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The Latin Hymns in the Wesleyan Hymn Book
.A]":il^-^-^.riYMNS Wesi.byan Methodist Hymn Book /'ttr/^ ^v^^l^d c<r/^.^-^'-/ -tait'WII IIIWIIWIiWUBMWWWWKWWWa^tHy^KWHBHWiy.WffiW^^ JOHN W. DICKHAUT LIBRARY Digitized by tine Internet Arciiive in 2009 http://www.arcliive.org/details/latinliymnsinweslOOmacd : THE LATIN HYMNS IN THE WESLEYAN HYMN BOOK StuMes in Ib^mnologi?. BY FREDERIC W. MACDONALD. *<S$$^ ILonDon CHARLES H. KELLY, 2, CASTLE STREET, CITY ROAD, E. C. AND 26, PATERNOSTER ROW, E.C. 1899. BATMAN, CHRIST? AND LIIXT, LTD., PRIMTFBS, BATTON WORKS, 113—115, FABBINODON ROAD, AND 20—22, ST. BRIDB STRBBT, E.C. METHODIST TIfFOlOGinAL SCHOOl STRA'iFOmi, OHIO ———— CONTENTS. I. Historic Survey II.—The "Te Deum" HI. Veni, Creator Spiritus . IV. Veni, Sancte Spiritus V. Charlemagne and King Robert of France VI. Cantemus Cuncti Melodum VII.—Jesu, Dulcis Memoria VIII.—Hic Breve Vivitur . IX.—HoRA NovissiMA {continued) X. Veni, Veni, Emmanuel XL Supreme Quales Arbiter — XII. Jam Lucis Orto Sidere . XIII. —Angularis Fundamentum Lapis Christus Missus Est . XIV.—Dies Ir.(E, Dies Illa . 28105 THE LATIN HYMNS IN THE WESLEYAN HYMN BOOK. CHAPTER I. Ibietortc Survei?. T N the Hymn Book published by John Wesley -- in 1779, which, with a few hymns subse- quently added, continued in common use among " "the people called Methodists till 1830, there are, as might be expected, no hymns from the Latin. The time for this had not yet come. The treasures of Latin hymnody were practi- cally unknown, and many things must happen before either English Churchmen or Noncon- formists would care to explore them. It was in a different direction, as is well known, that Wesley turned in search of hymns that might be sung in the Societies under his care along with those of his brother Charles, of Watts, and of Doddridge. -
The Poems of Dracontius in Their Vandalic and Visigothic Contexts
The Poems of Dracontius in their Vandalic and Visigothic Contexts Mark Lewis Tizzoni Submitted in accordance with the requirements for the degree of Doctor of Philosophy. The University of Leeds, Institute for Medieval Studies September 2012 The candidate confinns that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2012 The University of Leeds and Mark Lewis Tizzoni The right of Mark Lewis Tizzoni to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements: There are a great many people to whom I am indebted in the researching and writing of this thesis. Firstly I would like to thank my supervisors: Prof. Ian Wood for his invaluable advice throughout the course of this project and his help with all of the historical and Late Antique aspects of the study and Mr. Ian Moxon, who patiently helped me to work through Dracontius' Latin and prosody, kept me rooted in the Classics, and was always willing to lend an ear. Their encouragement, experience and advice have been not only a great help, but an inspiration. I would also like to thank my advising tutor, Dr. William Flynn for his help in the early stages of the thesis, especially for his advice on liturgy and Latin, and also for helping to secure me the Latin teaching job which allowed me to have a roof over my head. -
Romance of Psalter and Hymnal : Authors and Composers
Psalter and Hymnal The Leonard Library OTpcltffe College Toronto shelf No....\.:3.. .... STACKS Register No.... ...&.. I ,; J^^"fl ; I I ISHiH I 999 - - and F. G. EDWARDS. Romance of Psalter and Hymnal, cr. 8vo, doth, 2s. 1889 ROMANCE OF PSALTER AND HYMNAL. Presented to Wycliffe College Library, Toronto, by Magistrate James Edmund Jones, Convener and Secretary Hymnal Committee, General Synod, 1905 - 1938 ROMANCE OF PSALTER AND HYMNAL antr gurijxcrrs KY THE REV. R. E. WELSH, M.A., AND F. G. EDWARDS, " Author of United Praise" HODDER AND STOUGHTON, 27, PATERNOSTER ROW, MDCCCLXXX1X. Printed by Hazel), Watson, & Viney, Ld., London and Aylesbury. PREFACE. r I ^HE past thirty years have witnessed the issue of a host of Hymnals, each having its own special feature or guiding purpose. The Tractarian Movement and, at an earlier period, the Methodist Revival, awakened emotions and left tastes and ten dencies which contributed largely to this outburst of the Churches into song. Roundell Palmer's Book Praise and Ancient and of ', Hymns Modern^ published in 1860, of which a million copies have been sold every year, are significant landmarks. This multiplication of Hymnals has naturally excited a new and keener curiosity regarding the makers and the historic associations of the Hymns and Psalms with which our lips have become so familiar. The present volume seeks to meet and guide this new takes of our choicest sacred curiosity ; some PREFACE. verse and endeavours to throw around it the living interest of curious origin, personal incident, and historic episode, which weave for us a veritable romance, the Romance of Sacred Piaise. -
