In the Summertime Mungo Jerry CD: in the Summertime CONVOY 849 723-2

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In the Summertime Mungo Jerry CD: in the Summertime CONVOY 849 723-2

SWR2 Radiophon, 05.07.2018, 21:03 Uhr Musikcollagen - Summertime Von Dagmar Munck Ray Dorset: In the summertime Mungo Jerry CD: In the summertime CONVOY 849 723-2 Astor Piazzolla Veraño porteña Astor Piazzolla, Bandoneon CD: Hommage à Astor Piazzolla BELLA MUSICA BM 31.7031 Walther von der Vogelweide Do der sumer komen was Per-Sonat CD: Lieder von Macht und Liebe. Sangspruch und Minnesang CHRISTOPHORUS CHR 77394 Ray Dorset: In the summertime Mungo Jerry CD: In the summertime CONVOY 849 723-2 Felix Mendelssohn Bartholdy Scherzo für Orchester, op. 61 Nr. 1 Orchestra of the Age of Enlightenment, London; Charles Mackerras CD: Sinfonie Nr. 4 A-Dur, op. 90 VIRGIN CLASSICS VC 790725-2 George Gershwin: Summertime Ella Fitzgerald CD: Singin' in the Rain Polystar 840143-2 David Orlowsky Juli. Für Klarinette, 2 Violinen, Viola und Violoncello David Orlowsky, Klarinette; Danish String Quartet (Eigenproduktion) Ray Dorset: In the summertime Mungo Jerry CD: In the summertime CONVOY 849 723-2 Eugène Bozza „Aux bords du torrent“ aus „Jour d'été á la montagne“ Albireo Querflötenquartett CD: Virtuose Werke von Kuhlau, Bozza, Ueda, Kan-no, Jongen animato ACD 6044 John Sebastian, Steve Boone Summer in the city The Lovin' Spoonful CD: In the summertime CONVOY 849 723-2 Michel Legrand, Alan Bergman The summer knows Bill Evans, Klavier CD: Bill Evans 75th birthday celebration Fantasy (amerikanisch) FANCD 6093-2 Anton Webern Im Sommerwind. Idyll für großes Orchester Berliner Philharmoniker Pierre Boulez CD: Passacaglia - 5 Movements - 6 Pieces for orchestra Deutsche Grammophon 002894794303 Bruno Martino, Bruno Brighetti Estate Tania Maria CD: Tempo NAIVE NJ 621711 Neidhardt von Reuenthal Sumer dîner süezen weter Knud Seckel, Jutta Weber, Frank Dieckmann CD: ich zôch mir einen falken - Minnesangs Frühling Verlag der Spielleute CD 1407 Claude Debussy Pour invoquer Pan, dieu du vent d’été aus 6 épigraphes antiques Alexandra Sostmann und Judith Mosch, Klavier CD: Rapsodie espagnole THOROFON CTH 2499 Hector Berlioz Villanelle aus „Les nuits d'été“ Anne Sofie von Otter Marc Minkowski CD: Le nuits d'été - Harold en Italie NAIVE V 5266 Harry Warren Summer night Chick Corea Akoustic Band (Eigenproduktion) .

