Chapter I Transformations of the Social Ond
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Movete, Chiquito Quedate Quietito La Magia De La Renga
Al comienzos del siglo xvi, el Gran Inquisidor del Yucatán, Diego de Landa, ordena quemar todos los símbolos de la cultura maya. Al re- gresar a España es condenado a co- piar, infinitamente, los únicos tres manuscritos que sobrevivieron a su misión destructora. Así, la mano del Inquisidor nos cuenta la historia de la reina de Mu, por todos deseada, incluso por sus dos hermanos. Cre- yendo que complaciendo a ambos evitaría una lucha fratricida, la reina el periódico de lavaca se entrega. La historia cuenta que los julio 07 / año 1 / número 6 dioses la sancionaron, inundando Valor en kioscos $ 5 con furia las tierras de Mu. Qué ves cuando la ves Nina Peloso es un símbolo mediático que analizan feministas y piqueteras. Nina responde: ¿cómo se hace política bailando en el caño? Movete, chiquito Quedate quietito La magia de La Renga Los chicos del Mariano Acosta salen a defender La llaman la pastilla para portarse bien: es una Sigue llenando estadios aunque no aparece su colegio del derrumbe y la corrupción. Padres droga cuya importación se duplicó en la Argen- en los medios. La omisión no hace más que y docentes los acompañan con un lema: que tina. Se suministra a menores de 12 años. Los resaltar qué esconde el grupo que inspira a la educación pública no sea una utopía. Las especialistas advierten sobre un síndrome que una generación de músicos. Viaje al interior absurdas respuestas oficiales y el rol del BID. parece dibujado por los laboratorios. de la banda para conocer su secreto. 2 MU JULIO 2007 sub.coop El día de los lápices LA ESCUELA MARIANO ACOSTA Alumnos, padres y docentes de esta escuela porteña a la que concurren 2.500 chicos que tienen entre 5 y 20 años, sostienen una batalla para defenderla de un deterioro que huele a corrupción. -
The Elusive Field of Jewish Latin American Studies
THE ELUSIVE FIELD OF JEWISH LATIN AMERICAN STUDIES Bernardo Sorj * Published in: Latin American and Caribbean Ethnic Studies, Volume 2, Issue 2 October 2007 , pages 207 - 212 Introduction For a social scientist, Latin American Jewish studies are a minefield. The tendencies toward apologetics, discourses of victimization, and the use of taken-for-granted collective self-representations as analytical tools make it almost impossible to enter it without fright. There are, of course, some valuable individual academic contributions. But most of the scholarly meetings and publications have an ingredient of self- celebration that interferes with the exercise of critical thinking and rigorous conceptual and empirical analysis. These problems are compounded by two factors. The first is the strong multidisciplinary character of Jewish studies in general. This in itself could be an advantage but in practical terms it often becomes a license for non-specialists to invade areas in which they have not mastered the basic tools. The second factor, connected to the fashion of cultural studies, is the sacralization of collective identities and subjective narratives. All too frequently, the appeal to the reader's emotions through the presentation of the author's personal experiences substitutes for the effort to make points on the basis of systematic study. In fact, there are reasons to wonder whether it is possible at all to define Latin American Jewish Studies as a self-sustainable academic field. Most of the scholarly production in Latin American Jewish Studies would more adequately correspond to a field of Latin American Studies on Anti-Semitism. The literature is thin when it comes to other substantive issues like the social dynamics of Jewish communities, their institutions and * Professor of Sociology, Federal University of Rio de Janeiro and Director of the Edelstein Center for Social Research ([email protected]). -
Montevideo Por Barrios 1 2
