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Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
Bachelorarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver der Hochschule Mittweida BACHELORARBEIT Frau Annett Petzold Digital Effects in Spielfilmen 2016 Fakultät Medien BACHELORARBEIT Digital Effects in Spielfilmen Autor: Frau Annett Petzold Studiengang: Medientechnik (Ba. Eng.) Seminargruppe: MT12F-B Erstprüfer: Professor Doktor-Ingenieur Robert J. Wierzbicki Zweitprüfer: Master of Science Rika Fleck Einreichung: Mittweida, 08.01.2016 Faculty of Media BACHELOR THESIS Digital Effects in Feature Films author: Ms. Annett Petzold course of studies: Media Engineering seminar group: MT12F-B first examiner: Professor Doctor-Engineer Robert J. Wierzbicki second examiner: Master of Science Rika Fleck submission: Mittweida, 08.01.2016 IV Bibliografische Angaben: Nachname, Vorname: Digital Effects in Spielfilmen: Werden Spezialeffekte in Zukunft nur noch digital umgesetzt? Digital Effects in Feature Films: Are there going to be only computer- generated effects in the future? 2016 - 69 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2016 Abstract Ziel dieser Arbeit ist es, den aktuellen Einsatz von Filmeffekten im Spielfilmbereich zu untersuchen und mit Hilfe der Ergebnisse auf zukünftige Entwicklungen zu schließen. Im Fokus des Forschungsinteresses steht dabei die Frage, ob Digital Effects das Potential besitzen, den Gebrauch traditioneller Special Effects auf lange Sicht in Spielfilmproduktionen zu ersetzen. Diese Untersuchungen -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
ASC History Timeline 1919-2019
American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC. -
BLADE II Yacht Charter Price
BLADE II Yacht Charter Details for 'Blade II', the 44m Superyacht built by MMGI Shipyard SPECIFICATIONS ACCOMMODATION CHARTER RATES LENGTH GUESTS CABINS CREW SUMMER 44m / 144'4 from €125,000 / week + expenses BEAM DRAFT 10 5 8 8m / 26'3 1.5m / 4'11 WINTER from CABIN CONFIGURATION YEAR REFIT $125,000 / week + expenses 2009 2016 1 Master 3 VIP 1 Twin Details correct as of 29 Sep, 2021 CRUISING SPEED 12 Knots FOR MORE INFORMATION: or SCAN QR CODE www.YachtCharterFleet.com The World's Leading Luxury Yacht Charter Guide MORE PHOTOS, VIDEO OR INTERACTIVE DECK PLANS: This document is not contractual. The yacht charters and their particulars displayed in the results above are displayed in good faith and whilst believed to be correct are not guaranteed. YachtCharterFleet.com does not warrant or assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information and/or images displayed. All information is subject to change without notice and is without warranty. Your preferred charter broker should provide you with yacht specifications, brochure and rates for your chosen dates during your charter yacht selection process. Starting prices are shown in a range of currencies for a one-week charter, unless otherwise indicated. The World's Leading Luxury Yacht Charter Guide BLADE II YACHT CHARTER Superyacht BLADE II was built in 2009 by MMGI Shipyard. She is a 44m / 144'4 Custom motor yacht with exterior design by A Lab and interior styling by Michela Reverberi . Blade II offers accommodation for up to 10 guests in 5 cabins with additional room for her crew of 8. -
The Passage,” We Make ‘The Passage’ Premiering Monday Customizing on Fox
6895 & 6901 Gilda Ct - Keystone Heights $64,000 Lime rock easement, total 5 Introducing our NEW acres with 2 set ups, 2 septic 54' Large Format tanks and 1 well. Travel trailer HP 315 Latex Printer on 1.25 acres you can live in Marketing every property while you build your home or Bigger, Faster & As if it were our own. manufactured home, or build Your Full Service Print Shop! Better Quality! • RESIDENTIAL • on the 3.75 acres in the back Business Cards Flyers Brochures T-Shirts Banners • COMMERCIAL • and rent out the front acreage. Bindery Envelopes Graphic Design..... and much more! Buying • Selling • Renting Would be perfect for 2 family’s wanting to live close together. Owner wants ALL sold as one and together. Includes 2 power poles, mailbox, 2 septics 1857 Wells Road, Suite 1 A&B Orange Park, FL 32073 (904) 282-0810 www.sirspeedyop.com [email protected] one well, pump house, shed, picnic table and travel trailer. Perfect for a nice Phone: 904-269-5116 RealtyMastersInc.com