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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Peminist Performance In/As Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2021 Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between Christina-Marie A. Magalona University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Communication Commons, and the Women's Studies Commons Scholar Commons Citation Magalona, Christina-Marie A., "Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8821 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between by Christina-Marie A. Magalona A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Chris McRae, Ph.D. Rachel Dubrofsky, Ph.D. Aisha Durham, Ph.D. S. L. Crawley, Ph.D. Date of Approval: March 29, 2021 Keywords: communication studies, performance studies, Asian American studies, feminist studies Copyright © 2021, Christina-Marie A. Magalona DEDICATION This dissertation starts from my earliest memories of the small wooden kitchen table at home, split with the time spent at Mars Drive. My appreciation starts here. To my entire family: thank you for all the ways that you nurtured me so that I can write this today. -
Greatestgentour.Com Now to See a Live Podcast That's the Exact Opposite of This
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Ben Harrison Promo The following is a message from Uxbridge-Shimoda LLC. 00:00:02 Sound Effect Sound Effect [Computer beeps.] 00:00:03 Music Music Fun, jazzy background music. 00:00:04 Adam Promo Have you been the victim of a bad live podcast experience? Has this Pranica ever happened to you? You bought a ticket to your favorite live podcast, and when you get there, there aren't any seats for you, so you have to sit in the bathroom because the toilet is the only unoccupied seat? And because the sounds of flushing and people having diarrhea, you can just barely hear the sound of laughter? But it's not the kind of laughter where you can tell the podcast hosts are doing well. It's the kind of laughter where you know the hosts are eating shit. 00:00:31 Adam Promo And when the show is over and you wipe yourself off, there isn't any toilet paper. So you use your underwear and try to flush those down the toilet. But the toilet gets clogged on all your underwear, and giant dookies you spent 90 minutes making, and starts overflowing, so you just leave it there and go out to the meet and greet. But you aren't feeling normal, because you aren't wearing underwear, because you're feeling the inside of your pants in a way you've never felt before, so you're awkward in your own body. -
Mbmbam 391: Jeff Wolfworthy Published on January 29, 2018 Listen Here on Themcelroy.Family
MBMBaM 391: Jeff Wolfworthy Published on January 29, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy! Travis: I’m your middlest brother, Travis McElroy! Griffin: I’m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Are you ready for more footballll? Griffin: I’m ready for twice the amount of football I currently consume, which would still... Justin: An undetermined night of the week party! Griffin: Whew! [sing-song] It’s all night, and the balls are hot; don’t touch the balls, ‘cause you’ll burn your hands! Justin: [sing-song] We have a bunch—some announcers to be determined that are gonna get it kickstarted. Travis: [sing-song] Or maybe, like, hand-off start it. We don’t know, we haven’t finished out the rules yet. Griffin: [sing-song] There may not even be a ball this time. It’s football of the mind, XFL. Justin: You’ve probably guessed we’re.. -
'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 P.M.*
