Indigenous & International
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
68 Stat.] Public Law 412-June 18, 1954
68'ST AT. I PUBLIC IAW 412-JUNE 18, 1954 Public Law 412 CHAPTER 316 AN ACT June 18, 1954 Authorizing the exchange of certain public lands in the vicinity of Waimea, [H. R. 6328] county of Hawaii, in the Territory of Hawaii for certain privately owned lands. Be it enacted by the Senate and House of Representatives of the America in Congress assembled, That any limitations Waimea, Hawaii. United States of Land exchange. imposed by section 73 of the Hawaiian Organic Act, as amended, to 42 Stat 116. 48 USC 663 and the contrary notwithstanding, the Commissioner of Public Lands, with notes. the approval of the Governor and two-thirds of the members of the Board of Public Lands, is hereby authorized and empowered to trans- fer and convey to Richard Smart, a United States citizen, in exchange and return for the transfer and conveyance in fee simple of all or any portion of the lands owned by said Richard Smart described in section 2, all or any portion of the public land described by the following metes and bounds, but subject to minor variations therein: Being a portion of the land of Lalamilo at Waimea, South Kohala, Hawaii. Beginning at a pipe at the southeast corner of this piece of land on the west side of Mamalahoa Highway and on the boundary between the lands of Lalamilo and Waikoloa, the coordinates of said point of beginning referred to Government Survey Triangulation Station "PUU PA" being 7907.51 feet North and 9579.87 feet East, thence running by azimuths measured clockwise from true South: 1. -
Nr. 119-120/08
Nr. 119/120 · August/September 11 · Euro 5,82 P. b. b. GZ 02Z032603M Verlagspostamt 9020 Klagenfurt Erscheinungsort Klagenfurt am Wörthersee KÄRNTEN KUNST KULTUR Kultur-Sinfonien im Sommer DIE BRUECKE ZWISCHEN KLEINEN KUNSTSCHÄTZEN UND GROSSEN KULTURFEIERN mit allen terminen und galerien www.bruecke.ktn.gv.at EDITORIAL Foto: Tü(r)kische* Brücke/FS1 Sommerzeit – Saure-Gurken-Zeit?! Ohne hier auf die (möglicherweise) durch Genmanipulationen und andere menschenverachtende Täuschungs manöver verursachte „Gurken-Misere“ (wobei wir inzwischen glücklicherweise wissen, dass dieses wertvolle Grünzeug für all diese schrecklichen Szenarien eigentlich gar nichts dafür kann) eingehen zu wollen, sei hier festgehalten: DAS gilt keinesfalls für Kultur-Freunde! Und Ihr geneigter Bruecken.Bauer will hier nicht nur eine Lanze für das „unschuldige Gemüse“ brechen, sondern auch Partei für seinen brillanten Schreiberling dal Ponte ergreifen. Denn während unser Star-Kolumnist O.W. (sprich: Oh-Weh) sich über mangelnde Anreize für Aktivitäten, Themen und Trends der Sommermonate beschwert (wahrscheinlich wohl noch ausgebrannt von den – fast unmenschlichen – Anstrengungen nach dem genialen kafkaesken Naked Lunch-Amerikatrip bzw. dem erstmaligen und „glaubwürdig bleibenden“ Versuch einer Kirchen-Oper zur Landesaus stellung011), weiß unser hochgeschätzter Guerrino gar nicht, wie er alles schaffen soll vor lauter spannender Kulturtermine rund um die Uhr, quer durchs Land ... Ihre Bruecke will wie immer ein Orientierungswegweiser und eine Entscheidungshilfe sein bzw. einen Motivationsschub bringen – mit dieser Nummer erstmals und unüblich nicht über die klassischen (bisherigen) zwei Monate verteilt, sondern nach der den Sommerbegriff weiter (vor)spannenden Juni/Juli- Ausgabe jetzt schon in den Herbstbeginn hinein reichend (August-September-Doppel). Bevor ich aber hier mit dem Aufzählen und den Berichten anfange – und dann nicht mehr KULTUR aufhören kann: Was genau Sie erwarten wird, darüber können Sie sich vorab in Ihrer Bruecke ein Bild machen und dann.. -
Waimea's Heritage Landscape: Using Gis to Communicate Change
