Chaise Lounge Rubber Webbing and Animal Skin/ Leather Rocking And

Total Page:16

File Type:pdf, Size:1020Kb

Chaise Lounge Rubber Webbing and Animal Skin/ Leather Rocking And Test Review #2 Chaise Lounge Design 20 Rubber webbing and animal skin/ leather Rocking and multiple positions CHAIRS Klismos Greek 5th & 4th century BCE EERO SAARINEN Curving, splayed sabre-shaped legs Tulip chair Hand carved One leg - pedestal chair Fabric or animal skin on the seat. Reinforced-plastic shell Load-bearing capabilities of early plastic required aluminum stem. Womb chair Covered fiberglass shell with: foam rubber padding and upholstery MICHAEL THONET RAY & CHARLES EAMES Bentwood chairs, light and curvilinear. Architect & Furniture design, Developed a system of steam Function of chair more important than appearance. bent veneers. Charles & Ray Eames (husband & wife) and Seats of cane or plywood. Eero Saarinen developed (1940’s): Mass production, low prices New laminates & wood bending techniques, Cafe chair 1st produced 1859 & Fiberglass and plastics for furniture. still in production. Produced for Navy during the WWII: Wood leg splints, stretchers, & aircraft parts MARCEL BREUER, architect Bauhaus Eames Wood Dining Room Chair Among first to use tubular steel Laminated Wood Some with metal legs Wassily Chair Some animal hide upholstery For painter Wassily Kandinsky’s home mechanical details visible Tubular-steel & leather Lounge Chair and Ottoman Cesca Chair Eames’ first design for luxury market Most archetypal ex. of steel furniture Leather and wood Woven cane seat, cantilever Not mass-produced, hand labor & craftsmanship “Cesca” after daughter Francesca. EAMES AND SAARINEN MIES VAN DER ROHE Plastic armchair Cantilever Chair Fiberglass shell With and without arms Material developed for aircraft radar domes Tubular steel and leather First fiberglass chair ARNE JACOBSEN, Danish architect Barcelona Chair (Mies) Ant Chair Jacobsen’s most First displayed International successful design Exposition 1929 Still in production Chrome frame 1 piece molded plywood seat & back Leather upholstery & straps Cantilevered over x frame Egg Chair Brno Chair Shell + molded polyurethane foam For Tugendhat House in Brno, Czech Upholstered with fabric or leather Cantilever Can swivel & adjustable steel and leather Tension depending on the user’s weight. Star base is made of aluminum. LE CORBUSIER Grand Comfort Armchair Swan Chair Furniture = machine for sitting Similar to egg chair, with wings. Chrome plated tubular steel frame. GERRIT RIETVELD Leather cover Red and Blue Chair 1918 Regarded as first modernist chair. Lacquered wood RIETVELD (CONT.) (STARCK CONT.) Zig-Zag Eros Wood, cantilever Martini glass shape. Response to Bauhaus steel chairs Plastic and chromed-steel base Dr. Glob Chair ALVAR AAltO Finnish Architect Front legs and seat polypropylene (red), Cantilever Rear legs; steel tubing Removed layers of veneer at areas of greatest curve Laminated birch, bent and rolled to provide support INDUSTRIAL PRODUCTS 60’S ChAIRS: Design for large-scale industry & mass distribution. Pop culture in / functionalism out Significant style trends Industrial design Explore the new materials and processes . 1. MAYA Design Most advanced, yet acceptable VERNER PANTON 2. Packaging Embellishment First single-piece plastic chair Protective case for a product Borrowed shape of Rietveld’s Zig-Zag 3. Streamlining -- bullet shapes & sleek lines Minimizes resistance through a fluid or air. ItAlIAN ChAIRS: 4. Accelerated obsolescence Sacco Esthetic design changes that tempt owners Leather or vinyl bag Filled with polystyrene beads to replace goods more frequently Marilyn (After Marilyn Monroe) Lips design AMERICAN DESIGN examples: Reinterpretation of Dali’s Mae West Sofa Zeroll Ice Cream Scoop Lightweight foam construction Defrosting fluid uses body heat Joe (After Joe DiMaggio) Zippo Lighter lifetime guarantee Inspired by Claes Oldenburg Lear Jet First mass manufactured business jet Natural glove leather, expensive Slinky -- Originally to stabilize ship instruments Molded polyurethane foam Tupper Ware Original seals for WWII gas masks Blow (inflated) Tea Kettle Michael Graves pop material Segway Human Transporter-self-balancing scooter cheap and expendable Intel