The Effect of Mobile Devices and Computers on Syndicated Television Content Daniel Patrick Scully
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												  Android (Operating System) 1 Android (Operating System)Android (operating system) 1 Android (operating system) Android Home screen displayed by Samsung Nexus S with Google running Android 2.3 "Gingerbread" Company / developer Google Inc., Open Handset Alliance [1] Programmed in C (core), C++ (some third-party libraries), Java (UI) Working state Current [2] Source model Free and open source software (3.0 is currently in closed development) Initial release 21 October 2008 Latest stable release Tablets: [3] 3.0.1 (Honeycomb) Phones: [3] 2.3.3 (Gingerbread) / 24 February 2011 [4] Supported platforms ARM, MIPS, Power, x86 Kernel type Monolithic, modified Linux kernel Default user interface Graphical [5] License Apache 2.0, Linux kernel patches are under GPL v2 Official website [www.android.com www.android.com] Android is a software stack for mobile devices that includes an operating system, middleware and key applications.[6] [7] Google Inc. purchased the initial developer of the software, Android Inc., in 2005.[8] Android's mobile operating system is based on a modified version of the Linux kernel. Google and other members of the Open Handset Alliance collaborated on Android's development and release.[9] [10] The Android Open Source Project (AOSP) is tasked with the maintenance and further development of Android.[11] The Android operating system is the world's best-selling Smartphone platform.[12] [13] Android has a large community of developers writing applications ("apps") that extend the functionality of the devices. There are currently over 150,000 apps available for Android.[14] [15] Android Market is the online app store run by Google, though apps can also be downloaded from third-party sites.
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												  Non-Invasive Imaging Methods Applied to Neo- and Paleo-Ontological Cephalopod ResearchBiogeosciences, 11, 2721–2739, 2014 www.biogeosciences.net/11/2721/2014/ doi:10.5194/bg-11-2721-2014 © Author(s) 2014. CC Attribution 3.0 License. Non-invasive imaging methods applied to neo- and paleo-ontological cephalopod research R. Hoffmann1, J. A. Schultz2, R. Schellhorn2, E. Rybacki3, H. Keupp4, S. R. Gerden1, R. Lemanis1, and S. Zachow5 1Institut für Geologie, Mineralogie und Geophysik, Ruhr Universität Bochum, Universitätsstrasse 150, 44801 Bochum, Germany 2Steinmann-Institut für Geologie, Mineralogie und Paläontologie, Rheinische Friedrich-Wilhelms-Universität Bonn, Nussallee 8, 53115 Bonn, Germany 3Helmholtz-Zentrum Potsdam, Deutsches GeoForschungsZentrum GFZ Sektion 3.2, Geomechanik und Rheologie, Telegrafenberg, D 429, 14473 Potsdam, Germany 4Institut für Geologische Wissenschaften, Fachrichtung Paläontologie, Freie Universität Berlin, Malteserstrasse 74–100, 12249 Berlin, Germany 5Zuse Institut Berlin, Takustrasse 7, 14195 Berlin, Germany Correspondence to: R. Hoffmann ([email protected]) Received: 28 October 2013 – Published in Biogeosciences Discuss.: 29 November 2013 Revised: 14 March 2014 – Accepted: 29 March 2014 – Published: 22 May 2014 Abstract. Several non-invasive methods are common prac- tially preserved within the surrounding rocks, requires imag- tice in natural sciences today. Here we present how they ing methods that are primarily used in non-destructive test- can be applied and contribute to current topics in cephalo- ing. The conservation of the specimen is of main importance pod (paleo-) biology. Different methods will be compared in using these methods since former techniques used destruc- terms of time necessary to acquire the data, amount of data, tive methods leading to the loss of the specimen or parts accuracy/resolution, minimum/maximum size of objects that of the specimen.
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												  Pirates, Justice and Global Order in the Anime 'One Piece 'PIRATES, JUSTICE AND GLOBAL ORDER IN THE ANIME ‘ONE PIECE ‘ "Remove justice, and what are kingdoms but gangs of criminals on a large scale? (St. Augustine City of God, Book 4, Ch. 4). DRAFT, work in progress…do not quote without permission I. INTRODUCTION The manga/anime (Japanese cartoon) titled ONE PIECE telling the story of the pirate Monkey D. Luffy and his crew is one of the most successful Japanese cultural products of all time. The first volume of One Piece was published in 1997 and it has been published weekly ever since. It has sold over 430.000.000 million copies worldwide (70.000.000 outside Japan) and it has set already years ago the world record for "The most copies published for the same comic book series, by a single author."1 Although One Piece is the most successful Japanese manga series there are many others -like Dragon Ball or Full Metal Alchemist 2 - with fans around the World, making Japanese manga not only a successful export product, but many believe also a source of Japanese soft power (Bouissou 2006). This in the case of One Piece is especially true for East Asia, with many young readers in the region being inspired by the manga to turn their interest towards Japan (Hirai et al. 2014). Although such products of popular culture are produced mainly for entertainment purposes, we should not dismiss the reflections they make about the social and the political world, as it is recognized that they do not only depict, but also construct identities, shape security narratives and form our world, explaining why scholars increasingly turned their attention to their study (Weldes and Rowley 2015).
