AMFS 2021 Season Calendar

Total Page:16

File Type:pdf, Size:1020Kb

AMFS 2021 Season Calendar THURSDAY FRIDAY SATURDAY SUNDAY JULY 1 JULY 2 JULY 3 JULY 4 2:30 PM 9:00 AM 10:00 AM 4:00 PM Spotlight Recital Aspen Chamber Aspen Festival Fourth of July Concert FREE Symphony Dress Orchestra Dress FREE—RESERVED SEATING; Harris Concert Hall Rehearsal | $20 Rehearsal | $20 TICKETS REQUIRED** Aspen Contemporary Benedict Music Tent Benedict Music Tent Benedict Music Tent Lawrence Isaacson conductor Ensemble Patrons may attend for 90 minutes. Patrons may attend for 90 minutes. Donald Crockett conductor Barbara Fleck guest 2021 SEASON Nathan Lowry violin conductor Jacob Schafer violin 4:30 PM 10:00 AM James Mason Soria tuba Adam Phan harp Overtures: Opera Theater The annual free Fourth of July inti figgis-vizueta: celebration brings the AMFS band to Openwork, knotted Preconcert Master Class | $40 the Tent stage with stirring patriotic favorites. A beloved tradition. object Chamber Music Wheeler Opera House CALENDAR See website for complete repertoire. Renée Fleming and SYDNEY HODKINSON: FREE WITH SAME-DAY ACS TICKET Bricks: Concerto Fantasia Patrick Summers With special thanks to the co-artistic directors Rob and Melani Walton Foundation for Violin and Chamber Harris Concert Hall In recognition of the City of Aspen Sextet Bogang Hwang piano Zhiye Lin piano Concert will be broadcast live on TOURNIER: Three Images, Ray Ushikubo piano 5:30 PM Aspen Public Radio. Suite No. 4, op 39 SC HUMANN: Arabeske in C Special Event: ** Ticket reservations open June 28. KAIJA SAARIAHO: major, op. 18 Beethoven’s Ninth Nocturne Variations on an Original Symphony BOULEZ: Anthèmes 1 Theme, WoO 24, “Ghost Aspen Festival Orchestra Variations” $95 | FREE LIVESTREAM! 7:00 PM Variations sur le nom Abegg, Benedict Music Tent op. 1 A Recital by Matthew Robert Spano conductor Jeanine De Bique soprano Whitaker piano | $75 All programs 5:30 PM Lauren Decker mezzo- Benedict Music Tent soprano presented without The 2021 season begins in Aspen Aspen Chamber Lawrence Brownlee tenor intermission. fashion with an electrifying new voice—that of the extraordinary Symphony | $82 Will Liverman baritone pianist Matthew Whitaker. This Benedict Music Tent Kantorei astounding prodigy, now 20, is Leonard Slatkin conductor Joel Rinsema chorus director thrilling audiences in the jazz and classical worlds with his highly Inon Barnatan piano J. S. SMITH/DAMROSCH: individual approach and virtuosity. PERRY:A Short Piece for The Star-Spangled Banner Program will be Orchestra BEETHOVEN: Symphony announced from the BEETHOVEN: No. 9 in D minor, op. 125, stage. Piano Concerto No. 5 “Choral” With special thanks to in E-flat major, op. 73, With special thanks to Fonda Paterson, “Emperor” Mrs. Mercedes T. Bass - in memory of Mercedes T. Bass Charitable Charles Paterson Symphony No. 5 in Corporation C minor, op. 67 Free livestream at With special thanks to aspenmusicfestival.com Alexandra Munroe and Robert Rosenkranz WEEK FOR TICKETS AND UP-TO-DATE CONCERT INFORMATION 1 aspenmusicfestival.com | 970 925 9042 | Updated August 23, 2021 Design inspired by original watercolor Ode to Joy. Isa Catto. MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY JULY 5 JULY 6 JULY 7 JULY 8 JULY 9 JULY 10 JULY 11 10:30 AM 10:30 AM 12:00 PM 2:30 