A Christological Evaluation of the Idea of Human Dominion Over Creation
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The Real Presence of Christ in Scripture: a Sacramental Approach to the Old Testament
The Real Presence of Christ in Scripture: A Sacramental Approach to the Old Testament by Geoffrey Boyle A Thesis submitted to the Faculty of Wycliffe College and Graduate Centre for Theological Studies of the Toronto School of Theology In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theology awarded by the University of St. Michael's College © Copyright by Geoffrey Boyle 2019 The Real Presence of Christ in Scripture: A Sacramental Approach to the Old Testament Geoffrey Robert Boyle Doctor of Philosophy in Theology University of St. Michael's College 2019 Abstract Of the various sense-making attempts to understand the relation of Christ to the Old Testament over the last century, there is a noticeable absence of any substantial presence. Christ is prophesied, witnessed, predicted, typified, and prefigured; but apart from a few alleged christophanic appearances, he is largely the subject of another, historically subsequent Testament. This thesis surveys the christological approaches to the Old Testament since the early 20th century breach made within historicism, introduces a patristic mindset, proposes an ontological foundation to a sacramental (real-presence) approach, then demonstrates this through a reading of Zechariah 9-14. The goal is to bring together three arenas of study—exegetical, historical, theological—and demonstrate how their united lens clarifies the substantial referent of Scripture, namely Christ. The character of the OT witness is thus presented in christological terms, suggesting a reading that recognizes the divine person within the text itself, at home in the sensus literalis. By way of analogy to the Cyrillian hypostatic union and a Lutheran eucharistic comprehension, the task is to show how one encounters the hypostasis of Christ by means of the text’s literal sense. -
The Sacred Congregation for Seminaries and Universities
English translation by Nancy E. Llewellyn of Latin original document ORDINATIONES AD CONSTITUTIONEM APOSTOLICAM “VETERUM SAPIENTIA” RITE EXSEQUENDAM (1962) by the Sacred Congregation for Seminaries and Universities. This English translation is coPyright; however, the translator hereby grants permission to download, print, share, post, distribute, quote and excerpt it, provided that no changes, alterations, or edits of any kind are made to any Part of the written text. ©2021 Nancy E. Llewellyn. All other rights reserved. THE SACRED CONGREGATION FOR SEMINARIES AND UNIVERSITIES NORMS FOR THE CORRECT IMPLEMENTATION OF THE APOSTOLIC CONSTITUTION “VETERUM SAPIENTIA” The sacred Deposit of the Latin Language is a thing which even from the first centuries of the Church’s existence, the Throne of Peter has always guarded as something holy. It considers Latin an overt and beautiful sign of unity, a mighty instrument for safeguarding and spreading Christian Truth in its fullness, and for performing sacred rites. Our most Holy Father and Lord Pope John XXIII has lifted it up from neglect and contempt and firmly asserted its official, confirmed status within the Church. In a solemn ceremony on February 22, he signed with his own hand the Apostolic Constitution “Veterum Sapientia” in the Basilica of St. Peter, laying the foundations and establishing the principles by which this language, which is proper to the Church and forever bound into Her life, shall be restored to its ancient place of glory and honor. No one, least of all this Sacred Congregation, can be unaware what great and arduous effort this most noble and necessary task will require, on account of the unfortunate state of learning and of use of the Latin language today, and because of conditions existing in various places, times, and nations. -
184 CTSA Proceedings 57/ 2002
