Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal Plays Truth for Dramatic Effect
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LATE COMPANY by Jordan Tannahill
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The European premiere LATE COMPANY by Jordan Tannahill. Directed by Michael Yale. Designed by Zahra Mansouri. Lighting by Nic Farman. Sound by Christopher Prosho. Presented by Stage Traffic Productions in association with Neil McPherson for the Finborough Theatre. Cast: Todd Boyce. David Leopold. Alex Lowe. Lucy Robinson. Lisa Stevenson. “When you wake up in a cold sweat at night and you think someone is watching you, well it’s me. I’m watching you. And that cold sweat on your body, those are my tears…“ As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, the European debut of “the hottest name in Canadian theatre”, Jordan Tannahill, with the European premiere of Late Company playing at the Finborough Theatre for a four week limited season on Tuesday, 25 May 2017 (Press Nights: Thursday, 27 April 2017 and Friday, 28 April 2017 at 7.30pm). One year after the suicide of their teenage son, Debora and Michael sit down to dinner with their son’s bully and his parents. Closure is on the menu, but accusations are the main course as good intentions are gradually stripped away to reveal layers of parental, sexual, and political hypocrisy – at a dinner party where grief is the loudest guest. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and is both a timely and timeless meditation on a parent’s struggle to comprehend the monstrous and unknown in their child. Playwright Jordan Tannahill has been described as “the future of Canadian theatre” by NOW Magazine. -
Late Company
STAGE TRAFFIC PRODUCTIONS PRESENT THE EUROPEAN PREMIERE OF LATE COMPANY BY AWARD-WINNING CANADIAN PLAYWRIGHT JORDAN TANNAHILL STARRING TODD BOYCE, DAVID LEOPOLD, ALEX LOWE, LUCY ROBINSON AND LISA STEVENSON AND DIRECTED BY MICHAEL YALE AT FINBOROUGH THEATRE FROM 25 APRIL – 20 MAY 2017 As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, Canadian playwright Jordan Tannahill, “the hottest name in Canadian theatre”, will debut his play, Late Company, at the Finborough Theatre, for a strictly limited season from 25 April – 20 May 2017, with press nights on 27 April/28 April. The full cast for Late Company are: Todd Boyce (Michael), David Leopold (Curtis), AlEx LowE (Bill), Lucy Robinson (Debora) and Lisa Stevenson (Tamara). This production will be directed by MichaEl YalE, with set and costumes by Zahra Mansouri, lighting by Nic Farman and sound by Chris Prosho. One year after a terrible tragedy; 2 sets of parents, one dead son, one living son. Who is to blame? A suburban dinner party for closure after 17 year-old Joel commits suicide. The guests; his heartbroken mother and father, his so-called tormentor Curtis, and his parents. Far from finding the peace they seek, the dinner strips bare their good intentions to reveal layers of parental, sexual, and political hypocrisy. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and the ever-changing complexities of parenthood in the 21st century. Todd Boyce’s (MichaEl Shaun-Hastings) theatre credits includes The Exorcist (Birmingham Rep), The Last of the Boys (Southwark Playhouse), Hamlet (The Young Vic), The Women of Lockerbie (Orange Tree Theatre, Richmond), Glyn and It (Yvonne Arnaud Theatre, Guildford), Whose Afraid of Virginia Woolf (South Australian Theatre Company), The Normal Heart (Sydney Theatre Company), Limited Edition (Sydney Dance Company), Lovers from Hell (Ovalhouse), Dr Faustus (Sydney Theatre Company) and The Exonerated (Riverside Studios). -
Toronto Arts Council Report to Economic Development Committee
Attachment TABLE OF CONTENTS Introduction and Grants Impact Analysis ........................................................................................... 3 Summary of Increased Funding, 2013-2016, chart ……………………………………………….……. 7 Operations Budget Allocation ……………………………………………………………………………….8 Grants Programs Overview Strategic Funding .................................................................................................................. 9 Arts Discipline Funding ......................................................................................................... 10 Assessment and Allocations Process ................................................................................... 11 Loan Fund ............................................................................................................................. 11 2016 Allocations Summary ................................................................................................................ 12 Income Statement & Program Balances for the year ended December 31, 2016............................. 13 Strategic Funding 2016 Partnership Programs .......................................................................................................... 14 Strategic Partnerships ........................................................................................................... 15 Strategic Allocations .............................................................................................................. 17 Recipient Details .................................................................................................................. -
