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Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
Annual Report Scottsdale Cultural Council
2010-11ANNUAL REPORT SCOTTSDALE CULTURAL COUNCIL Scottsdale Center for the Performing Arts Scottsdale Museum of Contemporary Art Scottsdale Public Art VISION Excellence and innovation in the arts – for everyone. MISSION To serve Scottsdale residents, visitors, cultural institutions and artists by creating and advancing high-quality arts and cultural experiences and opportunities. VALUES SERVICE Leadership, transparency and responsiveness to the community. EXCELLENCE High standards in all that we do. DIVERSITY Programming, audiences, leadership and management that respect and reflect our communities. ACCOUNTABILITY Reliability and sustainability. INNOVATION Open to creative change and continuous improvement. INCLUSIVENESS Partnership and collaboration. UNDERSTANDING Education and participation in the arts. The Scottsdale Cultural Council, a private non-profit 501(c)(3) organization, is contracted by the City of Scottsdale, Ariz., to administer certain City arts and cultural projects and to manage the City-owned Scottsdale Center for the Performing Arts, Scottsdale Museum of Contemporary Art and Scottsdale Public Art. The programs of the Scottsdale Cultural Council are made possible, in part, by the support of members and donors and grants received from the Arizona Commission on the Arts through appropriations from the Arizona State Legislature and the National Endowment for the Arts. Cover: Soleri Bridge and Plaza Scottsdale Waterfront Commissioned by Scottsdale Public Art Photo: Bill Timmerman 2010-11 SCOTTSDALE CULTURAL COUNCIL ANNUAL -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Notable Comics from September 1, 2017, to August 31, 2018
Notable Comics from September 1, 2017, to August 31, 2018 Selected by Bill Kartalopoulos CHRISTOPHER ADAMS A. DEGEN Gustave Flaubert: Trois Contes. Soft X-Ray / Mindhunters. AEON MUTE ABRAHAM DíAz Untitled. Nausea. The Beginning. STEVE DITKO DEREK M. BALLARD #26. Choreograph, Volume One. D.R.T. JOSH BAYER Qoberious, Vol. 1. RM. G. W. DUNCANSON GABRIELLE BELL Yaffingale Iditarod. Were We Dating? Freaker Unltd #5. medium.com/spiralbound DW ALYSSA BERG Mountebank. No Man Is an Island. JESSICA EARHART BRIAN BLOMERTH Khloris, Issue 3. Alphabet Junction. THEO ELLSWORTH vice.com The Murders in the Rue Morgue. JENNIFER CAMPER The Graphic Canon of Crime & Mystery, Vol. 1. Boys Will Be Boys. AUSTIN ENGLISH The Believer #118. The Enemy from Within. EMILY CARROLL & INES ESTRADA LAURIE HALSE ANDERSON Alienation #6. Speak. EDIE FAKE GENEVIÈVE CASTRÉE Gaylord Phoenix, Issue 8. A Bubble. JULES FEIFFER ANGELA CHEN The Ghost Script. Diary comics. GG instagram.com/angelafanche2 I’m Not Here. CHRIS CILLA ROLANDE GLICENSTEIN Blue Onion #1. Uncovering Walter Benjamin, Vols. I & II. JORDAN CRANE LEIF GOLDBERG Keeping Two, Part Six. Lost in the Fun Zone. FAREL DALRYMPLE ALEX GRAHAM Proxima Centauri #1–3. Cosmic BE-ING #6. MICHAEL DEFORGE VERONICA GRAHAM Rhode Island Me. Cold Snaps: Weather Reports, Vol. 2. A Western World. 371 BA_COMICS_2019_06_EM_369-378_final.indd 371 7/3/19 5:14 PM JAIME HERNANDEZ ADAM MEUSE The Dragon Slayer: Taking Up Space. Folktales from Latin America. HAYLEY DAWN MUIR JENNIFER L. HOLM & MATTHEW HOLM one is all, all is one. Swing It, Sunny. The Beginning. KEVIN HOOYMAN ROMAN MURADOV Mr. Meow. -
About Heritage Auctions Features
COMICS & COMIC ART Maximize your results through Heritage Auctions! 2 2 3 3 4 4 1 5 5 WHY CONSIGN YOUR COLLECTION WHAT SETS HERITAGE TO HERITAGE AUCTIONS? AUCTIONS APART? You’ve spent years, even decades, putting your collection together, and maybe the time has come to sell. Or perhaps you’ve inherited some items as part of an estate. Whatever your situation, whatever your reason, you have one goal: to realize the very best price for every piece. OUR MISSION — Our mission is to be the world’s most trusted Heritage Auctions, the world’s third largest auction house, can help you accomplish that goal. and efficient marketplace and information resource serving owners of fine art, vintage collectibles and other precious objects. YOUR CONSIGNMENT DECISION Our knowledgeable staff and suite of auction tools help our clients assemble the best collections possible