MONTEVIDEO POR BARRIOS 1 2 AVISO URUGUAY NATURAL DESCUBRÍ MONTEVIDEO 3 GUÍA TURÍSTICA DE MONTEVIDEO ESPAÑOL - SPANISH - ESPANHOL 4 INTENDENCIA DE MONTEVIDEO Daniel Martínez Intendente de Montevideo Fernando Nopitsch Secretario General Óscar Curutchet Director General del Departamento de Desarrollo Económico Elizabeth Villalba Directora División Turismo División Turismo IM San José 1328 - subsuelo [email protected] (+598) 1950 2043 Montevideo Bureau San José 1328 - subsuelo (+598) 1950 3367 [email protected] Ministerio de Turismo Rbla. 25 de Agosto de 1825 s/n esq. Yacaré www.turismo.gub.uy - (+598) 1885 Oficinas de Información Turística Intendencia de Montevideo: Intendencia de Montevideo San José esq. Ejido 1950 1830 / 1963 Ciudad Vieja Piedras 252 esq. Peatonal Pérez Cas- tellano - (+598) 29168434 Oficinas de Información Turística Ministerio de Turismo: Ministerio de Turismo Rambla 25 de agosto esq. Yacaré (+598) 1885 111 Terminal Tres Cruces (+598) 1885 801 descubrimontevideo.uy Aeropuerto de Carrasco (+598) 1885 802 facebook.com/descubrimvd Centro Cívico Metropolitano Municipio G twitter.com/descubrimvd Av. Garzón 2122 (+598) 1950 8364 pinterest.com/descubrimvd DESCUBRÍ MONTEVIDEO 5 ÍNDICE Bienvenida Índice 5 Bienvenidos 7 ¿Cómo llegar? 10 MONTEVIDEO POR BARRIOS Ciudad vieja 14 Centro y Cordón 18 Playas y Rambla 20 Barrio Sur y Palermo 20 Parque Rodó, Punta Carretas y Pocitos 22 Malvín, Punta Gorda y Carrasco 24 Parque Batlle 25 Aguada 26 El Prado 27 El Cerro de Montevideo 28 Lezica y Colón 29 Peñarol 29 Montevideo rural -
R Sinfonía Macromolecular
Luciana Castillo / Andrés Ciolino Luciana Castillo / Andrés Ciolino Sinfonía Sinfonía macromolecular macromolecular (una rapsodia polimérica) (una rapsodia polimérica) COLECCIÓN COLECCIÓN CIENCIA Y TECNOLOGÍA CIENCIA Y TECNOLOGÍA Sinfonía macromolecular: una rapsodia polimérica / Luciana Castillo; Andrés Sinfonía macromolecular: una rapsodia polimérica / Luciana Castillo; Andrés Eduardo Ciolino; prólogo de Numa J. Capiati; Enrique M. Vallés. -1.a ed.- Bahía Eduardo Ciolino; prólogo de Numa J. Capiati; Enrique M. Vallés. -1.a ed.- Bahía Blanca: Editorial de la Universidad Nacional del Sur. Ediuns, 2020. Blanca: Editorial de la Universidad Nacional del Sur. Ediuns, 2020. 160 p.; 22 x 17 cm. 160 p.; 22 x 17 cm. ISBN 978-987-655-254-7 ISBN 978-987-655-254-7 1. Química. 2. Música. I. Ciolino, Andrés Eduardo. II. Capiati, Numa J., prolog. III. 1. Química. 2. Música. I. Ciolino, Andrés Eduardo. II. Capiati, Numa J., prolog. III. Vallés, Enrique M., prolog. IV. Título. Vallés, Enrique M., prolog. IV. Título. CDD 547.7 CDD 547.7 Editorial de la Universidad Nacional del Sur Editorial de la Universidad Nacional del Sur Santiago del Estero 639 – B8000HZK – Bahía Blanca – Argentina Santiago del Estero 639 – B8000HZK – Bahía Blanca – Argentina Tel.: 54–0291–4595173 / Fax: 54–0291–4562499 Tel.: 54–0291–4595173 / Fax: 54–0291–4562499 www.ediuns.com.ar | [email protected] www.ediuns.com.ar | [email protected] Libro Libro la tipografía es Alegreya la tipografía es Alegreya Universitario Universitario Argentino Argentino Diagramación interior y tapa: Fabián -
Universidad De Buenos Aires Facultad De Ciencias Sociales Carrera De Ciencias De La Comunicación
Universidad de Buenos Aires Facultad de Ciencias Sociales Carrera de Ciencias de la Comunicación Tesina de grado "Qué ves cuando me ves. Análisis de la corporalidad y las representaciones en registros audiovisuales de rock barrial " Marisa Vigliotta Tutor: Lic. Daniel Salerno DNI: 25.095.531 Email: [email protected] Tel: 4547-3935 1 Vigliotta, Marisa Que ves cuando me ves : análisis de la corporalidad y las representaciones en registros audiovisuales de rock barrial . - 1a ed. - Buenos Aires : Universidad de Buenos Aires. Facultad de Ciencias Sociales. Carrera de Ciencias de la Comunicación, 2012. E-Book. ISBN 978-950-29-1326-1 1. Sociología dela Cultura. 