DOCSLIB.ORG

Vivid Live First Artist Announced: Fleet Foxes * Ballot for Tickets *

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vivid Live First Artist Announced: Fleet Foxes * Ballot for Tickets * MEDIA RELEASE 6.00am, Wednesday 1 March 2017 VIVID LIVE FIRST ARTIST ANNOUNCED: FLEET FOXES * BALLOT FOR TICKETS * FOUR NIGHTS, SYDNEY ONLY, EXCLUSIVE TO VIVID SYDNEY “Fleet Foxes haven’t just expanded and enhanced their sound, they’ve found a way to remain lasting” – Consequence of Sound Folk-rock masters Fleet Foxes will premiere new material from their highly anticipated third album exclusively for Australian audiences at the Sydney Opera House when they make their long-awaited returned for Vivid LIVE in May this year as part of Vivid Sydney, the world’s largest festival of light, music and ideas. Five years since their last, life affirming shows, the band have chosen Vivid LIVE for their return to the stage, performing over four nights in the Opera House Concert Hall. Due to the expected high demand, tickets will be allocated by ballot (details below). Fleet Foxes Vivid LIVE performances are exclusive to Vivid Sydney and their only Australian shows for 2017, following sold-out ballots for Morrissey (2015) and Kraftwerk's 3D Catalogue retrospective (2013), as well as Anohni’s immersive and sense-shifting performance Hopelessness (2016). The five-piece ensemble rose to prominence in the vanguard of a new wave of folk music in the 2000s, alongside fellow Opera House alumni including Sufjan Stevens, Joanna Newsom, Bon Iver, Bill Callahan and The Decemberists. The band returns to Sydney Opera House with a refreshed line-up featuring Robin Pecknold (vocals, guitar), Skyler Skjelset (guitar), Christian Wargo (bass), Morgan Henderson (multiple instruments) and Casey Wescott (piano). In addition to the core-band, their Vivid LIVE performances will feature additional players including Matthew Barrick (drums). Fleet Foxes debut self-titled album, released in 2008, was billed in Rolling Stone’s 100 Best Albums of the 2000’s in Rolling Stone, while White Winter Hymnal also made Rolling Stone’s 100 Best Songs of the 2000’s. In December the same year, the Sun Giant EP and their self-titled LP together shared the title of Pitchforks #1 album(s) of 2008. Their second full-length album, Helplessness Blues (Sub Pop/Inertia) was released in 2011 to critical acclaim and propelled them to No. 6 in the Australian national charts (No. 2 in the UK and No. 4 in the US) confirming their status as a true crossover success story. Almost a decade after leading the new-folk revolution, Fleet Foxes will bring their fevered dynamism and signature harmonies to the Concert Hall stage and demonstrate once more why they are indeed a band for the ages. Robin Pecknold said, “We are unbelievably excited to perform songs from our new album, and to revisit songs from across our catalogue, at the Sydney Opera House in May. In this time, when all action towards unity is vital, our means of engendering union is through music, collective communal performance, on any stage that will have us, and there is no better stage in the world than the Opera House. We really hope to see you there.” With the new album expected very soon, Robin Pecknold has created a playlist of artists and songs that inspired Fleet Foxes whilst writing the forthcoming new album. Destination NSW Chief Executive Officer and Vivid Sydney Executive Producer Sandra Chipchase said, “Vivid Sydney continues to attract the world’s best musicians to our city each year. The calibre of artists performing at the festival is testament to its success. I encourage all music fans to plan their trip to Sydney to see internationally acclaimed US band Fleet Foxes when they premiere their new material at these four exclusive Sydney shows.” Vivid LIVE, now in its ninth year, will be the third curated by Ben Marshall, the Opera House’s Head of Contemporary Music. For Vivid LIVE, Marshall has programmed iconic artists and projects such as Anohni, Bon Iver ‘Cercle’, New Order + ACO, Max Richter ‘Sleep’, Kraftwerk, Lauryn Hill, Sufjan Stevens and Morrissey. Ben’s year-round contemporary music program features Underworld, Kasabian, Andrew Bird, James