WAIMEA’S HERITAGE LANDSCAPE: USING GIS TO COMMUNICATE CHANGE AND SIGNIFICANCE OF A CULTURAL LANDSCAPE IN SOUTH KOHALA, HAWAIʻI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT HILO IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HERITAGE MANAGEMENT DEPARTMENT OF ANTHROPOLOGY JUNE 2018 By Samuel Plunkett Jr. Thesis Committee: Kathleen Kawelu, Chairperson Jack Rossen Momi Naughton UMI Number: Copyright 2018 Samuel Plunkett Jr. All rights reserved. ii Dedicated in loving memory to family whom passed during this academic journey, Gleni, Cooper, and Glory, And To the Future Heritage Managers of Pae ʻĀina Hawaiʻi – Preserve Heritage by Protecting Hope iii ACKNOWLEDGMENTS: THESIS COMMITTEE: Kathleen Kawelu Jack Rossen Momi Eileen Naughton PAST INSTRUCTORS: Kalani Meineike Emalia Keahokalole Kekuewa Kikiloi Kelley Uyeoka EXPERT AND COMMUNITY COLLABORATORS Pomai Bertlemen Roland Reeves Keomailani Case Rick Gmirkin Charlie Kimura Lisa Marrack Gary Rapozo Chad Wiggins Kalani Flores OTHER ADVISORS Peter Mills Joseph Genz FOR KINDNESS AND ENCOURAGEMENT: Kamana Beamer iv ABSTRACT Hawaiʻi County’s Land Use Pattern Allocation Guideline map (LUPAG) show an increase in lands being allocated for urban development in the South Kohala District of Hawaiʻi Island. Being that land allocations, and subsequent zoning is created by a combination of Hawaiʻi State Land Use designations, and the Hawaiʻi County General Plan, this thesis addresses preservation and restoration of a region’s natural and cultural resources, and sense of place from a planning approach. In order to incorporate both cultural and environmental resources into an integrated plan, that also accounts for community input, I combine a cultural landscape approach with geographic information systems (GIS) to produce a Heritage Landscape Resource Inventory Model. -
An Archaeological Inventory Survey of the Lālāmilo Wind Farm Repowering Project
An Archaeological Inventory Survey of the Lālāmilo Wind Farm Repowering Project TMKs: (3) 6-6-01:002 (por.), 071, and (3) 6-8-01:001 (por.) Lālāmilo and Waikōloa ahupua‘a South Kohala District Island of Hawai‘i FINAL VERSION Prepared By: Matthew R. Clark, B.A., Ashton K. Dircks Ah Sam, B.A., Lauren M. U. Kepa‘a, and Robert B. Rechtman, Ph.D, Prepared For: Lālāmilo Wind Company, LLC 55-310 Upolu Airport Road Hawi, HI 96710 April 2014 (Revised September 2014) ASM Project Number 21850 An Archaeological Inventory Survey of the Lālāmilo Wind Farm Repowering Project TMKs: (3) 6-6-01:002 (por.), 071, and (3) 6-8-01:001 (por.) Lālāmilo and Waikōloa ahupua‘a South Kohala District Island of Hawai‘i Executive Summary EXECUTIVE SUMMARY At the request of Lālāmilo Wind Company, LLC, ASM Affiliates, Inc. conducted an archaeological inventory survey of approximately 87.5 acres for the Lālāmilo Wind Farm Repowering Project in the ahupua‘a of Lālāmilo and Waikōloa, South Kohala District, Island of Hawai‘i. The proposed development of the Lālāmilo Wind Farm will occur on parcels and easements in Lālāmilo Ahupua‘a (TMKs: (3) 6-6-01:002 (por.) and 071; Figure 2) that are owned by the State of Hawai‘i and were originally created for an earlier wind farm which operated on the premises between 1985 and 2010, but has since been removed. Construction of the new wind energy generation system will supply electricity to four existing County of Hawai‘i, Department of Water Supply (DWS) wells in Lālāmilo Ahupua‘a (Lālāmilo wells A, B, C, and D) that were formerly connected to the Lālāmilo Wind Farm (between 1985 and 2010), and four existing Parker Ranch wells (Parker wells No. -
2017 Annual Report Page 1 Message from the Trustees