2. Medios de Comunicación. I. Título CDD 302.23 Fecha de catalogación: 04/10/2011 Esta obra se encuentra protegida por derechos de autor (Copyright) a nombre de Vigliotta, Marisa (2011) y se distribuye bajo licencia Creative Commons atribución No Comercial / Sin Derivadas 2.5. Se autoriza su copia y distribución sin fines comerciales, sin modificaciones y citando fuentes. Para más información ver aquí: http://creativecommons.org/licenses/by-nc- nd/2.5/ar/ 2 Índice I. Introducción………………………………………………………….……………3 I.1. Acerca de nuestro trabajo…………………………………………………..4 II. Recorrido por las problemáticas que constituyen nuestro campo…………….…..5 II.1. Algunas concepciones acerca de lo corporal……………………………..5 II.2. En torno a la construcción del campo rockero en Argentina……………12 II.3. En relación al corpus elegido……………………………………………20 III. Qué ves cuando me ves……………………………….……………………...…26 III.1.Dime donde te ubicas y te diré qué tocas…............................................ 27 III.2.En torno a las prácticas………………………………………………….34 III.3. -
New York University in Buenos Aires the Music of Latin America (In English) V71.9155.002
New York University in Buenos Aires The Music of Latin America (in English) V71.9155.002 Professor: Juan Raffo Aug-Dec 2011 Office Hours: Mon & Thr 7-8 PM, by appointment Mon & Thr 3:30-5:00 PM [email protected] Room: Astor Piazzolla 1. Course Description: A journey through the different styles of Latin American Popular Music (LAPM), particularly those coming from Argentina, Brazil and Uruguay. Their roots, influences and characteristics. Their social and historical context. Their uniqueness and similarities. Emphasis in the rhythmic aspect of folk music as a foundation for dance and as a resource of cultural identity. Even though there is no musical prerequisite, the course is recommended for students with any kind and/or level of musical experience. The course explores both the traditional and the comtemporary forms of LAPM Extensive listening/analysis of recorded music and in-class performing of practical music examples will be primary features of the course. Throughout the semester, several guest musicians will be performing and/or giving clinic presentations to the class. A short reaction paper will be required after each clinic. These clinics might be scheduled in a different time slot or even day than the regular class meeting, provided that is no time conflict with other courses for any of the students. Once a semester, the whole class will attend a public concert along with the professor. This field trip will replace a class session. Attendance is mandatory. In addition to that, students will be guided—and strongly encouraged—to go to public concerts and dance venues on their own. -
Catálogo De CD
BANDA NOMBRE DEL DISCO C1 Abuelo, Miguel Buen día, día C2 Abuelos de la Nada, Los Cosas Mías C3 Almendra C4 Almendra Almendra (2 cds) C5 Almendra RCA Víctor 100 años C7 Andres Calamaro Alta suciedad C8 Aquelarre Corazones del lado del fuego C9 Árbol Guau + Miau C10 Arco Iris Arco Iris C11 Aretha Franklin The definitive soul collection C12 Babasónicos Trance Zomba C13 Baglietto, Juan Carlos Baglietto C14 Bersuit Vergarabat La argentinidad al palo c15 Bob Marley & The Wailers Kaya c16 Bob Marley & The Wailers Talkin' Blues c17 Bob Marley & The Wailers Babylon by bus c18 Café Tacuba Re c19 Carballo, Celeste Celesteacústica c20 Cerati / Melero Colores Santos c21 Charly Garcia Musica del alma c22 Charly Garcia Pubis Angelical c23 Cocteau Twins Garlands c24 Color Humano Color Humano (de frente) c25 Color Humano Color Humano (al revés) c26 Color Humano Color Humano (6 temas) c27 Dancing Mood Grooving High c28 Depeche Mode Violator c29 Divididos Vengo del placard de otro c30 Divididos Vivo acá c31 Elvis Presley Elvis 30 Hits c32 Enanitos Verdes Antología c33 Entre Rios Onda c34 Fabiana Cantilo Inconsciente Colectivo c35 Franz Ferdinand Franz Ferdinand c36 Franz Ferdinand You Could Have It So Much Better c37 Genesis The lamb lies down on broadway c38 Gieco, León Semillas del corazón c39 Gieco, León Mensajes del Alma c40 Gieco, León Desenchufado c41 Gorillaz Gorillaz c42 Gorillaz Demon Days c43 Guns And Roses Use your illusion II c44 Guns And Roses Appetite for destruction c45 Guns N' Roses Use your illusion I c46 Gustavo Cerati Ahí vamos c47 Gustavo -