microprocessor. IBM used in its first PC 70’S CHAIRS Macintosh Classic Apple computer Growing concern over environment: Oil crisis of 1973 , earth’s dwindling resources. RAYMOND LOEWY One of most successful American designers FRANK GEHRY largest design firm in 1930’s Easy Edges Air Force One for President Kennedy Laminated corrugated cardboard S-1 Locomotive, Silversides Greyhound bus Immediate success, withdrawn by Gehry Studebaker automobile, Sncase helicopter (Didn’t want to distract from reputation as Sears Coldspot refrigerator architect.) lucky Strike pack, Shell & Exxon logos Little Beaver Edges left as if an animal had been chewing WAlter DOrwIN TEAGUE Laminated corrugated cardboard Kodak cameras and Polaroid Cameras Cash Register Hat Trick or Apple Basket series texaco Stations Inspired by wicker furniture & bushel baskets Blue Sled glass radio Collection named after ice hockey terms Boeing 707 interior Laminated hard white maple PHILIPPE STARCK PHILIPPE STARCK, French Architect furniture & industrial designer Defends plastics as only ecologically sound solution Designed interiors for French President Mitterand Hot Berta tea kettle. Water in thru handle Costes Chair Juicy Salif lemon juicer cast aluminum Plywood on black lacquered steel base Dr. Kiss toothbrush, Dr. Skud fly-swatter Leather and ebony trim page 2 ARCHITECTS (JOHNSON CONT. ) EERO SAARINEN, Finnish San Francisco Financial District: International Style (Modern) & Expressionism 101 California sawtooth setbacks General Motors Technical Center Mich. glass cylinder, open atrium reflected modern technology 40 foot piers cut through atrium stainless steel 580 California faceless sculptures CBS Headquarters - only skyscraper (NY) glass mansard roof Dulles Airport, Virginia For Federal Government. MICHAEL GRAVES Steel & concrete suspension structure. Portland Building Post-Modern Icon TWA Kennedy Airport Energy efficient, low budget Free-flowing curves, concrete Small square windows Bird-like symbolism Deep colors—browns, blues, and rusty red Fully-designed environment Team Disney, Burbank Post-modern Gateway Arch St. Louis, Missouri Disney Corporate Offices & studio lot. stainless steel Columns: 7 dwarfs graceful sweeping tapered curve Mural in dinning room by Graves PHILIP JOHNSON Hyatt Regency Japan Modern & Post Modern architect. Copper clad columns, red sand stone base Director Architecture Department, MOMA (New York) Pyramid on dome, which illuminates lobby Intro. European modern architecture to America Coined term: International Style: Clos Pegase Winery, Napa Valley, post modern Seagram’s Building. FRANK GEHRY, Canadian Collaborated with mentor, Mies on Deconstructed architectural style Exploded aesthetic. “Glass House,” Connecticut Adapted aerospace software to architecture. Johnson’s own home Rectilinear structure Gehry House Santa Monica Use of large glass panels as walls. Deconstruction Central brick cylinder containing a bathroom Re-working conventional, bungalow Low walnut cabinets for kitchen equipment. “Cheap tech” off-the-shelf and ordinary Old house wrapped with metal slipcover Crystal Cathedral. Garden Grove LA Slanted lines and angled protrusions. Structure: 4-pointed star A gigantic chimney for cooling. Norton House Venice, California Bigger than Notre Dame Cathedral Post-Modern Steel frame tent with glass panels Lifeguard shack, log tori Maximize views & privacy on a tiny site Post Modern Architecture & Johnson Late 20th-century architecture Chiat/Day Office Venice, California. Includes historical references White building nautical look Classical elements reintroduced Copper clad columns: forest More playful than classical or classical revival Binoculars (Claus Oldenburg) entry to the building American Telephone and Telegraph N.Y. skylights in eye piece Top resembles Chippendale cabinet conference rooms Postmodern architectural landmark Netherlands Group, Czech Republic Pittsburgh Plate Glass -- Gothic post modern “The “Wave” or Fred and Ginger Steel, glass, precast concrete page 3 (GEHRY CONT.) SHAKERS Guggenheim, Bilbao, Spain American religious colony late 1700’s Limestone, titanium Act of prayer -- to make a thing well Ideals: communal living, pacifism, Guggenheim, New York (planned) equality of genders and celibacy