The Collapse of America Ground Zero of the Language Wars Anti
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LATE COMPANY by Jordan Tannahill
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The European premiere LATE COMPANY by Jordan Tannahill. Directed by Michael Yale. Designed by Zahra Mansouri. Lighting by Nic Farman. Sound by Christopher Prosho. Presented by Stage Traffic Productions in association with Neil McPherson for the Finborough Theatre. Cast: Todd Boyce. David Leopold. Alex Lowe. Lucy Robinson. Lisa Stevenson. “When you wake up in a cold sweat at night and you think someone is watching you, well it’s me. I’m watching you. And that cold sweat on your body, those are my tears…“ As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, the European debut of “the hottest name in Canadian theatre”, Jordan Tannahill, with the European premiere of Late Company playing at the Finborough Theatre for a four week limited season on Tuesday, 25 May 2017 (Press Nights: Thursday, 27 April 2017 and Friday, 28 April 2017 at 7.30pm). One year after the suicide of their teenage son, Debora and Michael sit down to dinner with their son’s bully and his parents. Closure is on the menu, but accusations are the main course as good intentions are gradually stripped away to reveal layers of parental, sexual, and political hypocrisy – at a dinner party where grief is the loudest guest. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and is both a timely and timeless meditation on a parent’s struggle to comprehend the monstrous and unknown in their child. Playwright Jordan Tannahill has been described as “the future of Canadian theatre” by NOW Magazine. -
2014 Program
Kingston’s Readers and Writers Festival Program September 24–28, 2014 Holiday Inn Kingston Waterfront kingstonwritersfest.ca OUR MANDATE Kingston WritersFest, a charitable cultural organization, brings the best Welcome of contemporary writers to Kingston to interact with audiences and other artists for mutual inspiration, education, and the exchange of ideas that his has been an exciting year in the life of the Festival, as well literature provokes. Tas in the book world. Such a feast of great books and talented OUR MISSION Through readings, performance, onstage discussion, and master writers—programming the Festival has been a treat! Our mission is to promote classes, Kingston WritersFest fosters intellectual and emotional growth We continue many Festival traditions: we are thrilled to welcome awareness and appreciation of the on a personal and community level and raises the profile of reading and bestselling American author Wally Lamb to the International Marquee literary arts in all their forms and literary expression in our community. stage and Wayson Choy to deliver the second Robertson Davies lecture; to nurture literary expression. Ben McNally is back for the Book Lovers’ Lunch; and the Saturday Night BOARD OF DIRECTORS 2014 FESTIVAL COORDINators SpeakEasy continues, in the larger Bellevue Ballroom. Chair | Jan Walter Archivist | Aara Macauley We’ve added new events to whet your appetite: the Kingston Vice-Chairs | Michael Robinson, Authors@School, TeensWrite! | Dinner Club with a specially designed menu; a beer-sampling Jeanie Sawyer Ann-Maureen Owens event; and with kids events moved offsite, more events for adults on T Secretary Box Office Services T | Michèle Langlois | IO Sunday. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Susan Swan: Michael Crummey's Fictional Truth
Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr. -
Spring 2011 Catalogue
BIBLIOASIS SPRING 2011 2 NEW RELEASE: SHORT FICTION The Meagre Tarmac The Clark Blaise Meagre Tarmac First new collection of short fiction by master storyist in nearly twenty years. The Meagre Tarmac is master storywriter Clark Blaise’s first new collection of short fiction in nearly two decades. A suite of linked stories about the trials and tribulations of several generations of Indo-Americans, these are stories of great literary and sociological import. Grappling with the changing nature of race relations in post 9-11 America and the spectre (and reality) of terrorism, The Meagre Tarmac will serve to remind readers why Clark Blaise is one of the most important storywriters of his generation, a true North American treasure: this is vintage Blaise, stories straddling borders, clashing cultures and traditions, stories poverty, affluence, despair and hope, offering an outsider’s view of the changing heart of America that is both ruthless and profoundly moving. Clark Blaise PRAISE FOR CLARKE BLAISE: NOT FINAL COVER “A born storyteller … a writer to savor.” —The New York Times Short Fiction April “If we consider the full arc of his work, we see that for nearly fifty years he has been challenging the way that we understand the concept of 978-1-926845-15-9 place in contemporary Canadian and American literature.” 