Sacred Music Colloquium Keynote Address – August 15, 2015 Our Lady of the Mountains, Jaspar, GA Rev
1 Sacred Music Colloquium Keynote Address – August 15, 2015 Our Lady of the Mountains, Jaspar, GA Rev. J. David Carter, JCL Pastor and Rector of the Basilica of Sts. Peter and Paul Chattanooga, TN (2nd Kings 22: 3-4, 8-13,18-20; 23: 1,3) King Josiah's story is one of inheriting a kingdom full of foreign elements and then discovering that there actually was a law that described what God wanted. With great zeal he went about implementing the Law and Israel was put on right footing again. Reading this story before a talk on the state of Sacred Music in the Church today might seem a little melodramatic – And it is. The regulations about how the sacred music of the church is to be carried out should not be equated directly with the words of the Book of the Law given to Moses in the desert. Nor should we, except perhaps in a little bit of exasperated jest, equate the utter disregard for ecclesial instruction that has lead to the current state of Sacred Music in the Church with disobedience to the Torah – the former certainly doesn’t merit the punishments described as the latter would. But I would like to suggest that there is some resonance in this story with many people like myself who have had the experience of the rediscovery of the Church’s beautiful designs on Sacred Music, especially if what we grew up with was far from those designs. Now this little anecdote from the Book of Kings didn't mean much to me personally until I had a similar experience with Sacred Music. -
Pange Lingva Breviary Hymns of Old Vses
P A N G E L I N G V A B R E V I A R Y H Y M N S O F O L D V S E S W I T H A N E N GL I S H R E N D E R I N G BY A L A M c D OV A L N G. G L £5 A N I N T R O D V CT I O N B Y A D R I A N F O RT E S CV E L O N D O N B U R N S £5 O A T E S 2 8 O R C H A R D S T R E E T W T R A N S L A T O R ’S F O R E W O R D AL THOUGH it has seemed good to th e Chu rch tha t the a ncie nt loca l orders of saying a n d singing the Divine Ofice shou ld in most cases be a bolished in favo ur of the use of tha t City which is the centre a n d head of the Chu rch on ea rth there a re nevertheless man arts o the o ld and , y p f superseded rites which do n ot merit complete oblivion ; and since their h mns a re their most individual eatures a rdin y f , fi g a s they do a lmost the only opportu nity for unfettered com ' osition in the scheme o the Brev ia r O zce the followin p f y fl , g ' seleft ion has been made therefrom in the belief that their very real though rugged bea uty will appea l to those who find the thoughts of all but forgotten fellow Catholics a n a id a nd sp ur ‘ to h i o i I i ho ed that t a t e r own dev t on . -
The Singer in the Ecclesiastical Hierarchy
The Singer in the Ecclesiastical Hierarchy The Early History of the Order Kaija Ravolainen STUDIA MUSICA 59 2014 © Kaija Ravolainen 2014 Doctoral dissertation University of the Arts Helsinki Sibelius Academy DocMus Doctoral School Studia Musica 59 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2014 ISBN 978-952-5959-77-2 ISSN 0788-3757 Abstract The present study examines the origin and the early phases of the ecclesiastical order of the singer, nowadays generally called cantor. The constitutive regulations concerning the order derive from the late fourth century in the canons of the Synod of Laodicea and the Apostolic Constitutions. The order of the singer was established in eastern Christendom, while in the West, it never was added to the ranks of the ecclesiastical hierarchy. There, the members of other ecclesiastical grades answered for the psalmody, although allusions to singers occasionally appear. The study period extends to the seventh century CE. The development of both ecclesiastical singing and the hierarchy is treated from the beginning of the history of the Church. This is necessary for identifying the standing and the role of the singer, whose order emerges rather late in comparison with other ecclesiastical orders. One of the earlier orders belongs to the reader, who is considered to have preceded the singer, but also to have been one, as all reading was performed in recitation. The study also aims to define why a separate order of the singer was needed, if the reader was able to execute these duties as well. The materials include both normative – the canons of ecclesiastical councils and synods, and church orders – and descriptive sources, the latter consisting primarily of the texts of the patristic authors. -
A History of the Plagal-Amen Cadence