What Winter Cold? These Comedians are Bringing the Heat! Check Out the World Premiere of 'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 p.m.* NEW YORK, Nov. 16, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL is unleashing a new "Hot List" of its star comics upon the world! See who makes the cut in the World Premiere of "COMEDY CENTRAL's Hot List," debuting Sunday, December 5 at 10:00 p.m. With the success of 2009's "Hot List," which included white-hot comedians Aziz Ansari, Donald Glover, Nick Kroll and Whitney Cummings, COMEDY CENTRAL is proving its prophetic prowess yet again by rolling out a bevy of break-through talent that audiences will soon have to reckon with. COMEDY CENTRAL has picked seven of the hottest comedians who have been on a hot streak in the clubs, on the Internet, in films and on television. This year's cream of the comedic crop includes Pete Holmes ("John Oliver's New York Stand-Up Show," "COMEDY CENTRAL Presents"), Reggie Watts ("Michael & Michael Have Issues"), Chelsea Peretti ("COMEDY CENTRAL Presents," "The Sarah Silverman Program"), Kurt Metzger ("Ugly Americans," "COMEDY CENTRAL Presents"), Kyle Kinane ("COMEDY CENTRAL Presents," "Last Call with Carson Daly"), Natasha Leggero ("COMEDY CENTRAL Presents," "Ugly Americans," "Last Comic Standing") and Owen Benjamin ("The House Bunny," "COMEDY CENTRAL Presents"). "COMEDY CENTRAL's Hot List" includes interviews with the comedians as well as clips from their various performances and day-in-the-life footage captured with a self-recorded flipcam. Tune in Sunday, December 5 at 10:00 p.m. -
The Adventure Zone: Live in San Jose! Published on May 16Th, 2019 Listen on Themcelroy.Family
The Adventure Zone: Live in San Jose! Published on May 16th, 2019 Listen on TheMcElroy.family [theme music plays] Audience: [applause] Griffin: I have uh, asked Paul to play some scene-setting music. Paul, if you could play the scene-setting music as I read the opening monologue… [scene-setting music plays loudly] Griffin: If you can make it much quieter than that, that would be amazing. Audience: [laughs] [scene-setting music disappears entirely] Griffin: A little bit louder. [scene-setting music plays] Audience: [laughs] Griffin: Perfect. Travis: Split the difference. Griffin: The year is 20XX… Audience: [laughs] Griffin: The world as you know it has ended. The once burdened forests and lush prairies peppered across Faerun lay fallow, swallowed up in cyclones of dust and exhaust. The land‘s great thriving cities are hollowed out wastelands, scoured tirelessly by electronic eyes for any remaining signs of life. Signs… of resistance. Audience: [laughs and cheers] Griffin: The rain of organic beings has long since been brought to a violent end by the world‘s new ruling class – robots. Audience: [cheers] Griffin: Sentient machines of various shapes, sizes, and functions that have reduced the world‘s human, dwarf, elf, orc, really, all non-robot populations down to a handful of barely surviving enclaves, all eking out a harrowing existence beneath the smog-filled sky. It‘s really very bad. Audience: [laughs] Griffin: There‘s no grass anymore. Where there used to be grass, now there‘s just like, little wires all over, which is what robots like instead of grass. Clint: [laughs] Audience: [laughs] Griffin: Playgrounds that used to be full of children‘s laughter are now filled with like, pipes and batteries and stuff. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Registered Businesses Sorted by End Date Based on Registered Business Locations - San Francisco
Registered Businesses sorted by End Date Based on Registered Business Locations - San Francisco Business Account Location Id Ownership Name Number 0030032-46-001 0030032 Walgreen Co 0028703-02-001 0028703 Vericlaim Inc 1012834-11-141 0091116 Urban Land Services Of Cal 0348331-01-001 0348331 Tran Sandy Dung 0331802-01-001 0331802 Ken Chi Chuan Association 1121572-09-161 0113585 Arch Drafting Supply Inc 0161292-03-001 0161292 Fisher Marie F 0124761-06-001 0124761 Vaccaro Joseph & Maria 1243902-01-201 0306019 Shatara Suheil E 0170247-01-001 0170247 Henriquez Reinaldo 1125567-10-161 0130286 Chador Abraham & Co Inc 0189884-03-001 0189884 Mission Language & Vocl Sch 0318928-03-001 0318928 John W De Roy Chiroprac Corp 0030032-35-001 0030032 Walgreen Co 1228793-07-191 0148350 Willis John P 0310148-01-001 0310148 Blasko Peter B Et Al 0135472-01-001 0135472 Saddul Oscar Allado Md Inc 0369698-02-001 