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Pyramid Volume 3 in These Issues (A Compilation of Tables of Contents and in This Issue Sections) Contents Name # Month Tools Of
Pyramid Volume 3 In These Issues (A compilation of tables of contents and In This Issue sections) Contents Name # Month Name # Month Tools of the Trade: Wizards 1 2008-11 Noir 42 2012-04 Looks Like a Job for… Superheroes 2 2008-12 Thaumatology III 43 2012-05 Venturing into the Badlands: Post- Alternate GURPS II 44 2012-06 3 2009-01 Apocalypse Monsters 45 2012-07 Magic on the Battlefield 4 2009-02 Weird Science 46 2012-08 Horror & Spies 5 2009-03 The Rogue's Life 47 2012-09 Space Colony Alpha 6 2009-04 Secret Magic 48 2012-10 Urban Fantasy [I] 7 2009-05 World-Hopping 49 2012-11 Cliffhangers 8 2009-06 Dungeon Fantasy II 50 2012-12 Space Opera 9 2009-07 Tech and Toys III 51 2013-01 Crime and Grime 10 2009-08 Low-Tech II 52 2013-02 Cinematic Locations 11 2009-09 Action [I] 53 2013-03 Tech and Toys [I] 12 2009-10 Social Engineering 54 2013-04 Thaumatology [I] 13 2009-11 Military Sci-Fi 55 2013-05 Martial Arts 14 2009-12 Prehistory 56 2013-06 Transhuman Space [I] 15 2010-01 Gunplay 57 2013-07 Historical Exploration 16 2010-02 Urban Fantasy II 58 2013-08 Modern Exploration 17 2010-03 Conspiracies 59 2013-09 Space Exploration 18 2010-04 Dungeon Fantasy III 60 2013-10 Tools of the Trade: Clerics 19 2010-05 Way of the Warrior 61 2013-11 Infinite Worlds [I] 20 2010-06 Transhuman Space II 62 2013-12 Cyberpunk 21 2010-07 Infinite Worlds II 63 2014-01 Banestorm 22 2010-08 Pirates and Swashbucklers 64 2014-02 Action Adventures 23 2010-09 Alternate GURPS III 65 2014-03 Bio-Tech 24 2010-10 The Laws of Magic 66 2014-04 Epic Magic 25 2010-11 Tools of the -
The Wandering Caveman
TTHHEE MMYYSSTTEERRYY OOFF TTHHEE WWAANNDDEERRIINNGG CCAAVVEEMMAANN M. V. Carey 1 | P a g e Chapter 1 The Stranger in the Fog “ARE YOU ALL RIGHT ?” said a woman’s voice. Jupiter Jones stood still and listened. The afternoon was thick with fog. Fog muffled the noise of the traffic on the Pacific Coast Highway. It hung like a curtain between The Jones Salvage Yard and the houses across the street. It seemed to press in on Jupe. He felt cold and lonely, as if he were the only person in all the world. But someone had spoken, and now there were footsteps. Outside, just beyond the gates of the salvage yard, someone was walking. Then a man spoke, and two people appeared, moving like shadows in the grey light. The man was bent over, and as he walked his feet made slow, scuffling noises on the pavement. The woman was girlish and thin, with long, fair hair that hung straight about her face. “Here’s a bench,” she said, and she guided the man to a seat near the office. “You rest a minute. You should have let me drive. It was too much for you.” “Can I help?” Jupe moved closer to the pair. The man put a hand to his head and looked around in a dazed fashion. “We’re looking for . for . .” He caught at the young woman’s hand. “You do it,” he said. “Find out where we . where we . .” “Harbourview Lane,” said the young woman to Jupe. “We have to go to Harbour- view Lane.” “It’s down the highway and off Sunset,” said Jupe. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
MARTHA Mccaughey Chapell Wilson Hall Appalachian State
Martha McCaughey • Curriculum Vitae • 2020 • Page 1 MARTHA McCAUGHEY Professor, Dept. of Sociology Chapell Wilson Hall Email: [email protected] Appalachian State University Boone, NC 28608 University of California, Santa Barbara EDUCATION Ph.D. in Sociology, 1995 Doctoral Emphasis in Women's Studies, 1995 University of California, Santa Barbara M.A. in Sociology, 1991 Appalachian State University, Boone, NC Graduate Certificate in Expressive Arts Therapy, 2017 University of Michigan, Ann Arbor B.A. cum laude in Sociology, 1988 PROFESSIONAL PROFILE Innovative scholar specializing in gender, technology, violence, and privacy with record of excellence across communications platforms. Proven record of effective administrative leadership in