using the latest technological advancements – far Heritage Auctions knows that educating yourself is the most important step in the process of and away the best in the business – that ultimately enhance the personal and selecting your auctioneer, and we want to make sure you have all the tools you need to make financial well-being of our consignors. an educated decision. Examine the advantages that Heritage offers, and you will learn how we continually achieve some of the highest prices in the marketplace. EXPERIENCE — Heritage Auctions has presented more than 9,300 successful auctions, selling more than $873 million in 2020. More than 336,000 Your consignment is welcome, no matter the size, whether it is an entire collection or a single consignments have been sold successfully, with full, timely payment to every valuable piece. -
Celebrating the 10Th Anniversary of 516 ARTS OCT 2016 – JAN 2017
Celebrating the 10th anniversary of 516 ARTS OCT 2016 – JAN 2017 TOM JOYCE New Mexico Penumbra XXVI 2016 charred drawing on wood fiber Detail Installation view TOM JOYCE New Mexico Penumbra XXVI 2016 charred drawing on wood fiber Created specifically for DECADE, this Penumbra is the largest of an ongoing series of process driven transfer drawings made by pressing glowing hot, raw forged, machine parts onto recycled wood-fiber boards. The seared shadows in these 30 panels record industrially produced forms made in one of the largest forging facilities in the U.S. where Joyce generates his worK several times a year. These impressions offer a rare glimpse of an astonishing array of technologically diverse parts literally “hot off the press” in the factory. Respectful of a confidentiality agreement he signed 11 years ago when initiating an agreement to gain access to the plant to begin forging sculptures there in 2005, Joyce has chosen to represent graphic abstractions of these projects branded upon the drawing boards, leaving their marK just before being set in a cooling pit to anneal. All of the components, many strategically classified in nature, are now deployed in the world performing an indispensable tasK in space, on land and in the sea. Tom Joyce’s worK was presented by 516 ARTS in our inaugural exhibition GREEN (2006). Tom Joyce and assistants maKing Penumbra XXVI Tom Joyce and assistants maKing Penumbra XXVI Tom Joyce and assistants maKing Penumbra XXVI Artist Tom Joyce and his assistant install Penumbra XXVI at 516 ARTS TOM JOYCE (New Mexico) Core Negative I, 2013-2015 Core V, 2013-2015 cast iron, burnished finish (steel cast iron, burnished finish (steel filings from projects 1977-present) filings from projects 1977-present) Core V and Core Negative I are mirrored pairs of positive and negative realizations of intersecting corridors turned inside out, through which molten iron is allowed to flow liKe water, seeKing its own level to fill the complex chambers. -
S18-FANTAGRAPHICS.Pdf
SUMMER 2018 SUMMER 2018 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 the World’sG reatest customer service: 800-657-1100 her of Cart [email protected] • www.fantagraphics.com is oo Publ nists Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book specialty United States by: market by Diamond Comics Distribu- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd tors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre Also available via Last Gasp Books New York, NY 10110 102-0082 Tokyo Singapore 536196 (www.lastgasp.com). Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 For information on distribution Tel: (81) 90 3962 4650 Order Dept. Tel.: 800-233-4830 email: [email protected] elsewhere, please contact Martin Bland. email: [email protected] Order Dept. Fax: 800-458-6515 email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, Special Sales Dept.: Myanmar: General Inquiries 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Sales & Distribution Martin Bland B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Publicity & Marketing Jacq Cohen Sec. 4, Taipei 100 Amphur Muang [email protected] -
Gothic Genesis 6.5 MB