Vincent McMorrow, Billy Bragg & Joe Henry, The Lumineers and Mary J. Blige. The stages of the World Heritage-listed building have also held Brian Wilson, D’Angelo, The National, Florence + the Machine, Tame Impala and Nick Cave & the Bad Seeds. Ben Marshall, Curator of Vivid LIVE at the Sydney Opera House, said “It’s a big moment for us to welcome back Fleet Foxes to the Sydney Opera House Concert Hall stage for Vivid LIVE. Having ended their Helplessness Blues tour here five years ago, over three unforgettable sold-out nights, they’ve chosen to premiere their new, fiercely anticipated third album on the very same stage. Like past key Vivid LIVE artists Bon Iver and Sufjan Stevens, Fleet Foxes are taking a 4-night Vivid LIVE residency and bringing something special to Sydney for their only Australian performances for 2017. A dramatic and powerful live proposition, Robin Pecknold’s spectral tenor and euphonic, melancholy melodies are something to behold in the Concert Hall and this act’s blazing ambition and restlessness will be on grand display in one of this year’s absolute musical highlights.” The full program for Vivid LIVE at the Sydney Opera House will be announced at the Vivid Sydney program launch this month: vividsydney.com / sydneyoperahouse.com/vividLIVE SEASON DETAILS WHAT: Fleet Foxes WHEN: Friday May 26 - Monday 29 May, 2017 WHERE: Concert Hall, Sydney Opera House TICKETS: Premium $119 A Reserve $109 B Reserve $89 IMPORTANT TICKETING INFORMATION An application process has been implemented for Fleet Foxes’ only Australian shows at Vivid LIVE, in anticipation of high demand and to ensure everyone has an equal chance to make applications over a five-day period. This will minimise website congestion and distribute tickets to fans across time zones, states and countries. Successful applicants will be notified via email with a link to purchase tickets between 10am - 4pm (AEDT) Friday 10 March. Unsuccessful applicants will not receive a link to purchase, however will be automatically added to a waitlist in the event of a later release of tickets. Tickets can be applied for anytime between Wednesday 1 March 2017 (6:00am AEDT) and Sunday 5 March 2017 (11:59pm AEDT). Successful applicants will be chosen at random from within the allocations designated for visitors and locals. To apply go to http://sydneyoperahouse.com/vividlive ONLY ONLINE APPLICATIONS WILL BE ACCEPTED. APPLICATIONS CANNOT BE ACCEPTED OVER THE PHONE OR IN PERSON. Vivid LIVE From 26 May to 17 June, Sydney Opera House will welcome some of the most ambitious and innovative local and international artists for Vivid LIVE – a celebration of music on the nation's most famous stages – as part of Vivid Sydney, the world’s largest festival of light, music and ideas. Vivid LIVE celebrates iconic artists in contemporary music with newly commissioned works, world premiere performances, and Sydney only appearances from musical greats within Australia and around the world. Vivid LIVE invites the world’s leading artists, creative collectives, promoters and digital animators to raise the roof of Sydney Opera House's theatres, rehearsal spaces, recording studios and most famously, its iconic sails, which are transformed into a unique canvas each year for Vivid Sydney. Vivid Sydney Vivid Sydney is the world’s largest festival of light, music and ideas, which for 23 days - from 26 May to 17 June 2017 - transforms the Harbour City with its colourful creative canvas. In 2016 Vivid Sydney attracted a record 2.31 million attendees. Now in its ninth year, Vivid Sydney is owned, managed and produced by Destination NSW, the NSW Government’s tourism and major events agency. Vivid Sydney features large scale light installations and projections (Vivid Light); music performances and collaborations (Vivid Music including Vivid LIVE at the Sydney Opera House); and creative ideas, discussion and debate (Vivid Ideas), all celebrating Sydney as the creative hub of the Asia-Pacific. For more information visit www.vividsydney.com Vivid LIVE Media Enquiries: Jessica Keirle / [email protected] / 02 9250 7822 Justin Tam / [email protected] / 02 9250 7836 Vivid Sydney Media Enquiries Jessica Parry / [email protected] / 0439 143 566 .
