DOCSLIB.ORG

Ethnomusicology Flyer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ethnomusicology Flyer A DIGITAL RESOURCE Ethnomusicology Global Field Recordings “With this project these priceless records are not only safeguarded but are also taken out of the vaults and made available for new research and circulation of knowledge.” Janet Topp Fargion, World and Traditional Music, Sound & Vision, British Library Delve into the cultural Overview About the Archives study of music and Presenting content from across the globe, this diverse Established in 1961, the UCLA Ethnomusicology Archive and comprehensive resource features thousands of is one of the largest global ethnographic music archives audio field recordings and interviews, educational in North America. It includes traditional folk, popular, and explore the rise of recordings, film footage, field notebooks, slides, art musics from Africa, Asia, Australia and the Pacific correspondence and ephemera from fields of study Islands, Europe, the Middle East, and the Americas. ethnomusicology as around the world including sites in West Africa, North America, South East Asia, and more. The University of Washington Ethnomusicology Archives has been collecting and curating unique ethnographic a discipline with Produced in collaboration with the UCLA music recordings, videos and films since 1962. Its holdings Ethnomusicology Archive, and with include recordings and films documenting music material from prominent ethnomusicologist, traditions of all kinds from around the world. this essential digital Robert Garfias, at the University of Washington Ethnomusicology Archives, the musical traditions, recordings and other collection. source materials in this collection provide a unique view into the cultural and social lives of these communities. Highlights Material Types Additional features • Recordings from The Mantle Hood collection; including • Field Recordings & Notebooks • Essays and Collection Introductions from esteemed Javanese audio recordings, personal papers, and slides Interviews academics and ethnomusicologists relating to the audio material • • Slides • Video Interviews from leading scholars in the field • The Ankica Petrović collection of Muslim, Christian and of Ethnomusicology • Photographs Jewish music from Eastern Europe (recorded in the • Musical Instrument Map featuring photographs, audio 1980s), including extremely rare religious music • Receipts & Ephemera and video of the musical instruments featured within • Charlotte Heth’s collection of Cherokee music, offering • Correspondence this collection a unique insight into the music of the Cherokee Nation • Educational & Studio Recordings • Bespoke audio player that allows users to view a • The diverse Harold Courlander collection, featuring Contemporary Finding Aids waveform of each recording alongside both item-level recordings from across South America, the Caribbean, • and track-level metadata South East Asia, and Africa • Music Manuscripts • Materials from Jacqueline Cogdell DjeDje’s numerous collections on African, African American and Jamaican music • Several collections from Robert Garfias featuring musics recorded across Asia, the Americas, Africa, and Europe Ethnomusicology: Global Field Recordings Editorial Board supports the study of cultural identity through the Patricia Campbell Janet Topp Fargion music of communities around the world. University of World and Traditional Washington Music, Sound & Vision, Keith Howard British Library SOAS, University Robert Garfias of London University of California, Key Themes Helen Rees Irvine UCLA Ethnomusicology Maureen Russell Department UCLA Ethnomusicology • Education and the teaching of Ethnomusicology Made Mantle Hood Archive • The interaction between music and art Universiti Putra Aaron Bittel Malaysia Wesleyan University Geographic • Religion and ritual Jean Borgatti coverage of • Cultural identity and social norms Sylvia Nannyonga- fields of study University of Benin Tamusuza Music and gender • Supeena Insee Adler Makerere University, • Music and conflict UCLA Ethnomusicology Klaus Wachsmann • Musical traditions Department Audio-Visual Archive • Musical material culture Source archives Contact us for a free trial at www.amdigital.co.uk www.amdigital.co.uk @AdamMatthewGrp /TheAdamMatthewGroup The publisher is grateful to the source archives for the reproduction of images used in this flyer..