University of South Carolina Scholar Commons Theses and Dissertations 6-30-2016 A History Of The lP agal-Amen Cadence Jason Terry University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Terry, J.(2016). A History Of The Plagal-Amen Cadence. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 3428 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A HISTORY OF THE PLAGAL-AMEN CADENCE by Jason Terry Bachelor of Arts Missouri Southern State University, 2009 Master of Music Baylor University, 2012 ____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor John McKay, Director of Document Charles Fugo, Committee Member Marina Lomazov, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Jason Terry, 2016 All Rights Reserved. ii DEDICATION To my bride, with all my love. iii ACKNOWLEDGMENTS Special thanks to the following individuals: to Swee Hong Lim (University of Toronto) for planting this research idea in my head in 2010; to Michael Morgan, for sharing your amazing collection of music; to the following individuals who, either through personal meetings or correspondences, shared their wisdom with me: Mary Louise (Mel) Bringle (Brevard College), J. Peter Burkholder (Indiana University), Sue Cole (University of Melbourne), Carl P. -
After Prayer Ruling, What Next?
THE VOICE O01 Biseoyne Blvd., Miami 38, Flo. Return Requested VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL. IV NO. 16 Price $5 a year ... 15 cents a copy. JULY 6, 1962 After Prayer Ruling, What Next? Seldom, if ever, in the history of this nation has there been .the greatest number of protests ever to deluge the nation's high- such a violent and widespread reaction as that which has fol- est tribunal. lowed last week's decision of the United States Supreme Court outlawing the'recitation of a simple prayer by children in New "What next?" was the underlying fear of most state- York's public schools acknowledging their dependence upon Al- ments and messages. While tortHOUs interpretations attempted mighty God and begging His blessings upon themselves, their to explain that the decision applied only to prayers "com- parents, their teachers' and their country. posed and recited under the direction of the state itself," it was generally agreed that the court's ruling was "not clear" "Shocking," "ridiculous," "malicious" and "anti-religious" as to whether or not it applied to all prayers in public are but a few of the expressions voiced publicly and written in schools. With few exceptions, it was generally accepted that the Su- preme Court's 6-1 decision had dealt a grievous blow to the ac- cepted religious tradition and practices of the nation and had opened wide the doors of all public schools to complete godless and materialistic secularization. * * * - • The American Civil Liberties Union was quick to leap into the breach blaste3 in the ramparts of a constitution guaranteeing religious liberty and freedom of worship. -
Hymn) As a Means of Expression of the Spirituality of the Local
The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa by COENRAAD JOSEPHEUS CALITZ Thesis submitted in fulfilment of the requirements for the degree of PHILOSOPHIAE DOCTOR in Practical Theology in the Faculty of Theology UNIVERSITY OF PRETORIA PROMOTOR: PROF CJA VOS CO-PROMOTOR: PROF HJC PIETERSE APRIL 2011 © University of Pretoria ACKNOWLEDGEMENTS Dedicated to Dad Oh Lord, my God, when I'm in awesome wonder consider all the works Thy hands hath made. I see the stars, I hear the rolling thunder, Thy power throughout the universe displayed; Then sings my soul, my Saviour God, to Thee, How great thou art, how great thou art! Stuart Hine (1949) All the glory to God the Father, Son, and Holy Spirit. He gave us a reason to sing and to celebrate. All the songs in the world are not enough to sing His praises (Is 40:16). I'm coming back to the heart of worship and it's all about You, It's all about You, Jesus. I'm sorry, Lord, for the thing I've made it when it's all about You, It's all about You, Jesus. Matt Redman (1997) May this study contribute to the praises of His name with more instruments and more songs within a multitude of cultures, subcultures and spiritualities. My sincere appreciation to the following people and institutions who contributed in some way to this study: Prof. Cas Vos (promotor) and Prof. -
THE BUGNINI FILE: a STUDY in ECCLESIAL SUBVERSION John Kenneth Weiskittel