Load more

Recommended publications
  • The Low Anthem and Blind Pilot |
    1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s mid­decade spike in visibility, which, with over­exposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, worn­in, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in old­time American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós.
    [Show full text]
  • Exclusive PREVIEW of Vivid Sydney 2018 Where to Eat, Shop, Stay And
    LOVE EVERY SECOND OF SYDNEY & NSW IN WINTER 25 May – 16 June 2018 VIVID SYDNEY SYDNEY NEW SOUTH WALES exclusive Where to essential short PREVIEW of vivid eat, shop, stay breaks & long sydney 2018 and play road trips VIVID SYDNEY VIVID – WHAT’S ON 03 What to expect from Vivid Light, Music and Ideas Vivid SYDNEY celebrates VIVID LIGHT WALK Lights on! A guide to the 04 amazing Vivid Light installations VIVID PRECINCTS Find out where to see 10 years of creativity 08 the city light up VIVID MUSIC Get into 23 days 25 May - 16 June 2018 10 of music discovery VIVID IDEAS Hear from global Game 13 Changers & Creative Catalysts GETTING AROUND Plan your journey using public 16 transport during Vivid Sydney HELP FROM OUR FRIENDS Thanks to our partners, 17 collaborators and supporters VIVID MAP Use this map to plan your 20 Vivid Sydney experience SYDNEY BEYOND VIVID Your guide to exploring 21 Sydney and New South Wales SYDNEY FOOD & WINE Foodie hotspots, new bars 22 and tours EXPLORE SYDNEY Where to stay and shop 24 and what to see THE GREAT OUTDOORS There is so much more to do, see and love at vivid sydney in 2018. Your guide to walks, the 25 harbour & high-rise adventures Start planning your experience now. IT’S ON! IN SYDNEY 26 Unmissable sporting events, theatre, musicals and exhibitions VIVID SYDNEY SYDNEY IN WINTER EXPLORE NSW At 6pm on 25 May Vivid Sydney 2018 While you’re here for Vivid Sydney, stay The most geographically diverse State in switches on with the Lighting of the Sails a while longer to explore the vibrancy Australia offers a little bit of everything new south wales of the Sydney Opera House and all light of Sydney in Winter.
    [Show full text]
  • 2015 Arts Catalyst Big Idea Factory
    campus so that we could create a compilation video to be used the following week. - Spoken word by Propaganda: - Baptism Video: Compilation video of baptism celebrations at all campuses from previous week. - Lane’s Challenge: We plan to close the message with Lane’s story that concludes the FYWBTG book. Perhaps the part he wrote as a challenge to all of us could come in his own words through video or audio? - Song - You Are Not Alone by MJ -maybe redo it acoustic or some such - Song - Frank Turner “The Way I Tend to be” - Worship Song - You Are God Alone (not a God) - Phillips, Craig, and Dean EASTER AT COMMUNITY: Easter Must Haves: Opening video - Call to worship, Lilies, Communion - Extra Special!, Pop Culture - Hit song, Story of Life Change, A reason to come back - Promo for next series, Language to translate to a newcomer, Original video content, Scripture reading (call and response), He is Risen!! Cross imagery, HUMOR, Cry, First Impressions awesomeness, A-team - Opening Moment - sound track - audio storytelling (use example of Peter for dialog, make it fit with “I Bet My Life” song, dark, frightening, goes into a song that is rockin’, bright - Alive by Israel Houghton suggested -Your last walk in music is the start of this track. Cue where it goes to black. Thunderbolts, storm etc. Welcome - short, not who we are. Welcome, lets sing - Two song worship set - Bumper - Message Element order Message: Testimony - Mary Beth Bittel. Maybe she plays forever on the Cello - Communion prep underneath Forever - Kari Jobe Pass communion during opening parts of the song.