0369698 San Francisco Associates Inc 0189644-02-001 0189644 Neirro Erainya Rodgers G Etal Page 1 of 984 10/05/2021 Registered Businesses sorted by End Date Based on Registered Business Locations - San Francisco DBA Name Street Address City State Source Zipcode Walgreens #15567 845 Market St San Francisco CA 94103 Vericlaim Inc 500 Sansome St Ste 614 San Francisco CA 94111 Urban Land Services Of Cal 1170 Sacramento St 5d San Francisco CA 94108 Elizabeth Hair Studio 672 Geary St San Francisco CA 94102 Ken Chi Chuan Association 3626 Taraval St Apt 3 San Francisco CA 94116 Arch Drafting Supply Inc 10 Carolina St San Francisco CA 94103 Marie Fisher Interior -
Shawn Paper Ace Editor
SHAWN PAPER ACE EDITOR FEATURES THE BROKEN HEARTS GALLERY Natalie Krinsky Tri-Star Pictures / No Trace Camping THAT AWKWARD MOMENT Tom Gormican Focus Features SHOULD’VE BEEN ROMEO Marc Bennett Phillybrook Films WHAT IS IT? Crispin Glover Volcanic Eruptions TELEVISION IN FROM THE COLD Ami Canaan Mann, Netflix / Silver Lining Entertainment Paco Cabezas & Birgitte Staermose SWEET TOOTH Jim Mickle, Robyn Grace Team Downey / Warner Bros Television / Netflix & Toa Fraser WHAT WE DO IN THE SHADOWS Taika Waititi, Taika Waititi, Jemaine Clement, Paul Simms / FX Official Selection, SXSW Film Festival (2019) Jemaine Clement, Jason Woliner & Jackie Van Beck CRASHING (Seasons 2 & 3) Judd Apatow, Judd Apatow, Pete Holmes, Judah Miller / HBO Gillian Robespierre, Oren Brimer & Ryan McFaul VEEP (Season 5) Various David Mandel, Julia Louis-Dreyfus / HBO Nominated, Outstanding Single-Camera Picture Editing for a Comedy Series, Primetime Emmy Awards (2012) Nominated, Best Edited Half-Hour Series for Television, ACE Eddie Awards (2012) I FEEL BAD (Pilot) Julie Anne Robinson Amy Poehler / Paper Kite Productions / NBC MOZART IN THE JUNGLE (Season 2) Paul Weitz Paul Weitz, Jason Schwartzman, Roman Coppola / Amazon GIRLS (Seasons 1, 2, 3 & 4) Richard Shepard Lena Dunham, Judd Apatow, Jenni Konner / HBO Jamie Babbit FRIENDS FROM COLLEGE Nicholas Stoller Nicholas Stoller, Francesca Delbanco / Netflix SANTA CLARITA DIET Ruben Fleischer Victor Fresco, Tracy Katsky /Netflix MARRY ME (Pilot) Seth Gordon David Caspe, Jamie Tarses / NBC GAFFIGAN (Pilot) Seth Gordon Jim -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
THTR 470 Sketch Syllabus Fall 18
Sketch Comedy for Theatre USCSchool of THTR-470 (2 units) Section 63081 Dramatic Arts Fall 2018 Mondays & Wednesdays 12-1:50pm Location: MCC 107 Kirstin Eggers, Adjunct Faculty Office: MCC 214 Office Hours: By appointment. Please schedule via email. Email: [email protected] Phone: (c) 323.898.7388 Course Description and Overview “The duty of comedy is to correct men by amusing them.” — Molière In this experiential writing and performance workshop course, we will explore and develop our comedic voices via the creation of comedic sketches, through the entire process — from idea generation, to writing, rewriting, rehearsal, and finally production and performance of a fully realized sketch comedy show, with an emphasis on comedic collaboration and ensemble building. Learning Objectives Throughout this course, we will work to develop our comedic voices through the medium of sketch — comedic explorations of concepts, characters and situations. We will learn sketch writing structure through the study of prominent existing sketches, and techniques for sketch performance and character creation. Students are expected to generate a high volume of comedic concepts and written material to serve their own creative exploration, and their own work ethic and writing practice. Students are also expected to serve the needs of the group, and work toward building a true comedy ensemble. Although we will be working toward a final workshop presentation, this course is focused on process over product — you are not expected to be funny 100% of the time, or even 10% of the time. You are expected to be brave, be open-minded, and stretch out of your comfort zone to explore and strengthen your own unique comedic voice.