camping retreat as well. 2 x 2” ad 2 x 2” ad SALES PARTS Thursday, January 10, 2019 SERVICE Mark-Paul Gosselaar stars in “The Passage,” We make premiering Monday ‘The Passage’ customizing on Fox. your turns a series of cart easy. 904-214-3723 novels into a TV 2581-A Blanding Blvd. series Middleburg, FL 32068 MyCustomCart.com 1 x 5” ad FISH CAMP The REAL RESTAURANT Fish Camp! Whitey’s& CAMPGROUND Family OwnedO & &O Operated Since 1963 see what o Come ld Florida is all out ackle • Boat Ren ab t it • T tals • RV Pa ran Ba rk • Full Service Restau 203220 CR 220 • South of Orange Park • 904-269-4198 •whiteysfi shcamp.com4 x 3” ad Mankind’s fate may rest BY JAY BOBBIN BY GEORGE DICKIE with one youngster in Checking in with ‘The Passage’ The “Passage” in the title of a Anarchy”), Emmanuelle Chriqui DAVID MAZOUZ new series could refer to a young (“Entourage”) and Henry Ian Cusick character’s rite of passage, but it (“Lost,” “The 100”) also are among actually means more than that. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Animation 1 Animation
Animation 1 Animation The bouncing ball animation (below) consists of these six frames. This animation moves at 10 frames per second. Animation is the rapid display of a sequence of static images and/or objects to create an illusion of movement. The most common method of presenting animation is as a motion picture or video program, although there are other methods. This type of presentation is usually accomplished with a camera and a projector or a computer viewing screen which can rapidly cycle through images in a sequence. Animation can be made with either hand rendered art, computer generated imagery, or three-dimensional objects, e.g., puppets or clay figures, or a combination of techniques. The position of each object in any particular image relates to the position of that object in the previous and following images so that the objects each appear to fluidly move independently of one another. The viewing device displays these images in rapid succession, usually 24, 25, or 30 frames per second. Etymology From Latin animātiō, "the act of bringing to life"; from animō ("to animate" or "give life to") and -ātiō ("the act of").[citation needed] History Early examples of attempts to capture the phenomenon of motion drawing can be found in paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting Five images sequence from a vase found in Iran to convey the perception of motion. A 5,000 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat painted along the sides. -
STARSHIP TROOPERS' TUESDA Y, NOVEMBER the Fur Fly: Computer Graphics
+]O).][ The Newsletter of the Los Angeles Chapter of ACM/SIGGAAPH November 1997 o o o o INSIDE! o· L.A. S/GGRAPH PRESENTS AN EVENING WITH o o • Upcoming Conference.s Page3 : SON Y PIC T U RES 1M AGE W 0 R K S o o Upcoming Meettngs FEATURING A SPECIAL SCREENING OF • TuesdaY,December 16, 1997 LASIGGRAPH Chapter meeting: Let STARSHIP TROOPERS' TUESDA Y, NOVEMBER the Fur Fly: Computer graphics . 11 TH, experts explore the process of creating The Program and pay the $25 annual membership fee (checks or fur and other organic materials. .. cash only) do not have to pay the $5 registration fee. 7:00 Doors-Open (Pnontyentryformembers) . • Call the SIGPHONE, 310-288~1l48 7:30 Presentation and Screening" The Event For recorded information on the time The L:ocation Sony Pictures Imageworks is pleased to host the and location of our next meeting. ' November L.A. SIGGRAPH meeting and' present a spe- Mann National Theater Announcements cial screening of the Tristar Pictures and Touchstone 1Q925 Undbrook at.Gayley in Westwood Pictures production of Paul Verhoeven's Starship ~ • Dimension Advertising Specs: Directions Troopers. The screening, which will take place at the National Theater in Westwood, will be preceded by a $5 per line ( :..70 char/line) From the 405 freeway exit Wilshire East; continue east brief presentation by Imageworks arti,sts. ~ 1/4 Page (3.75" x 4.7S") $50 on Wilshire to Gayley, then turn left. 112Page (7.5" x 4.75") $100 Scope, Scale and Detail Mark EpiC;Space Battles Full Page-(7.S" x 98') -~$200 Parking Accepted Media and Formats: Parking is$5 at UCLA's lot 32 on Kinross, one block Floppy, e-mail (<lOMB»)ip,Jaz, north of the Mann National, turn left on Kinross. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.