74 Puente@Europa
Diana Britto United States). Between 1990 and 2000 she collaborated with the Italian Red Cross and, Degree in Psychology, Universidad del was Executive Director of the Center for as a junior assistant, with the Permanent Valle (Cali, Colombia), Master in Political European Studies (Budapest, Hungary). She Mission of Italy to the Organization for Studies, Universidad Javeriana de Cali, is Director for international relations at the Security and Co-operation in Europe and doctoral studies in Peace, Conflict and Institute of Social and European Studies (OSCE). Between 2004 and 2005 he served Democracy, University of Granada (Spain). (Budapest-Szombathely-Kőszeg, Hungary) as Field Officer at InterSOS in Goz Beida Between 2000 and 2005, she was involved and Research Fellow at the Institute of (Chad). He currently holds the same position in the creation of a new degree in Political Political Science of the Hungarian Academy at the United Nations High Commissioner Science at the Universidad Javeriana de of Sciences. for Refugees (UNHCR), at the refugees Cali, which she directed for three years. She is a specialist in the Balkans, social camps in Adre and Farchana. She is a specialist in restorative justice and entrepreneurship and corporate social He is a specialist in human rights and gender. responsibility, global civil society and peacekeeping. global governance. Sebastian Lasinger Hugo Víctor Varsky Studies in Sociology, University Johannes Bernardo Sorj Degree in Law, University of Buenos Aires Kepler (Linz, Austria) and studies in Theory Degree in History and Sociology, Master in (Argentina). Between 1990 and 2000 he of Conflict and Human Rights, Universidad Sociology, both at the University of Haifa was Secretary General of the Programa and Javeriana de Cali (Colombia). -
Andrés Alberto Mayo
Andrés Alberto Mayo Profile • Multiple award-winning CD & DVD Mastering Engineer. • Strong recording and sound post-production skills. • DVD producer. Wide knowledge of interactive platforms. • Fluent Spanish, English, Italian and Portuguese Professional Experience • Mr. Mayo pioneered the art of CD and DVD mastering since 1991, with credits in more than 1400 albums by many of the best known artists in Latin America. • He currently runs his own facility Andres Mayo Mastering & DVD, with capability for high resolution 5.1 mixing and mastering. • He was awarded 2 Latin GRAMMY ® in 2008 for his production “Buenos Aires, Days and Nights of Tango”, an independently produced 7-DVD collection that won in the categories of Best Tango Production and Best Packaging. • Andres also won 4 Carlos Gardel Awards to the Technical Excellence in 2005, 2006, 2008 and 2009 for his works in the albums “Limbo” by Roxana Amed (EMI Music, 2005), “Aznar Canta Brasil”, by Pedro Aznar (Tabriz Music, 2006), “Aznar-Lebon” by Pedro Aznar and David Lebon (EMI Music, 2007) and “Quebrado” by Pedro Aznar (DBN, 2008). He boasts credits in a number of Latin Grammy ® Awards and MTV ® Music Awards since 2002. • In 2003, Mr. Mayo founded TangoDVD, a company devoted to on-demand production of musical titles on DVD which is responsible for more than 100 titles of highly renowned artists such as Bersuit Vergarabat, Alfredo Casero, Jaime Roos, Catupecu Machu, Eva Ayllon, etc. • Elected Vice President AES Latin America in 2005, Mr. Mayo has been re- elected in 2007 for another 2-year period. • Before setting up his own facility, he worked for Unique Recordings (New York), dB Post (London), Tonstudio Bauer (Ludwigsburg, Germany), Panda Recording Studios (Buenos Aires) and was co-founder of Mr. -
Pdf?Sequence=1&Isallowed=Y> (22 Dec
