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  • Ludwig Mies Van Der Rohe from Traditional Neoclassical Homes to Modernism
    Ludwig Mies van der Rohe From Traditional Neoclassical Homes to Modernism AUK College of Art & Sciences/ID IND311 Interior Design History II Asst. Prof. Siniša Prvanov Spring 2019 Page 1 of 96 Contents: Introduction 1. Barcelona Pavilion 1929. 2. Villa Tugendhat 1930. 3. Farnsworth House 1946. 4. New National Gallery, Berlin 1968. 5. Furniture Design Page 2 of 96 INTRODUCTION Ludwig Mies van der Rohe (March 27, 1886 - August 17, 1969) was a German-American architect. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was a director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, and with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies went to the United States. He accepted the position to head the architectural school at the Illinois Institute of Technology, in Chicago. Mies sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created a new twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with Page 3 of 96 expressing the spirit of the modern era.
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  • SR Crown Hall Other Name/Site
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  • Mies in the Basement Andrés Jaque the Ordinary Confronts The
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  • National Historic Landmark Nomination: S.R. Crown Hall
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  • Ludwig Mies Van Der Rohe 1 Ludwig Mies Van Der Rohe
    Ludwig Mies van der Rohe 1 Ludwig Mies van der Rohe Ludwig Mies van der Rohe Born Ludwig MiesMarch 27, 1886Aachen, North Rhine-Westphalia, Germany Died August 17, 1969 (aged 83)Chicago, Illinois, USA Nationality German 1886-1944/American 1944-1969 Awards Order Pour le Mérite (1959) Royal Gold Medal (1959) AIA Gold Medal (1960) Presidential Medal of Freedom (1963) Work Buildings Barcelona Pavilion Tugendhat House Crown Hall Farnsworth House 860-880 Lake Shore Drive Seagram Building New National Gallery Toronto-Dominion Centre Ludwig Mies van der Rohe (March 27, 1886 – August 17, 1969) was a German architect.[1] He is commonly referred to and addressed by his surname, Mies, by his colleagues, students, writers, and others. Ludwig Mies van der Rohe, along with Walter Gropius and Le Corbusier, is widely regarded as one of the pioneering masters of Modern architecture. Mies, like many of his post World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential 20th century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strived towards an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings "skin and bones" architecture. He sought a rational approach that would guide the creative process of architectural design. He is often associated with the aphorisms "less is more" and "God is in the details".
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  • Investigation and Production of Furniture for Villa Tugendhat 2009–2012
    Investigation and Production of Furniture for Villa Tugendhat 2009–2012 26 docomomo 46 — 2012/1 docomomo46.indd 26 25/07/12 11:13 illa Tugendhat is an expression of “gesamtkunstwerk”, where every detail is subordinated to the whole. Mies van der Rohe devoted the same amount of attention to the furnishings of the Vhouse as to its design. The furniture designed and placed according to his conception is such an important aspect of the house that without it the Villa is only half complete. The system govern- ing the organization of all parts of the building–ratios, proportions, whole areas and details–is visible also in the precise placement of the house contents, which only allowed the owner limited variability in the use of space. The Villa became world famous not long after its completion, but Fritz and Grete Tugendhat were not destined to spend many happy years there. Even before the Munich Pact had been signed, sig- nifying the de facto end of democratic Czechoslovakia, they left Brno forever. At the end of the summer of 1938 two removal vans came to take part of the furnishings to St. Gal- len in Switzerland. Today the main body of the original equipment is, except for several pieces, still in the possession of the family. The Villa was, after two years of general reconstruction, reopened to the public in February this year. For the first time since 1938 it was equipped with all the furnishings Mies van der Rohe had designed for it. The most significant event was the return after seventy years of the original curved wall of the dining area to its original location.
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  • Villa Tugendhat Ludwig Mies Van Der Rohe
    VILLA TUGENDHAT LUDWIG MIES VAN DER ROHE built in 1930 – renovation 2012 1930 2012 Villa Tugendhat, designed by architect Mies van der Rohe, is one of the principal buildings from the first half of the twentieth century. The villa was designated as a UNESCO World Heritage Site in 2001 and a few years ago, its owner, the Brno municipality, managed to secure the funding and launched the renewal of the entire site, including interiors and gardens, which ultimately cost approximately 8.8 million USD. This is Mies‘ most important original design in Europe and, unlike his Barcelona Pavilion, it has been preserved to this day. The detailed renovation included total restoration of the original interior and preserved furniture. Replicas of the original 1930 steel furniture were manufactured as well. The production required making of numerous replicas of locks, hinges and parts for assembling of cabinets, tables and chests of drawers. We used only original materials such as decking, plywood and special veneers. Present-day sheet materials were never used, while historical joining materials, bolts and screws were consistently applied. Materials used in the implementation included zinc plate, solid steel, chrome, flexible tubular steel, brass, hand-tanned leather, parchment, black opaque glass, black glass, crystal glass, rubber and leather straps, green marble, numerous fabrics and of course wood, including European and tropical veneers. Synthetic oil with alkyd resins identified by research as the original furniture coating material was used as a final treatment on maple, rosewood, pear, beech, oak, zebrawood and macassar veneers. It was specifically made for the renovation according to historical recipes.
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  • Ludwig Mies Van Der Rohe
    Ludwig Mies van der Rohe : furniture and furniture drawings from the Design Collection and the Mies van der Rohe Archive, the Museum of Modern Art, New York By Ludwig Glaeser Author Museum of Modern Art (New York, N.Y.) Date 1977 Publisher The Museum of Modern Art ISBN 0870705555 Exhibition URL www.moma.org/calendar/exhibitions/1801 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Ludwig Mies van der Furnitureand FurnitureDrawings from the Design Collection and the Mies van der RoheArchive The Museumof ModernArt, New York - - , Ludwig Mies van der Rohe Furnitureand Furniture Drawings from the Design Collection and the Mies van der Rohe Archive The Museum of Modern Art New York By Ludwig Giaeser Copyright ® 1977 by The Museum of Modern Art. All rights reserved. Library of Congress Catalog Card Number 76-24509 ISBN 0-87070-555-5. The Museum of Modern Art, 11 West 53 Street, New York,New York 10019 Design: Massimo Vignelli Third printing 1979 Contents 4 Acknowledgments 5 Preface 7 Introduction 19 Catalogue 20 Side Chair 1927 22 Side Chair with Arms 1927 24 Stool 1927 26 Lounge Chair 1931 28 Lounge Chair with Arms 1931 30 Coffee Table 1927 32 Chaise Longue 1931 34 Chaise Longue with Spring Frame 1931 37 Reclining Frame 1932 42 Tubular Support Elements 1930-34 44 Couch 1930 47 Barcelona Chair 1929 51 Barcelona Ottoman 1929 53 Chaise Longue
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  • The Bauhaus Art School Existed in Three Different Cities: •Weimar From
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