The One and Only Ivan” Is an Unforgettable Tale About the Beauty of Friendship, the Power of a Visualization and the Significance of the Place One Calls Home
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EE British Academy Film Awards Sunday 8 February 2015
EE British Academy Film Awards Sunday 8 February 2015 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Leading Actor Benedict Cumberbatch 1 nomination Leading Actor in 2015: The Imitation Game Eddie Redmayne 1 nomination Leading Actor in 2015: The Theory of Everything Orange Wednesdays Rising Star Award Nominee in 2012 Jake Gyllenhaal 2 nominations / 1 win Supporting Actor in 2006: Brokeback Mountain Leading Actor in 2015: Nightcrawler Michael Keaton 1 nomination Leading Actor in 2015: Birdman Ralph Fiennes 6 nominations / 1 win Supporting Actor in 1994: Schindler’s List Leading Actor in 1997: The English Patient Leading Actor in 2000: The End of The Affair Leading Actor in 2006: The Constant Gardener Outstanding Debut by a British Writer, Director or Producer in 2012: Coriolanus (as Director) Leading Actor in 2015: The Grand Budapest Hotel Leading Actress Amy Adams 5 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Leading Actress in 2015: Big Eyes Felicity Jones 1 nomination Leading Actress in 2015: The Theory of Everything Julianne Moore 4 nominations Leading Actress in 2000: The End of the Affair Supporting Actress in 2003: The Hours Leading Actress in 2011: The Kids are All Right Leading Actress in 2015: Still Alice Reese Witherspoon 2 nominations / 1 win Leading Actress in 2006: Walk the Line Leading Actress in 2015: Wild Rosamund Pike 1 nomination Leading Actress in 2015: Gone Girl Supporting Actor Edward Norton 2 nominations Supporting Actor in 1997: Primal Fear Supporting Actor in 2015: Birdman Ethan Hawke 1 nomination Supporting Actor in 2015: Boyhood J. -
LIST of MOVIES from PAST SFFR MOVIE NIGHTS (Ordered from Recent to Old) *See Editing Instructions at Bottom of Document
LIST OF MOVIES FROM PAST SFFR MOVIE NIGHTS (Ordered from recent to old) *See editing Instructions at bottom of document 2020: Jan – Judy Feb – Papi Chulo Mar - Girl Apr - GAME OVER, MAN May - Circus of Books 2019: Jan – Mario Feb – Boy Erased Mar – Cakemaker Apr - The Sum of Us May – The Pass June – Fun in Boys Shorts July – The Way He Looks Aug – Teen Spirit Sept – Walk on the Wild Side Oct – Rocketman Nov – Toy Story 4 2018: Jan – Stronger Feb – God’s Own Country Mar -Beach Rats Apr -The Shape of Water May -Cuatras Lunas( 4 Moons) June -The Infamous T and Gay USA July – Padmaavat Aug – (no movie night) Sep – The Unknown Cyclist Oct - Love, Simon Nov – Man in an Orange Shirt Dec – Mama Mia 2 2017: Dec – Eat with Me Nov – Wonder Woman (2017 version) Oct – Invaders from Mars Sep – Handsome Devil Aug – Girls Trip (at Westfield San Francisco Centre) Jul – Beauty and the Beast (2017 live-action remake) Jun – San Francisco International LGBT Film Festival selections May – Lion Apr – La La Land Mar – The Heat Feb – Sausage Party Jan – Friday the 13th 2016: Dec - Grandma Nov – Alamo Draft House Movie Oct - Saved Sep – Looking the Movie Aug – Fourth Man Out, Saving Face July – Hail, Caesar June – International Film festival selections May – Selected shorts from LGBT Film Festival Apr - Bhaag Milkha Bhaag (Run, Milkha, Run) Mar – Trainwreck Feb – Inside Out Jan – Best In Show 2015: Dec - Do I Sound Gay? Nov - The best of the Golden Girls / Boys Oct - Love Songs Sep - A Single Man Aug – Bad Education Jul – Five Dances Jun - Broad City series May – Reaching for the Moon Apr - Boyhood Mar - And Then Came Lola Feb – Looking (Season 2, Episodes 1-4) Jan – The Grand Budapest Hotel 2014: Dec – Bad Santa Nov – Mrs. -
The Grand Budapest Hotel” Jamie L