To be located on 4 piers in Lower Manhattan Glass and titanium SHAKERS- MODERN DESIGN No historic reference Walt Disney Concert Hall, LA No ornamentation Exterior titanium. Interiors douglas fir. Modern material & techniques Appearance follows function. ARATA ISOZAKI, Japanese MOCA Museum of Contemporary Art, L.A. Shaker Chair Post-Modern Sturdy light weight Natural light pyramids skylights Could be hung on walls Red sandstone, granite, glass, copper sheathing Finials for handling and hanging hats etc. Galleries are below ground level. Free of European influences Stretchers not aligned Team Disney Building, Florida Post-Modern Creative offices Japanese rock garden. Sun dial in central cylinder. Entry suggests gigantic Mickey Mouse ears. RICHARD MEIER, Modern architect White enameled panels and glass. Influenced by Corbu Douglas House Michigan Lake side slope White structure contrasts with environment Interior floor extends through glass wall to deck Nautical look High Museum of Art, Georgia Steel columns & concrete White porcelain-enameled steel Getty Center Los Angeles, 1997. Art Museum funded by: Getty, (American oil billionaire) Material: travertine (type of limestone) LUIS BARRAGAN, Mexican transformed International Style into vibrant Mexican aesthetic with vivid colors and textural contrasts Light and water favorite themes. Satellite towers, Mexico City. Brightly colored towers in traffic interchange Promotion for residential community Chapel for the Capuchinas Designed, built and donated by Barragan. Los Clubes Residential subdivision for equestrians page 4.
Recommended publications
  • Ludwig Mies Van Der Rohe from Traditional Neoclassical Homes to Modernism
    Ludwig Mies van der Rohe From Traditional Neoclassical Homes to Modernism AUK College of Art & Sciences/ID IND311 Interior Design History II Asst. Prof. Siniša Prvanov Spring 2019 Page 1 of 96 Contents: Introduction 1. Barcelona Pavilion 1929. 2. Villa Tugendhat 1930. 3. Farnsworth House 1946. 4. New National Gallery, Berlin 1968. 5. Furniture Design Page 2 of 96 INTRODUCTION Ludwig Mies van der Rohe (March 27, 1886 - August 17, 1969) was a German-American architect. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was a director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, and with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies went to the United States. He accepted the position to head the architectural school at the Illinois Institute of Technology, in Chicago. Mies sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created a new twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with Page 3 of 96 expressing the spirit of the modern era.
    [Show full text]
  • Oscarsaysknoll
    There are the film stars of the world: Grace Kelly, Marilyn Monroe, Bridget Bardot, Meryl Streep. Such talent and beauty. But we’re more interested in the talent behind furniture beauties: Saarinen and Bertoia and van der Rohe. Knoll designs have featured prolifically in film, from the classical to the contemporary to the futuristic - evidence that Knoll is Modern Always. Whether it’s a Bertoia Chair in Devil Wears Prada or a Platner Chair in Quantum of Solace, furniture can often hijack the attention of the audience, away from the action and dialogue of a film to communicate values and mood wordlessly. A well-chosen sofa, chair, or table can subliminally tell us more about a character’s personality or an environment’s tone than many pages of script. When a production designer needs to convey a character’s good taste and discerning style or when they simply need an extremely handsome piece in a domestic or office setting, we’ll often spot a Knoll. With the Oscars upon us, allow us to recognize some of our most prominent leading characters to grace the big screen. EERO SAAR INEN THE WOMB CHAIR was a groundbreaking design by Saarinen at Florence Knoll's request for "a chair that was like a basket full of pillows - something she could really curl up in." This mid-century classic supportas countless positions and offers a comforting oasis of calm—hence the name. And resulting in being staged on countless sets for a sense of chic comfort and style. THE WOMB CHAIR IN LEGALLY BLONDE “Endorphins make you happy…” and so does good design.
