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THE TUFTS DAILY Est
Where You Sunny Read It First 44/33 THE TUFTS DAILY Est. 1980 VOLUME LXIV, NUMBER 39 TUEsday, NOVEMBER 6, 2012 TUFTSDAILY.COM Campus activism culminates with Election 2012 MCT MCT Tufts Democrats bring energy Tufts Republicans gear up to campus for election season for senate election BY JAMES POULIOT President Barack Obama, Massachusetts BY DA P HNE KOLIOS he assumed leadership as co-president of Daily Editorial Board senatorial candidate Elizabeth Warren Daily Editorial Board Tufts Republicans and began to re-focus the and U.S. Congressional candidates Joseph group’s efforts. His personal participation in Tufts Democrats is wrapping up two Kennedy of Massachusetts and Ann Throughout the semester, Tufts the Scott Brown campaign inspired him to months of election preparation efforts with Kuster of New Hampshire, according to Republicans has been primarily focus- carry the campaign activities over to campus a week of election drives, canvassing and senior Bronwen Raff, president of Tufts ing their outreach on the Scott Brown through Tufts Republicans. phone calls to constituents that aim to reg- Democrats. (R-Mass, LA ’81) senatorial campaign “As a result of me kind of being in charge ister voters, educate the public and increase The group is also advocating support for rather than the presidential election, on- ... Tufts Republicans just completely focused voter participation on Election Day. Question 4, a ballot initiative in Somerville campus and beyond. on the Scott Brown re-election campaign, The organization has rallied support for Following the effective dissolution of the various Democratic candidates, including see DEMOCRATS, page 2 group in May, junior Bennett Gillogly said see REPUBLICANS, page 2 STORM update ExCollege to host Election Hurricane Sandy causes campaign cancellations, polling changes Night Extravaganza tonight To Tufts, Hurricane Sandy meant permitted to submit a provisional ballot at power outages, a day off from classes any open polling location across the state. -
Fleet Foxes Helplessness Blues Poster
Fleet foxes helplessness blues poster Fleet Foxes Helplessness Blues Cover Poster. Release Date: October 19, ; Item No: Large, glossy poster featuring the cover art of Fleet Foxes'. Helplessness Blues LP Track List: 1. Montezuma 2. Bedouin Dress 3. Sim Sala Bim 4. Battery Kinzie 5. The Plains/Bitter Dancer 6. Helplessness Blues 7. Find a Fleet Foxes - Helplessness Blues first pressing or reissue. Includes two-sided foldout poster & some copies also had a free MP3 Download Card. Find a Fleet Foxes - Helplessness Blues first pressing or reissue. Sub Pop logo, 1 round & red Fleet Foxes sticker) and one foldout poster. Find great deals on eBay for Fleet Foxes Poster in Memorabilia for Artists with Fleet Foxes GIANT Helplessness Blues 2-sided In-STORE PROMO POSTER. Fleet Foxes. Helplessness Blues. GIANT in-store promo poster. 48" by 48". Two for one, same poster on both sides. On heavy photostock with mounting. People who viewed this item also viewed. Fleet Foxes - Helplessness Blues LP [Vinyl New] Gatefold 2LP + Download + Poster · Fleet Foxes - Helplessness Blu. This item:Helplessness Blues by Fleet Foxes Audio CD $ .. Not even going to post a picture of the poster because it was just exciting to be surprised by it. Fleet Foxes Helplessness Blues PROMO POSTER FATHER JOHN MISTY Edgar A Poe. Father John Misty (Josh Tillman) former drummer of Fleet Foxes has a. We're going to keep this one simple: on May 3rd, Helplessness Blues, the new and second album from Seattle's Fleet Foxes will be available on CD and. Fleet Foxes is Robin Pecknold, Skyler Skjelset, Christian Wargo, Casey Wescott, Josh Tillman and Morgan Henderson. -
Band Fleet Foxes, Sänger Pecknold (3. V
Band Fleet Foxes, Sänger Pecknold (3. v. l.): Wie aus einem Zeltlager in den Rocky Mountains verschleppt 16 5/ 2011 KulturSPIEGEL Fuchsteufelsmild Die Fleet Foxes kommen aus Seattle und tragen Karohemden. Doch ihre Musik ist kein Klischee. VON CHRISTOPH DALLACH Das neue Album der Fleet Foxes sei „vermutlich eher lang - Hommage an die Schönklänge der späten sechziger und frühen weilig“, warnt Robin Pecknold. Eine „nicht wirklich eingängige“ siebziger Jahre. Die „Zeit von 1965 bis ungefähr 1972“ sei die Sammlung von Songs, und „Hits“ seien da schon gar nicht drauf. „beste für Musik“ gewesen, sagt Pecknold, und zwar, weil sie da - Wer trotzdem neugierig auf das Album namens „Helplessness mals nahezu frei von überflüssiger Technik gewesen sei. „Modi - Blues“ sei, solle es sich halt im Internet runterladen – ohne dafür sche Produktionen haben viele tolle Lieder und Platten ruiniert, zu zahlen, selbstverständlich. Und wem die Musik tatsächlich weil sie, wenn diese Mode vorüber ist, überholt klingen.