Parker Ranch Foundation Trust Mission Statement “To maintain and improve a unique quality of life in the Waimea area by providing perpetual support for designated beneficiaries engaged in healthcare, education and charitable support, through the sound management and prudent investment of Trust assets.” Guiding Principles Keeping the land together – with strong, creative Ranch stewardship of our natural and cultural resources. A profitable working cattle ranch – managed as the best-in-the business. Protecting and supporting an economically sustainable town and the wide-open country – the Waimea community and its setting of mountain, sea and sky. Maintaining social and economic diversity – in the community which supports the institutions long term. Respecting our history – linking the past and present generations in our unique, small town. Participate in a leadership role in planning the community’s future. Supporting the Beneficiaries – that enrich the educational, health and cultural life of the Waimea area. 2017 Annual Report Page 1 Message from the Trustees September 2018 Aloha, 2017 was a year of progress and transition for the Parker Ranch Foundation Trust. In fulfilling our mission, we distributed over $2,355,684 to our beneficiaries. Since the new Distribution Policy was instituted in 2010, total distributions to North Hawaii Community Hospital, Parker School, Hawaii Preparatory School, and the Richard Smart Fund of the Hawaii Community Foundation have exceeded $16.5 million. In 2017, the Trustees continued to focus on managing all the Trust assets to maximize the current and long-term support for the beneficiaries, with a special emphasis in 2017 on the investment portfolio and its management and integration with the rest of the Trust assets. -
FH50 300Dpi Opt 1-04 Edited.Pdf
ROMANZO ADAMS SOCIAL RESEARCH LABORATORY BULK MAIL U. S. Postage TH PAID Permit No. 708 Honolulu, Hawaii OF HAWAII 10 A NEWSPAPER DEVOTED TO FURTHERING THE PROGRESS OF HAWAII'S FILIPINOS VOL. I — No. 4 May 15,1962 HONOLULU, HAWAII Tobacco Key To Philippines $73Million W ar Damages Claims FOR FIRST OF SERIES ON THIS CRUCIAL SUBJECT READ PAGE 2 ON-THE-SPOT p h o t o s O F AN ACTUAL COCKFIGHT THE FILIPINO HERALD GOES TO A COCKFIGHT . For Dramatic On-The-Spot Description Of Exciting Sport Read Pages 8 and 9 May 15, 1962 PAGE 2 THE FILIPINO HERALD THE FILIPINO HERALD Office : 1739 Iwi W ay, Honolulu, H aw aii Ph. 776-466 TEDDI MEDINA ________________________ _____ Editor FELIPE de G U Z M A N ____________ Associate Editor RUMELIA FLORES____________ Contributing Editor Ilocano - English Section ANITA RAMILO ONSTAD .................. Production JAIME BLANCO ............................................Staff Writer The Filipino Herald published twice monthly with a printing of 10,000 and an approximate readership of 50,000 Is owned and published by The Filipino Herald, Incorporated. ITS OFFICERS ARE: PRESIDENT ......................................... Dr. Stanley Standal VICE PRESIDENT & DIRECTOR 1 Teddi Medina SECRETARY It TREASURER______________________ M rs. D. A. M eredith EXCELLENT COVERAGE INTERESTING Dear Miss Medina: Can U.S. Afford Loss Of Philippines Friendship? Dear Miss Medina: I found your current issue to be quite interesting, Congratulations to you and all members but I note one oversight in your fine article on While President John F. Kennedy is attempting to get the radio and television in Hawaii. Andres Baclig pre of the staff of the Filipino Herald of Ha United States legislature to reconsider repeated rejections sents an outstanding Filipino program daily over of a $73 million payment to the Philippines for World War waii. -
1 a Riod a N Te
1 University of Maryland School of Music’s Maryland Opera Studio Presents ARIODANTE Music by George Frideric Handel Libretto by Antonio Salvi KAY THEATRE at The Clarice November 21 - 25, 2019 November PROGRAM University of Maryland School of Music’s Maryland Opera Studio Presents ARIODANTE Music by George Frideric Handel Libretto by Antonio Salvi Performed in Italian, with English Supertitles ABOUT MARYLAND OPERA CAST Ariodante ................................... Esther Atkinson (Nov 22, 25), Jazmine Olwalia (Nov 21, 24) MARYLAND OPERA STUDIO King of Scotland ......................................Jack French (Nov 21, 24), Jeremy Harr (Nov 22, 25) Craig Kier, Director of Maryland Opera Studio Ginevra .............................................. Judy Chirino (Nov 22, 25), Erica