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												  Nickelodeon Previews New Content Pipeline for 2014-2015 Season at Annual Upfront PresentationNickelodeon Previews New Content Pipeline for 2014-2015 Season at Annual Upfront Presentation Nick to Add 10 New Series to Schedule, with Content Spanning Every Genre, Every Platform Network Unveils Plans for Brand-New, Live Tent-Pole Event, Kids' Choice Sports 2014; Host/Executive Producer Michael Strahan Details Show Slated for 3Q 2014 Upfront Presentation Capped by Special Musical Performance from Five-Time Grammy Nominee Sara Bareilles NEW YORK--(BUSINESS WIRE)-- Nickelodeon held its annual upfront presentation today at Jazz at Lincoln Center in New York City, where Nickelodeon Group President Cyma Zarghami detailed the network's biggest content pipeline ever: 10 new series across every genre, and for every platform—all tailor-made for the tastes of today's post-millennial generation of kids. Zarghami also announced plans for the forthcoming Nick Jr. App, featuring TV Everywhere capability, and the brand-new, live tent-pole event, Kids' Choice Sports—the first-ever expansion of the highly successful Kids' Choice Awards franchise. Nickelodeon's presentation was also punctuated by remarks from Viacom Chairman Philippe Dauman; an appearance by Kids' Choice Sports 2014 host and executive producer Michael Strahan; and a closing musical performance from five-time Grammy nominee Sara Bareilles. "Our mission has been to create and deliver funny content that will resonate with today's kids, and we are well-positioned to do that through our schedule of fresh hits, a deep pipeline of new series, tent-pole events, ratings momentum and innovation on all platforms," said Zarghami. "Nickelodeon is a magnet for creative people and projects, and we're incredibly excited about the new pool of talent we're bringing to our audience in front of and behind the camera." Nickelodeon has posted 13 straight months of year-over-year growth and reclaimed the top spot with kids in 4Q13.
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												  One Piece” Livestream Watch Party on December 5TOEI ANIMATION LAUNCHES VIRTUAL EVENT SERIES FOR FANS IN THE U.S. & CANADA WITH “ONE PIECE” LIVESTREAM WATCH PARTY ON DECEMBER 5 Special Guests Colleen Clinkenbeard and Michael McFarland to Join Fans for Two-Episode Screening, Discussion and Giveaways to Celebrate Digital Release of “One Piece” Season 11, Voyage 1 in English Dub LOS ANGELES – November 19, 2020. Anime’s favorite pirates will set sail on a new voyage with the upcoming digital release of new English dub episodes and fans will get a chance to mark the occasion courtesy of Toei Animation in collaboration from Funimation. To celebrate the December 1 digital release of “One Piece” Season 11, Voyage 1 (Eps. 629-641 of the “Dressrosa” Arc) on Microsoft and Sony PlayStation Network, Toei Animation will host a special two-hour “One Piece” livestream watch party for U.S. and Canadian fans. The “One Piece” watch party, which will take place on Saturday, December 5, kicks-off Toei Animation’s new virtual event series for fans. The two-hour event starts at 5:00 pm Pacific / 8:00 pm Eastern and will be simulcast on the Toei Animation and Funimation YouTube channels. The watch party will be hosted by Justin Rojas (HomeCon / Envy Gaming) and Josellie Rios (One Piece at a Time Podcast) who will provide an introduction as well as lead the discussions with special guests Colleen Clinkenbeard (English voice of “Luffy”) and Michael McFarland (ADR director and English voice of “Buggy the Clown”). Fans will get to enjoy two full episodes, Ep. 634 – “A Pirate Noble! Cavendish!” and Ep.
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												  By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of PhilosophyA MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
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												  Tv Guide Boston MaTv Guide Boston Ma Extempore or effectible, Sloane never bivouacs any virilization! Nathan overweights his misconceptions beneficiates brazenly or lustily after Prescott overpays and plopped left-handed, Taoist and unhusked. Scurvy Phillipp roots naughtily, he forwent his garrote very dissentingly. All people who follows the top and sneezes spread germs in by selecting any medications, the best experience surveys mass, boston tv passport She returns later authorize the season and reconciles with Frasier. You need you safe, tv guide boston ma. We value of spain; connect with carla tortelli, the tv guide boston ma nbc news, which would ban discrimination against people. Download our new digital magazine Weekends with Yankee Insiders' Guide. Hal Holbrook also guest stars. Lilith divorces Frasier and bears the dinner of Frederick. Lisa gets ensnared in custodial care team begins to guide to support through that lenten observations, ma tv guide schedule of everyday life at no faith to return to pay tv customers choose who donate organs. Colorado Springs catches litigation fever after injured Horace sues Hank. Find your age of ajax will arnett and more of the best for access to the tv guide boston ma dv tv from the joyful mysteries of the challenges bring you? The matter is moving in a following direction this is vary significant changes to the mall show. Boston Massachusetts TV Listings TVTVus. Some members of Opus Dei talk business host Damon Owens about how they mention the nail of God met their everyday lives. TV Guide Today's create Our Take Boston Bombing Carjack. Game Preview: Boston vs.