Grants Listing 2011-2012
2011–2012 GRANTS LISTING LISTE DES SUBVENTIONS OAC CAO 2011–2012 Grants Listing / Liste des subventions 2011-2012 Cover Couverture Dancers from Chi Ping Dance Group perform The Shimmering Water Falls (Sleeves Des danseuses de la troupe Chi Ping, dans The Shimmering Water Falls (Sleeves Dance) at the Asian Heritage Month Gala Performance of Asian Canadian Artists, at Dance), numéro présenté lors de la soirée de gala du Mois du patrimoine asiatique, Hart House in Toronto, May 2012. (Photo: Tam Kam Chiu) à Hart House, à Toronto, en mai 2012. (Photo : Tam Kam Chiu) Contents Sommaire 1 OAC Grants Listing 1 Liste des subventions du CAO 2 Aboriginal Arts 2 Arts autochtones 6 Access and Career Development 6 Accès et évolution professionnelle 8 Anchor Organizations 8 Organismes phares 11 Arts Education 11 Éducation artistique 16 Arts Service Organizations 16 Organismes de service aux arts 19 Community and 19 Arts communautaires Multidisciplinary Arts et multidisciplinaires 24 Compass 24 Compas 27 Dance 27 Danse 31 Franco-Ontarian Arts 31 Arts franco-ontariens 36 Literature 36 Littérature 44 Media Arts 44 Arts médiatiques 48 Music 48 Musique 56 Northern Arts 56 Arts du Nord 59 Ontario-Quebec Artist Residencies 59 Résidences d’artistes Ontario-Québec 61 Theatre 61 Théâtre 67 Touring 67 Tournées 73 Visual Arts and Crafts 73 Arts visuels et métiers d’art 84 Arts Investment Fund 84 Fonds d’investissement dans les arts 93 Awards and Chalmers Program 93 Prix et programme Chalmers 97 Ontario Arts Foundation 97 Fondation des arts de l’Ontario 108 Credits -
2016 Press Release Neustadt Jury Final
NEWS RELEASE For immediate release Lauren Simpson Sr. Strategist, COHN 903-243-2201 [email protected] Robert Con Davis-Undiano Executive Director, World Literature Today 405-325-4531 [email protected] Jury Announced for the Prestigious 2016 Neustadt International Prize for Literature Panel of acclaimed authors to name finalists for “America’s Nobel” on May 27 NORMAN, Okla. (May 18, 2015) – World Literature Today, the award-winning magazine of international literature and culture, has announced the 2016 jury panel for the renowned Neustadt International Prize for Literature. The biennial Neustadt Prize recognizes great accomplishments in literature and is frequently known as “America’s Nobel” for its reputation as a forerunner to the Swedish Academy’s annual selections. Highly respected within the literary community for its recognition of excellence, the Neustadt Prize may be awarded to a living writer anywhere in the world, regardless of the medium in which they choose to write. The international jury is composed of highly esteemed authors, and their sole consideration is to select finalists based on the literary merit of their works. This is done so that the prize remains unaffected by special interests, such as book sales or a publisher’s influence. The jury’s shortlist of finalists will be announced May 27 at a special event hosted at the Lighthouse Writers Workshop in Denver. That evening, the Lighthouse will host a launch party for the May issue of World Literature Today magazine, which features translations of 15 contemporary Hebrew-language writers. Honored guests include Israeli author Daniel Oz and Kathy Neustadt, representing the Neustadt family, who will announce the 2016 Neustadt Prize finalists. -
Nac English Theatre Jillian Keiley – Artistic Director
NAC ENGLISH THEATRE JILLIAN KEILEY – ARTISTIC DIRECTOR MAR 29 – APR 9 NAC STUDIO NAC ENGLISH THEATRE PRESENTATION WRITTEN BY Jordan Tannahill ORIGINALLY CREATED BY Erin Brubacher, Cara Spooner and Jordan Tannahill DIRECTED BY Erin Brubacher and Cara Spooner a Suburban Beast (Toronto) Production OFFICIAL HOTEL PARTNER SPECIAL THANK YOU TO Dr. Kanta Marwah Endowment for English Theatre GoodLife Fitness (Rideau Centre Co-Ed Club) CAST MADISON BAINES Fox OFA GASESEPE Rosa Mundi SADIE LAFLAMME-SNOW Nearly Wild CONNOR MCMAHON Just Joey SOFIE MILITO Bobbie James CAROLINA MUNOZ JASA Couch EMILY ONG Forever Irene FRANCO PANG John Cabot AUREL PRESSAT Bobolink STEFANIE VELICHKIN Greenhouse CREATIVE TEAM ERIN BRUBACHER Director/Producer CARA SPOONER Director KIMBERLY PURTELL Lighting Designer KAITLIN HICKEY Lighting Consultant CHRISTOPHER WILLIS Sound Designer MATTHEW PENCER Sound Consultant CHAD DEMBSKI Stage Manager SANDRA HENDERSON Production Manager ELLIOT TOWNSEND Youth Assistant Stage Manager MICHAELA ROBERTSON Original Production Youth Consultant Concord Floral is approximately one hour and 20 minutes with no intermission. Contains strong language and mature themes. The National Arts Centre is a member of the Professional Association of Canadian Theatres. Suburban Beast would like to thank the following: Our original Toronto teenage collaborators: Sahra Del, Theo Gallaro, Erum Khan, Eartha Masek-Kelly, Jovana Miladinovic, Jessica Munk, Troy Sarju, Rashida Shaw, Melisa Sofi and Liam Sullivan, Mark Correia, Michelle Kuzemczak, Alex Lee, Julian -