PM 9:00 AM 10:00 AM 10:00 AM Tunes and Tales Tunes and Tales High Notes Spotlight Recital | FREE Aspen Chamber Opera Theater Aspen Festival FREE, FOR AGES 9 AND UNDER FREE, FOR AGES 9 AND Discussions | FREE Harris Concert Hall Symphony Dress Master Class | $40 Orchestra Dress WITH AN ADULT UNDER WITH AN ADULT Harris Concert Hall Aspen Contemporary Rehearsal | $20 Wheeler Opera House Rehearsal | $20 Pitkin County Library Basalt Regional Library Alan Fletcher moderator Ensemble Benedict Music Tent Renée Fleming Benedict Music Tent Donald Crockett conductor Marina Piccinini flute Patrons may attend for 90 minutes. co-artistic director Patrons may attend for 90 minutes. WILSON: A City Called Edward Berkeley AOTVA 4:00 PM 2:30 PM Heaven stage director Aspen Conducting Spotlight Recital | FREE 7:00 PM CHOPIN: 12 Etudes, op. 10 4:30 PM AOTVA Fleming Fellowship 3:00 PM Artists Academy Orchestra Harris Concert Hall A Recital by Marina Nocturne in E Overtures: Prelude: Preconcert major, op. 62, $25 Chelsea Guo piano Piccinini flute | $75 no. 2 Preconcert Talk | FREE WITH Yuval Hen piano 1:00 PM Benedict Music Tent Benedict Music Tent SCHUMANN: Adagio and Chamber Music SAME-DAY AFO TICKET Giancarlo Llerena piano Gallia Kastner violin Anton Nel piano Allegro in A-flat FREE WITH SAME-DAY ACS Music on the Harris Concert Hall (Dorothy DeLay Prize Winner) Tianyu Zhou piano Pacifica Quartet major, op. 70 TICKET Mountain | FREE Harlow Robinson speaker CHOPIN: Ballade No. 4 in F Simin Ganatra violin COPLAND: Appalachian RACHMANINOFF: Vocalise, Harris Concert Hall Top of Aspen Mountain Spring minor, op. 52 Austin Hartman violin op. 34, no. 14 Yoheved Kaplinsky piano (gondola ticket required) 4:00 PM BOLOGNE: Violin Concerto CHOPIN Barcarolle in Mark Holloway viola DAVID SAMPSON: Illia Ovcharenko piano American Brass Quintet No. 9 in G major, F-sharp minor, op. 60 Brandon Vamos cello Morning Music SCHUMANN: Kreisleriana, Seminar @Aspen Aspen Festival op. 8 TURINA: Mujeres de Sevilla Robert Chen violin op. 16 Orchestra | $85 | FREE BRAHMS: Serenade No. 2 in A Zhenwei Shi viola LIVESTREAM! CHOPIN: Polonaise-Fantasy 7:00 PM 2:00 PM major, op. 16 SOFIA GUBAIDULINA: Benedict Music Tent in A-flat major, op. 61 A Recital by the 5:30 PM With special thanks to Allegro Rustico Chamber Music | $45 Ludovic Morlot conductor Marianne and Sheldon B. Lubar Klange des Waldes Pacifica Quartet Aspen Chamber Harris Concert Hall Stefan Jackiw violin Local business support provided by 7:00 PM (Sounds of the Forest) $75 | $82 Bing Wang violin Alisa Weilerstein cello Pitkin County Dry Goods Symphony A Recital by Conrad BEACH: Theme and Benedict Music Tent Benedict Music Tent Espen Lilleslåtten violin Inon Barnatan piano Tao piano | $75 Variations for Flute and Simin Ganatra violin Nicholas McGegan James Dunham viola HANNAH KENDALL: The Austin Hartman violin conductor 6:30 PM Benedict Music Tent String Quartet Desmond Hoebig cello Spark Catchers Mark Holloway viola Stephen Waarts violin Anton Nel piano Artist Dinner with Inon FRE DERIC RZEWSKI: The BEETHOVEN: Serenade in D Brandon Vamos cello STRAVINSKY: Symphony in Julia Bullock classical Robert Chen violin Barnatan piano | $500 People United Will major, op. 25 PRICE: String Quartet No. 1 Three Movements singer Laura Park Chen violin Harris Concert Hall Never Be Defeated! Local business support provided by in G major BEETHOVEN: Concerto for Mountain Chalet-Aspen MENDELSSOHN HENSEL: BOLOGNE: Overture to Victoria Chiang viola Violin, Cello, and Piano in C An intimate evening featuring a L’amant anonyme, op. 11, Eric Kim cello cocktail reception, private concert, String Quartet in E-flat major, op. 56, “Triple” no. 2 Michael Rusinek clarinet and catered dinner with pianist Inon Major With special thanks to Barnatan. All programs PROKOFIEV: String Quartet MOZART: Violin Concerto DVOŘÁK: Piano Quintet in A Lisa and Will Mesdag Proceeds benefit the AMFS presented without No. 2 in F major, op. 92 No. 3 in G major, K. 216, major, B. 155, op. 81 Free livestream at intermission. With special thanks to “Strassburg” COLERIDGE-TAYLOR: aspenmusicfestival.com Barbara and Jon Lee DELAGE: Quatre poèmes Clarinet Quintet in F-sharp hindous minor, op. 10 6:30 PM HAYDN: Symphony No. 82 in C major, Hob. I/82, “The An Evening of Organ Bear” Works | FREE With special thanks to Aspen Community Church Janet and Tom O’Connor, and Faythe Freese organ Dana and Gene Powell View full program at aspenmusicfestival.com WEEK | 2021 SEASON CALENDAR FOR TICKETS AND UP-TO-DATE CONCERT INFORMATION 2 ASPEN MUSIC FESTIVAL AND SCHOOL aspenmusicfestival.com | 970 925 9042 | Updated August 23, 2021 MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY JULY 12 (continued) JULY 14 JULY 15 JULY 16 JULY 17 JULY 18 10:30 AM 7:00 PM 12:00 PM 2:30 PM 9:00 AM 10:00 AM 10:00 AM Tunes and Tales A Recital by Julia High Notes Spotlight Recital | FREE Aspen Chamber Opera Theater Aspen Festival FREE, FOR AGES 9 AND UNDER Bullock classical Discussions | FREE Harris Concert Hall Symphony Dress Master Class | $40 Orchestra Dress WITH AN ADULT singer and John Harris Concert Hall Aspen Contemporary Rehearsal | $20 Wheeler Opera House Rehearsal | $20 Pitkin County Library Arida piano | $75 Ensemble Renée Fleming co-artistic Alan Fletcher moderator Benedict Music Tent director Benedict Music Tent Timothy Weiss conductor Benedict Music Tent Nicholas McGegan conductor Patrons may attend for 90 minutes. AOTVA Fleming Fellowship Patrons may attend for 90 minutes. SCHUBERT: Suleika I, D. 720 and harpsichord LEI LIANG: Aural Hypothesis Artists 4:00 PM WOLF: In dem Schatten meiner ENESCU: Suite No. 3 “Pièces MOZART: “Solitudini amiche... Aspen Conducting Locken from Weltliche impromptues”, op. 18 4:30 PM Zeffiretti lusinghieri” from 3:00 PM Lieder 7:00 PM BEETHOVEN: Piano Sonata Idomeneo Academy Orchestra Bedeckt mich mit No. 26 in E-flat major, op. Overtures: “Parto, ma tu ben mio” from La Prelude: Preconcert $25 Blumen from Geistliche A Baroque Evening 81a Preconcert clemenza di Tito Talk | FREE WITH Benedict Music Tent Lieder with Nicholas BOTTESINI: Elegy No. 1 in C Chamber Music RICKY IAN GORDON: “I’ll be SAME-DAY AFO TICKET SCHUBERT: Rastlose Liebe, D. major there” from The Grapes of Katherine Audas cello McGegan | $75 FREE WITH SAME-DAY ACS Wrath Harris Concert Hall 138, op. 5, no. 1 TAMBERG: Music for Five, WAGNER: Siegfried Idyll Benedict Music Tent TICKET GOUNOD: “Les grands Asadour Santourian speaker op. 86 CONVERSE/JEREMY Nicholas McGegan conductor seigneurs...Ah, je ris de me voir” SAINT-SAËNS: Cello SISKIND: There is a Vine Harris Concert Hall from Faust Concerto No.
Recommended publications
  • Division of Personnel Employee Information and Payroll Audit Section
    Division of Personnel Employee Information and Payroll Audit Section This document is provided as a service to state agencies. Note: The 90-day interval includes both the beginning and ending dates. 90-DAY (WEEKDAYS) INTERVAL CALENDAR FOR 2012 JANUARY JANUARY 2 '12 MONDAY MAY 4 '12 FRIDAY JANUARY 3 TUESDAY MAY 7 MONDAY JANUARY 4 WEDNESDAY MAY 8 TUESDAY JANUARY 5 THURSDAY MAY 9 WEDNESDAY JANUARY 6 FRIDAY MAY 10 THURSDAY JANUARY 9 MONDAY MAY 11 FRIDAY JANUARY 10 TUESDAY MAY 14 MONDAY JANUARY 11 WEDNESDAY MAY 15 TUESDAY JANUARY 12 THURSDAY MAY 16 WEDNESDAY JANUARY 13 FRIDAY MAY 17 THURSDAY JANUARY 16 MONDAY MAY 18 FRIDAY JANUARY 17 TUESDAY MAY 21 MONDAY JANUARY 18 WEDNESDAY MAY 22 TUESDAY JANUARY 19 THURSDAY MAY 23 WEDNESDAY JANUARY 20 FRIDAY MAY 24 THURSDAY JANUARY 23 MONDAY MAY 25 FRIDAY JANUARY 24 TUESDAY MAY 28 MONDAY JANUARY 25 WEDNESDAY MAY 29 TUESDAY JANUARY 26 THURSDAY MAY 30 WEDNESDAY JANUARY 27 FRIDAY MAY 31 THURSDAY JANUARY 30 MONDAY JUNE 1 '12 FRIDAY JANUARY 31 TUESDAY JUNE 4 MONDAY FEBRUARY FEBRUARY 1 '12 WEDNESDAY JUNE 5 '12 TUESDAY FEBRUARY 2 THURSDAY JUNE 6 WEDNESDAY FEBRUARY 3 FRIDAY JUNE 7 THURSDAY FEBRUARY 6 MONDAY JUNE 8 FRIDAY FEBRUARY 7 TUESDAY JUNE 11 MONDAY FEBRUARY 8 WEDNESDAY JUNE 12 TUESDAY FEBRUARY 9 THURSDAY JUNE 13 WEDNESDAY FEBRUARY 10 FRIDAY JUNE 14 THURSDAY FEBRUARY 13 MONDAY JUNE 15 FRIDAY FEBRUARY 14 TUESDAY JUNE 18 MONDAY FEBRUARY 15 WEDNESDAY JUNE 19 TUESDAY FEBRUARY 16 THURSDAY JUNE 20 WEDNESDAY FEBRUARY 17 FRIDAY JUNE 21 THURSDAY FEBRUARY 20 MONDAY JUNE 22 FRIDAY FEBRUARY 21 TUESDAY JUNE 25 MONDAY FEBRUARY
    [Show full text]
  • Final Dissertation Document
    Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres.
    [Show full text]
  • Approved Student Calendar
    2007-2008 Student Calendar July 2007 August 2007 September 2007 SMTWT F S SMTWT F S SMTWT F S 1234567 1234 1 8910111213145678910 11 2 3 45678 15 16 17 18 19 20 21 12 13 14 15 16 17 18 9 10 11 12 13 14 15 22 23 24 25 26 27 28 19 20 21 22 23 24 25 16 17 18 19 20 21 22 23 29 30 31 26 27 28 29 30 31 30 24 25 26 27 28 29 October 2007 November 2007 December 2007 SMTWT F S SMTWT F S SMTWT F S 123456 123 1 7891011 12 134567 89102345678 14 15 16 17 18 19 20 11 12 13 14 15 16 17 9 10 11 12 13 14 15 21 22 23 24 25 26 27 18 19 20 21 22 23 24 16 17 18 19 20 21 22 23 24 28 29 30 31 25 26 27 28 29 30 30 31 25 26 27 28 29 January 2008 February 2008 March 2008 SMTWT F S SMTWT F S SMTWT F S 12345 12 1 67891011123456789 2345678 13 14 15 16 17 18 19 10 11 12 13 14 1516 9 1011121314 15 20 21 22 23 24 25 26 17 18 19 20 21 22 23 16 17 18 19 20 21 22 23 24 27 28 29 30 31 24 25 26 27 28 29 30 31 25 26 27 28 29 April 2008 May 2008 June 2008 SMTWT F S SMTWT F S SMTWT F S 12345 123 1234567 6789 10111245678910891011121314 13 14 15 16 17 18 19 11 12 13 14 15 16 17 15 16 17 18 19 20 21 20 21 22 23 24 25 26 18 19 20 21 22 23 24 22 23 24 25 26 27 28 27 28 29 30 25 26 27 28 29 30 31 29 30 Regular School Day Schools Closed Early Dismissal Parent Conference Report Card Distribution * This calendar was adjusted to accommodate the spring NASCAR race.
    [Show full text]
  • To Read Or Download the Competition Program Guide
    THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
    [Show full text]
  • Brahms Reimagined by René Spencer Saller
    CONCERT PROGRAM Friday, October 28, 2016 at 10:30AM Saturday, October 29, 2016 at 8:00PM Jun Märkl, conductor Jeremy Denk, piano LISZT Prometheus (1850) (1811–1886) MOZART Piano Concerto No. 23 in A major, K. 488 (1786) (1756–1791) Allegro Adagio Allegro assai Jeremy Denk, piano INTERMISSION BRAHMS/orch. Schoenberg Piano Quartet in G minor, op. 25 (1861/1937) (1833–1897)/(1874–1951) Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Jun Märkl is the Ann and Lee Liberman Guest Artist. Jeremy Denk is the Ann and Paul Lux Guest Artist. The concert of Saturday, October 29, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. TCHAIKOVSKY 5: Fri, Nov 4, 8:00pm | Sat, Nov 5, 8:00pm Han-Na Chang, conductor; Jan Mráček, violin GLINKA Ruslan und Lyudmila Overture PROKOFIEV Violin Concerto No. 1 I M E TCHAIKOVSKY Symphony No. 5 AND OCK R HEILA S Han-Na Chang SLATKIN CONDUCTS PORGY & BESS: Fri, Nov 11, 10:30am | Sat, Nov 12, 8:00pm Sun, Nov 13, 3:00pm Leonard Slatkin, conductor; Olga Kern, piano SLATKIN Kinah BARBER Piano Concerto H S ODI C COPLAND Billy the Kid Suite YBELLE GERSHWIN/arr.
    [Show full text]
  • An Analysis of Honegger's Cello Concerto
    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S
    [Show full text]
  • Osmo Vänskä, Conductor Augustin Hadelich, Violin
    Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition.
    [Show full text]
  • The Biblical Testimony of Joseph: the Immanuel Perspective
    Leaven Volume 24 Issue 4 The Joseph Story Article 4 1-1-2016 The Biblical Testimony of Joseph: the Immanuel Perspective John T. Willis [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/leaven Recommended Citation Willis, John T. (2016) "The Biblical Testimony of Joseph: the Immanuel Perspective," Leaven: Vol. 24 : Iss. 4 , Article 4. Available at: https://digitalcommons.pepperdine.edu/leaven/vol24/iss4/4 This Article is brought to you for free and open access by the Religion at Pepperdine Digital Commons. It has been accepted for inclusion in Leaven by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Willis: The Biblical Testimony of Joseph: the Immanuel Perspective The Biblical Testimony of Joseph: the Immanuel Perspective John T. Willis mmanuel stands at the forefront of Christian thought. This word appears often in sermons, religious books, religious articles, songs, church classes, and common daily conversation. The word Immanuel is a Ivery ancient Hebrew word meaning literally “with us is God.” It falls into three parts. The most important element is El, which means “God.” God is at the heart of every biblical account. Thus, in the expression Immanuel, the emphasis is on God. Manu means “us,” biblically denoting God’s chosen people Israel. Im means “with,” a tiny but very important preposition denoting nearness or close association. (The Greek equivalent of “with” is sun [syn], sul [syl], sum [sym], from which English receives many familiar words like synagogue, “a gathering together”; Sanhedrin, “council”; sympathy, “suffering with”; symphony, “harmony of sounds”; and syllogism, “reckoning with.”) The testimony or account of Joseph in Genesis 37, 39—50 emphasizes that God was with Joseph at every stage of his life.
    [Show full text]
  • Traditional Academic Calendar Two Semesters, May Term and Summer Session
    Traditional Academic Calendar Two Semesters, May Term and Summer Session FALL SEMESTER 2020-21-Revised 2021-22 2022-23 New students arrive August 14 Aug 27 Aug 26 Final fall check-in August 17 Aug 30 Aug 29 Classes begin August 18, 8 a.m.* Aug 31, 8:00 a.m.* Aug 30, 8:00 a.m.* Drop-Add period ends, 5 p.m. August 25, 5:00 Sept 7, 5:00 p.m. Sept 6, 5:00 p.m. p.m. Homecoming Oct. 2-4 Oct 1-3 Oct 7-9 Mid-term break Study days: Sept Oct 18-22 Oct 17-21 30 & Oct 13 Last day to withdraw with a “W” Oct. 16 Nov 5 Nov 4 Academic advising period Oct. 15-30 Nov 4-19 Nov 3-18 Thanksgiving break Nov 25-26 Nov 24-25 Last Day of Classes Nov. 19 Dec 10 Dec 9 Reading Day None Dec 13 Dec 12 Final Exams Nov. 20-24 Dec 14-16 Dec 13-15 Grades Due Dec. 2 Dec 21 Dec 20 SPRING SEMESTER 2020-21 Revised 2021-22 2022-23 New student day, final Mon, Jan. 11 Jan 11 Jan 10 registration Classes begin, 8 a.m. Tues, Jan. 12 ** Jan 12 Jan 11 Drop-Add period ends, 5 p.m. Tues, Jan 19, 5:00 Jan 18, 5:00 p.m. Jan 17, 5:00 p.m. Martin Luther King Jr. Study Day (evening classes in session) Jan. 18 Jan 17 Jan 16 Mid-term break ***Study days: Feb 28-March 4 Feb 27-March 3 Feb 3 & 23, Mar 16, Apr 2 & 19 Last day to withdraw with a “W” March 12 March 18 March 17 Academic Advising period March 11-26 Mar 17-Apr 1 March 16-31 Good Friday Holiday April 2 April 15 April 7 Last Day of Classes April 16 April 21 April 21 Reading Day April 19 April 25 April 24 Final Exams April 20-22 Apr 26-28 April 25-27 Baccalaureate Service, 11 a.m.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • 2021-2022 Custom & Standard Information Due Dates
    2021-2022 CUSTOM & STANDARD INFORMATION DUE DATES Desired Cover All Desired Cover All Delivery Date Info. Due Text Due Delivery Date Info. Due Text Due May 31 No Deliveries No Deliveries July 19 April 12 May 10 June 1 February 23 March 23 July 20 April 13 May 11 June 2 February 24 March 24 July 21 April 14 May 12 June 3 February 25 March 25 July 22 April 15 May 13 June 4 February 26 March 26 July 23 April 16 May 14 June 7 March 1 March 29 July 26 April 19 May 17 June 8 March 2 March 30 July 27 April 20 May 18 June 9 March 3 March 31 July 28 April 21 May 19 June 10 March 4 April 1 July 29 April 22 May 20 June 11 March 5 April 2 July 30 April 23 May 21 June 14 March 8 April 5 August 2 April 26 May 24 June 15 March 9 April 6 August 3 April 27 May 25 June 16 March 10 April 7 August 4 April 28 May 26 June 17 March 11 April 8 August 5 April 29 May 27 June 18 March 12 April 9 August 6 April 30 May 28 June 21 March 15 April 12 August 9 May 3 May 28 June 22 March 16 April 13 August 10 May 4 June 1 June 23 March 17 April 14 August 11 May 5 June 2 June 24 March 18 April 15 August 12 May 6 June 3 June 25 March 19 April 16 August 13 May 7 June 4 June 28 March 22 April 19 August 16 May 10 June 7 June 29 March 23 April 20 August 17 May 11 June 8 June 30 March 24 April 21 August 18 May 12 June 9 July 1 March 25 April 22 August 19 May 13 June 10 July 2 March 26 April 23 August 20 May 14 June 11 July 5 March 29 April 26 August 23 May 17 June 14 July 6 March 30 April 27 August 24 May 18 June 15 July 7 March 31 April 28 August 25 May 19 June 16 July 8 April 1 April 29 August 26 May 20 June 17 July 9 April 2 April 30 August 27 May 21 June 18 July 12 April 5 May 3 August 30 May 24 June 21 July 13 April 6 May 4 August 31 May 25 June 22 July 14 April 7 May 5 September 1 May 26 June 23 July 15 April 8 May 6 September 2 May 27 June 24 July 16 April 9 May 7 September 3 May 28 June 25.
    [Show full text]
  • Ce Théâtre De L'opéra-Comique, Vous Savez À Quel État
    REVUE DES DEUX MONDES , 15th July 1882, pp. 453-466. Ce théâtre de l’Opéra-Comique, vous savez à quel état d’abaissement nous le vîmes réduit il y a quelques années. Eh bien! allez maintenant vous y promener par un beau soir des Noces de Figaro [Le Nozze di Figaro ] ou de Joseph et vous m’en direz des nouvelles. Ce que peuvent pourtant l’initiative et la volonté d’un chef habile! Où les autres n’ont connu que la ruine il crée la vie et l’abondance, taille en plein dans le neuf et dans le vieux, évoque, suscite, se recueille et se disperse, en un mot, travaille si bien que la veine qu’on croyait perdue à jamais se retrouve. Les malveillans s’écrient : « C’est un faiseur! » Oui, faiseur de troupes, aptitude singulière d’un homme que tous s’entêtent à n’envisager que par le côté de la chance et de la fortune quand c’est, au contraire, sur sa capacité qu’il faudrait insister. A cette heure que les directions de théâtre jusqu’alors les mieux pourvues voient leurs ensembles se désagréger, il réussit, lui, à se procurer une troupe excellente ; que dis-je? une troupe, il en a deux : la troupe d’opéra comique proprement dit, M. Taskin, M. Fugère, M. Bertin, M. Nicod, Mlle Ducasse, pour jouer le répertoire courant, et la troupe lyrique pour chanter Mozart et Méhul : M. Talazac, M me Carvalho, M me Vauchelet, M lle Van Zandt, M lle Isaac, une âme et une voix, la première aujourd’hui parmi les jeunes et qui déjà serait à l’Opéra si M.
    [Show full text]