Cinesthesia Volume 6 | Issue 1 Article 1 4-21-2017 Faint Glimmers of Civilization: Mediated Nostalgia and “The Grand Budapest Hotel” Jamie L. Bick Grand Valley State University, [email protected] Follow this and additional works at: http://scholarworks.gvsu.edu/cine Part of the Other Film and Media Studies Commons Recommended Citation Bick, Jamie L. (2017) "Faint Glimmers of Civilization: Mediated Nostalgia and “The Grand Budapest Hotel”," Cinesthesia: Vol. 6 : Iss. 1 , Article 1. Available at: http://scholarworks.gvsu.edu/cine/vol6/iss1/1 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Bick: Mediated Nostalgia and "The Grand Budapest Hotel" Faint Glimmers of Civilization: Mediated Nostalgia and The Grand Budapest Hotel by Jamie Bick As a tool of an uncritical, backwards-gazing “media-defined past” (Lizardi 137), mediated nostalgia is increasingly concerned with how “persuasion through the pop culture of preceding generations” can be used to integrate an often-unlived past into the modern viewer's identity and worldview (De Revere, par. 5). Mediated nostalgia is akin to the neologism “legislated nostalgia,” coined by Douglas Coupland in his 1991 novel Generation X, and described as the process of “forc[ing] a body of people to have memories they do not actually possess” (Coupland 41); corporations likely use this process to market and sell a viewer's nostalgia back to them. While the nostalgic assimilation sought by the viewer is ultimately achieved through the repeated psychological absorption of various media, often with the aid of democratized media technologies like the Internet, the embrace of mediated nostalgia by film is not entirely nefarious and capitalistic. -
Barbie Bake-Off and Risk Or Role the Apprentice Model? Documentary Pokémon Go Shorts
FEBRUARY 2017 ISSUE 59 POST-TRUTH RESEARCHING THE PAST BARBIE BAKE-OFF AND RISK OR ROLE THE APPRENTICE MODEL? DOCUMENTARY POKÉMON GO SHORTS MM59_cover_4_feb.indd 1 06/02/2017 14:00 Contents 04 Making the Most of MediaMag MediaMagazine is published by the English and Media 06 What’s the Truth in a Centre, a non-profit making Post-fact World? organisation. The Centre Nick Lacey explores the role publishes a wide range of of misinformation in recent classroom materials and electoral campaigns, and runs courses for teachers. asks who is responsible for If you’re studying English 06 gate-keeping online news. at A Level, look out for emagazine, also published 10 NW and the Image by the Centre. System at Work in the World Andrew McCallum explores the complexities of image and identify in the BBC television 30 16 adaptation of Zadie Smith’s acclaimed novel, NW. 16 Operation Julie: Researching the Past Screenwriter Mike Hobbs describes the challenges of researching a script for a sensational crime story forty years after the event. 20 20 Bun Fight: How The BBC The English and Media Centre 18 Compton Terrace Lost Bake Off to Channel 4 London N1 2UN and Why it Matters Telephone: 020 7359 8080 Jonathan Nunns examines Fax: 020 7354 0133 why the acquisition of Bake Email for subscription enquiries: Off may be less than a bun [email protected] in the oven for Channel 4. 25 Mirror, Mirror, on the Editor: Jenny Grahame Wall… Mark Ramey introduces Copy-editing: some of the big questions we Andrew McCallum should be asking about the Subscriptions manager: nature of documentary film Bev St Hill 10 and its relationship to reality. -
Isle of Dogs (Dir
Nick Davis Film Discussion Group April 2018 Isle of Dogs (dir. Wes Anderson, 2018) Dog Cast Chief (the main dog): Bryan Cranston: One of the only non-Anderson vets in the U.S. cast Rex (a semi-leader): Edward Norton: Moonrise Kingdom (12); Grand Budapest Hotel (14) Duke (gossip fan): Jeff Goldblum: fantastic in underseen British gem Le Week-end (13) Boss (mascot jersey): Bill Murray: rebooted career by starring in Anderson’s Rushmore (98) King (in their crew): Bob Balaban: hilarious in a very different dog movie, Best in Show (00) Spots (Atari’s dog): Liev Schreiber: oft-cast as dour antiheroes: Ray Donovan (13-18), etc. Nutmeg (Chief’s crush): Scarlett