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In the Summertime (PDF)
In The Summertime Ray Dorset 1970 (as recorded by Mungo Jerry) OR or INTRO: / 1 2 / 1 2 / INSTRUMENTAL VERSE: < HALF DO MELODY ON KAZOO, OTHER HALF DO CHICS > [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [D] Chic, chic-chic, uh [D] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [E] Chic, chic-chic, uh [D] chic, chic-chic, uh [A] Chic, chic-chic, uh [A] chic, chic-chic In the [A] summertime when the [A] weather is high You can [A] stretch right up and [A] touch the sky When the [D] weather’s fine You got [D] women you got women on your [A] mind [A] Have a [E] drink have a drive [D] go out and see what you can [A] find [A] If her [A] daddy's rich, take her [A] out for a meal If her [A] daddy's poor, just [A] do what you feel Speed a-[D]long the lane Do a [D] ton, or a ton and twenty-[A]five [A] When the [E] sun goes down You can [D] make it make it good in a lay-[A]by [A] We're not [A] grey people, we're not [A] dirty, we're not mean We love [A] everybody, but we [A] do as we please When the [D] weather’s fine We go [D] fishing or go swimming in the [A] sea [A] We're always [E] happy Life's for [D] living yeah that's our philoso-[A]phy [A] Sing a-[A]long with us, dee-dee [A] dee-dee-dee Da-da [A] da-da-da, yeah, we’re [A] hap-happy [D] Da da daa [D] dee da-da dee da-da da-da [A] daa [A] Da-da [E] da-da daa [D] da da daa da-da [A] daa [A] INSTRUMENTAL VERSE: < HALF DO MELODY ON KAZOO, OTHER HALF DO CHICS > [A] Chic, chic-chic, uh [A] chic, chic-chic, uh [A] Chic, chic-chic,
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BBC 4 Listings for 14 – 20 March 2015 Page 1 of 4 SATURDAY 14 MARCH 2015 Brothers in the Family Business, Who Worked Best When Together War
BBC 4 Listings for 14 – 20 March 2015 Page 1 of 4 SATURDAY 14 MARCH 2015 brothers in the family business, who worked best when together war. but who grew up and played out their fraternal struggles in SAT 19:00 The Secret Life of Elephants (b00h6yk1) public. The brothers went from child stars on the Australian The Secret Life of Elephants variety circuit to competitors with the Beatles in the UK charts SUN 20:15 The Polio Story: The Vaccine That Changed the in the late 60s, scoring number one hits while still only World (b05n27mt) After the drought, the rains have arrived, but has baby elephant teenagers. It was 1952, and polio gripped the world in fear. There was no Breeze survived? known cause, no cure and no help in sight for parents desperate In the mid-70s, the former 'beat group' reimagined themselves to protect their children. Across the ocean, eager to beat the As hundreds of elephants descend on the reserve for the as a close-knit soul boy trio. The Saturday Night Fever album potentially fatal condition, polio-afflicted President Roosevelt breeding season, the research team hit their busiest time of shot them to global superstardom and every radio station played inspired the American public to send in their dimes to fund year. With the help of new technology, Saba Douglas-Hamilton a song written, produced or sung by the Bee Gees. The research. tracks down the biggest land animals on earth - the mighty bull saturation of their music and their iconic 'medallion man' image elephants.
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Preowned 1970S Sheet Music
Preowned 1970s Sheet Music. PLEASE NOTE THE FOLLOWING FOR CONDITION AND PRICES PER TITLE Offers Not priced – Offers please. ex No marks or deteriation Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside. Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered.. Year Year of print. Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover STAMP OUT FORGERIES. Warning: It has come to our attention that there are sheet music forgeries in circulation. In particular, items showing Elvis Presley, Cliff Richard, The Beatles and Gene Vincent have recently been discovered to be bootleg reprints. Although we take every reasonable precaution to ensure that the items we have for sale are genuine and from the period described, we urge buyers to verify purchases from us and bring to our attention any item discovered to be fake or falsely described. The public can thus be warned and the buyer recompensed. Your cooperation is appreciated. 1970s Title Writer and composer condition Photo year Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a © 1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and small Johnny Pearson good sheep grazing 1977 All I ever need is you J.Holiday/E.Reeves ex Sonny & Cher 1972 All I think about is you Harry Nilsson ex Harry Nilsson 1977 Amanda Brian Hall ex Stuart Gillies 1973 Amarillo (is this the way to) N.Sedaka/H.Greenfield ex Tony Christie 1971 Amazing grace Trad.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