Load more

Recommended publications
  • Cerebration Or Celebration David Mcallester
    Cerebration or Celebration David McAllester Until recently the place of performance in a liberal arts education was hardly a matter of debate where the arts of liberal arts were concerned. Performance in the arts has been considered distinctly second class, infra dig, base, common, and popular, at least from the time of the ascendency of the German university system, that enormously influential prototype of "civi- lized" education all over the world. No doubt, Plato's mistrust of the arts as unreal ("the shadow of a shadow") but nevertheless able to disrupt ration- ality lies behind the purdah they have enjoyed so widely and so long. This was not always the case. Some of our "Old Ones" in Greece and China considered performance in music, poetry, and sometimes even paint- ing and dance to be necessary parts of a proper education. Traces of this wisdom remain with us to this day. Mao Tse-Tung and Emperor Hirohito are honored for their poetic skill, as are not a few South American generals and presidents. The North European-Platonic blight has not been quite universal in its effects, but we need to remember how low we have fallen: dance relegated to "phys. ed.," performance confined to conservatories granting degrees in "science" rather than in "arts" and elsewhere denied academic credit. This state of affairs is all the more strange when one reflects on the in- sistence upon performance in other areas of liberal knowledge. Proficiency in languages is measured by fluency; the physicist must show his skill in the laboratory; anthropologists and geologists, as other examples, earn their spurs in their field work.
    [Show full text]
  • "Recent Development of Ethnomusicological Studies in Indonesia After Kunts Visits in 1930'S" Abstract
    "Recent Development of Ethnomusicological Studies in Indonesia after Kunts Visits in 1930's" By Triyono Bramantyo (ISI Yogyakarta, Indonesia) Abstract It was a remarkable effect scientifically that soon after the late Kunst visits in Indonesia during the early 1930s that the development of non-Western music studies all over the world had had become so quickly developed. The name Jaap (or Jacob) Kunst is always associated to the study of the gamelan music of Indonesia for since then, after one of his PhD students, so-called Mantle Hood, completed his study on the topic of “The Nuclear Theme as a Determinant of Patet in Javanese Music” in 1954, the gamelan studies and practice has become developed throughout the world best known universities. Accordingly, in the USA alone there are now more than 200 gamelan groups have been established. The ideas and the establishment of ethnomusicology would not be happened if Jaap Kunst, as an ethnologist, had never been visited Indonesia in his life time. His visit to Indonesia was also at the right time when the comparative musicology have no longer popular amongst the Western scholars. His works have become world-widely well known. Amongst them were written whilst he was in Indonesia; i.e. the Music of Bali (1925 in Dutch), the Music of Java (originally in Dutch in 1934, last English edition 1973), Music in New Guinea (1967), Music in Nias (1939), Music in Flores (1942) and numerous other books, publications, recordings and musical instruments collections that made Jaap Kunst as the most outstanding scholar on the study of Indonesian musical traditions.
    [Show full text]
  • 067609-SEM News
    SEM Newsletter Published by the Society for Ethnomusicology Volume 39 Number 3 May 2005 SEM Soundbyte were alluding to the phrase that Marga- SEM 50 LAC Update ret Mead used in her book title, Coming By Timothy Rice, SEM President of Age in Samoa. Mead was discussing By Tong Soon Lee, Emory University the transition from adolescence to adult- On Aging and Anniversaries hood, and we likewise were alluding to The SEM 50 Local Arrangements Committee is continuing its preparation A few years ago, while hiking over the maturation of the society, and by th the lava flows on Hawai’i’s Kilauea extension, the field of inquiry. The for the 50 anniversary conference of volcano, I was amazed to realize that I ethnographic approach used by Ameri- the Society for Ethnomusicology in At- was walking on earth younger than I can scholars was beginning to be well lanta, November 16-20, 2005. Ongoing was. It is almost equally surprising to established as a mode of inquiry. Like- plans are being made to prepare for the realize that our Society, celebrating its wise, by 1980 most major institutions musical performances and events at the 50th anniversary this year, is also younger taught courses in ethnomusicology. conference hotel and at Emory. than I am. It didn’t dawn on me when Even SEM was becoming a mature schol- The structure of the pre-conference I entered graduate school in 1968 that arly organization.” Setting aside for the symposium is gradually shaping up and the discipline to which I would devote moment what she might have meant by here is a tentative outline of the day.
    [Show full text]
  • CURRICULUM VITAE Made Mantle Hood, BA MA Dr. Phil
    CURRICULUM VITAE Made Mantle Hood, BA MA Dr. Phil Universiti Putra Malaysia Department of Music Faculty of Human Ecology Phone +6011 2190 8050 Email: [email protected] ________________________________ Summary: • Assoc. Prof. of Ethnomusicology, Universiti Putra Malaysia (2012- present) • Research Fellow, Melbourne University (2011-2013) • Lecturer in Ethnomusicology, Monash University (2005-2011) • UNESCO-enDorsed ICTM InDonesian Liaison Officer • Research Grants (2005-2014) - AUD$41,785 • German AcaDemic Exchange Service (DAAD) scholarship recipient (2002-04), University of Cologne • 16 current anD past MA/PhD graduate supervisions • Languages: English, InDonesian, German anD Balinese Education: 2014 – GraDuate Supervision Training, CADe, UPM 2013 – Certificate in Basic Learning and Teaching, CADe, UPM 2007 – Level II GraDuate Supervision Training (HDR), Monash University 2005 – Dr Phil, ethnomusicology, University of Cologne, Germany 2001 – MA ethnomusicology, University of Hawaii, USA 1992 – BA ethnomusicology, University of Maryland, USA Scopus Publications 2016 – ‘Notating Heritage Musics: Preservation anD Practice in ThailanD, InDonesia anD Malaysia. Malaysian Music Journal. 5(1): 54-74. 2015 – ‘Sustainability Strategies Among Balinese Heritage Ensembles’. Malaysian Music Journal. 3(2): 1-12. Made Mantle Hood 2014 - Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction, and Novel Lifestyles. BarenDragt, B. (eD). review in Wacana Seni Journal of Arts Discourse, Universiti Sains Malaysia Press, Vol. 3. 97-101. 2014 - (with Chan, C. anD Tey, M.). "Acoustic Control, Noise Measurement anD Performance Ambition: Issues SurrounDing Noise Exposure for Musicians". Advances in Environmental Biology 8(15), p. 51-56. 2010 – "Gamelan Gong GeDe: Negotiating Musical Diversity in Bali’s Highlands". Musicology Australia, vol. 32 no. 1, 69-93.
    [Show full text]
  • Ethnomusicology Archive Open Reel Tape Collection
    http://oac.cdlib.org/findaid/ark:/13030/kt6b69s042 No online items Finding Aid for the Ethnomusicology Archive Open Reel Tape Collection Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the 2008.03 1 Ethnomusicology Archive Open Reel Tape Collection Descriptive Summary Title: Ethnomusicology Archive Open Reel Tape Collection Collection number: 2008.03 Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Physical location: Paper index at Ethnomusicology Archive; tapes stored at SRLF Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron.
