Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal Plays Truth for Dramatic Effect

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Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal Plays Truth for Dramatic Effect Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal plays truth for dramatic effect. In 2014 playwright Jordan Tannahill became the youngest-ever winner of the Governor General’s Award for Drama. Now, still not 30, he has published a semi-fictional memoir. This is what’s known as a fast start for a literary career. The genre Tannahill is working is a hot one, sometimes referred to as the autobiographical novel or autofiction. Think names like Karl Ove Knausgard. The reader is given to understand that the people and events being described are, broadly speaking, real, but they are being presented and arranged in such a way as to heighten their dramatic effect. As Tannahill puts, describing his Toronto theatre project Videofag in terms that could just as easily be applied to Liminal , “it is both art and life . a sort of hyper-real portrait of a slightly more mundane reality.” This is having one’s cake and eating it, since we have a tendency to accept that what we’re getting in Liminal is a true story, even if we have no idea how much of it really is. That’s a big part of what makes these books so popular. An enhanced reality may be even better than the real thing. Read more: Tannahill begins with the moment that gives the novel its title and theme. On the morning of Sat. Jan. 21, 2017 he stands in the doorway, on the threshold, of his mother’s bedroom, not sure if she is alive or dead. And so she will remain, suspended between life and death, for the rest of the book. The liminal state between life and death, subject and object, soul and body, self and other, fact and fiction, along with countless other binaries, is frequently returned to (and sometimes has to be shoehorned in). Meanwhile, as Jordan stands waiting in the doorway, he proceeds to tell his story of the life of the playwright as a young man. It is more a personal than a professional life, with the emphasis less on his writing, which he scarcely mentions, than on his most significant relationships. These include his mother, of course, but also a friend named Ana and several different mentors and lovers. These relationships, in turn, are milestones on a journey of self-discovery. As borders break down in liminal space “I am all the bodies through which I’ve known my body and all the people through which I’ve known my person.” It all makes for a fun read, even if it’s not as revealing as one would expect. Tannahill is a good writer, a natural storyteller with a strong sense of narrative rhythm as well as the ability to launch into almost mystical flights of poetic vision, but he’s not into the kind of obsessive self-examination that Knausgard and others have popularized. The book has an immediacy boosted by the fact that what he’s mainly describing are very recent events, unfiltered by mature reflection, but at the same time one gets the sense that a great deal is being held in reserve. To take just one example, it’s never clear how Tannahill (who, as noted, doesn’t talk about his own writing much) makes a living. In North America, for whatever reason, money is a more taboo subject than sex. Our narrator confesses to appearing in some porn films but never says how he pays the rent. I doubt the porn would be enough. At one point his mother comes to visit him and he is relieved that she “she didn’t ask me how I was making my money lately and I think we both knew that was for the best.” The rest is silence. We might agree in considering that silence a relief, at least in this case, but in presenting an autofictional confession certain rules of disclosure apply. One needn’t be explicit, but one can’t be coy. Loading. Liminal gives us little sense that Tannahill is someone struggling to understand his life, but it may be that he hasn’t come to that point yet. Again we’re reminded of how young he is. Instead of thoughts recollected in tranquility, he concludes with a climactic paean to the raw, sensual experience of life, taking us with him as his own liminal state collapses and he rejoices in a new physical contact with the world. This is not someone looking back on his life, but being born again. Alex Good is a frequent contributor to these pages. Liminal. The world’s #1 eTextbook reader for students. VitalSource is the leading provider of online textbooks and course materials. More than 15 million users have used our Bookshelf platform over the past year to improve their learning experience and outcomes. With anytime, anywhere access and built-in tools like highlighters, flashcards, and study groups, it’s easy to see why so many students are going digital with Bookshelf. titles available from more than 1,000 publishers. customer reviews with an average rating of 9.5. digital pages viewed over the past 12 months. institutions using Bookshelf across 241 countries. Liminal by Jordan Tannahill and Publisher House of Anansi Press. Save up to 80% by choosing the eTextbook option for ISBN: 9781487003791, 148700379X. The print version of this textbook is ISBN: 9781487003784, 1487003781. Liminal by Jordan Tannahill and Publisher House of Anansi Press. Save up to 80% by choosing the eTextbook option for ISBN: 9781487003791, 148700379X. The print version of this textbook is ISBN: 9781487003784, 1487003781. Liminal. At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself. From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother. Excerpt. I. I am wary of revelations. I find anyone claiming to have them dubious. They’re usually charlatans, the ultra-religious, or insane (not that these three types are mutually exclusive; in fact they rarely are). And I find any description of these revelations some combination of sinister and comical, like John Smith receiving golden plates from the angel Moroni in a secret language only he can translate. Even the words “revelation” and “epiphany” are mired in Christian connotations. The first conjures images of John on the island of Patmos having visions of the Whore of Babylon and the Beast, while the second is the realization by the wise men that Christ is the Son of God, rendered throughout art history as the Adoration of the Magi. I suppose the synonym that feels the least corrupted by spiritual chicanery is “eureka,” and yet this word feels burdened by the mythos of masculine scientific discovery, from Archimedes fateful bath to Newton’s gravity-weighted apple (why do I always imagine it hitting his head?) Darwin said he could remember the exact moment during a carriage ride in which he was struck by his “hunch” about natural selection. Nikola Tesla, while recuperating from a recent breakdown brought on by his obsession to solve the mystery of alternating current, was on a walk with a friend in Budapest’s Varosliget Park when he was pierced by his moment of insight. Tesla was looking into the setting sun whilst reciting a passage from Goethe’s Faust (naturally) when a vision of a functioning alternating current electric induction motor appeared to him with such clarity that he grabbed a stick and drew a diagram of it then and there in the dirt. One can almost hear the angelic choral accompaniment. Perhaps because of these bearded white men and their long lineage of eurekas the word has acquired a certain sense of finitude: they each had a question and in an instant it was answered. As if, through years of research and inquiry, their minds were already filled with the necessary information and all that was required was that final synaptic connection to illuminate the network of association. A word that seems part of this revelatory cohort is “vision,” which again has religious undertones, but also the unfortunate limitations of its sensory association. A vision suggests something that is seen, either literally with one’s eyes in a new way, or seen within the mind’s eye. As the ever- favoured child of the senses, we seem inclined to give seeing undo credit as the conduit of discovery. Though as Proust might agree, throughout my life I’ve probably had more ‘visions’ induced by smell than any other sense. For me, a new awareness is rarely an apparition to be seen or viewed; it does not appear to me like Tesla’s motor. It is something that is felt. An awareness that dawns and slowly spreads its light through my body. What I seek is a word that does not suggest a long-sought for answer but rather a deluge of questions. A word for kind of illumination that recalls a caver holding a torch up in an underground chamber and apprehending a few dashes of rock wall at a time, uncertain of how far the cavern extends into darkness.
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