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London's Longest Running Blues Festival Is
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In the Summertime Artist:Mungo Jerry , Writer:Ray Dorset
In the Summertime artist:Mungo Jerry , writer:Ray Dorset Mungo Jerry:https://www.youtube.com/watch?v=wvUQcnfwUUM (E – so Capo on 4) Intro: [F] Go out and see what you can [C] find In the [C] summertime when the weather is high, you can stretch right up and touch the sky When the [F] weather is fine you got women, you got women on your [C] mind Have a [G7] drink, have a drive [F] Go out and see what you can [C] find If her [C] daddy's rich take her out for a meal, [C] if her daddy's poor just do what you feel Speed a[F]long the lane, do a ton or a ton an' twenty-[C] five When the [G7] sun goes down you can [F] make it, make it good in a lay-[C]by [C] We're not bad people, we're not dirty, we’re not mean [C] We love everybody but we do as we please [C] When the [F] weather is fine we go fishin' or go swimmin' in the [C] sea We're always [G7] happy life's for [F] livin' yeah that's our phi-los-o-[C]phy [C] Sing along with us, [C] Dee-dee dee-dee dee dee, dah-dah dah-dah dah [C] Yeah we're hap-happy, Dah dah-[F] dah, dee-dah-do dee-dah-do dah-do-[C]dah Dah-do-[G7] dah-dah-dah dah-dah-[F]dah do-dah-[C]dah second time through end here [C] When the winter's here, yeah it's party time [C] Bring your bottle wear your bright clothes it'll soon be summertime And we'll [F] sing again, we'll go drivin' or maybe we'll settle [C] down If she's [G7] rich, if she's nice Bring your [F] friends and we'll all go into [C] town In the [C] summertime when the weather is high [C] You can stretch right up and touch the sky When the [F] weather is fine you got
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SPOTLIGHT on YOUR TOWN 2 RECORD MIRROR, April 17,1971
SPOTLIGHT ON YOUR TOWN 2 RECORD MIRROR, April 17,1971 Give rock ahand IN SEPTEMBER 1969 I visited Toronto, Canada, MALCOLM ROBERTS andwhilethere I witnessedwhat I guitarist andohn he goes and edition of 'Junior Choice' Star consider to be the makesrecordslike'It's is mainly just that. greatest music Only MakeBelieve'and Obeying yourin the morerecently'Dream instructionslikea good presentation ever. Baby'. The latter is a note boy,I have sent in many Itcateredforevery fornotecopyofRoy requests for music by such cold taste and so presented the Orbison'soriginalhitof non -current hit paraders as WHAT ishappeningto bestof vintage rock'n' the early sixtiesand HelenShapiroorVince roll(JerryLee Lewis, althoughRoy'sversion Hill, but always in vain. MalcolmRobertsthese days? His last three singles Little Richard,Chuck made number two in the Ahwell,perhapsI'll Berry, Bo Diddley, Gene chartsitwas hardly one play it safe this week andhavebeenchartworthy material, and his phrasing Vincent and Lord Sutch) of his most notable efforts askfor`Grandad'! - andalsopresentedthe - so whyhasGlen HARRY MORRISON, 131and delivery are excellent. bestofmodernrock recorded it? Salisbury Avenue, Barking,So why is he out in the (Plastic Ono Band, Doors, Theremustbe Essex. cold at present? Chicago, Tony Joe White). thousands of good songs VAL:Butitis Surelyhisrecent There was a film made knocking around on LPs supposedtobe'Juniorappearance on 'Top of the Pops' has convinced even ofthisshow,entitled and Bsideswhichare Choice',Harry,andI `SweetToronto'which lightyearsaheadof doubt if too many juniorsthe hardest synics that he through royalty Dream Baby. I know that know of Helen and Vince!is a talent to be reckoned difficulties wasnever ifI were in Glen's shoes with.