5.25 x 8.25 | paper | 200 pages —Essays in Canadian Writing $19.95 “Blaise’s portrayal of a dirt-poor South haunted by history belongs to an American literary tradition that includes Faulkner, Flannery MARKETING PLANS O’Connor and Eudora Welty.” —The National Post • 100+ ARC mailing • Appearances: Blue Met (Montreal), “More often than not, Blaise meets the high standard he has set for Toronto, Guelph, Ottawa, Windsor, himself. -
Biblioasis Winter 2018
BIBLIOASIS WINTER 2018 —Ordering Information— For more information, or for further promotional materials, please contact: Daniel Wells Biblioasis Publisher 1520 Wyandotte Street East Phone: 519-968-2206 Windsor, ON N9A 3L2 Canada Email: [email protected] Orders: [email protected] Casey Plett www.biblioasis.com Phone: 519-968-2206 Publicity on twitter: @biblioasis Fax: 519-252-0008 Email: [email protected] Distribution: University of Toronto Press 5201 Dufferin Street, Toronto, ON, M3H 5T8 Toll-free phone: 800 565 9533 / Fax: 800 221 9985 email: [email protected] Sales Representation: Ampersand Inc. HEAD OFFICE/ONTARIO/NUNAVUT Jenny Enriquez VANCOUVER ISLAND Suite 213, 321 Carlaw Avenue Ext. 126 Lorna MacDonald Toronto, ON, M4M 2S1 [email protected] 1333 Fairfield Road Phone: 416-703-0666 Victoria BC, V8S 1E4 Toll-free: 866-736-5620 BRITISH COLUMBIA/ALBERTA/YUKON Phone: 250-382-1058 www.ampersandinc.ca 2440 Viking Way [email protected] Richmond, BC V6V 1N2 Saffron Beckwith Phone: 604-448-7111 ALBERTA, MANITOBA & SASKATCHEWAN/NWT Ext. 124 Toll-free: 800-561-8583 Judy Parker [email protected] Fax: 604-448-7118 10 Hind Avenue Toll-free Fax: 888-323-7118 Winnipeg MB, R3J 2P4 Morgen Young Phone: 204-837-4374 Ext. 128 Ali Hewitt Fax: 866-276-2599 [email protected] Phone: 604-448-7166 [email protected] [email protected] Laureen Cusack QUEBEC/ ATLANTIC PROVINCES Ext. 120 Dani Farmer Jenny Enriquez [email protected] Phone: 604-448-7168 Phone: 416-703-0666 Ext. 126 [email protected] Toll Free 866-736-5620 Vanessa Di Gregorio Fax: 416-703-4745 Ext. 122 Jessica Price [email protected] [email protected] Phone: 604-448-7170 [email protected] Evette Sintichakis Ext. -
CV June20 Eng.Pdf
a n t o i n e b u s t r o s [email protected] www.antoinebustros.com Updated: 06/2020 E D U C A T I O N University of Southern California. Film music with Elmer Bernstein. University of California, Los Angeles. Film music with Tom Sharp. B.Mus, McGill University; Composition with Profs Bruce Mather and John Rea; orchestration with Profs Bengt Hambreus and Donald Stevens; instrument: piano with Paul Loyonnet; minor in jazz with Mr Luc Beaugrand; Jazz Arrangements with Mr Vic Vogel, Concordia University. D.E.C. in Music from St-Laurent Cegep. MUSIC FOR THE SCREEN 2018 Theme music for Association francophone pour le savoir (ACFAS). 2017 Extraordinary Canadians. Season 2; 6 episodes Producer Kenneth Hirsch, PMA productions. Maurice Richard (by Charles Foran; directed by Adrian Wills) Marshal McLuhan (by Douglas Coupland; directed by Karen Cho) René Lévesque (by John Ralston; directed by Karen Cho) Louis Riel et Gabriel Dumond (by Joseph Boyden; directed by Adrian Wills) Wilfrid Laurier (by André Pratte; directed by Karen Cho) Tommy Douglas (by Vincent Lam; directed by Adrian Wills) Watch CBC: https://watch.cbc.ca/season/extraordinary-canadians/season-2/d907370d-44e8-4764-9af3-a3641376219f Return to Park Ex. Documentary. Producer Périphéria Productrions inc. and Les productions Easter Films; directed by Tony Asimakopoulos Watch CBC: https://watch.cbc.ca/media/cbc-docs-pov/season-1/return-to-park-ex/38e815a-00d01cbe7d0 Amour et argent peuvent faire bon ménage. Documentary. Producer Relais-femmes et les productions mainslibres; directed by Sophie Bissonnette 2015 Despedida. Documentary. Produced and directed by Leopoldo Guttierez, Polo Productions. -
Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal Plays Truth for Dramatic Effect
Read Ebook {PDF EPUB} Liminal by Jordan Tannahill Jordan Tannahill's Liminal plays truth for dramatic effect. In 2014 playwright Jordan Tannahill became the youngest-ever winner of the Governor General’s Award for Drama. Now, still not 30, he has published a semi-fictional memoir. This is what’s known as a fast start for a literary career. The genre Tannahill is working is a hot one, sometimes referred to as the autobiographical novel or autofiction. Think names like Karl Ove Knausgard. The reader is given to understand that the people and events being described are, broadly speaking, real, but they are being presented and arranged in such a way as to heighten their dramatic effect. As Tannahill puts, describing his Toronto theatre project Videofag in terms that could just as easily be applied to Liminal , “it is both art and life . a sort of hyper-real portrait of a slightly more mundane reality.” This is having one’s cake and eating it, since we have a tendency to accept that what we’re getting in Liminal is a true story, even if we have no idea how much of it really is. That’s a big part of what makes these books so popular. An enhanced reality may be even better than the real thing. Read more: Tannahill begins with the moment that gives the novel its title and theme. On the morning of Sat. Jan. 21, 2017 he stands in the doorway, on the threshold, of his mother’s bedroom, not sure if she is alive or dead. -
The Election Issue
FALL 2015 PRICE: $4.95 The great divide: Divorce and the older couple PAGE 21 Berlin by daylight PAGE 25 Fitness for the long haul PAGE 34 THE ELECTION ISSUE SHATTERED: How the permanent campaign is changing Canadian politics PAGE 8 GROUND GAMES: The five ridings to watch PAGE 12 PM40065047 ASSOCIATION So long, everyone. IT’S BEEN AN HONOUR. I remember it like it was yesterday. have led, supported or implemented on behalf of our members. It was 1996, a full year into my retirement. This is an exciting time for us, but it isn’t My wife and I were invited to a meeting at without challenges. The advocacy work we do our local FSNA branch. Being newcomers to is ongoing, with long-term goals that can, at the area, we were keen to meet new folks times, be difficult to bring into focus. And it’s — and interested in learning more about become increasingly difficult to attract new the Association. volunteers — our greatest strength — to carry The evening proved pleasant and, a few months out the important and rewarding advocacy later, we were invited to another meeting. The work we do. Gary Oberg Sylvia Ceacero branch president told the audience the branch I’ve come to realize that now is the time for needed volunteers with computer experience. a renewal of leadership. I hope the leaders An abrupt jab to my ribs startled me — it was of tomorrow will continue to move the my wife, encouraging me to step up. My first Sylvia Ceacero has resigned from Association forward with fresh ideas, forging instinct was to decline (surely it would cut into her position as CEO of the National this organization into an increasingly relevant, golf time) but, after further elbowing, I agreed to Association of Federal Retirees, powerful voice for federal retirees. -
Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’S Life Writing
Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’s Life Writing Emma Jenkins A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Arts and Media Faculty of Arts and Social Sciences The University of New South Wales March 2018 Thesis/Dissertation Sheet Surname/Family Name : Jenkins Given Name/s : Emma Abbreviation for degree as give in the University calendar : PhD Faculty : Faculty of Arts and Social Sciences School : School of Arts and Media Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’s Thesis Title : Life Writing Abstract 350 words maximum: (PLEASE TYPE) Contemporary feminist life writing is built on an extraordinary tradition of category-testing experimentation with language and form. The specific