Johansson: controversially appeared in Ghost in the Shell (17) Jupiter (wise hermit): F. Murray Abraham: won Best Actor Oscar as Salieri in Amadeus (84) Oracle (TV prophet): Tilda Swinton: an Anderson regular since Moonrise Kingdom (12) Gondo (lead “cannibal”): Harvey Keitel: untrue rumors of cruelty a riff on his usual typecasting Peppermint (Spots’ girl): Kara Hayward: the young female co-lead of Moonrise Kingdom (12) Human Cast Atari (young pilot): Koyu Rankin: Japanese-Scottish-Canadian, in his first feature film Kobayashi (evil mayor): Kunichi Nomura: enlisted as Japanese cultural consultant, then cast Prof. Watanabe: Akiro Ito: actor/dancer; briefly appears as translator in Birdman (14) Interpreter Nelson: Frances McDormand: another veteran of Moonrise Kingdom (12) Tracy (U.S. student): Greta Gerwig: the Oscar-nominated writer-director of Lady Bird (17) Yoko Ono (scientist): Yoko Ono: 83-year-old avant-garde musician and performance artist Narrator: Courtney B. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
'Undateable' Guys Go on Tour
'Undateable' Guys Go on Tour 02.25.2014 "Undateable" is a new comedy coming to NBC about a group of friends going through a rut. In order to promote these guys and their stories leading up to the show's debut, NBC and Warner Bros. figured they'd first introduce them to everyone in person. So throughout March, four of the stars of the show (who also happen to be standup comedians) will join executive producer Bill Lawrence on a multi-city standup comedy tour, spanning the U.S. Lawrence, who will serve as host, and stars Chris D'Elia, Ron Funches, Brent Morin and Rick Glassman will start in New York on March 2 and head across the country, ending the tour in Los Angeles on March 20 (full schedule below). "Since it's so hard to launch a network comedy in this competitive landscape, we thought we would try a little grassroots marketing," said "Undateable" co-creator and executive producer Adam Sztykiel. "Plus, it will be exciting to see Bill travel around in a van." The series, based on the book "Undateable: 311 Things Guys Do That Guarantee They Won't Be Dating or Having Sex," will premiere later this year on NBC. For a taste of what to come, check out some of D'Elia's standup below: Chris D'Elia: White Male. Black Comic. Get More: Watch More Stand-Up. Schedule: 3/2/2014 New York, NY; Carolines On Broadway 3/3/2014 Boston, MA; Laugh Boston at The Westin Boston 3/4/2014 Philadelphia, PA; Underground Arts 3/5/2014 Washington, D.C.; DC Improv 3/11/2014 Dallas, TX; Addison Improv 3/12/2014 Houston, TX; Houston Improv 3/17/2014 Chicago, IL; Up Comedy Club 3/18/2014 Detroit, MI; The Magic Bag 3/20/2014 Los Angeles, CA (venue TBD) [Image courtesy of NBC]. -
55Th Chicago International Film Festival Presents
Media Contact: Matthew Bryant / Dayna Calkins Carol Fox and Associates 773.969.5033 / 773.969.5032 [email protected] [email protected] For Immediate Release: September 18, 2019 For high-resolution images, click here TH 55 CHICAGO INTERNATIONAL FILM FESTIVAL PRESENTS SPOTLIGHT: ARCHITECTURE x DESIGN PROGRAM SUPPORTED BY THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES Spotlight Includes Production Design Focus, Featuring Award-Winning Designers Hannah Beachler (Black Panther), Eugenio Caballero (Pan’s Labyrinth), Adam Stockhausen (The Grand Budapest Hotel) and Wynn Thomas (A Beautiful Mind) CHICAGO – The 55th Chicago International Film Festival today announced the line-up for this year’s Spotlight: Architecture x Design program with a special focus on Production Design. The Spotlight, presented on the occasion of the third Chicago Architecture Biennial, will showcase a program of films that bring a new perspective to architecture and design-related themes. As part of the Spotlight: Architecture x Design program, the Festival will feature a unique In Focus: Production Design program with support provided by the