184 CTSA Proceedings 57/ 2002 CHRISTOLOGY Topic: The Firstborn of Many Convenor: Tatha Wiley, St. Olaf College Moderator: Lou McNeil, Georgian Court College Presenter: Donald L. Gelpi, Jesuit School of Theology at Berkeley Respondent: Alexander Garcia-Rivera, Jesuit School of Theology at Berkeley Addressing thirty participants, Donald Gelpi outlined the major elements of the argument constructed in his three-volume work, The Firstborn of Many: A Christology for Converting Christians (Marquette University Press, 2001). Gelpi's remarks and those of his respondent, Alexander Garcia-Rivera, sparked a vigorous exchange of questions and responses moderated by Lou McNeil. Gelpi opened by discussing the method he used for the formulation of his Christology, the philosophical presuppositions on which it rested, and the way in which a theology of conversion structured his theological argument. The method guiding The Firstborn of Many blends elements from Bernard Lonergan's Method in Theology and the work of Charles Sanders Peirce. Gelpi takes Lonergan's understanding of the task of theology as mediation between a religion and the culture in which that religion roots itself, his definition of method, and his theory of functional specialties. He explained why he believes that Peirce's logic and metaphysics offer a sounder grounding for Lonergan's theory of functional specialties than Lonergan's own transcendental method and modified Transcendental Thomism. The philosophical metaphysics structuring Gelpi's Christological argument is an application of Peircean logic to philosophical thinking. Gelpi interpreted metaphysical thinking as the elaboration of a fallible hypothesis about the nature of reality by giving inferential elaboration to a root metaphor for reality, which needs verification in human perceptual experience, in shared, lived, social experience, in the results of close scientific and scholarly investigations into reality, and in the events which reveal the Christian God. -
The Latin Hymns in the Wesleyan Hymn Book
.A]":il^-^-^.riYMNS Wesi.byan Methodist Hymn Book /'ttr/^ ^v^^l^d c<r/^.^-^'-/ -tait'WII IIIWIIWIiWUBMWWWWKWWWa^tHy^KWHBHWiy.WffiW^^ JOHN W. DICKHAUT LIBRARY Digitized by tine Internet Arciiive in 2009 http://www.arcliive.org/details/latinliymnsinweslOOmacd : THE LATIN HYMNS IN THE WESLEYAN HYMN BOOK StuMes in Ib^mnologi?. BY FREDERIC W. MACDONALD. *<S$$^ ILonDon CHARLES H. KELLY, 2, CASTLE STREET, CITY ROAD, E. C. AND 26, PATERNOSTER ROW, E.C. 1899. BATMAN, CHRIST? AND LIIXT, LTD., PRIMTFBS, BATTON WORKS, 113—115, FABBINODON ROAD, AND 20—22, ST. BRIDB STRBBT, E.C. METHODIST TIfFOlOGinAL SCHOOl STRA'iFOmi, OHIO ———— CONTENTS. I. Historic Survey II.—The "Te Deum" HI. Veni, Creator Spiritus . IV. Veni, Sancte Spiritus V. Charlemagne and King Robert of France VI. Cantemus Cuncti Melodum VII.—Jesu, Dulcis Memoria VIII.—Hic Breve Vivitur . IX.—HoRA NovissiMA {continued) X. Veni, Veni, Emmanuel XL Supreme Quales Arbiter — XII. Jam Lucis Orto Sidere . XIII. —Angularis Fundamentum Lapis Christus Missus Est . XIV.—Dies Ir.(E, Dies Illa . 28105 THE LATIN HYMNS IN THE WESLEYAN HYMN BOOK. CHAPTER I. Ibietortc Survei?. T N the Hymn Book published by John Wesley -- in 1779, which, with a few hymns subse- quently added, continued in common use among " "the people called Methodists till 1830, there are, as might be expected, no hymns from the Latin. The time for this had not yet come. The treasures of Latin hymnody were practi- cally unknown, and many things must happen before either English Churchmen or Noncon- formists would care to explore them. It was in a different direction, as is well known, that Wesley turned in search of hymns that might be sung in the Societies under his care along with those of his brother Charles, of Watts, and of Doddridge. -
The Formula of Concord As a Model for Discourse in the Church