Mythos #3 Winter, 2019 In the beginning…Bob created the Batman. But, Batman was battle against the evil forces of society…his identity remains un- unformed and unfinished. And so, Bob brought his new creation known.” 2 This was a basic detective murder mystery thriller, in to his writer-friend Bill, who looked upon Batman and pondered which Batman tracked down a corporate criminal named Alfred the potential and possibilities of what could be. Bill suggested Stryker, who schemed to murder his two partners in the Apex Majestic and grandiose are the two terms by which I would Batman truly was. Like the Dark Knight, his influential and some adjustments and alterations inspired by the bat motif, Chemical Corporation before he would have to buy them out. personally describe the remarkable talent of maestro scribe, inspiring work has been mantled in the mists of mystery and which Bob incorporated into Batman’s unique and uncanny In the climatic scene, Batman punched Stryker so powerfully Gardner Francis Fox. For the most part, his life, his vast myth since the genesis of the character. For Gardner was image. Bob and Bill looked upon their collaborative effort and that the blow caused him to break through the protective railing mind-boggling body of work, and perhaps most importantly right there, front and center from nearly the very beginning, behold, Batman was very good! Bob presented Batman to and fall into a tank of acid. Finger’s second effort in Detec- of all, his immeasurable influence upon the wild and wacky taking over the script writing duties from Bill Finger as early as DC Comics’ senior editor Vincent A. -
Star Wars © 2012 Lucasfilm Ltd
THE RETRO COMICS EXPERIENCE! 1 2 A pril 20 .55 No 5 $ 8 . 9 l l l l A A . 2 2 ™ ™ 1 1 0 0 & & 2 2 . d d © © t t L L s s r r m m a a l l i i f f W W s s a a r r c c a a t t u u L L S S STARat D arWk HorAse CRomiScs! 3 0 8 2 6 7 7 2 8 5 6 LICENSED COMICS ISSUE: Indiana Jones • Edgar Rice Burroughs—Beyond Tarzan • Man from Atlantis 2 8 and an interview with Carol Serling, wife of “Twilight Zone” creator Rod Serling 1 Volume 1, Number 55 April 2012 Celebrating the Best The Retro Comics Experience! Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Brian Koschack COVER COLORIST Dan Jackson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Allie Karl Kesel . BACK SEAT DRIVER: Editorial by Michael Eury . .2 ™ Kevin J. Anderson Dave Land & Michael Aushenker Rick Leonardi . d FLASHBACK: Edgar Rice Burroughs’ Weird Worlds . .3 t L Jeremy Barlow Lucasfilm m l i Wolfman, Kaluta, and Weiss recall their DC Comics journeys to Barsoom, Venus, and beyond f Mike Baron Pop Mahn s a c Mike W. Barr Ron Marz u L BEYOND CAPES: John Carter Lives! . .11 2 Haden Blackman Bob McLeod 1 0 Monthly adventures on Barsoom in Marvel Comics’ John Carter, Warlord of Mars 2 Eliot R. Brown David Michelinie © . Jarrod and Allen Milgrom s n BACKSTAGE PASS: Who Shot Down Man from Atlantis ? . -
Transdisciplinary Image Conference Proceedings
THE FIRST INTERNATIONAL CONFERENCE ON TRANSDISCIPLINARY IMAGING AT THE INTERSECTIONS BETWEEN ART, SCIENCE AND CULTURE New Imaging: Transdisciplinary strategies for art beyond the new media Conference Proceedings Edited by: Associate Professor Su Baker and Associate Professor Paul Thomas Edited by Su Baker Victorian College of the Arts Paul Thomas University of New South Wales Publication Compiled by Julian Stadon Curtin University Review Panel: Ross Harley, Julian Stadon, Brogan Bunt, Leon Marvel, Ted Colless, Mark Titmarsh, Brad Buckley, Daniel Mafe, Brogan Bunt, Kathy Cleland, Justin Clemens, Lloyd Barret, Erica Seccombe, Ernest Edmonds, Martyn Jolly, Julian Goddard, Petra Gemeinboek, David Thomas Published by Transdisciplinary Imaging Conference 2010 Sydney, Australia ISBN: 978-0-9807186-6-9 ISBN Agency – Thorpe Bowker Level 1, 607 St Kilda Rd Melbourne VIC 3004 Supported By Partners Sponsors 2010. All papers copyright the authors 1 INTRODUCTION ....................................................................... 4 The Un-paintable Image: Gerhard Richter, Ethics and Representation 5 Darryn Ansted Curtin University of Technology ..................................... 5 Visualising Matter and Cosmologies: An Example Based on a Transhistorical Approach ........................................................................15 Lucia Ayala Humboldt University of Berlin / Granada University ..........15 Dr. Jaime E. Forero-Romero Cosmology Group, Astrophysical Institute Potsdam ...................................................................................................15