    [Show full text]
  • Mies Van Der Rohe Collection Florence Knoll Collection Ludwig Mies Van Der Rohe Collection
    Ludwig Mies van der Rohe Collection Florence Knoll Collection Ludwig Mies van der Rohe Collection From his work on the German Pavilion in Barcelona to the Tugendhat House in Brno, the Seagram Building in New York to the Farnsworth House in Illinois, Ludwig Mies van der Rohe defined an architectural vocabulary for the modern world in terms that are clear and honest. For his famous 1929 German Pavilion, Mies designed the classic Barcelona® chair and ottoman. Subsequently, in 1930, he created the Brno and MR Collections for the Tugendhat House in Brno, Czechoslovakia. These pieces mirror the groundbreaking simplicity of their original environments, with simple profiles, clean lines and meticulous attention to detail. They demonstrate the Bauhaus approach to combining industrial materials and modern forms. In 2004, KnollStudio introduced the Krefeld™ Collection, designed by Mies in 1927 for a residence in Krefeld, Germany, but never produced. Developed in collaboration with The Museum of Modern Art, the Krefeld Collection offers beautifully proportioned pieces that reflect Mies’ fondness of traditional furniture types. After emigrating to the United States in 1937, Mies formed a lasting friendship with a young student, Florence Knoll, who in 1948 acquired exclusive rights to produce the Barcelona Collection. Knoll subsequently acquired the remainder of Mies’ furniture designs, pieces that have taken their place among the most profoundly original furniture designs of the twentieth century. One day, Florence Knoll and Gordon Bunshaft, a leading partner in the architectural firm Skidmore, Owings & Merrill, were leaving the office of a large commercial client. “Where would they be without us?” she jokingly asked.
    [Show full text]
  • SR Crown Hall Other Name/Site
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-8 OMBNo. 1024-0018 S.R. CROWN HALL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: S. R. Crown Hall Other Name/Site Number: 2. LOCATION Street & Number: 3360 South State Street Not for publication:_ City/Town: Chicago Vicinity:_ State: IL County: Cook Code: 031 Zip Code: 60616 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 1 _ buildings _ sites _ structures _ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 0 Name of Related Multiple Property Listing: n/a NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-8 OMBNo. 1024-0018 S.R. CROWN HALL Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria.
    [Show full text]
  • Mies in the Basement Andrés Jaque the Ordinary Confronts The
    PHANTOM Pavilion The Barcelona Pavilion is an access to an experience of By Andrés Jaque arena of confrontation organ- everyday non-calculability. The ised in the form of a two-story lower floor is opaque, yet it is building, in which two inter- the place where the contracts, dependent notions of the politi- experiments and disputes cal lie in dispute. which construct the Pavilion The well-lit upper floor revives gain transparency. The Pavilion foundational concepts of the constructs a belief through the political (in which the extraor- way in which its two floors oper- dinary, origins and essences ate: ‘the exceptional emerges lead the way for that which in the absence of the ordinary.’ is common), while the dark The intervention is based on basement was constructed the suspicion that the recogni- using contingencies and provi- tion and rearticulation of these sional agreements. The upper two spheres can contribute new floor is physically transparent, possibilities in which architec- but it conceals the social pacts ture finds answers to contem- which occur inside, to provide porary challenges. › › › Mies in the basement Andrés Jaque The Ordinary Confronts the 1 — A first version of this text was presented at the Columbia GSAPP Exceptional in the Barcelona Seminar on Critical, Curatorial and 1 Conceptual Practices in Architecture Pavilions ‘Interpretations: Promiscuous Encounters’ on March 23 2012. It was presented as an address that was confronted and discussed by Keller Easterling, Markus Miessen and Felicity D. Scott, among others. The Unaccounted Inaccessible Basement Even though it is not easy to recognise at first sight, this photograph depicts something that is decisively shaping the way most of us view a key item in the modern architectural legacy.
    [Show full text]
  • National Historic Landmark Nomination: S.R. Crown Hall
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-8 OMBNo. 1024-0018 S.R. CROWN HALL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: S. R. Crown Hall Other Name/Site Number: 2. LOCATION Street & Number: 3360 South State Street Not for publication:_ City/Town: Chicago Vicinity:_ State: IL County: Cook Code: 031 Zip Code: 60616 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 1 _ buildings _ sites _ structures _ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 0 Name of Related Multiple Property Listing: n/a NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-8 OMBNo. 1024-0018 S.R. CROWN HALL Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria.