campus-wide academic programs including Women’s Studies, First Year Seminar, and Common Reading Program, and on a variety of Task Forces including Online and Distance Education, Faculty Handbook, Interpersonal Violence Council, Student Success Team, General Education Council, and Academic Policies Committee. Excellent communication and project management skills. Recognized as fostering collegial relationships and shared governance. Passion for creative approaches to institutional challenges and opportunities. Experienced supervisor of faculty and leader of faculty development initiatives. Wide-ranging teaching experience in sociology, gender studies, science and technology studies, interdisciplinary studies, and expressive arts— undergraduate and graduate levels, face-to-face and online. Author of multiple books and articles. AREAS OF SPECIALIZATION Science and Technology Studies Creativity & Expressive Arts Popular Culture Gender & Sexuality Social Movements The Body UNIVERSITY EMPLOYMENT Appalachian State University, Boone, NC Professor of Sociology, 2008-present Professor of Interdisciplinary Studies, July 2005-2008 Director, First Year Seminar, 2014-2019 Administrative head of campus-wide academic first-year program within General Education. -
Modern Monarchy: the Caveman King One-Hour Pilot Script 8.25.2021
MODERN MONARCHY: “THE CAVEMAN KING PART I” Written by Shemar James Genres: Action/Adventure,Fantasy LOGLINE: When they defeat the sinister Caveman King who tries to overthrow their prehistoric kingdom, an unwedded, duty-bound princess and her friends must unite an uneasy alliance between primitive and modern people to defend their home against his vengeful son who vows to destroy them, only to discover that he is an estranged crush from her adolescent past. MODERN MONARCHY: THE CAVEMAN KING Written by Shemar James 1 FLASHBACK: BLACK SCREEN:13 YEARS AGO (Dramatic, suspenseful music begins) A young and concerned PRINCESS EVE(10),skulks barefoot through the castle halls cautiously in a cheetah-print garment and a short skirt of the same pattern. Her hair is shoulder-length and golden much like the uniquely crafted tiara on her head that resembles the shape of leaves at the front. Around her neck is an elegant bone necklace from the remains of a FIERCE jungle beast her father killed with his bare hands while just a young prince and gifted to her. BOOM! BANG! BANG! THUD! It’s coming from downstairs. Outside! Princess Eve pauses. LOUD footfalls sound from around the corner of an adjacent hall. She can hear the GOLDLEAF SENTRIES,yell from a distance. Their voices get LOUDER and CLOSER. GOLDLEAF SENTRY A Find the princess! Two Goldleaf Sentries, young, well-built cavemen who wear red smock-like garments made of animal skin and held up by a shoulder strap on one side, turn the corner and survey both directions. They spot Princess Eve. -
Men's Fine Suits
LEVER lothes for Rah! Rah! Rah! c ollege Chaps. KM llir I touts Made hy BLAND TAILORING CO. Bland Tailoring Co. Suits pressed Siv Monthslree New Masonic Temple Siit, PrMMd Si x Mouths Kree THE SKIFF NEW MASONIC TEMPLE A WEEKLY NEWSPAPER; PUBUSHED UNDEH THE Avsncaa OP THE STUDENT BODY OP TEXAS CHRISTIA* UNIVERSITY. VOL. VI. WACO, TEXAS, OCTOBER T ,1907. NUMBER :;. ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ The Evangelistic Meetings. I Where Money Is Worth More. This University exists lor the pin- pose or emphasizing the essential con neciion between religious culture ami Miller-Cross Co. Waco's best store s Famous for excellenl values, lower WACO'S POPULAR SHOE HOUSE prices on lltt' best (fxls. We guarantee everything in Intellectual training. Once each year quality and style an effort is made to bring n, bear on Corner 4th and Austin Streets the Students, by means ol' special Ladies Suits and Furnishings evangelistic services, tin. motives and SOLE AGENTS Mens Clothing and Other Togs. Influences thai impel to Christian set vice. Ii is not always easy to find Walk-over 3.50. and 4.00 shoes ECIAL PAVsORS To COLLEGE PEOPL a speaker thai exactly meets the re- Stacy-A dams $5 and $6 shoes quirements demanded. He musl he a strong man, with personality ami Clapp 6.00 and 7.00 shoes Individuality; he must be educated, Everything Man. woman or child Wears GOLDSTEINS must he a lover of men, free from SUCCESSOR tO 00: OS TEIN « M/CEL sensationalism, from narrowness and THE COLLEGE MANS SHOE HOUSE, i ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ from bigotry ami must be a strong and acceptable sneaker. -