    [Show full text]
  • Historic Coast Culture's Farm‐To‐Fork Chef Series
    Historic Coast Culture’s Farm‐to‐Fork Chef Series Presented by the St. Johns Cultural Council Overview Food is a major part of understanding any culture or region. On Florida’s Historic Coast, the culinary scene reflects 450 years of its coastal location and diverse heritage. From the original Spanish settlers, British colonists and the Greeks and Minorcans who emigrated here, visitors can savor a fascinating array of local culinary tastes and farm‐to‐table dishes. Visitors can experience everything from fine dining and quick eats to food festivals, in‐town and farm‐tasting events and culinary classes. Vision Today, farm‐to‐table Culinary is one of Florida’s Historic Coast’s key cultural assets that offers cultural travelers even deeper experiences while they are visiting. To showcase St. Johns County’s farm‐to‐table restaurants and farms, the St. Johns Cultural Council is creating a series of Farm‐to‐Fork Chef Dinners. Each will feature a top local chef from a farm‐to‐table restaurant and a local farm(s). The Chef Series will include both “In‐Town Dinners” at unusual places and “Farm Dinners” in rural settings. These culinary events will also feature local artisans, farm‐to‐table produce, local seafood and/or meats, farm‐to‐table desserts as well as local spirits. Each event will be unique, with a theme chosen by the Chef(s) for the location. These tastings will feel like an intimate dining experience where 30‐40 guests can speak one‐on‐one with the Chef(s) as well as local artisans and farms.
    [Show full text]
  • 2015 Year in Review
    Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros.
    [Show full text]
  • October 10, 2018
    University of Mississippi eGrove Daily Mississippian 10-10-2018 October 10, 2018 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "October 10, 2018" (2018). Daily Mississippian. 95. https://egrove.olemiss.edu/thedmonline/95 This Newspaper is brought to you for free and open access by eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. THE DAILY WEDNESDAY, OCTOBER 10, 2018 | VOLUME 107, NO. 29 MISSISSIPPIAN THE STUDENT NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI | SERVING OLE MISS AND OXFORD SINCE 1911 SPECIAL REPORT REPARATIVE JUSTICE In response to recent campus conversations A campus movement calling for the regarding race, this Thursday’s DM university to address racism head-on will take a closer look at discrimination has gained the support of university within our university community. faculty, staff and students. SEE TOMORROW’S DM SEE PAGE 3 Professors publish ‘UM Race Diary Project’ report 2014-15 academic year document microinvalidations (unconscious students, collected anonymous such as the Grove and the Student SLADE RAND specific references to Ole Miss negation or nullification,)” the responses online from Aug. 23, Union,” the report reads. [email protected] students demonstrating racist, report’s summary reads. 2014, to April 23, 2015. Respons- Students registered to partic- misogynist, homophobic and oth- The faculty researchers are es came from “621 students in un- ipate in the reporting process Four UM sociology profes- erwise discriminatory behavior, Associate Professor of Sociology dergraduate sociology, psychol- online through a public link to a sors have published a report often to no repercussions.
    [Show full text]
  • The Prospector, June 13, 2017
    University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 6-13-2017 The rP ospector, June 13, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, June 13, 2017" (2017). The Prospector. 283. http://digitalcommons.utep.edu/prospector/283 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. VOL. 102, NO. 30 THE UNIVERSITY OF TEXAS AT EL PASO JUNE 13, 2017 The fight for Duranguito Continues PHOTO & ILLUSTRATION BY GABY VELASQUEZ & ALEJANDRA GONZALEZ BY ADRIAN BROADDUS Th e plaintiff s with the Texas Rio- the most important. Th e city will say Th ey also said in a post that the own- sael, there are currently four buildings The Prospector Grande Legal Aid are demanding that that it’s the property owners, but it’s ers of the Flor de Luna Art Academy that are proposed to be torn down. the city stop issuing demolition per- them. Th ey’re granting the owners Gallery were evicted from their build- However, according to the court Last week Judge Amy Clark Mea- mits for the buildings in the Duran- permits to take them out.” ing last week.