Academy of Motion Picture Arts and Sciences. “Our Architecture x Design program has been an important ongoing Festival program, as we partner with CAB in the biennial years,” said Artistic Director Mimi Plauché. “Our strong lineup of films, headlined by The New Bauhaus and The House of Cardin, is complemented by a series of talks and master classes by some of the top production designers working in cinema today. These conversations will bring insight to their craft and illuminate the complex relationship between production design, architecture and the built environment.” In Focus: Production Design will feature four award-winning designers and offer a unique opportunity for the public to gain insight into the artistry and craft of this all-important aspect of filmmaking. -
Alumna Spotlight July 2018 Xiaopei Xu '10
Alumna Spotlight July 2018 Xiaopei Xu '10 Xiaopei Xu '10 How did Linden Hall affect your life after graduation? Linden Hall affected my life significantly. It was my first time attending an all-girls school, and it was my first time speaking English all day because I previously studied in China. The whole experience was new and exciting. It opened my eyes and built my first impression and connection with this country. What piece of advice would you share with girls at Linden Hall today? Challenge yourself; don't be afraid to try new things. When you find a passion that speaks to your heart, stay with it and be persistent and disciplined. What did you love most about Linden Hall? The close relationship between students and teachers. They were always willing to give students extra help and answer questions outside the classrooms, even on weekends, if the teacher also lived on campus. Describe your experience at Linden Hall. What is your favorite memory? I felt the most self-driven and focused during my time at Linden Hall. My most special memory is practicing piano in the chapel every day after classes. The beautiful space is empty and pure. It's usually pretty dark inside, but I always only used a little lamp on the piano because I liked the feeling of being protected by the darkness and quietness. It gave me inner peace and I learned so much of the Bach repertoire there...what a magical time! After I went off to college, I still missed those moments very much. -
The Zweigesque in Wes Anderson's "The Grand Budapest Hotel"
THE ZWEIGESQUE IN WES ANDERSON’S “THE GRAND BUDAPEST HOTEL” Malorie Spencer A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Edgar Landgraf, Advisor Kristie Foell ii ABSTRACT Edgar Landgraf, Advisor This thesis examines the parallels between narrative structures, including frame narratives and narrative construction of identity, as well as poetic and thematic parallels that exist between the writings of Stefan Zweig and the Wes Anderson film, The Grand Budapest Hotel. These parallels are discussed in order to substantiate Anderson’s claim that The Grand Budapest Hotel is a zweigesque film despite the fact that it is not a direct film adaptation of any one Zweig work. Anderson’s adaptations of zweigesque elements show that Zweig’s writings continue to be relevant today. These adaptations demonstrate the intricate ways in which narrative devices can be used to construct stories and reconstruct history. By drawing on thematic and stylistic elements of Zweig’s writings, Anderson’s The Grand Budapest Hotel raises broader questions about both the necessity of narratives and their shortcomings in the construction of identity; Anderson’s characters both rely on and challenge the ways identity is constructed through narrative. This thesis shows how the zweigesque in Anderson’s film is able to challenge how history is viewed and how people conceptualize and relate to their continually changing notions of identity. iii ACKNOWLEDGMENTS I would like to thank my family for their encouragement throughout the process of writing this thesis.