02 150 The semiotics This paper develops an exhaustive analysis of the Japanese animation series Elfen Lied (2004) and its opening song, “Lilium”, and politics which is an exceptional case within its field of production because its of the female lyrics are written in Latin. The purpose of my analysis is to determine if “Lilium” and its visual presentation really have something to do body: A (thematically and stylistically) with the series it presents, or not. My comprehensive hypothesis is that "Lilium", both in its musical level and in its visual presentation, fulfils all the formal characteristics of both a lied and analysis of an overture; and, given the latter, anticipates core thematic and Elfen Lied and stylistic elements of the work it precedes. Moreover, it even subtly anticipates the ideological content of the series, which consists of its opening a critical reading of gender roles and feminism in contemporary song Japanese and global society. To demonstrate these hypotheses, I made a detailed analysis of Elfen Lied, paying special attention to its animated adaptation but not ignoring its original manga version; and then I analyzed "Lilium" in its three aspects: its visual presentation, its lyric and its musical score. I have analyzed and emphasized how Ezequiel Ferriol the abundant intertextualities present in "Lilium" were productive Instituto de Filología Clásica for creating music and for transmitting the artistic and ideological Universidad de Buenos Aires content present in the series. The paper adopts an interdisciplinary
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