    [Show full text]
  • Seemansts CV 8-2010SHORT
    Sonia Tamar Seeman [email protected] Ernest and Sarah Butler School of Music MBE 3.204 1 University Station E3100 University of Texas, Austin Austin TX 78712-0435 (512) 471-2854 I. ACADEMIC HISTORY 2002-2004 Post-Doctoral Faculty Fellowship, University of California, Santa Barbara. 2002 Ph.D. in Ethnomusicology. University of California, Los Angeles. Dissertation: “’You’re Roman!’ Music and Identity in Turkish Roman Communities”. Prof. Tim Rice; Prof. Jihad Racy, co-chairs. M. A. in Ethnomusicology. University of Washington. Three Master’s Thesis Papers: “Continuity and Transformation in the Macedonian Genre of Chalgija: Past Perfect and Present Imperfective”; “Analytical Modes for Variant Performances of Kuperlika”; “Music in the Service of Prestation: The Case of the Roma of Skopje, Macedonia.” Prof. Christopher Waterman, chair. BA in Music History/Musicology with High distinction. University of Michigan. A.Awards and Honors Fall 2009 Walter and Gina Ducloux and Dean’s Fellowship 2009-2010 Fellowship, Humanities Institute, University of Texas, Austin 2007-2008 Fellowship, Humanities Institute, University of Texas, Austin 2006-2007 Fellowship, Center for Women’s and Gender Studies, University of Texas, Austin. 2002-2004 Post-Doctoral Visiting Faculty Fellowship; University of California, Santa Barbara. 2001 Ki Mantle Hood Award, Best Student Paper. Southern California Chapter, Society for Ethnomusicology. 2000-2001 Collegium of University Teaching Fellows, University of California, Los Angeles. 1999-2000 Graduate Division Dissertation Year Fellowship, University of California, Los Angeles. 1999-2000 Jewish Community Scholarship Award. 1991-1994 Graduate Fellowship, School of Music, University of California, Los Angeles. B.Research Grants; Projects Summer 2010 College of Fine Arts Summer Research Grant, University of Texas, Austin.
    [Show full text]
  • Front Matter
    ETH NOMU $ 10 LOGY JOURNAL OF THE SOCIETY FOR ETHNOMUSICOLOGY NOW INDEX VOLUMES I-X 1953-1966 Society for Ethnomusicology , University of Illinois Press are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org SOCIETY FOR ETHNOMUSICOLOGY, INC. Board of Directors President: Mantle Hood, Institute of Ethnomusicology, University of Califor- nia, Los Angeles, California 90024 Past President: David P. McAllester, Laboratory of Ethnomusicology, Wes- leyan University, Middletown, Connecticut 06457 First Vice-President: Klaus Wachsmann, Institute of Ethnomusicology, Uni- versity of California, Los Angeles, California 90024 Second Vice-President: Gertrude P. Kurath, Dance Research Center, 1125 Spring Street, Ann Arbor, Michigan 48103 Secretary: Theodore C. Grame, Dept. of Music, Yale University, New Haven, Connecticut 06520 Treasurer: William P. Malm, School of Music, University of Michigan, Ann Arbor, Michigan 48105 Directors-at-large: Nicholas M. England, Dept. of Music, Columbia Univer- sity, New York, New York 10027; J. H. Kwabena Nketia, Institute of African Studies, University of Ghana, Legon, Ghana. Council: Term ending 1967: Robert A. Black, Rose Brandel, K. P. Etzkorn, Frank J. Gillis, Theodore C. Grame, Mieczyslaw Kolinski, Jan LaRue, Alan Lomax, George List, David P. McAllester, Roxane McCollester, Norma McLeod, Wil- liam P. Malm, Wilton Mason, Nadia Chilkovsky Nahumck, Bruno Nettl, Sirvart Poladian, Gustave Reese, Barbara B. Smith, Klaus Wachsmann. Term ending 1968: Willem Adriaansz, William K.Archer, Samuel P. Bayard, Judith O. Beck- er, Viktor M. Beliaev, David L. Burrows, Dieter Christensen, Zygmunt Estrei- cher, Edith Gerson-Kiwi, Charles Haywood, K. G. Izikowitz, Shigeo Kishibe, Barbara L. Krader, Juana de Laban, Jose Maceda, J.
