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Eerie Archives: Volume 16 Free
FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 1 (FRAZETTA) TARZAN THE INVINCIBLE. $65,000 $13,000 2 (FRAZETTA) TARZAN AT THE EARTH’S CORE. $55,000 $11,000 3 (FRAZETTA) SUMMER OF THE COUP. $35,000 $7,000 4 (FRAZETTA) THE LION QUEEN. $140,000 $39,200 5 (FRAZETTA) CONAN AND THE SAVAGE SEA (CONAN THE BUCCANEER). $15,000 $3,000 6 (FRAZETTA) ABSTRACT. $2,000 $400 7 (FRAZETTA) FLASH GORDON “BATTLES THE MONSTER FROM MONGO”. $55,000 $15,400 8 (FRAZETTA) FLASH GORDON AND “PRINCESS OF MONGO”. $32,500 $6,500 9 (FRAZETTA) A GENTLE BREEZE. $60,000 $16,800 10 (FRAZETTA) WINDBLOWN. $20,000 $4,000 11 (FRAZETTA) SELF-PORTRAIT #1. $15,000 $3,000 12 (FRAZETTA) SELF-PORTRAIT #2. $5,000 $1,000 13 (FRAZETTA) TARZAN AT THE EARTH’S CORE COVER. $40,000 $8,000 14 (FRAZETTA) TARZAN AND THE CASTAWAYS COVER. $85,000 $23,800 15 (FRAZETTA) TARZAN AND THE CASTAWAYS. $30,000 $8,400 16 (FRAZETTA) TARZAN AND THE GOLDEN LION. $55,000 $11,000 Page 1 of 8 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 17 (FRAZETTA) LORD OF THE SAVAGE JUNGLE. $100,000 $28,000 18 (FRAZETTA) AT EARTH’S CORE. $32,500 $6,500 19 (FRAZETTA) AT THE EARTH’S CORE. $40,000 $8,000 20 (FRAZETTA) KUBLA KHAN PORTFOLIO. $55,000 $11,000 21 (FRAZETTA) KUBLA KHAN PORTFOLIO. -
STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact -
To Outsmart an Alien Study of Comics As a Narrational Medium
Faculty of New Media Arts Graphic Design 2D Visualisation Inga Siek S17419 Bachelor diploma work To Outsmart An Alien Matt Subieta Chief Supervisor Marcin Wichrowski Technical Supervisor Study of Comics as a Narrational Medium Anna Machwic Theoretical Supervisor Klaudiusz Ślusarczyk Language Supervisor Warsaw, July, 2020 1 Wydział Nowych Mediów Grafika Komputerowa Wizualizacja 2D Inga Siek S17419 Praca Licencjacka Przechytrzyć Kosmitę Matt Subieta Główny Promotor Marcin Wichrowski Techniczny Promotor Badanie Komiksów jako Medium Narracji Anna Machwic Teoretyczny Promotor Klaudiusz Ślusarczyk Promotor Językowy Warszawa, Lipiec, 2020 2 This thesis is dedicated to the study and analysis of comics, both in terms of history and practice, as well as it is an attempt to change the common view of the practice as immature and primitive. In order to develop a good understanding of what comics are and their origins, this work starts by giving the reader a quick historical overview of the genre and its predecessor, sequential art. The reader will learn not only about the roots of comic illustration design but also its modern influences. The paper will refer to major names in the industry, and well as identify important historical events, both of which helped steer comics into the direction they are today. Additionally, descriptions of the main elements of comics will be provided. The last chapter will supply a number of examples in the utilizations of comic design components that include story, characters, panels and text by different artists who helped shape the craft of comics, and hopefully this will inspire the reader as well as provoke them to start viewing comics in a different, or perhaps even more positive light. -
Joe Rosochacki - Poems
Poetry Series Joe Rosochacki - poems - Publication Date: 2015 Publisher: Poemhunter.com - The World's Poetry Archive Joe Rosochacki(April 8,1954) Although I am a musician, (BM in guitar performance & MA in Music Theory- literature, Eastern Michigan University) guitarist-composer- teacher, I often dabbled with lyrics and continued with my observations that I had written before in the mid-eighties My Observations are mostly prose with poetic lilt. Observations include historical facts, conjecture, objective and subjective views and things that perplex me in life. The Observations that I write are more or less Op. Ed. in format. Although I grew up in Hamtramck, Michigan in the US my current residence is now in Cumby, Texas and I am happily married to my wife, Judy. I invite to listen to my guitar works www.PoemHunter.com - The World's Poetry Archive 1 A Dead Hand You got to know when to hold ‘em, know when to fold ‘em, Know when to walk away and know when to run. You never count your money when you're sittin at the table. There'll be time enough for countin' when the dealins' done. David Reese too young to fold, David Reese a popular jack of all trades when it came to poker, The bluffing, the betting, the skill that he played poker, - was his ace of his sleeve. He played poker without deuces wild, not needing Jokers. To bad his lungs were not flushed out for him to breathe, Was is the casino smoke? Or was it his lifestyle in general? But whatever the circumstance was, he cashed out to soon, he had gone to see his maker, He was relatively young far from being too old. -
Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
#23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade. -
Tutto Roma No Scarpa
PRESENTAZIONE TUTTO ROMA NO SCARPA Sera e Gazzetta dello Sport: la prima integrale lare in meno in una vignetta, se infastidisce mai realizzata su un autore italiano. Il segui- lo svolgimento della storia. Scarpa è la figu- to ideale di quelle intitolate ai due predeces- ra di riferimento di un movimento al quale ap- sori americani. partengono sceneggiatori e disegnatori: i con- temporanei Guido Martina e Giovan Battista I volumi che vi accompagneranno durante Carpi, Carlo Chendi e Luciano Bottaro, quin- questo 2014, ciascuno di 360 pagine, com- di Giorgio Pezzin e Bruno Concina, Sergio prendono, in ordine cronologico, tutta la pro- Asteriti e Pier Lorenzo e Massimo De Vita, duzione di Scarpa. Nella migliore edizione poi Giorgio Cavazzano con la sua rivoluzio- possibile e, dov’era il caso, restaurata. E non ne moderna, e i più giovani Francesco Artiba- solo le opere tratte da Topolino, Albi d’Oro, ni, Silvia Ziche, Corrado Mastantuono, Fabio Almanacco Topolino, Classici di Walt Disney, Celoni, Casty, e mi perdonino tutti quelli – albi e volumi speciali, Zio Paperone, Maestri anch’essi grandi – rimasti sulla tastiera del pc. Disney e riviste estere: sono state inserite an- arl Barks. Floyd Gottfredson. E Ro- Una parata dei personaggi creati da Scarpa, che le storie ancora inedite in Italia e alcune I quali forse sorrideranno ripensando a un’al- mano Scarpa. Non sembri sacrilego disegnati nel 1986 per i primi venti anni del addirittura mai pubblicate. In più, numerosi tra frase del grande Maestro: “Mi sento con- l’accostamento ai due storici autori Salone Internazionale dei Comics di Lucca. -
Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
Free Catalog
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