    [Show full text]
  • Ludwig Mies Van Der Rohe 1 Ludwig Mies Van Der Rohe
    Ludwig Mies van der Rohe 1 Ludwig Mies van der Rohe Ludwig Mies van der Rohe Born Ludwig MiesMarch 27, 1886Aachen, North Rhine-Westphalia, Germany Died August 17, 1969 (aged 83)Chicago, Illinois, USA Nationality German 1886-1944/American 1944-1969 Awards Order Pour le Mérite (1959) Royal Gold Medal (1959) AIA Gold Medal (1960) Presidential Medal of Freedom (1963) Work Buildings Barcelona Pavilion Tugendhat House Crown Hall Farnsworth House 860-880 Lake Shore Drive Seagram Building New National Gallery Toronto-Dominion Centre Ludwig Mies van der Rohe (March 27, 1886 – August 17, 1969) was a German architect.[1] He is commonly referred to and addressed by his surname, Mies, by his colleagues, students, writers, and others. Ludwig Mies van der Rohe, along with Walter Gropius and Le Corbusier, is widely regarded as one of the pioneering masters of Modern architecture. Mies, like many of his post World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential 20th century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strived towards an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings "skin and bones" architecture. He sought a rational approach that would guide the creative process of architectural design. He is often associated with the aphorisms "less is more" and "God is in the details".
    [Show full text]
  • Investigation and Production of Furniture for Villa Tugendhat 2009–2012
    Investigation and Production of Furniture for Villa Tugendhat 2009–2012 26 docomomo 46 — 2012/1 docomomo46.indd 26 25/07/12 11:13 illa Tugendhat is an expression of “gesamtkunstwerk”, where every detail is subordinated to the whole. Mies van der Rohe devoted the same amount of attention to the furnishings of the Vhouse as to its design. The furniture designed and placed according to his conception is such an important aspect of the house that without it the Villa is only half complete. The system govern- ing the organization of all parts of the building–ratios, proportions, whole areas and details–is visible also in the precise placement of the house contents, which only allowed the owner limited variability in the use of space. The Villa became world famous not long after its completion, but Fritz and Grete Tugendhat were not destined to spend many happy years there. Even before the Munich Pact had been signed, sig- nifying the de facto end of democratic Czechoslovakia, they left Brno forever. At the end of the summer of 1938 two removal vans came to take part of the furnishings to St. Gal- len in Switzerland. Today the main body of the original equipment is, except for several pieces, still in the possession of the family. The Villa was, after two years of general reconstruction, reopened to the public in February this year. For the first time since 1938 it was equipped with all the furnishings Mies van der Rohe had designed for it. The most significant event was the return after seventy years of the original curved wall of the dining area to its original location.
    [Show full text]
  • Villa Tugendhat Ludwig Mies Van Der Rohe
    VILLA TUGENDHAT LUDWIG MIES VAN DER ROHE built in 1930 – renovation 2012 1930 2012 Villa Tugendhat, designed by architect Mies van der Rohe, is one of the principal buildings from the first half of the twentieth century. The villa was designated as a UNESCO World Heritage Site in 2001 and a few years ago, its owner, the Brno municipality, managed to secure the funding and launched the renewal of the entire site, including interiors and gardens, which ultimately cost approximately 8.8 million USD. This is Mies‘ most important original design in Europe and, unlike his Barcelona Pavilion, it has been preserved to this day. The detailed renovation included total restoration of the original interior and preserved furniture. Replicas of the original 1930 steel furniture were manufactured as well. The production required making of numerous replicas of locks, hinges and parts for assembling of cabinets, tables and chests of drawers. We used only original materials such as decking, plywood and special veneers. Present-day sheet materials were never used, while historical joining materials, bolts and screws were consistently applied. Materials used in the implementation included zinc plate, solid steel, chrome, flexible tubular steel, brass, hand-tanned leather, parchment, black opaque glass, black glass, crystal glass, rubber and leather straps, green marble, numerous fabrics and of course wood, including European and tropical veneers. Synthetic oil with alkyd resins identified by research as the original furniture coating material was used as a final treatment on maple, rosewood, pear, beech, oak, zebrawood and macassar veneers. It was specifically made for the renovation according to historical recipes.