“ Die gefalle, der könne sich die Platte ja dann regulär kaufen. Kunst sei, alles Überflüssige zu vermeiden. „Fast alle Platten aus So klingt das, wenn Robin Pecknold Werbung in eigener Sache den Achtzigern hören sich heute grässlich an. Die Neunziger wa - macht. Der 25-Jährige ist Sänger und Songwriter der Band Fleet ren kaum besser.“ Ja, selbst „Nevermind“, das Grunge-Meister - Foxes, einer Gruppe junger Männer aus Seattle, die in karierten werk von Nirvana, sei nicht gut gealtert, was die Produktion an - Flanellhemden herumlaufen. Ihr vor drei Jahren veröffentlichtes geht, urteilt Pecknold. „Seien wir ehrlich, die einzige Nirvana- Debüt-Album „Fleet Foxes“ wurde zu einem Überraschungs - Platte, die wirklich zeitlos klingt, ist ihr ,Unplugged‘-Album, und erfolg: Mehr als eine Million Mal verkaufte sich das Werk, das das könnte aus den sechziger Jahren sein, oder?“ kaum beworben wurde, keine Radio-Hits enthielt – und, wie der verantwortliche Autor meint, „eher merkwürdig“ klang. -
Katalog Download
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Romantic Ideals in Contemporary Folk Music
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 Romantic Ideals in Contemporary Folk Music Brett Schwartz University of Central Florida Part of the Music Commons, and the Poetry Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Schwartz, Brett, "Romantic Ideals in Contemporary Folk Music" (2015). Electronic Theses and Dissertations, 2004-2019. 1305. https://stars.library.ucf.edu/etd/1305 ROMANTIC IDEALS IN CONTEMPORARY FOLK MUSIC by BRETT MICHAEL SCHWARTZ B.S. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 ABSTRACT This thesis examines contemporary folk music from no earlier than 2006, specifically music of the bands The Decemberists, Fleet Foxes, and Bon Iver. Providing a close reading of select songs, I prove that modern music is seeing a revival in the Romantic Era and Transcendentalist ideals and philosophy. The works and philosophy of Samuel Taylor Coleridge (1772-1834), William Wordsworth (1770-1850), John Keats (1795-1821), as well as Henry David Thoreau (1817-1862), Ralph Waldo Emerson (1803-1882), among others and their critics are all considered for points of comparison to the modern lyrics. -
Hello, I'm So Excited to Announce That the Fourth Fleet Foxes Album Shore, Fifteen Songs in Fifty-Five Minutes, Will Be Releas
Hello, I’m so excited to announce that the fourth Fleet Foxes album Shore, fifteen songs in fifty-five minutes, will be released in full on September 22, the autumnal equinox. If you had asked me this past April, watching the world be rearranged and with a half-finished album on a hard drive in my closet, I would have told you the record was likely to never come out at all. So it is an enormous joy that it all came together in the way that it did and that we're able to share it so soon after its completion. WRITING I began writing Shore in September of 2018, right at the end of the 170-show tour for the last Fleet Foxes album Crack-Up. I’m very proud of that record, and of the tour we were able to mount around it, but living for that long inside Crack-Up’s dense compositions, and touring that relentlessly, left me in a quandary: I didn’t want to take another long break from music; I really wanted to work and feel useful, but I needed to find a new, brighter way of making songs if I was going to go straight into something large and ambitious again. I found myself listening more to Arthur Russell, Curtis Mayfield, Nina Simone, Michael Nau, Van Morrison, Sam Cooke, The Roches, João Gilberto, Piero Piccioni, Tim Bernardes, Tim Maia, Jai Paul, and Emahoy Tsegué-Maryam Guèbrou - music that is simultaneously complex and elemental, “sophisticated” and humane, propulsive rhythmi- cally but feathery melodically. -
Scanned Using Book Scancenter 5030