By Kate Mcmullan Submitted by Johnny, Age 2
Dig Dig Digging by Margaret Mayo Beast by Susan Meddaugh submitted by Johnny, age 2 (EM). submitted by Cole, age 5 (E Meddaugh). I'm Mighty! by Kate McMullan Fairy Boat by Tracy Kane submitted by Johnny, age 2 (EM). submitted by Alexa, age 5 (E Kane). Peter and the Wolf by Vladimir Vagin Harry Potter and the Order of the Phoenix by J.K. submitted by Alexander, age 2 (E Vagin). Rowling submitted by John, age 5 (J Rowling, JPB). Winnie Flies Again by Korky Paul & Valerie Thomas submitted by Lior, age 2 (E Paul). Hop on Pop by Dr. Seuss submitted by Sidney, age 5 (EB Seuss). Amanda Pig and the Awful, Scary Monster by Jean Van Leeuwen submitted by Cali, age 3 Magic School Bus Chapter Book: The Truth About (EB Van Leeuwen). Bats by Eva Moore submitted by Sofia, age 5 (JPB). Magic School Bus series by Joanna Cole submitted by Bailey, age 3 (special shelf). Mary-Kate and Ashley: The Case of the 202 Clues by Nina Alexander Monster Mischief by Pamela Jane submitted by Shannon, age 5 (JPB). submitted by Andrew, age 3 (not at LGPL). Max and Ruby stories by Rosemary Wells Old Hat New Hat by Stan & Jan Berenstain submitted by Nicole, age 5 (E Wells). submitted by Claire, age 3 (EB Berenstain). Mr. Putter and Tabby Pour the Tea by Cynthia The Bears' Picnic by Stan & Jan Berenstain Rylant submitted by Kale, age 5 (EB Rylant). submitted by Anna, age 3 (EB Berenstain). New at the Zoo by Frank B. Edwards Trucks by Ray Broekel submitted by Nicole, age 5 (EB Edwards). -
Redirecting Feminist Critiques of Science Martha Mccaughey
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ McCaughey, Martha.(1993) “Redirecting Feminist Critiques of Science.” Hypatia: A Journal of Feminist Philosophy 8:4, pp.72-84. (ISSN: 0887-5367) [Sept. 1993] Redirecting Feminist Critiques of Science Martha Mccaughey ABSTRACT: Reviews and discusses Sandra Harding's tripartite model of feminist critiques of science. Relationship between scientific inquiry, objectivity, and values; Application of Donna Haraway's and Helen Longino's insights; Feminist scientists as postmodern; Standpoints of postmodern feminists; Redirection of feminist critiques of science. INTRODUCTION Feminist scholarship is largely made up of critique, a portion of which focuses on the taken-for-granted knowledge of scientists.1 Focusing on the biases in scientific knowledge claims, the institutionalized segregation of the scientific community, and the dangerous things that scientists have produced in the twentieth century, feminist critiques have exposed, alongside other critiques in the philosophy and sociology of science, that one's perspective influences what one questions about the world, how one goes about answering those questions, how one applies those answers, and how one gives an account of how one knows what one knows. In this paper, I discuss the various epistemological positions that have both informed and sprung from feminist critiques of science and clarify the assumptions regarding science and knowledge which underlie these positions. Sandra Harding ( 1986a) has categorized feminist critics of science into three groups: the feminist empiricist group, the feminist standpoint group, and the postmodern feminist group. I suggest that this tripartite model, now the authoritative classification scheme informing feminist critics' perceptions of themselves and other critics of science, is based on misconceptions about scientific inquiry and its relationship to politics. -