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Desert Island Times 16
D E S E R T I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A No.16 3rd July 2020 The Old Green from Kingsway, c1968 A miscellany of Contributions from OUR members 1 50 Mile Challenge - Penarth - Mike Brown We like to visit Penarth several times a year. With its elegant buildings and wide tree-lined streets, Penarth retains much of its original Victorian and Edwardian character. Sometimes we get there early to watch the Balmoral embarking on a cruise. visit - http://www.waverleyexcursions.co.uk We drive through the town centre and then left at the Town Clock Roundabout and park in a side street. We walk back to the roundabout (WCs in the vicinity) then first left down Windsor Terrace towards the sea, crossing the road into Alexandra Park. There are panoramic views of the Bristol Channel as we make our way down towards the sea front past colourful ornamental gardens, leafy glades, a fishpond, aviary and the bandstand. ***Crossing Bridgeman Road we enter Windsor Gardens with more floral displays and sea views. Bordering the park are magnificent large town houses of local blue lias stone, once the homes of sea captains, coal magnates and businessmen: some have been converted to retirement homes. We exit onto Cliff Hill and cross the road onto Telegraph Way. This is a mile-long cliff-top path that leads to Lavernock Point. There is a plaque on the church wall to commemorate Marconi's first transmitted radio signal across open sea to the island of Flatholm, from here, on 13th May 1897.
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MUSIC WEEK, JANUARY 20, 1979 E N I\ SIIV N Dvjo After Nine Years
MUSIC WEEK, JANUARY 20, 1979 n e SIIV i\ n DVJo After nine years hard driving. Red Bus REDBUS is still MS of energy and looking at new horizons Red Bus rides the wad to success its official release date. It made No. 1 within two weeks, RED BUS was formed in 1970 with and stayed at that position from June 1 until the end of offices at 33-37 Wardour Street in August, and remained in the chart until November. It London's Soho district. The company sold over a million copies in the UK alone and then proceeded to top the charts around the world, selling 11 name was an available unused one on the million in total eventually. companies registry list and it appealed to Red Bus began touring Mungo Jerry in the wake of the sense of humour of the Red Bus the disc's success, but that success brought disagreements about future musical policy and principals. direction with Barry Murray, who parted company with They were Eliot Cohen, Ellis Elias and Barry Red Bus in 1971. He was succeeded by Leslie Grade as a Murray, and in those early days the staff complement director and it was decided to begin record production was completed by one secretary. Cohen's background in addition to the management, agency and publishing was the London School of Economics where he functions of the organisation. obtained a Bachelor of Science degree in economics. Elias had been studying print management and harbouring ambitions to gain entry to the Royal CAMPOS TOUR Academy of Dramatic Art.
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JO Inthesummertimeep Digital
1. In The Summertime (radio edit) 2. Blue Jeans 3. Summer Nights 4. It Might As Well Rain Until September 5. Summer Breeze 2 In The Summertime (radio edit) (3:39) Written by Raymond Dorset Published by Sony ATV Publishing Judith Owen: Piano & Vocals Geoff Gascoyne: Double Bass Pedro Segundo: Percussion Gabriella Swallow: Cello Recorded at AIR Studios, London October 20, 2013 Produced by Judith Owen Recorded by Olga Fitzroy Assisted by John Prestage Mixed by David Bianco at Dave’s Room, North Hollywood Mastered by Bernie Grundman at Bernie Grundman Mastering, Hollywood Assisted by Adam Woloszyn Blue Jeans (2:43) Written by David Dundas Published by Universal Music Publishing Judith Owen: Piano & Vocals Geoff Gascoyne: Double Bass Pedro Segundo: Percussion Gabriella Swallow: Cello Recorded at AIR Studios, London October 20, 2013 Produced by Judith Owen Recorded by Olga Fitzroy Assisted by John Prestage Mixed by David Bianco at Dave’s Room, North Hollywood Mastered by Bernie Grundman at Bernie Grundman Mastering, Hollywood Assisted by Adam Woloszyn 3 Summer Nights (3:41) Written by Jim Jacobs, Warren Casey Published by MPL Communications Judith Owen: Piano & Vocals Geoff Gascoyne: Double Bass Pedro Segundo: Percussion Recorded at AIR Studios, London October 20, 2013 Produced by Judith Owen Recorded by Olga Fitzroy Assisted by John Prestage Mixed by David Bianco at Dave’s Room, North Hollywood Mastered by Bernie Grundman at Bernie Grundman Mastering, Hollywood Assisted by Adam Woloszyn It Might As Well Rain Until September (3:25) Written
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Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.
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