21st Conference of the International Lutheran Council Berlin, Germany August 27 – September 2, 2005 The Formula of Concord as a Model for Discourse in the Church Robert Kolb The appellation „Formula of Concord“ has designated the last of the symbolic or confessional writings of the Lutheran church almost from the time of its composition. This document was indeed a formulation aimed at bringing harmony to strife-ridden churches in the search for a proper expression of the faith that Luther had proclaimed and his colleagues and followers had confessed as a liberating message for both church and society fifty years earlier. This document is a formula, a written document that gives not even the slightest hint that it should be conveyed to human ears instead of human eyes. The Augsburg Confession had been written to be read: to the emperor, to the estates of the German nation, to the waiting crowds outside the hall of the diet in Augsburg. The Apology of the Augsburg Confession, it is quite clear from recent research,1 followed the oral form of judicial argument as Melanchthon presented his case for the Lutheran confession to a mythically yet neutral emperor; the Apology was created at the yet not carefully defined border between oral and written cultures. The Large Catechism reads like the sermons from which it was composed, and the Small Catechism reminds every reader that it was written to be recited and repeated aloud. The Formula of Concord as a „Binding Summary“ of Christian Teaching In contrast, the „Formula of Concord“ is written for readers, a carefully- crafted formulation for the theologians and educated lay people of German Lutheran churches to ponder and study. -
The Poems of Dracontius in Their Vandalic and Visigothic Contexts
The Poems of Dracontius in their Vandalic and Visigothic Contexts Mark Lewis Tizzoni Submitted in accordance with the requirements for the degree of Doctor of Philosophy. The University of Leeds, Institute for Medieval Studies September 2012 The candidate confinns that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2012 The University of Leeds and Mark Lewis Tizzoni The right of Mark Lewis Tizzoni to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements: There are a great many people to whom I am indebted in the researching and writing of this thesis. Firstly I would like to thank my supervisors: Prof. Ian Wood for his invaluable advice throughout the course of this project and his help with all of the historical and Late Antique aspects of the study and Mr. Ian Moxon, who patiently helped me to work through Dracontius' Latin and prosody, kept me rooted in the Classics, and was always willing to lend an ear. Their encouragement, experience and advice have been not only a great help, but an inspiration. I would also like to thank my advising tutor, Dr. William Flynn for his help in the early stages of the thesis, especially for his advice on liturgy and Latin, and also for helping to secure me the Latin teaching job which allowed me to have a roof over my head. -
The Word Became Flesh: an Exploratory Essay on Jesus's
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects The orW d Became Flesh: An Exploratory Essay on Jesus’s Particularity and Nonhuman Animals Andy Alexis-Baker Marquette University Recommended Citation Alexis-Baker, Andy, "The orW d Became Flesh: An Exploratory Essay on Jesus’s Particularity and Nonhuman Animals" (2015). Dissertations (2009 -). Paper 596. http://epublications.marquette.edu/dissertations_mu/596 THE WORD BECAME FLESH: AN EXPLORATORY ESSAY ON JESUS’S PARTICULARITY AND NONHUMAN ANIMALS by Andy Alexis-Baker A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2015 ABSTRACT THE WORD BECAME FLESH: AN EXPLORATORY ESSAY ON JESUS’S PARTICULARITY AND NONHUMAN ANIMALS Andy Alexis-Baker Marquette University, 2015 In this exploratory work I argue that Jesus’s particularity as a Jewish, male human is essential for developing Christian theology about nonhuman animals. The Gospel of John says that the Word became “flesh” not that the Word became “human.” By using flesh, John’s Gospel connects the Incarnation to the Jewish notion of all animals. The Gospel almost always uses flesh in a wider sense than meaning human. The Bread of Life discourse makes this explicit when Jesus compares his flesh to “meat,” offending his hearers because they see themselves as above other animals. Other animals are killable and consumable; humans are not. The notion that the Word became flesh has gained prominence in ecotheology, particularly in theologians identifying with deep Incarnation. Unless this notion is connected to Jesus’s particularity, however, there is danger in sacrificing the individual for the whole. -