Ferguson (Nov 21, 24) Amanda Consol, Director of Acting Justina Lee, Principal Coach | Ashley Pollard, Manager Lurcanio...............................................Charles Calotta (Nov 21, 24) Mike Hogue (Nov 22, 25) Polinesso ..........................................................................................................Jesse Mashburn Dalinda ..........................Michele Currenti (Nov 22, 25), Joanna Zorack-Greene (Nov 21, 24) Odoardo .............................................Charles Calotta (Nov 22, 25), Mike Hogue (Nov 21, 24) ABOUT THE MARYLAND OPERA STUDIO’S CHORUS FALL OPERA PRODUCTION Abigail Beerwart, Andy Boggs, Amanda Densmoor, Henrique Carvalho, Maryland Opera Studio (MOS) singers perform in two fully staged operas. The first of these, -
On Site Opera & Harlem Opera Theater Invite You to Take Cast
! ON SITE OPERA & HARLEM OPERA THEATER PRESENT GERSHWIN’S Blue Monday! ! PROGRAM MENU: Cast, Production Team and Orchestra | Program Notes | Artist Bi0s About On Site Opera | About Harlem Opera Theater About The Harlem Chamber Players | Special Thanks On Site Opera &more Harlem information: Opera osopera.orgTheater invite you to take On Site Opera & Harlem Opera Theater invite you to take a trip back to the roaring twenties as they present George Gershwin’s Blue Monday at the Cotton Club. Blue Monday A JAZZ OPERA BY GEORGE GERSHWIN LIBRETTO BY BUDDY DESYLVA JUNE 18-20, 2013 | THE COTTON CLUB 7PM: DANCING & COCKTAILS | 8PM: BLUE MONDAY CAST: IN ORDER OF VOCAL APPEARANCE MIKE, THE CLUB OWNER CLAYTON MATHEWS SAM, A CLUB EMPLOYEE ALVIN CRAWFORD TOM, THE CLUB HEADLINER LAWRENCE CRAIG VI, JOE’S GIRLFRIEND ALYSON CAMBRIDGE JOE, A GAMBLER CHASE TAYLOR DANCERS: SARITA ALLEN ELIJAH ISHMAEL AVRAHAM NICCO ANNAN AZAMA BASHIR MAHALIA LEOLA MAYS RAPHAEL THOMAS PRODUCTION TEAM: CONDUCTOR GREGORY HOPKINS STAGE DIRECTOR ERIC EINHORN CHOREOGRAPHER GEORGE FAISON COSTUME DESIGNER CANDIDA K. NICHOLS LIGHTING DESIGNER SHAWN KAUFMAN HAIR & MAKE-UP DESIGNER SHANNON HARRINGTON PRODUCER JESSICA KIGER FIGHT COORDINATOR SHAD RAMSEY ASSISTANT DIRECTOR AUDREY CHAIT PRE-SHOW DANCE COORDINATOR NATALIE DAVIDZON Orchestra: THE COTTON CLUB ALL STARS FLUTE/TENOR SAX: JAMES STEWART OBOE/ALTO SAX: ED PAZANT CLARINET/ALTO SAX: CRIS HEMMINGWAY TENOR SAX: JOHN SIMON BASSOON/BARITONE SAX: RAY JOHNSTON TRUMPET I: AL PAZANT TRUMPET II: MAC GOLLEHON TROMBONE I: TIM WILLIAMS TROMBONE II: ROBERT STRINGER PIANO: NORIKO KAMO BASS: STAN THOMPSON GUITAR: SOLOMON HICKS DRUMS: ELI FONTAINE THE HARLEM CHAMBER PLAYERS: VIOLIN I: MONICA DAVIS VIOLIN II: CHARLENE BISHOP VIOLA: ADAM HILL CELLO: LAWRENCE ZOERNIG Please be aware that live gunshots are used in this production. -
ALYSON CAMBRIDGE IMG Artists Sam Snook, Artist Manager, [email protected]
ALYSON CAMBRIDGE www.alysoncambridge.com IMG Artists www.imgartists.com/alysoncambridge Sam Snook, Artist Manager, [email protected] BIOGRAPHY: American soprano Alyson Cambridge, hailed by critics as “radiant, vocally assured, dramatically subtle and compelling, and artistically imaginative” (Washington Post), noted for her “powerful, clear voice” (New York Times) and “revelatory, sensual, smoky readings” (Opera News) is one of the most diverse and compelling vocal artists on the scene today. Her rich, warm soprano, combined with her strikingly beautiful stage presence and affecting musical and dramatic interpretation, have brought her over a decade of successes on the world’s leading opera and concert stages, including The Metropolitan Opera, Lyric Opera of Chicago, Washington National Opera, Los Angeles Opera, Carnegie Hall, London’s Royal Albert Hall, Deutsche Oper Berlin, Vienna Konzerthaus, among others, as well as recent debuts in Paris, Warsaw, Beijing, and other musical capitals throughout Europe and Asia. Her repertoire includes the beloved heroines of Puccini, Verdi, and Mozart (Mimi, Madama Butterfly, Donna Elvira, Violetta, and Micaëla among them) as well as successful forays into the crossover, Broadway and jazz repertoire, most notably with award-winning and critically-acclaimed performances of Julie in SHOW BOAT and Vi in Gershwin’s rarely performed jazz-opera BLUE MONDAY. Alyson's debut album, “From the Diary of Sally Hemings,” a song- cycle by acclaimed American composer William Bolcom, premiered at Carnegie Hall’s Weill Recital Hall to rave reviews, and her newest album, “Until Now”, a mix of jazz, pop, and musical theater standards was released in January 2016 on the Naxos imprint Suite 28 Records, and is available on iTunes, Amazon and Spotify. -