Preview Our Spring 2015 Titles
Coach House Books Spring 2015 Taking flight this spring We’ve got lots to hoot and holler about Guess whooo’s turning fifty in ZXY]? Like Minerva’s companion, Coach House has grown wise with age (or at least we hope), but we remain young at heart. And as we gear up for a year filled with hoot-enannys and rev-owl-ry, you’re advised to keep your head on a strigine-like swivel for news about our fiftieth-themed fun. This spring we’re hatching nine titles – a parliament, if you will – that might just have you up all night reading. You’ll want to make quick prey of our sharp-eyed nonfiction titles. The Ward: The Life and Loss of Toronto’s First Immigrant Neighbourhood is for anyone who gives a hoot about how big cities deal with poverty and immigration. Reluctant night owls are sure to flock to RM Vaughan’s Bright Eyed: Insomnia and Its Cultures . In Theatre of the Unimpressed: Revitalizing Drama Through Artistic Risk and Failure , Jordan Tannahill swoops in to rescue theatre from mediocre plays. Gliding into bookstores you’ll find Fifteen Dogs , André Alexis’s quietly devastating novel that offers insights into the human condition via canine consciousness. Expect Jon Chan Simpson to ruffle feathers as he remakes the second-generation immigrant narrative in his debut novel, Chinkstar . And you’ll be captivated by the Cardinal family, the avian-named brood at the centre of Élise Turcotte’s haunting Twenty-One Cardinals , translated by Rhonda Mullins. Our poets this season give it their owl, including David McGimspey, soaring to Asbestos Heights . -
Toronto Arts Council Report to Economic Development Committee 2015
Attachment TABLE OF CONTENTS Introduction and Grants Impact Analysis ........................................................................................... 1 Highlights of New Investments, chart ………………………………………………………………………3 Overview Strategic Funding .................................................................................................................. 3 Arts Discipline Funding ......................................................................................................... 4 Assessment and Allocations Process ................................................................................... 5 Loan Fund ............................................................................................................................. 5 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 7 2015 Allocations Summary ................................................................................................................ 10 Income Statement & Program Balances for the quarter ended December 31, 2015 ........................ 11 Strategic Funding 2015 Partnership Programs .......................................................................................................... 12 Strategic Partnerships .......................................................................................................... -
S18-Anansi-Catalogue.Pdf
HOUSE OF ANANSI SPRING / SUMMER 2018 TITLES FICTION ............2 NONFICTION .........6 SPIDERLINE ........ 12 ASTORIA .......... 18 POETRY ...........22 AMBROSIA .........30 ARACHNIDE .........32 A LIST .............34 AUDIOBOOKS .......38 BACKLIST ..........40 INDEX ............55 SALES INFORMATION .56 www.houseofanansi.com At www.houseofanansi.com you can: Find books by interest, genre, and age Access key industry reviews and award details Preview sample chapters and sample spreads for illustrated works Download book club guides Take advantage of our one-click shopping cart Connect with us on our blog and social networks Read bios, watch videos, and see links to author websites, blogs, and Twitter feeds Sign up for newsletters With the participation of the Government of Canada Avec la participation du gouvernement du Canada We acknowledge for their financial support of our publishing program the Canada Council for the Arts, the Ontario Arts Council, the Government of Ontario through the Ontario Media Development Corporation, and the Government of Canada through the Canada Book Fund. Catalogue cover adapted from the cover of The Enchanted Life by Sharon Blackie. Anansi_S18_int.indd 1 10/20/17 9:48 AM JANUARY 20, 2018 | FICTION Liminal Jordan Tannahill A masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be. At 11:04 a.m. on January 21, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant, he cannot tell whether she is asleep or dead. -
Annual Report 2012 Toronto Arts Council