tf9(tw3mq February 15, 2010 Is anyone actually enjoying all this snow? The countdown to summer begins ASAP. The Independent Student Newspaper of the Richard Stockton College of New Jersey Volume 78, issue 3 Hits on The Horizon; 10 Albums To Watch in 2010 Nick Hertzberg releases. Tomboy is said to be Argo Staff Writer -Lil Wayne- The Carter IV. much darker and mood driven 2008s biggest overall selling than 2007's Person Pitch, which Even before the start of the artist might be headed behind received critical acclaim. New Year, plotted releases of new bars soon for weapons possession albums for 2010 began to pop-up charges, but he still plans on -Fleet Foxes- TBA. all over the Internet aind various releasing an album later this year. After gaining much attention other sources. As a musician and Wayne just put out Rebirth, his after the 2008 ftill-length debut, devoted music lover since birth, I "rock" album a few weeks ago, this harmony-fi-iendly folk quin always make it my business to and it has seen just a sheer fi-ac- tet hope to have a new album out know exactly which of my tion of the sales that his previous the second half of this year. No favorite bands will be releasing records. Only time will tell what plans are set in stone but the new material soon, not just to will be of Weezy. album is said to be, "less poppy, download it (because that is just less upbeat and more groove- wrong and illegal.) -Broken Social Scene- TBA. -
Live from the Artists Den #1204 "Fleet Foxes" (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded June 12, 2017, the Knockdown Center Queens, NY
Live from the Artists Den #1204 "Fleet Foxes" (TRT 56:46 HDTV, 16:9 Anamorphic Widescreen) Recorded June 12, 2017, The Knockdown Center Queens, NY Episode Song List 1. Grown Ocean 2. Mearcstapa 3. Fools Errand 4. Mykonos 5. Third of May / Ōdaigahara 6. The Shrine/An Argument 7. Crack Up 8. Blue Ridge Mountains 9. Helplessness Blues 10. Tiger Mountain Peasant Song Photograph by Joe Papeo FLEET FOXES: LIVE FROM THE ARTISTS DEN Fleet Foxes celebrate the release of their new album, Crack-Up, with a special performance at the Knockdown Center in Queens, New York. The mesmerizing 10-song concert highlights material from their new record – the influential band's first release in six years – while also looking back to such favorites as "Helplessness Blues" and "Mykonos." The century-old Knockdown Center, a magnificent former glass-blowing facility and door factory, provides a perfect setting for the group's atmospheric harmonies and expansive arrangements. ARTIST BIO Indie folk band Fleet Foxes formed between two childhood friends, Robin Pecknold and Skyler Skjelset, in Seattle, Washington in 2006. They topped numerous “Best of” lists with their self-titled debut album in 2008, including Rolling Stone’s 100 Best Albums of the 2000’s and Pitchfork’s 50 Best Albums of 2008. Their sophomore album, Helplessness Blues, was nominated for Best Folk Album at the 2012 Grammy Awards and debuted at number 4 on the Billboard Top 200. After nearly a decade since their debut, Fleet Foxes released their long-awaited and highly anticipated third album, Crack-Up, on Nonesuch Records on Friday, June 16th. -
AG Song List 1990 to 2018 by Performer
Acoustic Guitar Songs by Performer Title Creator(s) Arranger Performer Month Year Ballad for Kay Nick Webb Acoustic Alchemy May/Jun 1994 Granada Isaac Albeniz Adam del Monte Jul 2001 Queenie's Waltz Adrian Legg Adrian Legg Mar/Apr 1995 I Can't Get My Head Around it Aimee Mann Aimee Mann Jun 2005 It's Not Aimee Mann Aimee Mann Mar 2003 Movin' into the Light Al Anderson, Gary Nicholson Al Anderson Jun 2007 Asia de Cuba Al Di Meola Al Di Meola Sep 2001 Avalon Al Jolson, Buddy DeSylva Al Jolson Feb 2018 Midsummer Moon Al Petteway Al Petteway May 2018 She Moved through the Faire Traditional Al Petteway Dec 2000 Wild Mountain Thyme Traditional Al Petteway Al Petteway Mar 2001 Birds Alberto Lombardi Alberto Lombardi Jan 2018 McCormick Alex de Grassi Alex de Grassi Jun 2012 Mirage Alex de Grassi Alex de Grassi Sep/Oct 1991 The Monkulator Alex de Grassi Alex de Grassi Jun 2013 The Water Garden Alex de Grassi Alex de Grassi Aug 2000 Blue Christmas Billy Hayes, Jay Johnson Alex de Grassi Alex de Grassi Dec 2008 St. James Infirmary Traditional Alex de Grassi Dec 2003 Cinquante Six Ali Farka Toure Ali Farka Toure Mar/Apr 1994 Cinquante Six Ali Farka Toure Ali Farka Toure Aug 1995 Nutshell Layne Stanley, Jerry Cantrell Alice in Chains Oct 2015 Deep Gap Alison Brown Alison Brown Dec 2000 Little Martha Duane Allman Allman Brothers Sep 2018 Melissa Steve Alaimo, Gregg Allman Allman Brothers Band Aug 2007 Horse with No Name Dewey Bunnell America Mar 2011 Up On the Hill Where They Do the Boogie John Hartford Andre DuBrock Sep 2009 Bach and Roll Andrew DuBrock -