    [Show full text]
  • Ludwig Mies Van Der Rohe
    Ludwig Mies van der Rohe : furniture and furniture drawings from the Design Collection and the Mies van der Rohe Archive, the Museum of Modern Art, New York By Ludwig Glaeser Author Museum of Modern Art (New York, N.Y.) Date 1977 Publisher The Museum of Modern Art ISBN 0870705555 Exhibition URL www.moma.org/calendar/exhibitions/1801 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Ludwig Mies van der Furnitureand FurnitureDrawings from the Design Collection and the Mies van der RoheArchive The Museumof ModernArt, New York - - , Ludwig Mies van der Rohe Furnitureand Furniture Drawings from the Design Collection and the Mies van der Rohe Archive The Museum of Modern Art New York By Ludwig Giaeser Copyright ® 1977 by The Museum of Modern Art. All rights reserved. Library of Congress Catalog Card Number 76-24509 ISBN 0-87070-555-5. The Museum of Modern Art, 11 West 53 Street, New York,New York 10019 Design: Massimo Vignelli Third printing 1979 Contents 4 Acknowledgments 5 Preface 7 Introduction 19 Catalogue 20 Side Chair 1927 22 Side Chair with Arms 1927 24 Stool 1927 26 Lounge Chair 1931 28 Lounge Chair with Arms 1931 30 Coffee Table 1927 32 Chaise Longue 1931 34 Chaise Longue with Spring Frame 1931 37 Reclining Frame 1932 42 Tubular Support Elements 1930-34 44 Couch 1930 47 Barcelona Chair 1929 51 Barcelona Ottoman 1929 53 Chaise Longue
    [Show full text]
  • The Bauhaus Art School Existed in Three Different Cities: •Weimar From
    18/04/2007 The Bauhaus art school existed in three different cities: •Weimar from 1919 to 1925, •Dessau from 1925 to 1932, and •Berlin from 1932 to 1933 under three different architect-directors: •Walter Gropius from 1919 to 1928, •Hannes Meyer from 1928 to 1930, and •Ludwig Mies van der Rohe from 1930 to 1933). One of the main objectives of the Bauhaus was to unify art, craft, and technology. The machine was considered a positive element, and therefore industrial and product design were important components. Vorkurs ("initial course") was taught; this is the modern day Basic Design course that has become one of the key foundational courses offered in architectural schools across the globe. There was no teaching of history in the school because everything was supposed to be designed and created according to first principles rather than by following The Bauhaus masters on the roof of the Bauhaus building in Dessau. From the left: Josef Albers, Hinnerk Scheper, Georg Muche, László precedent. Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and One of the most important contributions of the Bauhaus is Oskar Schlemmer. in the field of furniture design. mies van der rohe Johannes Itten 1888 - 1967 mies van der rohe haus 1 18/04/2007 Walter Gropius and Adolf Meyer, Fagus-Werk in Alfeld/Leine, started 1911 Walter Gropius 1883 - 1969 HdVldAtHenry van de Velde, Art School building in Weimar, 1904-11 Gropius House, 1938 Fagus Works, 1910–1911 Lyonel Feininger, Cathedral, wood-cut for the Bauhaus Manifesto, 1919 Paul Klee The Mocker Mocked, 1930 Magic Garden, 1926 Rhythmisches (In Rhythm), 1930, Hopfgarten, 1920 oil on woven jute 2 18/04/2007 Wassily Kandinsky (1866-1944 ) Swinging, 1925 Actor's Mask Pastoral [Pastorale].
    [Show full text]
  • Barcelona Table Mies Van Der Rohe
    Barcelona Table Mies Van Der Rohe Chris rosed his sassing liquate bis or scherzando after Judas stencilling and implying unexpectedly, go-as-you-please and polo-neck. Heated Claus poeticising her skelf so needfully that Benji outglaring very mushily. Carroty Gregor sometimes jitters his leak drearily and negativing so wherefrom! With a legally binding contract to impressive international edition of prussia, van der rohe barcelona table Through finding the bidding to reload your link to your users focus on the glass barcelona collection according to blend in german modernists, mies table van der rohe barcelona. Specify a fair auction types found for bidding on this? They receive sent complimentary stain off without my asking. Glass is very heavy! The barcelona tables in each field is a sustainable, van der rohe and books, let us know. We share their passion. Please be done on back and the cha irs has removed this product once they all! Useful and rare pre knoll. Iconic Barcelona coffee table with minimalist design, TV commercials, imprimé par Meriden Gravure Company. The mies van der rohe, exclusive manufacturing and design finds from other modern mies table van der rohe barcelona coffee table. The table frame is in excellent vintage condition and the glass has wear commensurate with its age. With felt underneath have cleared payment, mies table van der rohe barcelona chair has damage in our event window and genuinely faulty goods will immediately upon. Explore all tables created by Ludwig Mies van der Rohe. The frames and tubular ludwig mies van der rohe, raise your chosen shipper.
    [Show full text]