Living Under the Lordship of Christ: the Ground and Shape of Paraenesis in the Epistle to the Colossians
Living under the Lordship of Christ: The Ground and Shape of Paraenesis in the Epistle to the Colossians By Steven Robert Tracy Arizona State University, B.A. Western Seminary, M.Div., Th.M. A Thesis Submitted for the Degree of Doctor of Philosophy Department of Biblical Studies University of Sheffield Sheffield, England „ Submitted June, 1995 Living under the Lordship of Christ: The Ground and Shape of Paraenesis in the Epistle to the Colossians by Steven Robert Tracy Abstract This study examines the broad range of moral exhortations in Colossians. The paraenetical sections evaluated include 1.9-10, 21-23; 2.6-7; 3.1-4, 5-17; 3.18-4.1. My primary objective is to determine the ground or basis for paraenesis in Colossians. I submit that there is a clear and consistent relationship between theology and ethics in Colossaians, for paraenesis is repeatedly given a firm theological foundation. The ground for the Colossian paraenesis is primarily Christological (1.9-10, 20-23; 2.6-7; 3.11, 17-18, 20, 22-23), sometimes soteriological (2.11-12; 3.1-4, 9-10), and occasionally eschatological (3.1-4,24-25). My secondary aim is to analyse the shape of the Colossian paraenesis in terms of the behavioural, historical, and rhetorical nature of the exhortations. Much of the paraenesis in Colossians, particularly the vice/virtue lists and the household code, is traditional paraenetical material which reflects first century Hellenistic moral exhortation. At the same time, the traditional paraenetical material in Colossians is not traditional material simpliciter, for the role of humility (3.12), the nature of love (3.13-14), the placement of the householder under the authority of Christ (4.1), and the Christological foundation (3.11,17,18,22-23) make it distinctively Christian. -
Romance of Psalter and Hymnal : Authors and Composers
Psalter and Hymnal The Leonard Library OTpcltffe College Toronto shelf No....\.:3.. .... STACKS Register No.... ...&.. I ,; J^^"fl ; I I ISHiH I 999 - - and F. G. EDWARDS. Romance of Psalter and Hymnal, cr. 8vo, doth, 2s. 1889 ROMANCE OF PSALTER AND HYMNAL. Presented to Wycliffe College Library, Toronto, by Magistrate James Edmund Jones, Convener and Secretary Hymnal Committee, General Synod, 1905 - 1938 ROMANCE OF PSALTER AND HYMNAL antr gurijxcrrs KY THE REV. R. E. WELSH, M.A., AND F. G. EDWARDS, " Author of United Praise" HODDER AND STOUGHTON, 27, PATERNOSTER ROW, MDCCCLXXX1X. Printed by Hazel), Watson, & Viney, Ld., London and Aylesbury. PREFACE. r I ^HE past thirty years have witnessed the issue of a host of Hymnals, each having its own special feature or guiding purpose. The Tractarian Movement and, at an earlier period, the Methodist Revival, awakened emotions and left tastes and ten dencies which contributed largely to this outburst of the Churches into song. Roundell Palmer's Book Praise and Ancient and of ', Hymns Modern^ published in 1860, of which a million copies have been sold every year, are significant landmarks. This multiplication of Hymnals has naturally excited a new and keener curiosity regarding the makers and the historic associations of the Hymns and Psalms with which our lips have become so familiar. The present volume seeks to meet and guide this new takes of our choicest sacred curiosity ; some PREFACE. verse and endeavours to throw around it the living interest of curious origin, personal incident, and historic episode, which weave for us a veritable romance, the Romance of Sacred Piaise. -
Sacred Music Colloquium Keynote Address – August 15, 2015 Our Lady of the Mountains, Jaspar, GA Rev