Annual Report 2012 Toronto Arts Council 200-26 Grand Trunk Crescent Toronto, Ontario M5J 3A9 www.torontoartscouncil.org 416-392-6800 PHOTO CREDITS Cover: LPGC07 Little Pear Garden Collective - photo by Victor Tan Page 2: Doris McCarthy Gallery: Children’s workshop and tour of The “C” Word: A Look at the Role of Craft in Contemporary Art – photo by Doris McCarthy Gallery Pages 6-7: photos by Josef Timar Pages 8-9: photo by Brett Lamb Page 10-11: Art Walk for Youth Arts - photo by Mriga Kapadiya courtesy of Manifesto Community Projects; Toronto Arts Council Advocacy at City Hall - Photos by Dewi Minden Page 15: UNITY Festival youth performance 2012 - photo by Selina Chan Page 16: Art of Time Ensemble with James Campbell, Andrew Ballantyne, Mike Murley, Perry White in The Big Band Show - photo by John Lauener Page 17: Iryna Gordon, Toronto International Flamenco Festival - photo by Levent Erutku Copy Editing courtesy of Brian Stewart and Michelle Parson Photo Editor, Dewi Minden Table of Contents Impact Statement ........................................................................................................... 2 About Toronto Arts Council - Our Mandate ..................................................................... 3 A Message from the Chair, President and Director & CEO ................................................ 4 Board of Directors and Staff Listing ................................................................................. 6 TAC Committees ............................................................................................................ -
The Collapse of America Ground Zero of the Language Wars Anti
Sarah Milroy: Rebecca Belmore’s searing vision $6.50 Vol. 26, No. 6 July/August 2018 CHARLES FORAN & CHRIS HEDGES The collapse of America GRAHAM FRASER Ground zero of the language wars ANDY LAMEY Anti-appropriation’s capitalist logic PLUS SUMMER FICTION REVIEWS EMILY M. KEELER on peak autofiction ALEX GOOD on short stories and the New Weird ANNE KINGSTON on Patrick deWitt and luxe lit CARLEIGH BAKER on Richard Wagamese’s literary legacy SaRAH WEINMAN on Iain Reid’s uncanny valley Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 Best-sellers from Ronsdale Press Louis Riel: The Defiant Mind: Narrow Bridge Let Justice Be Done Living Inside a Stroke j Barbara Pelman These poems, Barbara j David Doyle j Ron Smith Pelman’s third collection, In this imaginative re-enactment, This award-winning evocative explore the bridges — real and Riel is finally given the opportunity memoir takes us on a breathtaking metaphoric — that we build to respond to his conviction for journey — from the carpet bombing through words and actions to treason, offering his side of the story, of the brain to a renewed and overcome our separateness first at Red River, when he brought purposeful life — providing insight from one another. Manitoba into Confederation, and and support to survivors, families, then how Sir John A. caused the and medical professionals navigating 978-1-55380-508-3 (PRINT) armed resistance at Batoche in 1885. the fear and bewilderment that 978-1-55380-509-0 (EBOOK) 92 pp $15.95 With 16 b&w photos. -
World Stage 2015
MEDIA RELEASE FOR IMMEDIATE RELEASE Staging the unstageable. Harbourfront Centre welcomes All Our Happy Days Are Stupid to World Stage, Feb. 11-14 – #artlive TORONTO, ON (January 8, 2015) – Sheila Heti’s eclectic play, All Our Happy Days Are Stupid, was deemed ‘unproduceable’ by the Toronto theatre company that first commissioned it nearly a decade ago. With a cast of thirteen, ten original songs and numerous ruptures in conventional dramatic structure, many puzzled directors attempted to make sense of the play until eventually abandoning their attempt to produce it. Jordan Tannahill, Suburban Beast founder and 2014 Governor General’s Award winner, stepped up to the challenge. In 2013 he and multidisciplinary artist Erin Brubacher assembled a company of Toronto-based artists who were bold enough to reveal the play’s playful seriousness. Harbourfront Centre welcomes All Our Happy Days Are Stupid to World Stage, Feb. 11-14, 2015. All Our Happy Days Are Stupid explores the fallacy of two ensconced Western institutions – ‘the perfect family’ and ‘the perfect holiday’. The play’s surrealist and comedic narrative follows two families, the Oddis and the Sings, on vacation in Paris, France as they search for contentment and authenticity beyond the confines of their mundane existence. But far from the blissful vacation they had each planned, their holidays eventually become their undoing. New York Times best selling author, Sheila Heti, uses each family’s ‘perfect’ Parisian holiday to amplify her characters’ selfishness, illustrating how these traits are the root of their misery. Heti’s struggle to write All Our Happy Days Are Stupid was one of the most central plotlines in her internationally heralded novel How Should a Person Be? Tannahill, though initially daunted by the play’s scope and reputation, fell in love with Heti’s shunted script and inquired about the possibility of producing it.