Meet in Wellington 3.30 – 4pm Poroaki/Closing Soundings Theatre 9 – 10am • Collections walk-through with Stephanie Gibson Foyer 5pm onwards After Party & EMP Welcome NZ Portrait Gallery • Te Papa’s new, conceptual, masterplan with David Hebblethwaite & Puawai Cairns • Te Aka Matua with Martin Lewis 10 – 10.30am Kai timotimo/Morning Tea Oceania Breakout Sessions MA19 Brand Concept Decolonising Museums – Training for museum professionals An icon that references raranga traditions while visually With Linda Tyler, Te Ara Pourewa, Rose Ibbotson, Ngarino Soundings Theatre referencing the letters M & A.
    [Show full text]
  • Palmerston North Radio Stations
    Palmerston North Radio Stations Frequency Station Location Format Whanganui (Bastia Hill) Mainstream Radio 87.6 FM and Palmerston rock(1990s- 2018 Hauraki North (Wharite) 2010s) Palmerston Full service iwi 89.8 FM Kia Ora FM Unknown Unknown North (Wharite) radio Palmerston Contemporary 2QQ, Q91 FM, 90.6 FM ZM 1980s North (Wharite) hits ZMFM Palmerston Christian 91.4 FM Rhema FM Unknown North (Wharite) contemporary Palmerston Adult 92.2 FM More FM 1986 2XS FM North (Wharite) contemporary Palmerston Contemporary 93.0 FM The Edge 1998 Country FM North (Wharite) Hit Radio Palmerston 93.8 FM Radio Live Talk Radio Unknown Radio Pacific North (Wharite) Palmerston 94.6 FM The Sound Classic Rock Unknown Solid Gold FM North (Wharite) Palmerston 95.4 FM The Rock Rock Unknown North (Wharite) Palmerston Hip Hop and 97.0 FM Mai FM Unknown North (Wharite) RnB Classic Hits Palmerston Adult 97.8 FM The Hits 1938 97.8 ZAFM, North (Wharite) contemporary 98FM, 2ZA Palmerston 98.6 FM The Breeze Easy listening 2006 Magic FM North (Wharite) Palmerston North Radio Stations Frequency Station Location Format Radio Palmerston 99.4 FM Campus radio Unknown Radio Massey Control North (Wharite) Palmerston 104.2 FM Magic Oldies 2014 Magic FM North (Wharite) Vision 100 Palmerston 105.0 FM Various radio Unknown Unknown FM North (Kahuterawa) Palmerston Pop music (60s- 105.8 FM Coast 2018 North (Kahuterawa) 1970s) 107.1 FM George FM Palmerston North Dance Music Community 2XS, Bright & Radio Easy, Classic 828 AM Trackside / Palmerston North TAB Unknown Hits, Magic, TAB The Breeze Access Triple Access Community Nine, 999 AM Palmerston North Unknown Manawatu radio Manawatu Sounz AM Pop Palmerston 1548 AM Mix music (1980s- 2005 North (Kahuterawa) 1990s) Palmerston North Radio Stations New Zealand Low Power FM Radio Station Database (Current List Settings) Broadcast Area: Palmerston North Order: Ascending ( A-Z ) Results: 5 Stations Listed.
    [Show full text]
  • Our Wellington 1 April-15 June 2021
    Your free guide to Tō Tātou Pōneke life in the capital Our Wellington 1 April — 15 June 2021 Rārangi upoku Contents Acting now to deliver a city fit for the future 3 14 29 Kia ora koutou An important focus for the 2021 LTP is on Did you know you can… Planning for our future Autumn gardening tips This year will be shaped by the 2021 Long-Term infrastructure – renewing old pipes, ongoing Our contact details and Spotlight on the From the Botanic Garden Plan (LTP) and as such, is set to be a year of investment in resilient water and wastewater supply, and on a long-term solution to treat the helpful hints Long-Term Plan important, long-lasting, city-shaping decisions. 31 Every three years we review our LTP sludge by-product from sewage treatment. 5 16 Ngā huihuinga o te with a community engagement programme All this is expensive, and we’ve been Wā tākaro | Playtime Tō tātou hāpori | Our Kaunihera, ngā komiti me that sets the city-wide direction for the next working hard to balance what needs to be done with affordability. Low-cost whānau-friendly community ngā poari ā-hapori 10 years. It outlines what we will be investing in, how much it may cost, and how this will Your input into the LTP and planning for activities The life of a park ranger Council, committee and be funded. It provides guidance on how we Te Ngākau Civic Square, Let’s Get Wellington community board meetings 6 18 will make Wellington an even better place Moving and Climate Change will be critical in helping balance priorities and developing Pitopito kōrero | News Ngā mahi whakangahau 32 to live, work, play and visit as we go into the future.
    [Show full text]
  • Nga Pakanga O Aotearoa
    Beginnings - The New Zealand Wars were fought between 1845 and Nga Pakanga 1872. They were about who controlled the country and who owned the land. When Europeans arrived, Māori had already been in Aotearoa for more than five hundred years. New Zealand may have looked wild and uninhabited to the o Aotearoa first Europeans, but this was misleading. Every part of THE NEW ZEALAND WARS the country was divided among iwi, hapū, and whānau. In each place, someone had the right to grow kūmara, by Ross Calman gather fern-root, take birds or timber, or catch fish. Organised groups of settlers started arriving in New Zealand shortly after the Treaty of Waitangi was signed. Most of these people came from the British Isles in search of a better life. At first, they lived in a handful of small coastal towns: Auckland, Wellington, Whanganui, Nelson, and New Plymouth. Māori outnumbered Pākehā, and British power and influence over the country was limited. Then, less than five years after the treaty was signed, a Māori leader decided to put British power to the test. Kororāreka around 1835 (at the time, ▲ New Zealand’s largest European settlement) The Treaty of Waitangi ▼ In the nineteenth century, a handful of Māori tribes fought a series of wars against the might of the British Empire – the world’s largest superpower at the time. Although Māori were eventually defeated, the British didn’t always have it their own way. 10 1111 Timeline HŌne Heke Pōkai and the Flagpole: THE NORTHERN WAR (1845–46) u 6 FEBRUARY 1840: The Treaty of Waitangi is signed.
    [Show full text]
  • Arts and Culture Strategy
    WELLINGTON CITY COUNCIL ARTS AND CULTURE STRATEGY December 2011 Te toi whakairo, ka ihiihi, ka wehiwehi, ka aweawe te ao katoa. Artistic excellence makes the world sit up in wonder. 1. Introduction Wellington is a creative city that welcomes and promotes participation, experimentation and collaboration in the arts. It has a tolerant population that is passionate and inquisitive. We acknowledge the unique position of Māori as tāngata whenua and the Council values the relationship it has with its mana whenua partners. Much of what makes New Zealand art unique lies in what makes New Zealand unique – our indigenous culture. As the capital of New Zealand, we are the seat of government and home to an international diplomatic community that connects us to the world. Wellington provides tertiary training opportunities in all art forms; has the highest rate of attendance in cultural activities1. Wellington’s arts and cultural environment is a strongly interconnected weave of: arts organisations (of many sizes); individual arts practitioners; volunteers; audience members; the general public; funders/supporters; and industries such as film and media. Wellington is fortunate to be home to many leading arts organisations and businesses that deliver world class experiences, products and services; attract and retain talented people; and provide essential development and career pathways for arts practitioners in the city. However, the current financial environment and other factors are damaging our arts infrastructure as organisations face reduced income from sponsorship, community trusts, and in some cases, public funding. This is constraining their ability to develop and deliver to their full capability, and some organisations may struggle to survive long term.
    [Show full text]