    [Show full text]
  • University Briefs Saves Gas and Car
    P~ge 4, Retriever, 29 September 1975 ,.. Carpool System Breeds Friends, University Briefs Saves Gas and Car .....II1II ' "Where did all the parking spaces go'? "No, not really. Once we had everyone's There are never any spaces left when I get class schedule, we could easily group to campus." together all the people that need to ar­ British Composer Presents Religious Concert Do you find yourself saying this more rive at a certain time. The same method often than you'd like? Then you should try is used for departures. If there are too A concert of religious music by Donald Swann and The Singers will be presented at 8 p.m. what one group of students in the North­ many for one car, then we use another Wednesday, October 15 in the University of Maryland Baltimore County recital hall. The West Area of Baltimore City and the car and driver." recital hall is located on the first floor of the fine arts building. Sponsored by the UMBC . surrounding County did. They formed a yet. But if you consider that there are just lteli~ous Studies Committee, the concert is open to the public free of charge. mammoth carpool system with 22 some people who can't be ready on time, Donald Swann, considered one of Britian's foremost composers, has blended spiritual members. then yes. Then again, those people who merriment, lyricism and an earnest probing of the human condition into a highly en­ "I've been a member for 2% years and can't be ready are usually the first to drop tertaining and involving concert called "A Crack in Time." Subtitled "A Concert in Search I've never had to drive more than once a out of the carpool.
    [Show full text]
  • Problems of the Panerusan Mantle Hood
    Problems of the Panerusan Mantle Hood uring the past few years I have had the field work. I am now speaking, of course, of the D privilege of participating in a number of musicology of European art traditions. congresses, conferences and symposia—sometimes In 1954, Manfred Bukofzer made this related directly, sometimes quite indirectly to the statement: field of Ethnomusicology. For the record, I would Only relatively few scholars have seen the need so far like to state that the conferees assembled here for entering the difficult and seemingly remote field of represent, in my opinion, one of the most anthropological musicology, although the Second World distinctive conclaves of active participants in the War and recent political events have suddenly brought field of Ethnomusicology in my experience. I into focus its immense practical importance. believe that I speak for all of us when I say that the Then he went on to say: common affliction of most congresses is a great Non-western music presents a number of difficult quantity of short papers, little problems, differing radically from or no time for discussion, a those normally encountered in heterogeneous assemblage of musicology. The basic musical subjects loosely grouped concepts in oriental music have under a broad title with little almost nothing in common with those of the West, and as a result, meaning and many, many Westerners cannot directly fragmentary, hurried and understand the music of the East highly frustrating short and vice versa. conversations with colleagues The anthropological branch of seen once or twice a year musicology is attempting to collect under similar frantic the various musics of the world and circumstances.
    [Show full text]
  • The Contributors
    The Contributors John Blacking, Department of Social Anthro- William P. Malm, School of Music, University of pology, The Queen's University of Belfast. For- Michigan, Ann Arbor. merly chairman of the African Studies Pro- Lindy Li Mark, Department of Anthropology, gramme at the University of the Witwaters- California State University, Hayward. rand, Johannesburg, South Africa. Elizabeth May, writer and editor, has taught Kuo-huang Han, Department of Music, North- ethnomusicology and Western music at Ameri- ern Illinois University, DeKalb. can and Australian universities and in Ameri- Mantle Hood, Senior Distinguished Professor of can public schools. Ethnomusicology, University of Maryland, Bal- timore. David P. McAUester, Department of Anthro- pology and Music, Wesleyan University, Middle- Trevor A. Jones, Department of Music, Monash town, Connecticut. University, Clayton, Victoria, Australia. Atta Annan Mensah, formerly Head of the De- Adrienne L. Kaeppler, Anthropologist at the partment of Music, Dance, and Drama, Ma- Smithsonian Institution, Washington, D.C. kerere University, Kampala, Uganda, is now on the Faculty of Education, University of Cape Margaret J. Kartomi, Department of Music, Coast, Cape Coast, Ghana. Monash University, Clayton, Victoria, Austra- lia. David Morton, Department of Music, Universi- ty of California, Los Angeles. Cynthia Tse Kimberlin, formerly School of Ethnic Studies, San Francisco State University, Bruno Nettl, School of Music, Division of Eth- Fulbright Fellow in Ethiopia, Department of nomusicology, University of Illinois, Urbana. Music, University of Ife, Nigeria. Dale A. Olsen, Department of Music, Florida Lorraine D. Koranda, formerly on the staff of State University, Tallahassee. the University of Alaska, is currently teaching Josef M. Pacholczyk, Department of Music, in Saratoga, California.