THE BUGNINI FILE: A STUDY IN ECCLESIAL SUBVERSION John Kenneth Weiskittel Hannibal Bugninius, magnus architectus novae liturgiae, non solum Novi Ordinis Missae sed etiam Hebdomadae Sanctae "instauratae" anni 1955, ipse iam vivens colendi Magnum Architectum Universi accusatus est. Quamvis evidentia non sit certa, nihilominus gravia argumenta mentem inducunt ad credendum Bugninium massonem fuisse, et conscienter, tamquam agentem inimicorum Ecclesiae, sacram liturgiam diruisse. Evidentiam huius accusationis auctor loannes Weiskittel adducit, simul cum ea praebens historiam coniurationum societatum secretarum quae ut se inter clerum Ecclesiae Catholicae insinuerent iam abhinc ducenti annos sibi proposuerunt. In April 1976, a book stunned Italian Catholics, and sent shock waves throughout Christendom. The work, printed in Florence and entitled Nel Fumo di Satana. Verso t'ultimo scontro ("In the Smoke of Satan. Towards the Final Clash."), was a penetrating critique on the state of the Church since the Second Vatican Council.1 Singled out for direct strike was "Archbishop" Annibale Bugnini, C.M. (1912-1982), the Secretary of the Conciliar Congregation for Divine Worship who had presided over the fateful "reform" of the liturgy. "The reform has been conducted," charged the book, "by this Bugnini who has been unmasked at last; he is indeed what we long expected: a Freemason."2 Few allegations made since Vatican II have been more biting -- a top Church official accused of being an enemy of the very Church he is sworn to defend. What makes it all the more credible is the author. Tito Casini was no muckraker, but a writer of good reputation, particularly noted for his works on the Mass.3 This revelation did not originate with Casini, however, who was merely reporting an incident from the previous summer, when a priest visited "Pope" Paul VI’s office, plopped on his desk a dossier identifying Bugnini as a Lodge brother, and warned he would go public with the information if action was not taken immediately. -
An Introductory Dictionary of Theology and Religious Studies
An Introductory Dictionary of Theology and Religious Studies An Introductory Dictionary of Theology and Religious Studies Edited by Orlando O. Espín and James B. Nickoloff A Michael Glazier Book LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Michael Glazier Book published by Liturgical Press. Cover design by David Manahan, o.s.b. Cover symbol by Frank Kacmarcik, obl.s.b. © 2007 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, microfiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, P.O. Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 1 2 3 4 5 6 7 8 Library of Congress Cataloging-in-Publication Data An introductory dictionary of theology and religious studies / edited by Orlando O. Espín and James B. Nickoloff. p. cm. “A Michael Glazier book.” ISBN-13: 978-0-8146-5856-7 (alk. paper) 1. Religion—Dictionaries. 2. Religions—Dictionaries. I. Espín, Orlando O. II. Nickoloff, James B. BL31.I68 2007 200.3—dc22 2007030890 We dedicate this dictionary to Ricardo and Robert, for their constant support over many years. Contents List of Entries ix Introduction and Acknowledgments xxxi Entries 1 Contributors 1519 vii List of Entries AARON “AD LIMINA” VISITS ALBIGENSIANS ABBA ADONAI ALBRIGHT, WILLIAM FOXWELL ABBASIDS ADOPTIONISM -
A Primer of Ecclesiastical Latin Pdf, Epub, Ebook
A PRIMER OF ECCLESIASTICAL LATIN PDF, EPUB, EBOOK John F. Collins | 451 pages | 31 Dec 1992 | The Catholic University of America Press | 9780813206677 | English, Latin | Washington, United States A Primer of Ecclesiastical Latin PDF Book Adoremus Bulletin. John F. One of Martin Luther 's tenets of the Reformation was to have services and religious texts in the common tongue , rather than Latin, a language that at the time, only clergy understood. Advantage or Disadvantage 77 Apposition. Namespaces Article Talk. It can be used as an introductory text for scholars with no background in German, or it can serve as a reference text for students wishing to review German. Unit 7. Dementia: Living in the Memories of God. An excellent and methodical presentation of grammar and exercises. The use of Latin in pedagogy and in theological research, however, has since declined. Too high praise cannot be given the choice of selections. Ecclesiastical Latin , also called Church Latin , Liturgical Latin or Italian Latin , is a form of Latin initially developed to discuss Christian thought and later used as a lingua franca by the Medieval and Early Modern upper class of Europe. Ecclesiastical Latin Latin Mass. The Latin-language department of the Vatican Secretariat of State formerly the Secretaria brevium ad principes et epistolarum latinarum is charged with the preparation in Latin of papal and curial documents. Agreement of Adjective and Noun. Each lesson contains a specific Latin-American country with a brief description of its economic facts and other relevant cultural information, including basic terms and common conversations in Spanish. This article's use of external links may not follow Wikipedia's policies or guidelines.