Civitas - Revista de Ciências Sociais ISSN: 1519-6089 ISSN: 1984-7289 Pontifícia Universidade Católica do Rio Grande do Sul Boix, Ornela New uses of music: An analysis based on indie music in Buenos Aires Civitas - Revista de Ciências Sociais, vol. 19, no. 1, 2019, January-April, pp. 230-246 Pontifícia Universidade Católica do Rio Grande do Sul DOI: https://doi.org/10.15448/1984-7289.2019.1.30121 Available in: https://www.redalyc.org/articulo.oa?id=74260188014 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative http://dx.doi.org/10.15448/1984-7289.2019.1.30121 Articles New uses of music An analysis based on indie music in Buenos Aires Novos usos da música Uma análise baseada na música indie em Buenos Aires Nuevos usos de la música Un análisis basado en la música indie de Buenos Aires iD Ornela Boix1 Abstract: During the 2000s, the term “indie” became common and relatively principal for the juvenile, urban music of the metropolitan area of Buenos Aires. How can we understand the indie phenomenon in the history of juvenile music related to Argentine rock bands? What variables should we take into consideration to comprehend indie since its logic differs from the one established by the identitarian appropriation of music genres? In order to answer these questions, we describe indie music in Buenos Aires and show its evolution. -
The Shell As a Symbolic Design Motif
THE SHELL AS A SYMBOLIC DESIGN MOTIF: RELIGIOUS SIGNIFICANCE AND USE IN SELECTED AREAS OF THE MISSION SAN XAVIER DEL BAC TUCSON, ARIZONA By LINDA ANNE TARALDSON Bachelor of Science University of Arizona Tucson, Arizona 1964 Submitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May, 1968 ',' ,; OKLAHOMA STATE UNIVERSflY LIBRARY OCT ~ij 1968 THE SHELL AS A SYMBOLIC DESIGN MOTIF:,, ... _ RELIGIOUS SIGNIFICANCE AND USE IN SELECTED AREAS OF THE MISSION SAN XAVIER DEL BAC TUCSON, ARIZONA Thesis Approved: Dean of the Graduate College 688808 ii PREFACE The creative Interior Designer _needs to have a thorough knowledge and understanding of history and a skill in correlating authentic de sl-gns of the past with the present. Sensitivity to the art and designs of the past aids the Interior Designer in adapting them into the crea-_ tion of the contemporary interior, Des.igns of the past can have an integral relationship with contemporary design, Successful designs are those which have survived and have transcended time, Thus, the Interior Designer needs to know the background of a design, the original use of a design, and the period to which a design belongs in order to success fully adapt the design to the contemporary creation of beautyo This study of the shell as a symbolic design motif began with a profound interest in history, a deep love for a serene desert mission. and a probing curiosity concerning an outstanding design used in con -
Protestantism in Oaxaca, 1920-1995 Kathleen Mcintyre
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 1-31-2013 Contested Spaces: Protestantism in Oaxaca, 1920-1995 Kathleen McIntyre Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation McIntyre, Kathleen. "Contested Spaces: Protestantism in Oaxaca, 1920-1995." (2013). https://digitalrepository.unm.edu/hist_etds/ 54 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Kathleen Mary McIntyre Candidate Department of History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Linda Hall, Chairperson Manuel García y Griego Elizabeth Hutchison Cynthia Radding Les W. Field i CONTESTED SPACES: PROTESTANTISM IN OAXACA, 1920-1995 by KATHLEEN MARY MCINTYRE B.A., History and Hispanic Studies, Vassar College, 2001 M.A., Latin American Studies, University of New Mexico, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico December, 2012 ii DEDICATION To my mother, Cassie Tuohy McIntyre, for always believing in me. Many thanks. Do mo mháthair dhílis, Cassie Tuohy McIntyre, a chreid ionamsa ó thús. Míle buíochas. iii ACKNOWLEDGEMENTS It truly takes a pueblo to complete a dissertation. I am indebted to a long list of individuals and institutions in the United States and Mexico for supporting me throughout my investigation of religious conflict in Oaxaca.