    [Show full text]
  • In Our Schools
    OE -33033 Bulletin 1964, No. 28 MUSIC In Our Schools A Search for Improvement Report of the Yale Seminar on * Music Education PREPARED SY CLAUDE V. PALISCA Professor of the History of Music Yale University 1, U.S. DEPARTMENT OF NEALTHt,EDUCATION, AND WELFARE Office of Education Foreword The Office of Education recently established the Arts and Humanities Branch for the purpose of helping to extend and improve education in the arts and humanitis at all levels. One of the means available to the Office of Education to ac- complish this goal is the Cooperative Research Program, estab- lished in 1954 under Public Law 531 of the 83d Congress to elicourage research and related activities that are of signifi- cance to education.During the first several years of the opera- tion of this program, relatively few proposals were received in the field of music or the other arts.The Seminar on Music Education held at Yale University is an example of the type of research development. activity in the arts that. is possible under the Cooperative Research Program. The Seminar's chief claim to uniqueness is that it brought together for the first time in such an extended and comprehen- sive session leading representatives of the many disparate ele- ments which comprise the field of music. It is hoped that the wide distribution being given this report will help promote a closer relationship among music educators and composers, conductors, performers, critics, scholars, and ad- ministrators.It is also hoped that the circulation of the report. will lead to the development of additional projects which will bring new knowledge and new ideas to bear on the many prob- lems being faced today by music as well as the other arts.
    [Show full text]
  • University of Nigeria Research Publications
    University of Nigeria Research Publications SAM, Kenneth Iheanyi Chukwu Author PG/MA/93/14892 Taxonomy of Igbo Musical Instruments: An Organological Case Study of Ihitte-Uboma Title Instrumental Resources Arts Faculty Music Department September, 1999 Date Signature 'TASONORIY OF IcnO Rll!SlC'Al, INS'I'HlIMENI'S: AN ORGAN01,O<;ICAI, CASE ST1ll)Y 017 IIIIT'rE-IIBOMA INSTRIIMEN'I'AL H ESO1 I RCES Salmitted in Partial F~~lfillrnentof the Requirements Far- the Award of the Dcgrce of MASI'ERS OF ARTS (h1.A.) AFRICAN MlJSICO1,OCY (With a Stress in.Organology). DEPARTMENT OF MIJSIC, IINIVERSITY OF NIGERIA, NSIIKKA SAM KENNE'I'II IIIEANYI CIIIJKWU PWW9/93/ry e?t 1999 APPROVAL PAGE ( SUPERVISOR INTERNAL, EXAMINER ?. llead of Department. 'T'o my late dear father. Nze Okuakaji ltinocent Chr~kwu(1.O.C.) And My beloved mother, Mrs Grace Onyeberechi Chukwu And 'QIIOTES' By lis~eningto the sspcecl~.cries and lau&ter of otlms, we learn what they think and how they feel. (Roger Kamien) Traditional musical instruments are information sources that help to express feelings of a people and the nceded explanations on how these inform, can be effectively diseniinated by the culture- owner. (Sam C hukwu) Table of Contents CONTENTS: PAGE ix X xii .. Xlll xiv xvi xvii xviii xlx XX CHAPTER ONE: Geography, Historical and Socio-cultural background Origin of the lgbo in Ihitte-Uboma : Origin of Ihitte-Uboma Socio-cultural relations in Ihitte-Uboma : Iwa-akwa festival : Mbom-uzo festival : Religion Music activities in Ihitte-Uboma : Samples, types and categories of musical groups : CHAPTER TWO: Literature review : Curt Sachs and Eric Von Hornbostel's classifications: Jaap Kunst's observations : W.
    [Show full text]