Creativity for 21St Century Skills: How to Embed Creativity Into The
Creativity for 21st Century Skills Creativity for 21st Century Skills How to Embed Creativity into the Curriculum Jane Piirto Ashland University, Ohio, USA SENSE PUBLISHERS ROTTERDAM/BOSTON/TAIPEI A C.I.P. record for this book is available from the Library of Congress. ISBN: 978-94-6091-461-4 (paperback) ISBN: 978-94-6091-462-1 (hardback) ISBN: 978-94-6091-463-8 (e-book) Published by: Sense Publishers, P.O. Box 21858, 3001 AW Rotterdam, The Netherlands www.sensepublishers.com Printed on acid-free paper All Rights Reserved © 2011 Sense Publishers No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. DEDICATION To Steven, Denise, and Danielle (of course) v CONTENTS Preface..................................................................................................................... ix Acknowledgements............................................................................................... xiii Author Biography................................................................................................. xvii 1. Creativity for 21st Century Skills ......................................................................... 1 2. Five Core Attitudes........................................................................................... -
Vem Kan Bli Rockstjärna?
Vem kan bli rockstjärna? - en kvalitativ innehållsanalys av genus inom musikjournalistik Medie och kommunikationsvetenskap Kandidatkurs Examensarbete 15 HP Stockholms universitet, HT 18 Linn Koch-Emmery Handledare: Torbjörn Rolandsson !1 Abstract Denna uppsats undersöker hur musikjournalistik framställer manliga och kvinnliga artister inom genren rockmusik i syfte att undersöka hur dessa representeras i förhållande till deras kön. Studiens material baseras på sammanlagt tio artiklar från magasinen Pitchfork och Rolling Stone Magazine. För att synliggöra maktrelationer kopplat till genus används en kritisk diskursanalys med tyngdpunkt i Norman Faircloughs tredimensionella modell och Roger Fowlers teori om kritisk lingvistik. Den teoretiska ramen innefattar studier om representation, språk och diskursteori samt genus, performativitet och populärkultur. Studiens resultat indikerar att kvinnor och män inom rockmusik beskrivs på olika sätt baserat på normativa föreställningar om deras kön. Nyckelord: Kritisk diskursanalys, genus, musikjournalistik, populärmusik !2 Innehållsförteckning 1. Inledning………………………………………………………………….………………..….. 4 1.1 Syfte och frågeställningar……………………………………………………………….….… 5 2. Bakgrund……………………………………………………………………………………… 6 3. Tidigare forskning………………………………………………………………………….… 8 3.1 Könsperformativitet och populärmusik…………………………………………………….… 8 3.2 Musikjournalistik som maktverktyg………………………………………………………….. 9 4. Teoretiskt ramverk…………………………………………………………………………… 10 4.1 Representation, språk & diskursteori………………………………………………………….10 -
Top Albums of 2020 by Hayden Goodridge
Top Albums of 2020 By Hayden Goodridge Looking over the stacks of records released throughout this (hopefully) once-in-a-lifetime year, it’s surprising to be reminded of the drastic lifestyle changes none of us could seem to avoid. I’ve been compiling year-end album lists for quite a few years, but this year in review carries greater emotional attachment than I’ve experienced years prior. For each album I recall hearing, I’m also given a snapshot of the level of fear, grief, numbness, etc. I felt in reaction to the state of the outside world on first listen. Music—and any form of art for that matter—has been a necessary coping mechanism in this period of tremendous uncertainty. To the artists that made it into this personal list of favorites, I extend gratitude for the comfort, distraction, and jams they provided us at the shaky start of a new decade. Honorable Mentions Ummon – Slift A muscular alien man stands on the barren surface of an unknown planet in space holding a gigantic sword behind him—ready to attack. The cover art of Ummon perfectly captures what Slift is all about. This cosmic psych rock trio buries the listener in huge swells of reverberating riffs which drive their sci-fi level of imagination forward into the final frontier. Favorite Song: “It’s Coming…” Magic Oneohtrix Point Never – Oneohtrix Point Never Tuning into a Oneohtrix Point Never record feels like falling asleep in front of the late-night glow of your television. Familiar musical themes quickly float in and out of consciousness like a meandering dream.