SALVATION ARMY OURLIVESMADISON.COM >> Connect Our Community >> FACEBOOK.COM/OURLIVESMAGAZINE Treating the Whole You
special issue youth & families Resources for creating and supporting healthy LGBTQ families November/ December 2014 Madison’s LGBT&XYZ Magazine She Rules How the Honorable Rhonda Lanford overcame life’s obstacles to become an out circuit court judge about our SALVATION ARMY OURLIVESMADISON.COM >> Connect Our Community >> FACEBOOK.COM/OURLIVESMAGAZINE Treating the whole you... By building strong, open and caring relationships with our patients and focusing on the importance WILDWOOD of addressing all aspects of an individual’s life, FAMILY CLINIC, S.C. Wildwood providers are your partner in the ”HEALTHCARE FOR ALL AGES” journey towards a healthier you. www.wildwoodclinic.com Since 1978 Independently Owned Individualized Care 2014 Willy West: 6825 University Ave., Middleton • (608) 284-7800 Willy East: 1221 Williamson St., Madison • (608) 251-6776 Open 7:30am - 9:30pm daily • www.willystreet.coop Look for gift tags throughout our stores,for great ideas about holiday gifts and gift boxes! Join for as little as $10 for the first year, or a NOVEMBER / DECEMBER 2014 one-time payment of $58. 3 nnnnnn “Let’s make no mistake about EDITOR’S NOTE EMILY MILLS this: The American Dream our lives starts with the neighborhoods. WE ARE FAMILY If we wish to rebuild our cities, THE QUESTION HAS BEEN ASKED many times: we must first rebuild our what makes a family? Different people neighborhoods. And to do that, with different agendas across different eras we must understand that the ol have answered in various ways, but I think quality of life is more important every definition has a core of commonality: than the standard of living. -
Studyguidegiovanni.Pdf
DON GIOVANNI Opera in two acts by Mozart, text by Lorenzo da Ponte First performance at the National Theatre, Prague, October 28, 1787 THE PATRICIA & RODES HART PRODUCTION October 6 & 8, 2016 Andrew Jackson Hall, Tennessee Performing Arts Center Directed by John Hoomes • Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS The Commendatore Peter Volpe* Donna Anna, his daughter Karen Slack* Don Ottavio, her betrothed Yi Li* Don Giovanni, a young nobleman David Adam Moore* Leporello, his servant Donovan Singletary* Donna Elvira, a lady of Burgos Alyson Cambridge* Zerlina, a country girl Laura Krumm* Masetto, betrothed to Zerlina Jose Rubio* * Nashville Opera debut TICKETS Nashville Opera, 615.832.5242, nashvilleopera.org Available at all Ticketmaster outlets or at 615.255.ARTS MORE INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE STORY ACT I ACT II At night, outside the Commendatore’s palace, Leporello Under Elvira’s balcony, Leporello exchanges cloaks with his grumbles about his duties as servant to Don Giovanni, a master to allow Giovanni to woo Elvira’s maid in disguise. dissolute nobleman. Soon the masked Don appears, pur - Leporello leads Elvira off. When Masetto passes with a sued by Donna Anna, the Commendatore’s daughter, whom band of armed peasants bent on punishing Giovanni, he has tried to seduce. The Commendatore himself answers Giovanni gives them false directions. After the armed peas - Anna’s cries. Don Giovanni kills him in a duel and then ants exit, Giovanni takes great pleasure in beating up escapes. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie