The Biblical Testimony of Joseph: the Immanuel Perspective
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Jeremiah Commentary
YOU CAN UNDERSTAND THE BIBLE JEREMIAH BOB UTLEY PROFESSOR OF HERMENEUTICS (BIBLE INTERPRETATION) STUDY GUIDE COMMENTARY SERIES OLD TESTAMENT, VOL. 13A BIBLE LESSONS INTERNATIONAL MARSHALL, TEXAS 2012 www.BibleLessonsIntl.com www.freebiblecommentary.org Copyright ©2001 by Bible Lessons International, Marshall, Texas (Revised 2006, 2012) All rights reserved. No part of this book may be reproduced in any way or by any means without the written permission of the publisher. Bible Lessons International P. O. Box 1289 Marshall, TX 75671-1289 1-800-785-1005 ISBN 978-1-892691-45-3 The primary biblical text used in this commentary is: New American Standard Bible (Update, 1995) Copyright ©1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation P. O. Box 2279 La Habra, CA 90632-2279 The paragraph divisions and summary captions as well as selected phrases are from: 1. The New King James Version, Copyright ©1979, 1980, 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. 2. The New Revised Standard Version of the Bible, Copyright ©1989 by the Division of Christian Education of National Council of the Churches of Christ in the U. S. A. Used by permission. All rights reserved. 3. Today’s English Version is used by permission of the copyright owner, The American Bible Society, ©1966, 1971. Used by permission. All rights reserved. 4. The New Jerusalem Bible, copyright ©1990 by Darton, Longman & Todd, Ltd. and Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. Used by permission. All rights reserved. www.freebiblecommentary.org The New American Standard Bible Update — 1995 Easier to read: } Passages with Old English “thee’s” and “thou’s” etc. -
Isaiah 8:1-15 Prayers Bible Study
Isaiah 8:1-15 No: 9 Week:328 Tuesday 15/11/11 Prayers Opening prayer Today is a day of blessing, Lord Jesus; open my eyes so that I may appreciate everything You are doing for me, and open my heart so that I may feel the string and gentle touch of Your presence. Do a new work within me this day, I pray, so that my life may be fruitful for Your Kingdom and also a blessing to others. May all I have received from You flow through me to others, to Your praise and glory: AMEN Prayer Suggestions General theme of the week: FARMING 1. For yourself Today, some people do not eat meat because of the way animals are treated, and others avoid certain food because of slave labour in the fields in which it is grown, or corruption in its distribution. Pray about these things and any concerns you may have about what you eat 2. For your friends and family Pray for those you love and pray especially about any attitudes or phobias concerning the eating of food 3. For the church and its work Pray for the church’s work amongst farming communities, which today, can be very sparse and very isolated 4. For your neighbourhood, your country and the world (News) Pray about the dreadful use of child slave labour in West African countries, where Chocolate is grown. Ask the Lord how best this can be dealt with politically and socially. Meditation Jesus, You are there: Dissatisfy my soul with mortal and material things, and excite me by the potential of Your presence. -
Ce Théâtre De L'opéra-Comique, Vous Savez À Quel État
REVUE DES DEUX MONDES , 15th July 1882, pp. 453-466. Ce théâtre de l’Opéra-Comique, vous savez à quel état d’abaissement nous le vîmes réduit il y a quelques années. Eh bien! allez maintenant vous y promener par un beau soir des Noces de Figaro [Le Nozze di Figaro ] ou de Joseph et vous m’en direz des nouvelles. Ce que peuvent pourtant l’initiative et la volonté d’un chef habile! Où les autres n’ont connu que la ruine il crée la vie et l’abondance, taille en plein dans le neuf et dans le vieux, évoque, suscite, se recueille et se disperse, en un mot, travaille si bien que la veine qu’on croyait perdue à jamais se retrouve. Les malveillans s’écrient : « C’est un faiseur! » Oui, faiseur de troupes, aptitude singulière d’un homme que tous s’entêtent à n’envisager que par le côté de la chance et de la fortune quand c’est, au contraire, sur sa capacité qu’il faudrait insister. A cette heure que les directions de théâtre jusqu’alors les mieux pourvues voient leurs ensembles se désagréger, il réussit, lui, à se procurer une troupe excellente ; que dis-je? une troupe, il en a deux : la troupe d’opéra comique proprement dit, M. Taskin, M. Fugère, M. Bertin, M. Nicod, Mlle Ducasse, pour jouer le répertoire courant, et la troupe lyrique pour chanter Mozart et Méhul : M. Talazac, M me Carvalho, M me Vauchelet, M lle Van Zandt, M lle Isaac, une âme et une voix, la première aujourd’hui parmi les jeunes et qui déjà serait à l’Opéra si M. -
The Great War in Palestine: Dr Tawfiq Canaan’S Photographic Album Aleppo to Damascus and Every German Soldier Went to See the Famous Sun Temple
The year 2014 marks the centenary of WWI, The Great War in called by the British until today “the Great Palestine: War.” For the history of Palestine this was indeed a great and decisive war. Dr Tawfiq A marvelous documentation of World War I Canaan’s is a photo album found among the belongings of the late Israeli archeologist Pesah Baradon.1 Photographic The album has no owner’s name, but without Album much doubt it seems to have belonged to the famous Palestinian physician Dr. Tawfiq Norbert Schwake Canaan.2 The photographs in the first part of the album have captions written in German in white ink, faded in many places. The album shows mainly German and Turkish medical personnel in places where Dr. Canaan was stationed, and also unique pictures of him and his family and friends. Some of the photographs were most certainly taken by a non-professional amateur or amateurs, most likely by Dr. Canaan himself. Almost every German soldier at the Palestine front had brought along his camera – Tawfiq Canaan, living in a German milieu, was no different. On the civilian side the well-known professional photographers of the American Colony in Jerusalem were mostly Protestants like Canaan. Others, like Garabed Krikorian, were very much linked to Canaan’s Protestant community. Therefore it is no surprise to find in his album high quality photographs that must have come from these professionals. The album starts with pictures from the itinerary of a German soldier coming to the Palestine front: the railway station of Bozanti (Pozanti) at the northern entrance of the Taurus tunnel, another station of the Anatolian railway, the bifurcation to the Baghdad railway at Muslimiye north of Aleppo (called “Aleppo station” in the caption) and then the German headquarters in Aleppo. -
Isaiah 7 Prophecy Paper
DBSJ 12 (2007): 3–15 THE IMMANUEL PROPHECY IN ISAIAH 7:14–16 AND ITS USE IN MATTHEW 1:23: HARMONIZING HISTORICAL CONTEXT AND SINGLE MEANING by R. Bruce Compton 1 INTRODUCTION AND HISTORICAL BACKGROUND 14 Therefore the Lord Himself will give you a sign: Behold, a virgin will be with child and bear a son, and she will call His name Immanuel. 15 He will eat curds and honey at the time He knows enough to refuse evil and choose good. 16 For before the boy will know enough to refuse evil and choose good, the land whose two kings you dread will be forsaken (Isa 7:14–16). 2 In Isaiah 7:1 Ahaz (735–715 B.C.) of the southern kingdom is confronted in 734 B.C. by a combined force of Rezin (750–732 B.C.) from Syria and of Pekah (752–732 B.C.) from the northern kingdom. The two kings had earlier formed a coalition to ward off Assyrian he- gemony. Ahaz apparently had rejected their previous overtures to join them. In response, the two kings sent their combined forces against Jerusalem in an effort to depose Ahaz, replace him with a king of their choosing, and force the southern kingdom into joining their cause (v. 6). 3 The motive behind this Syro-Ephraimite incursion, it may be as- sumed, was two-fold. By having the southern kingdom as part of the coalition, the coalition’s chances against the formidable Assyrian forces would be enhanced. At the same time, a buffer would be provided for the coalition’s southern flank in case Egypt decided to take advantage of the political instability in the region. -
1 a Riod a N Te
1 University of Maryland School of Music’s Maryland Opera Studio Presents ARIODANTE Music by George Frideric Handel Libretto by Antonio Salvi KAY THEATRE at The Clarice November 21 - 25, 2019 November PROGRAM University of Maryland School of Music’s Maryland Opera Studio Presents ARIODANTE Music by George Frideric Handel Libretto by Antonio Salvi Performed in Italian, with English Supertitles ABOUT MARYLAND OPERA CAST Ariodante ................................... Esther Atkinson (Nov 22, 25), Jazmine Olwalia (Nov 21, 24) MARYLAND OPERA STUDIO King of Scotland ......................................Jack French (Nov 21, 24), Jeremy Harr (Nov 22, 25) Craig Kier, Director of Maryland Opera Studio Ginevra .............................................. Judy Chirino (Nov 22, 25), Erica Ferguson (Nov 21, 24) Amanda Consol, Director of Acting Justina Lee, Principal Coach | Ashley Pollard, Manager Lurcanio...............................................Charles Calotta (Nov 21, 24) Mike Hogue (Nov 22, 25) Polinesso ..........................................................................................................Jesse Mashburn Dalinda ..........................Michele Currenti (Nov 22, 25), Joanna Zorack-Greene (Nov 21, 24) Odoardo .............................................Charles Calotta (Nov 22, 25), Mike Hogue (Nov 21, 24) ABOUT THE MARYLAND OPERA STUDIO’S CHORUS FALL OPERA PRODUCTION Abigail Beerwart, Andy Boggs, Amanda Densmoor, Henrique Carvalho, Maryland Opera Studio (MOS) singers perform in two fully staged operas. The first of these, -
Jeremiah: the Weeping Prophet by Rev. Dr. John C. Tittle
Jeremiah: The Weeping Prophet by Rev. Dr. John C. Tittle Prayer of Illumination God of Courage, be in our speaking. Be also in our listening. And speak to our souls’ deep understanding. In Christ’s name we pray. Amen. Introduction It was an offer Jeremiah couldn’t refuse. “Before I formed you in the womb I knew you and before you were born I consecrated you: I appointed you a prophet for the nations.” Ah Lord God! I don’t know how to speak—I’m just a boy. Jeremiah my child, don’t say I’m just a boy. You shall go to all whom I send you. You shall speak all that I command you to say. Then the Lord reached out with his hand and touched Jeremiah’s mouth, “Now, I have put my words in your mouth, I appoint you over nations and over kingdoms: to pluck up and to pull down, to destroy and to overthrow, to build and to plant.” The word “vocation” is taken from the Latin voco or vocare, which means “to be summoned.” And this summons comes from something, or someone beyond yourself. In the Bible, a calling from God is an appointment. A court summons. You respond to God’s call, yet you’re not really free not to respond. The prophets usually respond to their calling kicking and screaming. OK, God, if you say so—but this certainly isn’t my idea. And so begins Jeremiah’s calling to be the Lord’s prophet to the Southern Kingdom. Everything that could go wrong for Israel, went wrong for Israel while Jeremiah was prophet. -
The Prophets
Week 8: The Prophets Monday – The Prophet is Called. Read Jeremiah 1 Question: The book of Jeremiah comes after Isaiah, is longer than Ezekiel and the 12 minor prophets combined. Within its pages are messages to God’s people in the closing days of Judah as well as prophecies of the Messiah. Making it a very integral part of the story of the Bible. Just as important was the instrument used to tell it. Where was Jeremiah from and who was his father? What was Jeremiah’s purpose and how did he respond to that call? During who’s reign was he called? Tuesday – The Coming of Immanuel. Read Isaiah 7:1-25 Question: Isaiah’s book has more chapters than any other prophetic book and looks further into the future than any other prophetic book. Isaiah’s relationship was slightly more favorable than most of the prophets. He was a prominent citizen of Jerusalem and had access to both the royal and priestly leadership. Isaiah is filled with prophecy and foretelling of Immanuel’s impending entrance into the world. Specifically, in this chapter Isaiah was sent to speak to King Ahaz’s unbelief (chapters 7-12), describe the declaration in this part of the passage in chapter 7. What problem did Ahaz face? How did God offer to help? What was Ahaz’s reason for refusal? Wednesday – The Commission of Ezekiel. Read Ezekiel 3 Question: Ezekiel, the priest son of Buzi, was the one of the three major prophets. The book shares a similar background with Daniel. He explains to Judah that they must be judged, encourages the remnant concerning restoration, and emphasizes God’s preeminence. -
Immanuel Isaiah 7:1-16 Have You Ever Been in a Situation Where There Seems to Be No Way Out?
Immanuel Isaiah 7:1-16 Have you ever been in a situation where there seems to be no way out? That’s the way the Judean King Ahaz must have felt. To his north was the kingdom of Israel, also called Ephraim. To the north and east of that was the kingdom of Syria. Well, Pekah, the king of Israel and Rezin, the king of Syria, decided to form an alliance to defeat Assyria, the most powerful nation in the known world at the time. But here’s the catch. They wanted all the little nearby kingdoms to join in their alliance against Assyria. So, in the diplomatic fashion of the day, they came calling on Ahaz by invading the territory of Judah and besieging Jerusalem. They would either lift the siege after they had drawn Judea into their alliance and after they had installed a puppet king on Ahaz’ throne, or they would just destroy the place. But even if Ahaz had managed to appease these two invading kings of Israel and Syria, even if he managed to keep his throne, not to mention his head, he would have been heading into a conflict with Assyria, a much greater threat. He would have been jumping out of the frying pan only to land in the fire. Now, none of us are caught in such geopolitical problems, but that doesn’t mean we and our loved ones don’t face fearsome foes: debt, grief, unemployment, chronic illness, long-term disability, difficulties with parents or children or spouse or maybe all at the same time. -
Isaiah 7:14 from Wikipedia, the Free Encyclopedia
Isaiah 7:14 From Wikipedia, the free encyclopedia Isaiah 7:14 is a verse of the Book of Isaiah in which the prophet Isaiah, addressing king Ahaz of Judah, promises the king that God will destroy his enemies; as a sign that his oracle is a true one, Isaiah predicts that a young woman will shortly give birth to a child whose name will be Immanuel, "God is with us", and that the threat from the enemy kings will be ended before the child grows up.[1] The author of the gospel of Matthew used the Septuagint's translation of the Hebrew word almah (a young woman of childbearing age who has not yet had a child) as Greek parthenos (unequivocally a virgin) in support of his concept of the virgin birth of Jesus.[2] Scholars agree that almah has nothing to do with virginity per se, but many conservative Christians still judge the acceptability of new Bible translations by the way they deal with Isaiah 7:14.[3][4] Contents ■ 1 Historical context ■ 2Text ■ 2.1 Prelude - Isaiah 7:1-10 ■ 2.2 The prophecy - Isaiah 7:11-16 ■ 2.3 Aftermath - Isaiah 7:17-25 ■ 3 Interpretation ■ 3.1 The Book of Isaiah ■ 3.2 Gospel of Matthew ■ 4 See also ■ 5 Citations ■ 6 Bibliography Historical context In the mid-8th century BCE the kingdom of Israel (called Ephraim in Isaiah) and its ally Aram-Damascus (or Syria) besieged Jerusalem to force king Ahaz of Judah into joining a coalition against Assyria, the aggressive "great power" to the north-east. -
Minding the Gap Moses Und Aron Belongs to a Small Group of Operas
A THEOLOGICAL MIDRASH IN SEARCH OF OPERATIC ACTION: MOSES UND ARON BY ARNOLD SCHOENBERG RUTH HACOHEN Minding the gap Moses und Aron belongs to a small group of operas that are based on the Hebrew Bible, known in the Christian culture as the Old Testament.1 More commonly, since the seventeenth century and onward, these sources had been adapted into oratorical works rather than into fully melodramatic ones. This may explain the fact that the creator of the Moses und Aron – the Viennese Jew Arnold Schoenberg (1874-1951), at the time of the work’ evolution a member of the Prussian Academy of Arts in Berlin – initially conceived it as a cantata (1928), moving then into an oratorio libretto, and only later turned it into an operatic work. He composed the first two Acts, including their bridging interlude, in the course of 1930-32. Attempts The term “Midrash” (from the Hebrew miḏrāš “commentary”) refers to a certain way of reading and interpreting a biblical verse or section that originated in Late Antiquity in Palestine and Babylon. In this article it particularly relates to a certain exegetical mode of filling in the many gaps left in the biblical narrative regarding events and personalities that are only sketched or hinted at. It also refers to a compilation of Midrashic teachings on specific Biblical books and scrolls. 1 Up to the twentieth century, most of the full operas in this group were French, and until Moses und Aron one can barely count even twenty operas on a biblical subject (excluding the apocryphal books). An opera that is worth mentioning in the present context is Étienne Henry Méhul’s Joseph (1807), a rather free adaptation of the last chapters of Genesis, narrating the story of Joseph upon his meeting, unrecognized, with the brothers who sold him to slavery. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXXII, Number 1 Spring 2017 AMERICAN HANDEL FESTIVAL 2017: CONFERENCE REPORT Carlo Lanfossi This year, Princeton University (Princeton, NJ) hosted the biennial American Handel Festival on April 6-9, 2017. From a rainstorm on Thursday to a shiny Sunday, the conference unfolded with the usual series of paper sessions, two concerts, and a keynote address. The assortment of events reflected the kaleidoscopic variety of Handel’s scholarship, embodied by a group of academics and performers that spans several generations and that looks promising for the future of Handel with the exploration by Fredric Fehleisen (The Juilliard School) studies. of the network of musical associations in Messiah, highlighting After the opening reception at the Woolworth Music musical-rhetorical patterns through Schenkerian reductions Center, the first day of the conference was marked by the Howard and a request for the audience to hum the accompanying Serwer Memorial Lecture given by John Butt (University of harmony of “I know that my Redeemer liveth.” Finally, Minji Glasgow) on the title “Handel and Messiah: Harmonizing the Kim (Andover, MA) reconstructed an instance of self-borrowing Bible for a Modern World?” Reminding the audience of the in the chorus “I will sing unto the Lord” from Israel in Egypt, need to interrogate the cultural values inherent to the creation tracing the musical lineage to the incipit of the English canon of Messiah, Butt structured his keynote address around various “Non nobis, Domine” through its use in the Cannons anthem topics and methodologies, including an analysis of Handel’s Let God Arise and the Utrecht Te Deum.