Treehouses: Civilizing the Wildness of Men and Nature Courtney Mckinney Southern Methodist University, [email protected]
Southern Methodist University SMU Scholar English Undergraduate Distinction Projects English Spring 5-19-2018 Treehouses: Civilizing the Wildness of Men and Nature Courtney McKinney Southern Methodist University, [email protected] Follow this and additional works at: https://scholar.smu.edu/hum_sci_english_distinction Part of the American Art and Architecture Commons, Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Architectural History and Criticism Commons, Children's and Young Adult Literature Commons, Cultural History Commons, Early Childhood Education Commons, Elementary Education Commons, History of Gender Commons, Indigenous Studies Commons, Literature in English, British Isles Commons, Outdoor Education Commons, Social and Cultural Anthropology Commons, Social History Commons, and the United States History Commons Recommended Citation McKinney, Courtney, "Treehouses: Civilizing the Wildness of Men and Nature" (2018). English Undergraduate Distinction Projects. 1. https://scholar.smu.edu/hum_sci_english_distinction/1 This Distinction Project is brought to you for free and open access by the English at SMU Scholar. It has been accepted for inclusion in English Undergraduate Distinction Projects by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. 1 McKinney Treehouses: Civilizing the Wildness of Men and Nature At the Dallas Big Brother Organization’s Camp Tami Bami in 1940, three boys asked their camp director for permission to build a treehouse.1In the spirit of the camp, he “gave them a hammer and saw and said ‘Go to it.’” The only restriction he gave the boys was that the treehouse must not exceed eight feet from the ground to the treehouse floor. Their project soon became one of defiance. -
Marijuana Business Licenses Approved
OREGON LIQUOR & CANNABIS COMMISSION Marijuana Business Licenses Approved as of 9/9/2021 Retail Medical LICENSE NUMBER LICENSEE NAME BUSINESS NAME LICENSE TYPE ACTIVE COUNTY Delivery Grade Hemp 050 100037147CC Hotbox Farms LLC Hotbox Farms Recreational Retailer Yes Baker Yes 050 10011127277 Scott, Inc 420VILLE Recreational Retailer Yes Baker 020 10017768FC7 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Producer Yes Baker 030 10031846B25 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Processor Yes Baker 060 1003692E356 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Wholesaler Yes Baker 050 1003713A8A4 The Coughie Pot, LLC The Coughie Pot Recreational Retailer Yes Baker 050 10047883377 Sumpter Nugget, LLC Sumpter Nugget Recreational Retailer Yes Baker Yes 030 10071310CDB Nugget Candy Co, LLC Nugget Candy Co, LLC/Bad Rabbit Recreational Processor Yes Baker Yes Solventless 060 10079080A50 420BUNKERVILLE LLC 420 Bunkerville Recreational Wholesaler Yes Baker Yes 020 1007910A67C 420BUNKERVILLE LLC 420 Bunkerville Recreational Producer Yes Baker 020 1008998100D Burnt River Farms, LLC Burnt River Farms LLC Recreational Producer Yes Baker 060 1010135EC04 Hotbox Farms LLC Hotbox Farms Recreational Wholesaler Yes Baker 020 10104590FEE Bad Rabbit Farms LLC Bad Rabbit Farms LLC Recreational Producer Yes Baker 020 10001223B25 Fire Creek Farms LLC. Fire Creek Farms Recreational Producer Yes Benton 020 1000140D286 Bosmere Farms, Inc. Bosmere Farms, Inc. Recreational Producer Yes Benton 020 10004312ECD Grasshopper Farm, -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and Improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI Bell & Howell Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 EDUCATIONAL ADMINISTRATIVE PROBLEM SOLVING IN THE INFORMATION AGE DISSERTATION Presented in Partial Fulfillment of the Requirement for the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Lynne Geissinger Perez ***** The Ohio State University 1999 Dissertation Committee: Approve Professor Cynthia Uline, Advisor Professor Brad Mitchell Advisor Professor Phyllis Panzano ^ College of Education DMI Number: 9941407 UMI Microfonn 9941407 Copyright 1999, by UMI Company.