    [Show full text]
  • God's Favorite Customer by Father John Misty
    Father John Misty – “God’s Favorite Customer” The artist behind the ego: Josh Tillman, mostly known by his performance nom de guerre Father John Misty, is a Maryland born indie folk/rock singer; although he began his musical career as a drummer playing for minor indie bands like Saxon Shore while working in a bakery for a day job. He was born in an evangelical household and was very religious during his youth, something he resented his parents for when he grew up. While working as a drummer, he wrote music for himself in his free time. He attended a private Christian college but dropped out as he felt more comfortable in his music career. Through touring, he made connections with other artists and his demos made their way to Damien Jurado, a fellow Sub Pop artist. He would then go on to open for Jurado. In 2006, he had his first studio album released under the moniker J. Tillman. He then went on to produce four more albums (eight in total), with the last one being released in 2010. During his J. Tillman years, a lot of the music he made was very folk and has joked about the music he made being “sad bastard music.” He found very little success doing folk albums. During this time as J. Tillman, he joined the indie band Fleet Foxes as the drummer. In an interview with Rolling Stone, he stated that, “With Fleet Foxes I had to confront a certain sacred cow in my life, which was the idea that if I was in a popular band, if I just get to be a working musician, then that’s going to be the antidote for all the boredom and pain in my life.
    [Show full text]
  • THE TUFTS DAILY Est
    Where You Sunny Read It First 44/33 THE TUFTS DAILY Est. 1980 VOLUME LXIV, NUMBER 39 TUEsday, NOVEMBER 6, 2012 TUFTSDAILY.COM Campus activism culminates with Election 2012 MCT MCT Tufts Democrats bring energy Tufts Republicans gear up to campus for election season for senate election BY JAMES POULIOT President Barack Obama, Massachusetts BY DA P HNE KOLIOS he assumed leadership as co-president of Daily Editorial Board senatorial candidate Elizabeth Warren Daily Editorial Board Tufts Republicans and began to re-focus the and U.S. Congressional candidates Joseph group’s efforts. His personal participation in Tufts Democrats is wrapping up two Kennedy of Massachusetts and Ann Throughout the semester, Tufts the Scott Brown campaign inspired him to months of election preparation efforts with Kuster of New Hampshire, according to Republicans has been primarily focus- carry the campaign activities over to campus a week of election drives, canvassing and senior Bronwen Raff, president of Tufts ing their outreach on the Scott Brown through Tufts Republicans. phone calls to constituents that aim to reg- Democrats. (R-Mass, LA ’81) senatorial campaign “As a result of me kind of being in charge ister voters, educate the public and increase The group is also advocating support for rather than the presidential election, on- ... Tufts Republicans just completely focused voter participation on Election Day. Question 4, a ballot initiative in Somerville campus and beyond. on the Scott Brown re-election campaign, The organization has rallied support for Following the effective dissolution of the various Democratic candidates, including see DEMOCRATS, page 2 group in May, junior Bennett Gillogly said see REPUBLICANS, page 2 STORM update ExCollege to host Election Hurricane Sandy causes campaign cancellations, polling changes Night Extravaganza tonight To Tufts, Hurricane Sandy meant permitted to submit a provisional ballot at power outages, a day off from classes any open polling location across the state.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Producer, Engineer, Mixer Phil Ek, Producer of Artists
    Rebekah Ratlif 9/12/2011 Demo Production Phil Ek: Producer, Engineer, Mixer Phil Ek, producer of artists such as The Shins, Modest Mouse, Fleet Foxes, and Band of Horses, prides himself on filling three roles of the music production process: producer, engineer, and mixer. It’s fair to say that he is successful in all three areas. In the nineties Ek moved to Seattle after graduating high school and started in the clubs of Seattle where he worked as an audio engineer. After working for a year and a half, he moved on to recording small demos for anyone that came to him. He would record three song demos on cassette so the artists could try to get gigs in clubs and venues. Ek then attended the Art Institute of Seattle to study recording. During this time he met John Endino, producer of Nirvana, and ended up assisting him in his studios. During his time with Endino and recording demos at Sub Pop records he met members of the band Built to Spill. Ek, creating a good relationship with the band, was asked to record their record “There’s Nothing Wrong with Love” which went on to reach #24 on Pitchfork’s Top 100 albums of the 1990s. Ever since recording that album, Ek has been unstoppable, recording several other Built to Spill records, two number one albums in the US, and two in the US top 40. The Role of the Producer The idea of what a producer actually does could be diferent for many people, depending on their perspective in or outside of the music industry.
    [Show full text]