textures and individual embodiments of gendered experience have frequently inspired challenges to accepted renditions of canonical genres of ‘the life’. This thesis argues that contemporary women’s life writing continues to interrogate the limits of the discourse and genres of the self by examining three texts by North American feminist authors. These texts are Chris Kraus’s Aliens & Anorexia (2000), Sheila Heti’s How Should A Person Be? (2010), and Maggie Nelson’s The Argonauts (2015). From the 1990s onwards, following the problematisation of the category of ‘woman’ and the ensuing ontological crisis in feminism, metatheoretical women’s life writing has been deployed to explore and manage a set of productive and seemingly irresolvable contradictions around the state of women’s identity. These contradictions manifest in these texts as parataxis, comic inversion, and as the queer strategy to sit ‘athwart’ opposing ideologies rather than ‘against’ them. -
The Colombian Book Market FINAL EN Copy
The Colombian Book Market Webinar presented by Sandra Pulido Urrea September 2020 Content 1. About Colombia 2. Cultural & Creative Industries 3. Reading Promotion 4. The Industry (key figures) and The Market 5. Internationalization 6. Regulatory Framework 7. Exchange: Canada in Colombia/Colombia in Canada About Colombia • Situated in the northwest of South America • Bogotá is the capital and largest city • Official language: Spanish • Second language: English • Population: 49 million people, is the third-most populous country in Latin America, after Brazil and Mexico. • 20% of the population could not read or write at the beginning of the 20th century, but that number moved up to a 90% literacy rate by the end of the century after much effort. • 2.9 reading index. Cultural & Creative Industries Cultural and Creative Industries in the world Global Impact 2018 data, Semana Magazine Cultural and creative industries in the world 2018 data, Semana Magazine Colombia, a place of inspiration! Some of the most creative artists, designers and filmmakers come from Colombia to the world with unique works and voices. Aterciopelados: Maripaz Esteban Cortázar: Doris Fernando Rock Band Jaramillo: Fashion Designer Salcedo: Gaitán: Plastic Artist Sculptor TV Producer La 33: Dago García: Salsa Band Filmmaker Bogotá, a Creative Capital! • 56 Theatres • The Ibero-American Theatre Festival takes place every two years in Bogotá with 340.000 visitors in the theatres and around 1 895 000 street spectators. • BAM Bogotá Audiovisual Market, positioned as a reference in the country and region for production and post-production of audiovisual content. • BOM Bogotá Music Market, Colombia is the largest music exporter in Latin America. -
Northrop Frye Newsletter
Northrop Frye Newsletter Vol. 8, No. 1 Summer 1999 Contents Michael Dolzani, “The Ruins of Time: Frye and the City, 1977” 1 Frye Bibliography (Collected Works, Frye’s Books, Secondary Sources) 7 Jean O’Grady, “Northrop Frye at Home and Abroad” 22 Conference on “Frye and the Word” 33 Frye among the Most Famous Canadians: Maclean’s Cover Story 33 Frye Conference in China 34 A Page from The New Defenders Comics (July 1984) 35 The Ruins of Time: Frye and the City, 1977 Michael Dolzani [This paper was presented at annual meeting of the Modern Language Association in Toronto, December 1996. Michael Dolzani teaches at Baldwin Wallace College.] But all the clocks in the city Began to whirr and chime: “O let not Time deceive you, You cannot conquer Time.” —W.H.Auden, “As I walked out one evening” The ruins of time build mansions in eternity. —William Blake, letter to William Hayley, May 6, 1800 This is the story of Northrop Frye’s last great “mental fight ‘to “build Jerusalem” in the face of the transience of all things in time. In 1977, Frye turned sixty-five, not only the traditional age of retirement but an age at which all the clocks of the city begin to whisper that the productions of time are only such things as dreams are made on; eventually, they vanish, and leave not a rack behind. In his work on the Bible, Frye speaks of an “anxiety of continuity” in society; at one point in his notebooks, he says that the anxiety of continuity masks an even deeper fear of metamorphosis (Notebook 24, par.