1 Sacred Music Colloquium Keynote Address – August 15, 2015 Our Lady of the Mountains, Jaspar, GA Rev. J. David Carter, JCL Pastor and Rector of the Basilica of Sts. Peter and Paul Chattanooga, TN (2nd Kings 22: 3-4, 8-13,18-20; 23: 1,3) King Josiah's story is one of inheriting a kingdom full of foreign elements and then discovering that there actually was a law that described what God wanted. With great zeal he went about implementing the Law and Israel was put on right footing again. Reading this story before a talk on the state of Sacred Music in the Church today might seem a little melodramatic – And it is. The regulations about how the sacred music of the church is to be carried out should not be equated directly with the words of the Book of the Law given to Moses in the desert. Nor should we, except perhaps in a little bit of exasperated jest, equate the utter disregard for ecclesial instruction that has lead to the current state of Sacred Music in the Church with disobedience to the Torah – the former certainly doesn’t merit the punishments described as the latter would. But I would like to suggest that there is some resonance in this story with many people like myself who have had the experience of the rediscovery of the Church’s beautiful designs on Sacred Music, especially if what we grew up with was far from those designs. Now this little anecdote from the Book of Kings didn't mean much to me personally until I had a similar experience with Sacred Music. -
Pange Lingva Breviary Hymns of Old Vses
P A N G E L I N G V A B R E V I A R Y H Y M N S O F O L D V S E S W I T H A N E N GL I S H R E N D E R I N G BY A L A M c D OV A L N G. G L £5 A N I N T R O D V CT I O N B Y A D R I A N F O RT E S CV E L O N D O N B U R N S £5 O A T E S 2 8 O R C H A R D S T R E E T W T R A N S L A T O R ’S F O R E W O R D AL THOUGH it has seemed good to th e Chu rch tha t the a ncie nt loca l orders of saying a n d singing the Divine Ofice shou ld in most cases be a bolished in favo ur of the use of tha t City which is the centre a n d head of the Chu rch on ea rth there a re nevertheless man arts o the o ld and , y p f superseded rites which do n ot merit complete oblivion ; and since their h mns a re their most individual eatures a rdin y f , fi g a s they do a lmost the only opportu nity for unfettered com ' osition in the scheme o the Brev ia r O zce the followin p f y fl , g ' seleft ion has been made therefrom in the belief that their very real though rugged bea uty will appea l to those who find the thoughts of all but forgotten fellow Catholics a n a id a nd sp ur ‘ to h i o i I i ho ed that t a t e r own dev t on . -
The Singer in the Ecclesiastical Hierarchy
The Singer in the Ecclesiastical Hierarchy The Early History of the Order Kaija Ravolainen STUDIA MUSICA 59 2014 © Kaija Ravolainen 2014 Doctoral dissertation University of the Arts Helsinki Sibelius Academy DocMus Doctoral School Studia Musica 59 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2014 ISBN 978-952-5959-77-2 ISSN 0788-3757 Abstract The present study examines the origin and the early phases of the ecclesiastical order of the singer, nowadays generally called cantor. The constitutive regulations concerning the order derive from the late fourth century in the canons of the Synod of Laodicea and the Apostolic Constitutions. The order of the singer was established in eastern Christendom, while in the West, it never was added to the ranks of the ecclesiastical hierarchy. There, the members of other ecclesiastical grades answered for the psalmody, although allusions to singers occasionally appear. The study period extends to the seventh century CE. The development of both ecclesiastical singing and the hierarchy is treated from the beginning of the history of the Church. This is necessary for identifying the standing and the role of the singer, whose order emerges rather late in comparison with other ecclesiastical orders. One of the earlier orders belongs to the reader, who is considered to have preceded the singer, but also to have been one, as all reading was performed in recitation. The study also aims to define why a separate order of the singer was needed, if the reader was able to execute these duties as well. The materials include both normative – the canons of ecclesiastical councils and synods, and church orders – and descriptive sources, the latter consisting primarily of the texts of the patristic authors.