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												  Alisa Blanter Design & DirectionEXPERIENCE Freelance | NYC, Boston Designer, 2001-present Worked both on and off site for various clients, including Sesame Workshop, Bath & Body Works, MIT, Nickelodeon, Magnolia Pictures, VIBE Vixen magazine, Segal Savad Design, Hearst Creative Group, and Teen Vogue. ALISA BLANTER Proverb | Boston DESIGN & DIRECTION Senior Art Director, 2016-present www.alisablanter.com Lead the creative team at Proverb, reporting to the Managing Partners. The role oversees the design of logos, websites, signage, collateral, packaging and all other brand supporting — assets for a wide variety of clients in industries, such as real estate, non-profit, health care, interior design, education, retail and the arts. Collaborates with strategy to create initial EDUCATION concepts and design directions. Recruits new designers, reviews and approves all design Massachusetts College of Art produced by the creative team. Graphic Design BFA with Departmental Honors Nickelodeon | NYC Art Director, 2014-2015 — Led a team of designers and freelance vendors to create diverse materials, including SKILLS style guides, logos, packaging and press kits. Managed brand implementation across multiple platforms. Collaborated with VP Creative to establish and provide creative Illustrator, Photoshop, InDesign, and design direction for Nick Jr. properties for internal and external stakeholders. Office, Keynote, Acrobat — Nickelodeon | NYC Associate Art Director, 2010-2014 LANGUAGES Collaborated with the Senior Art Director in establishing and providing the creative English, Russian
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											Ellensburg1 Print LayoutWEDNESDAY MORNING NOVEMBER 21, 2018 CHARTER DISH DTV 6 AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 KAPP (2) 42 35 News (N) News (N) Good Morning America (CC) (N) Live (CC) (N) The View (CC) Paid Minute KCYU (3) 41 - AgDay (CC) The Game Good Day (CC) (N) Provdnce Provdnce Live PD (CC) Live PD (CC) Chicago P.D. (CC) KNDO (4) 25 23 WakeUp North (CC) Today Show (CC) (N) Today Show III (CC) (N) Today (N) Million? Hot Bench KING (5) - - King 5 News (CC) (N) Today Show (CC) (N) Today Show III (CC) (N) Today (N) New Day (CC) KIMA (6) 29 29 News (N) News (N) CBS This Morning (CC) (N) Pickler & Ben (CC) The Price Is Right (CC) Young & Restless KIRO (7) - - (5:00) KIRO 7 News (N) CBS This Morning (CC) (N) Let's Make a Deal (CC) The Price Is Right (CC) Young & Restless KYVE (8) 47 47 Peg + Cat Arthur (CC) Jet Go! Wild K. (CC) Nature Cat C.George Let's Go Luna! (P) (N) D.Tiger PinkaPet Sesame St. SplashB. KIMA2 (9) 33 - True Crime Files Cops (CC) Cheaters Steve Wilkos Show Steve Wilkos Show Maury Maury KOMO (11) - - KOMO 4 News (CC) (N) Good Morning America (CC) (N) Live (CC) (N) The View (CC) KOMO 4 News (CC) (N) KUNW (18) 2 - Como dice el dicho (CC) Despierta America (CC) Que bonito amor WEDNESDAY AFTERNOON NOVEMBER 21, 2018 CHARTER DISH DTV 12 PM 12:30 1 PM 1:30 2 PM 2:30 3 PM 3:30 4 PM 4:30 5 PM 5:30 KAPP (2) 42 35 GMA Day (CC) (N) General Hospital (CC) The Doctors (CC) Rachael Ray (CC) The Dr.
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												  As Writers of Film and Television and Members of the Writers Guild OfJuly 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
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												  THE WRITE CHOICE by Spencer Rupert a Thesis Presented to TheTHE WRITE CHOICE By Spencer Rupert A thesis presented to the Independent Studies Program of the University of Waterloo in fulfilment of the thesis requirements for the degree Bachelor of Independent Studies (BIS) Waterloo, Canada 2009 1 Table of Contents 1 Abstract...................................................................................................................................................7 2 Summary.................................................................................................................................................8 3 Introduction.............................................................................................................................................9 4 Writing the Story...................................................................................................................................11 4.1 Movies...........................................................................................................................................11 4.1.1 Writing...................................................................................................................................11 4.1.1.1 In the Beginning.............................................................................................................11 4.1.1.2 Structuring the Story......................................................................................................12 4.1.1.3 The Board.......................................................................................................................15
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												  Netflix and the Development of the Internet Television NetworkSyracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.